The saying goes that no parent should have to bury a child. Somebody didn't hear the saying.
The above Colombia Pictures promo photo of U.S. actress Eloise Hardt first appeared in 1941, when she was still performing in uncredited roles. Her first star turn came in 1947 in the twenty minute short The Luckiest Guy in the World, followed by a role in Homecoming in 1948. But her career in movies never really took off. It was in television that she made her mark, appearing in dozens of series beginning in 1956. Some of those included Alfred Hitchcock Presents, Miami Undercover, and Dr. Kildare. But for all her acting credits, it was for events outside of show business that she seems to be remembered today.
In 1968 Hardt's daughter Marina Habe was kidnapped, murdered, and her body left in the woods off Muholland Drive. Speculation over the years is that one or more members of the Manson Family did the deed. This would have made Habe an early victim, as their famous murder spree didn't occur until 1969, but according to Ed Sanders, author of The Family, members of Manson's circle admitted they knew Habe, and newspaper reports in 1969 suggested the same weapons that killed Habe were used on Sharon Tate. However no arrest was ever made in the murder. As for Hardt, she's still alive and residing in California, which means she's outlived her daughter by nearly fifty years.
Tate gives chase in an international fortune hunting comedy about a missing chair.
In ¿Las cual de 13?, aka 12 + 1, aka Twelve Plus One, an Italian barber played by Vittorio Gassman inherits thirteen chairs and, deeming them useless, sells them to a London antique shop. He later discovers one of the chairs contains a fortune, but when he returns to the shop he's told they've all been sold. So he offers the antique shop employee Sharon Tate half of the fortune to help him track down the chairs, which of course have scattered to the four winds. Their search takes them to Paris, Rome, and beyond, in 1960s screwball fashion with its expected pratfalls, mix-ups, and sticky situations. Gassman and Tate do reasonable jobs with the goofy script that's been made of Soviet authors Ilf and Petrov's satirical source novel, and the film is boosted by appearances from Vittorio De Sica, Mylène Demongeot, Terry-Thomas, and Orson Welles. This was an Italian production, but the poster above was painted for the film's Spanish run by Carlos Escobar, who signed his work “Esc.” This is the best we've ever seen from a very good artist. Since the movie didn't premiere in Italy until after Tate had been slain this month in 1969, and didn't reach Spain until mid-1970, the poster very likely was painted post-murder, which means Escobar probably was thinking of how to best portray someone who'd become a tragic figure. We suspect he put special effort into his work as a tribute, and if so, a fitting tribute it was.
It isn't whether you win the game. It's who you play.
And speaking of summer, Sharon Tate is the picture of summertime in this shot of her playing ping pong on the beach. We've seen the photo around the internet, but of course with zero information, so for the record, she's attending the 21st Cannes Film Festival, held in 1968, not in the summer, but in spring—May to be exact. But summer comes early on the Côte d'Azur. Her husband Roman Polanski was on the festival jury that year, but since that isn't actual work, he made time to be at the other end of the table here. He may have lost the game for all we know, but when Tate is your partner you've already won.
Getting down to the fine details.
Two issues of Adam to share—one from Australia and one from the U.S.—proved too much work for one day, so we posted Aussie Adam yesterday, and today we’re on to the American Adam. These magazines have no relationship to each other apart from coincidentally sharing a name. U.S. Adam relies on photo covers rather than painted art, shows a dedication to cheesecake photography that far outstrips its Australian cousin, and also has less fiction. However, what fiction it does offer extends beyond Aussie Adam’s adventure and crime focus, such as the short piece from counterculture icon Harlan Ellison called, “The Late Great Arnie Draper.” We’ve scanned and shared the entirety of that below if you’re in a reading mood.
The striking cover model here goes by the name Lorrie Lewis, and inside you get burlesque dancer Sophie Rieu, who performed for years at the nightclub Le Sexy in Paris, legendary jazzman Charles Mingus, and many celebs such as Jane Fonda, Claudia Cardinale, Sharon Tate, and the Rolling Stones. There’s also a feature on the Dean Martin movie Murderer’s Row, with Ann-Margret doing a little dancing, and blonde stunner Camilla Sparv demonstrating how to properly rock a striped crop-top. We managed to put up more than forty scans, which makes this an ideal timewaster for a Monday. Enjoy.
Sharon Tate was the unknowing model for at least two more pulp covers.
A long while ago we showed you a pulp cover that featured a painting of Sharon Tate. That book specifically used Tate both as cover art and interior subject matter. In contrast, the two figures above aren’t explicitly supposed to be Tate, but it just so happens that both unknown artists modeled their work from an on set photograph from her 1966 Dracula spoof The Fearless Vampire Killers. The photo was shot by Roman Polanski, who also directed the film. As you can see, it was used on John Dexter’s sleaze pulp Chuck-a-Lust, painted by Darrel Millsap, and on Paul Collins’s, aka Renato Carocci's giallo Ordine di uccidere, painted by Bendetto Caroselli. The former was published in 1967, and the latter in 1968. One year later, Tate was gone.
The fickle finger of Tate.
We’ve seen this cover of National Bulletin all over the web, which is normally sufficient reason for us not to post something. But then we stumbled across the photo of Sharon Tate that was used to make the cover and it seemed like all the excuse we needed, so we’ve posted that image below. The Bulletin cover is from December 1968, just about nine months before Charles Manson orchestrated Tate’s murder, but the photo is undoubtedly a handout dating from earlier. We’re guessing mid-1968. We actually have an issue of National Bulletin we're going to share that has never been posted online, so keep an eye out for that. Meanwhile, click keyword “National Bulletin” below to see our other postings on this, er, interesting tabloid.
The rise and fall of the Roman vampire.
Japanese poster for the 1967 horror spoof The Fearless Vampire Killers, directed by Roman Polanski, and starring Jack McGowan, Polanski and Sharon Tate.
Kennedy artifacts pulled from Las Vegas exhibit.
The Los Angeles Police Department has apolo- gized to the family of Robert Kennedy and pulled from display items of clothing worn by the Senator the night he was shot in L.A. in 1968. The items—a tie, shirt, and jacket stained with blood—had been part of an exhibit hosted at the Palms Casino, and created for the 2010 California Homicide Investigators Assn. Conference.
The Kennedy family claims to have requested the return of Robert Kennedy’s effects more than ten years ago, to no avail, and called the LAPD’s official apology "insufficient." Department spokesmen claim to have been trying merely to put together a professional and educational display, not a “freakshow.” The exhibit does contain crime scene evidence rarely seen in public, including hundreds of photographs dating back as far one hundred years, but it also features sensational items such as the rope used to restrain Sharon Tate the night of her murder, and various O.J. Simpson artifacts.
Asked whether they would agree to the request made by the Kennedy family and return the items—a move that would comply with California state law regarding personal effects of murder victims—a spokeswoman for the L.A. County District Attorney’s office declined to answer in the affirmative about the potentially valuable collection, instead saying only that they were “looking into it.”
The headlines that mattered yesteryear.
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
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