May Britt is spotted in Triunfo magazine.
The Spanish magazine Triunfo wasn't the most graphically beautiful of magazines, but it did publish rare celeb photos, such as the colorful cover at top of an amazingly freckled May Britt, and the centerspread of Italian star Anna Karina. Elsewhere in the issue are shots from Marilyn Monroe's funeral, Paola de Bélgica's shopping spree, Ava Gardner's bullfight, and Catherine Deneuve's wedding, plus Betsy Drake, Cary Grant, James Dean, and current fashions. We've shared several of those rare Triunfo centerfolds in the past, and they're all worth a look. You can see them here, here, here, and here.
In a place like Atlantic City there's always one more chance.
The poster you see above was painted by the Spanish artist Francisco Fernandez Zarza-Pérez, who signed his work as Jano. As you can see, it was to promote Louis Malle's drama Atlantic City, U.S.A. Most sites call the film just Atlantic City, but we're going with what the opening credits called it. Though the movie starred U.S. performers and tends to be thought of as an American effort, it was French produced and premiered all over Europe in 1980 before reaching the States in 1981. It opened in Spain today in 1980 and tells the story of a sixty-something minor crook who finds himself involved with twenty-something hustlers and their sale of stolen drugs. Circumstances place both the party favors and the profits in his hands, and he suddenly has a chance to be the big time mobster he never was.
Not only did Atlantic City, U.S.A. win the Golden Lion at the Venice Film Festival, it's one of the few movies to be nominated for all five major Academy Awards—Best Actor (Burt Lancaster), Best Actress (Susan Sarandon), Best Director, Best Picture, and Best Screenplay. With a résumé like that we don't have to tell you the movie is good. Watch it. You'll like it. The woman on the poster, by the way, looks nothing like Susan Sarandon, but it was early in Sarandon's career, and we suspect Jano wasn't too invested in getting her likeness correct. It was within his capability, certainly—his Lancaster looks great. We don't know why he got Sarandon wrong. Considering how famous she eventually became, we have a feeling he wished he'd done better.
There's no business like Monroe business.
Spanish illustrator Francisco Fernandez Zarza-Pérez painted this beautiful poster for the comedy Luces de candilejas, aka There's No Business Like Show Business, and signed the piece as his alter ego Jano. As you can see by comparing the poster to the set photo below, he covered Monroe's leg, which maybe isn't surprising, since he was working in Franco's fascist Spain. Even so this is by far the best poster we've seen from him. The movie's Spanish title Luces de candilejas translates as “candle lights,” which is appropriate, as Marilyn Monroe gets into the type of moth-to-flame difficulties in which she specialized, with her arrival as a new talent on the Vaudeville scene bringing strife to a show business family. No pulp material here—it's a pure musical, with a lot of performance numbers from Monroe, Mitzi Gaynor, Johnnie Ray, Dan Dailey, and headliners Ethel Merman and Donald O'Connor. The Jano artwork makes the poster a must share, but the film is a pass—not because it's a Vaudeville musical, but because it's bland, due in part to Monroe's minimal screen time. Luces de candilejas premiered in Spain today in 1959, and you can see more Jano here.
Mamie Van Doren makes her mark on a Generation.
We think this is a beautiful promo poster for The Beat Generation, but don't let its colorful nature fool you—the movie is surprisingly dark. It uses the beatnik counterculture as a backdrop, but really has nothing to with it, except to belittle it. Steve Cochrane plays a Los Angeles detective chasing after a serial rapist. Through a random encounter, the rapist becomes aware of Cochrane and decides to make his wife a victim. Will he get away with it? You'll have to watch the film. We can tell you its most dramatic aspect involves whether a rape victim can obtain an abortion. The never explored details of how she plans to do it don't matter, because we know she'll change her mind.
You can't blame the movie for being predictable in that respect, though. How else was it going to go in the 1950s? The main thing to keep in mind about The Beat Generation is that it was mismarketed—deliberately, we suspect—to trick younger cinemagoers into forking over their cash for a Trojan horse message movie. We're not big fans of that sort of chicanery, but it's well produced, reasonably good, and as a bonus features Fay Spain, Irish McCalla, Robert Mitchum's brother Jim, and Steve Cochrane's chest hair. The Beat Generation premiered in the U.S. today in 1959.
Famed movie cemetery rises from the dead.
Spaghetti westerns earned their name because they generally premiered in Italy and the studios that financed them were usually Italian, but the films were often predominantly shot in Spain. The climax of The Good, the Bad and the Ugly, with its unforgettable three-way gunfight between Clint Eastwood, Eli Wallach, and Lee Van Cleef, was shot outside the town of Santo Domingo de Silos, Spain, in the province of Burgos, in a unique circular cemetery put together by set builders. In the script it was called the Sad Hill Cemetery. After the shoot Sad Hill was abandoned, and soon nature began to overtake the set.
