|Hollywoodland||Sep 15 2015|
On the Q.T. labeled itself “The class magazine in its field.” In practice that was less than true. This cover from September 1962 offers teasers about Liz Taylor’s inability to be made happy, the fatal ring beating of boxer Kid Paret, and the inside story about Ivy Nicholson’s suicide attempt. But the banner goes to the nude countess who shocked America. That would be Christina Paolozzi, aka Christina Bellin, who was a New York City fashion model and the offspring of United Fruit Company heiress Alicia Spaulding and Italian conte Lorenzo Paolozzi. The photo was shot by Richard Avedon and appeared in Harper’s Bazaar. Paolozzi was already considered “the first of the ’60s free spirits” by the tabloids, and by stripping for Avedon she became the first recognized fashion model to pose nude, a practice that is now common.
While Avedon earned widespread recognition for the shot, which you see at right, Paolozzi was dropped from the New York City Social Register, shunned by Manhattan’s upper crust, and subjected in the press to what is today sometimes called “body shaming.” Columnist Inez Robb wrote that Paolozzi was “no more favored by nature than the average daughter of Eve,” and added for good measure, “Harper’s Bazaar, with its excursion into overexposure, has unwittingly proved that not diamonds but clothes are a girl’s best friend.” If that wasn’t bad enough, just imagine what people wrote in the comments section. They had those then, right?
In any case, Paolozzi was a bold personality, and she went on to make waves yet again with her many wild parties and open marriage to cosmetic surgeon Howard Bellin, commenting in a mid-1970s newspaper article, “[It’s] just the way life is today—one man is simply not enough.” But she didn’t just spend the years having a good time. She also raised money for hospitals in Cambodia and Gabon, orphanages in Afghanistan, and supported eighteen foster children. In a sense, she gave the shirt off her back. Twenty-eight scans from On the Q.T. below.
|Hollywoodland||Sep 5 2015|
Well, look who it is—Vikki Dougan, yet again. We had never heard of her before last year, but now we’re seeing her everywhere. She married actor Jim Sweeney this week in 1960, and here you see her showing off what was described in the press as her “newest innovation”—a diamond toe ring. While she may have been among the first women in mid-century Hollywood to do this, she was not actually the first. As far as we know that distinction belongs to dancer Sheree North, who was sporting toe bling at least four years earlier. But Dougan was innovative, as you already know—her backless dresses got all the gossips wagging their tongues, gave the paparazzi many famed flashes of buttcrack, and earned her the nickname "The Back." We’ve already shown you a few of those images, so today we’re showing you her entire butt, below. You deserve it.
|Hollywoodland||Aug 18 2015|
Marilyn Monroe was perhaps the most photographed celebrity of her era, so when she died it was only natural that scores of magazines released tribute issues. One of the most comprehensive was published by Paris Match today in 1962, just shy of two weeks after Monroe’s death, and it featured a thirty-six page retrospective of her life and career. Above you see the cover of that issue, and below you’ll find all of the accompanying photographs, including several that have been less widely seen, such as those near the bottom showing her making faces while doing acting exercises. We have scans from another Monroe tribute issue made just after her death—this one by Italy’s Epoca—and you can see those here.
|Hollywoodland||Jul 16 2015|
It was in this July 1957 issue of Confidential that journalist “Horton Streete’ infamously outed cover star Liberace in the most vicious and dehumanizing way with an article entitled “Why Liberace’s Theme Song Should Be ‘Mad About the Boy’.” We’ve talked about it before. Streete willfully attempted to damage the singer’s career by spinning a shocking tale of how he attacked a young, male press agent. The article refers to Liberace as Fatso, Pudgy, Dimples, and other, less flattering monikers.
These early issues of Confidential are a cesspool of journalistic ethics, no doubt, but they’re also a visual treat. Using black, red, blue, and yellow, plus the white of the pages themselves, the designers put together a bold and gaudy package that would influence every other tabloid on the market. The layouts on Kitt, Liberace, Alan Dale, and Lex Barker are among the most eye-catching we’ve seen from the period. Elsewhere you get Anthony Quinn, and a host of other stars. We have a bunch of scans below. Remember, you can always see more from Confidential and other tabs by visiting our tabloid index at this link.
|Hollywoodland||Jun 30 2015|
This gold colored June 1963 cover for Confidential magazine is entirely given over to actress Barbara Payton, whose self-penned hard-luck story appears inside and details her life troubles. The tale is well known and is one we’ve touched upon before—early marriage and early motherhood, followed by stardom, romances, and riches, followed by booze, drugs, divorces and crime. Confidential being Confidential, the editors neglect to mention that the story here is not an exclusive, but rather is excerpted from I Am Not Ashamed, Payton’s painfully revealing autobiography.
