|Femmes Fatales||Apr 30 2017|
|Vintage Pulp||Aug 21 2016|
|Femmes Fatales||Aug 2 2016|
|Vintage Pulp||Feb 15 2016|
Two issues of Adam to share—one from Australia and one from the U.S.—proved too much work for one day, so we posted Aussie Adam yesterday, and today we’re on to the American Adam. These magazines have no relationship to each other apart from coincidentally sharing a name. U.S. Adam relies on photo covers rather than painted art, shows a dedication to cheesecake photography that far outstrips its Australian cousin, and also has less fiction. However, what fiction it does offer extends beyond Aussie Adam’s adventure and crime focus, such as the short piece from counterculture icon Harlan Ellison called, “The Late Great Arnie Draper.” We’ve scanned and shared the entirety of that below if you’re in a reading mood.
The striking cover model here goes by the name Lorrie Lewis, and inside you get burlesque dancer Sophie Rieu, who performed for years at the nightclub Le Sexy in Paris, legendary jazzman Charles Mingus, and many celebs such as Jane Fonda, Claudia Cardinale, Sharon Tate, and the Rolling Stones. There’s also a feature on the Dean Martin movie Murderer’s Row, with Ann-Margret doing a little dancing, and blonde stunner Camilla Sparv demonstrating how to properly rock a striped crop-top. We managed to put up more than forty scans, which makes this an ideal timewaster for a Monday. Enjoy.
|Vintage Pulp||Dec 13 2011|
A long while ago we showed you a pulp cover that featured a painting of Sharon Tate. That book specifically used Tate both as cover art and interior subject matter. In contrast, the two figures above aren’t explicitly supposed to be Tate, but it just so happens that both unknown artists modeled their work from an on set photograph from her 1966 Dracula spoof The Fearless Vampire Killers. The photo was shot by Roman Polanski, who also directed the film. As you can see, it was used on John Dexter’s sleaze pulp Chuck-a-Lust, painted by Darrel Millsap, and on Paul Collins’s, aka Renato Carocci's giallo Ordine di uccidere, painted by Bendetto Caroselli. The former was published in 1967, and the latter in 1968. One year later, Tate was gone.
|Vintage Pulp||Feb 2 2011|
We’ve seen this cover of National Bulletin all over the web, which is normally sufficient reason for us not to post something. But then we stumbled across the photo of Sharon Tate that was used to make the cover and it seemed like all the excuse we needed, so we’ve posted that image below. The Bulletin cover is from December 1968, just about nine months before Charles Manson orchestrated Tate’s murder, but the photo is undoubtedly a handout dating from earlier. We’re guessing mid-1968. We actually have an issue of National Bulletin we're going to share that has never been posted online, so keep an eye out for that. Meanwhile, click keyword “National Bulletin” below to see our other postings on this, er, interesting tabloid.
|Vintage Pulp||Sep 13 2010|
Japanese poster for the 1967 horror spoof The Fearless Vampire Killers, directed by Roman Polanski, and starring Jack McGowan, Polanski and Sharon Tate.
|Hollywoodland||Sep 4 2010|
Summer is dwindling in the parts of the world that have actual seasons. As a reminder of everyone’s favorite time of year we’ve searched the internet and cobbled together a collection of thirty vintage images featuring some of yesteryear’s fittest femmes and hommes enjoying the sun, and sometimes each other. If you haven’t had a summertime moment like one of those below, there’s still time. Get to it.
|Vintage Pulp||Mar 30 2010|
Assorted frolicsome images from Japanese celeb magazines, with “Sharlon” Tate in panel four and Sylva Koscina in panel eleven.
|Intl. Notebook||Mar 4 2010|
The Los Angeles Police Department has apolo- gized to the family of Robert Kennedy and pulled from display items of clothing worn by the Senator the night he was shot in L.A. in 1968. The items—a tie, shirt, and jacket stained with blood—had been part of an exhibit hosted at the Palms Casino, and created for the 2010 California Homicide Investigators Assn. Conference.
The Kennedy family claims to have requested the return of Robert Kennedy’s effects more than ten years ago, to no avail, and called the LAPD’s official apology "insufficient." Department spokesmen claim to have been trying merely to put together a professional and educational display, not a “freakshow.” The exhibit does contain crime scene evidence rarely seen in public, including hundreds of photographs dating back as far one hundred years, but it also features sensational items such as the rope used to restrain Sharon Tate the night of her murder, and various O.J. Simpson artifacts.
Asked whether they would agree to the request made by the Kennedy family and return the items—a move that would comply with California state law regarding personal effects of murder victims—a spokeswoman for the L.A. County District Attorney’s office declined to answer in the affirmative about the potentially valuable collection, instead saying only that they were “looking into it.”