That would have been the end of the story, but a group of film fans calling themselves the Sad Hill Cultural Association decided Sad Hill was a historic film treasure deserving of resurrection, and pledged to rescue it from oblivion. Toiling in their spare time, they labored with pick, hoe, and shovel to clear the site. They needed money to accomplish the work, so they set up a crowdfunding campaign with a unique enticement—those who contributed would have their names inscribed on the restored grave markers. The restoration efforts are finally complete, and the famous graveyard has been returned to its former state.
Spanish filmmaker Guillermo de Oliveira shot a documentary about the salvation efforts, and hopes to release a film titled Sad Hill Unearthed. He's now trying to raise money to pay for the rights to clips and music from The Good, the Bad and the Ugly, with the plan to premiere thefinished product at film festivals and share the restorer's unique dedication with the world. Meanwhile Sad Hill will become not only a tourist attraction for people passing through the province of Burgos, but a destination for those who contributed to its renewal. As Oliveira commented, “It’s the only cemetery in the world where you can visit your own grave.”
Low visibility and even lower survivability.
Yes, we're tripling up on films this lovely Thursday because all three premiered today in some year or other. This third poster is the Spanish promo painted by Macario Gomez for John Carpenter's horror flick The Fog, about a town beset by a ghost ship filled with murderous lepers. It's an oldie but a goodie, we'd say, with Jamie Lee Curtis, her real life mom Janet Leigh, Adrienne Barbeau, and Hal Holbrook. Couple of takeaways from this one—Jamie Lee will hook up with any old schlub, and haunted fog really scoots. Think you can outrun it? Forget it. If you hated the 2005 remake (and who didn't) give this one a try. There are some legit chills here. The Fog premiered as La niebla in Spain today in 1980.
Would you be terribly disappointed if I chose gluttony? We'll do lust next, I promise, but right now I'm starving.
Above, another theft from Pinterest, Nicholas Spain's Name Your Vice, for Australia's Star Books, 1963. Spain was really Michael Skinner, a British author who also wrote as Alix De Marquand and Cynthia Hyde. The artist behind this cover is unknown, and it may even be in the public domain if the fact that it's being sold online as a postcard is any indication. It's a bang-up job in any case.
Sara Montiel and Giancarlo Del Duca get lost in Israel.
We have something a bit different today, an Israeli poster for the Sara Montiel and Giancarlo Del Duca film La mujer perdida, or The Lost Woman, released in 1966. The art isn't as proficient as most promos from the 1960s, but the crude printing process gives it an ephemeral quality we really like. Below you see the other piece, which was either the flipside or a companion promo, and it gives the premiere date as today in 1969—we think. This is not the first Israeli poster we've found. The other—for Humphrey Bogart's The Enforcer—is here. And we have a few more we'll share later.
Come, human female. We will go to my crib and get to know each other better.
Spanish artist Carlos Escobar painted this poster for the sci-fi flick Planeta prohibido, better known as Forbidden Planet, which premiered in the U.S in 1956 and reached Spain today in 1957. Escobar was a master of realistic figures, such as those he painted of Sharon Tate and Beba Lončar, but for this piece he used a more stylized technique to depict Robby the Robot and an unconscious figure we suppose is Anne Francis. We don't remember Robby carrying her in the film, but it's been a while since we watched it, so maybe we've spaced that. But in any case this is a fantastic piece of promo art. We especially love the trippy sky. It reminds us of this time we dropped acid in Bryce Canyon National Park.
Interestingly, French artist Roger Soubie painted an almost identical promo, which you see here also. We can only assume the studio dictated the look of the poster and each artist expressed their personal style with the backgrounds. Why not use the same poster in both Spain and France? We don't know the answer to that. We can't help but think it would have been more economical than paying two artists to reproduce the same basic image. But it's fine with us, because all these years later we have two top shelf promos to admire. As a bonus, we've uploaded a Robby and Anne Francis promo photo below. For a robot, Robby's got game. Leslie Nielsen better be careful or the far reaches of the galaxy are going to get a lot colder. |
The headlines that mattered yesteryear.
1920—U.S. Women Gain Right To Vote
The Nineteenth Amendment to the United States Constitution is ratified despite heavy conservative opposition. It states that no U.S. citizen can be denied the right to vote because of their gender.
1958—Lolita is Published in the U.S.
Vladimir Nabokov's controversial novel Lolita, about a man's sexual obsession with a pre-pubescent girl, is published in the United States. It had been originally published in Paris three years earlier.
1953—NA Launches Recovery Program
Narcotics Anonymous, a twelve-step program of drug addiction recovery modeled on Alcoholics Anonymous, holds its first meeting in Los Angeles, California.
1942—Blimp Crew Disappears without a Trace
The two-person crew of the U.S. naval blimp L-8 disappears on a routine patrol over the Pacific Ocean. The blimp drifts without her crew and crashes in Daly City, California. The mystery of the crew's disappearance is never solved.
1977—Elvis Presley Dies
Music icon Elvis Presley is found unresponsive by his fiancée on the floor of his Graceland bedroom suite. Attempts to revive him fail and he's pronounced dead soon afterward. The cause of death is often cited as drug overdose, but toxicology tests have never found evidence this was the case. More likely, years of drug abuse contributed to generally frail health and an overtaxed heart that suddenly failed.
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