And the spiral continued—cheaper and cheaper forms of prostitution, physical confrontations that resulted in her getting some of her teeth knocked out, and more. In all of these tales there’s a recurrent theme of lowly types taking advantage of her, but we can’t help noting that she was paid a mere $1,000 for her autobiography, an absurdly deficient amount for a former top star with a crazy story to tell, which suggests to us that guys in office suites take as much advantage—or more—of a person’s hard luck as guys in alleys. We have some scans below, and Payton will undoubtedly appear here again.
|Hollywoodland||Mar 13 2015|
This issue of the American film magazine Movie Mirror was published today in 1935 with Grace Moore on the cover, who was promoting her role in the film Love Me Forever, and later died in a plane crash with Prince Gustaf Adolf of Sweden. You may also notice the unusual sight of editor Ruth Waterbury giving herself standalone credit at upper left. We’ve never seen that before. Waterbury isn’t well remembered today, but she was a player in her time, one of America’s famous journalistic figures, and a staple in tabloids and gossip columns.
Movie Mirror billed itself as “Filmland’s most beautiful magazine,” and indeed its painted covers by the likes of John Ralston Clarke were among the most striking to be found on newsstands. In the late 1930s the magazine began moving away from painted covers to photo-illustrated fronts designed to evoke the same mood. In 1941 it merged with Photoplay and ceased to exist as a distinct publication. Below you see nine more covers, all from the 1930s, with Irene Dunne, Bette Davis, Claudette Colbert, Snow White, and others.
|Hollywoodland||Mar 13 2015|
Where would we be without leaked documents in this day and age? There’s an interesting story hitting the wires today about how the Mexican government pressured Sony Pictures and MGM to change the script of the upcoming James Bond film Spectre in exchange for $14 million dollars. The money took the form of tax incentives, but in the real world it’s no different than bagloads of cash. The information comes from hacked e-mails provided by an unknown North Korean person or group. According to the e-mails, the Mexican government wanted an assassin’s identity changed from Mexican to some other nationality, an assassination target likewise changed from Mexican to other, and insisted upon the casting of a Mexican Bond girl. The last demand was met with the hiring of Sonora-born Stephanie Sigman.
All of this is pretty much business as usual in moviemaking—hardly even a story, really. But we always write about Bond here, so this item seemed worth sharing. The last aspect of the e-mails that interested us was a demand that the film include aerial shots of Mexico City’s skyline, with an emphasis on the modern buildings. Tens of millions of travelers from every part of the globe visit Mexico each year because of its native ruins, beautiful Spanish colonial architecture, indigenous food, historically authentic festivals, thousands of miles of beaches, and warmwaters, yet Mexican officials wanted its few glass skyscrapers to appear onscreen to emphasize to shallow businessmen that, yes, we too can offer the type of cookie-cutter modernity you love. It’s fascinating to us. The world won’t know how much of the Mexican government’s wish list was granted until Spectre’s November 2015 release, but if we had to guess we’d say all of it.
|Hollywoodland||Mar 5 2015|
|Hollywoodland||Feb 24 2015|
Elke Sommer speeds through Hollywood during the late hours in this promotional photo from a 1963 issue of the French magazine Stop. She was famous at this point, having appeared in films in Europe, but she wasn’t yet the global icon she would become. In less than a year the hit comedy A Shot in the Dark would make her one of Hollywood’s biggest stars.
|Hollywoodland||Feb 1 2015|
Top Secret packs several top celebs onto the cover of this issue published today in 1958, but gives center position to the relatively unknown Elsa Sorensen, the 1955 Miss Denmark referred to here as “that nude model.” Sorensen was indeed a nude model—she was a 1956 Playboy centerfold under her own name, and afterward continued to model nude as Dane Arden. Top Secret editors claim to know why multi-million-selling pop singer Guy Mitchell married her, but we don’t need their help to figure that out. See below:
And that’s all there is from Top Secret today, except to say that for us the most interesting part of the Kitt saga—aside from the tantalizing allegation by Kanter that she “disported herself onstage in a lewd and suggestive manner”—is the fact that she’s pasted-up on the mag’s cover with Sidney Poitier, when in fact her date at the African Room that night was Canadian actor John Ireland. Poitier was nowhere in sight. We'd love to know why Top Secret tried to drag him in, however obliquely, but we're not counting on ever getting the answer. When you dig through the past, unanswered questions are not the exception, but rather the rule.