You know how movie stars sometimes say they wish they could be anonymous? Welcome to the cover of V.
This issue of V was published today in 1948 and features art by Jean David, which accompanies, as always, celeb content and bit and pieces of French culture. As we've noted before, writers like Hilary Conquest and others often don't bother to identify the movie stars in these issues because they're ancillary to the text. For example, the story “Pour l'amour de Tex Julia,” talks about actual women of the Old West, with photos of Jane Russell and others serving merely to illustrate. However the magazine does at least identify Barbara Bates, Juliette Greco, Yvonne DeCarlo, and Olga San Juan. You can probably guess where we're heading with all this—the person on the cover is unidentified. The editors always did this, and it's a bit maddening. Yes, we know—we should recognize this person, us being a nostalgia website and all, but there are a lot of vintage actresses. It's difficult to know all their faces definitively. Have an idea on this one? Drop us a line at firstname.lastname@example.org. The photo is a Warner Bros. promo, and you already have the year.
May Britt is spotted in Triunfo magazine.
The Spanish magazine Triunfo wasn't the most graphically beautiful of magazines, but it did publish rare celeb photos, such as the colorful cover at top of an amazingly freckled May Britt, and the centerspread of Italian star Anna Karina. Elsewhere in the issue are shots from Marilyn Monroe's funeral, Paola de Bélgica's shopping spree, Ava Gardner's bullfight, and Catherine Deneuve's wedding, plus Betsy Drake, Cary Grant, James Dean, and current fashions. We've shared several of those rare Triunfo centerfolds in the past, and they're all worth a look. You can see them here, here, here, and here.
If she's really anything like a rabbit she's going to need a hole in the bottom of that costume.
We like this strange, rabbit themed cover from the U.S. pop culture magazine Jest, which was published bi-monthly out of New York City and Chicago by Jest Publications, later Timely Features, Inc. Jest was a staple on newsstands from approximately 1941 to 1963. While the rabbit suit on the cover model is funny, we also find it a little creepy—residue from watching Stanley Kubrick's The Shining no doubt. We know—that was a bear suit. But it ruined all animal costumes for us, plus she does look a little evil, doesn't she? Well, the models inside the magazine are less sinister. Some of those include Joan Corey, Kay Morgan, Lucille Lambert, and Loretta Hannings. The editors refer to them as "chorines," which is an interesting word we've seen a few times before. It's a feminization derived from "chorus," but when we see it we mainly think of how white our clothes would be if we threw one in our wash. These images all came from the website Darwin Scans, now sadly idle these last three years and running. But you still may find it worth a look.
A future so bright it still casts a shadow today.
Berlin to New York in one hour! 190 mph with ball-wheel train! Big things to come! These covers of Science and Mechanics magazine, all published during the 1930s and 1940s, tout a future of endless invention, with stability and prosperity, high productivity and infinite possibility for all. And they're even more more amazing when you consider that this was the assumption these magazines made even through the Great Depression and a global war. Does anyone really still believe in a bright shiny future for all the world? We seriously doubt it.
Take Elon Musk's Hyperloop as an example. Musk claims his tube transport system might move people coast to coast at airliner speeds for the price of a bus ticket. That's big thinking Science and Mechanics style. But his critics say it's insane to think three thousand miles of track will go unsabotaged in today's world. They say the security cost alone of protecting that much infrastructure would completely negate any possibility of journeys costing the price of a bus ticket. They point out that big plans rely not only on scientific know how, but political, economic, and social stability, a trifecta of items lacking in today's America.
And the thing is all those critics are right. It really is hard to imagine 600 mph ground transport being safe. And the pocket sized price sounds—frankly—too altruistic to be true. Musk isn't going to charge people through their noses for his miracle train? Really? Such gut reactions say everything about the age in which we live. But in Science and Mechanics every place was stable, people everywhere would be prosperous enough to partake in the fruits of progress, and cynicism was nowhere in sight. We have thirteen covers for you today, and you can see our other uploads along these lines here and here.
You brute! Why don't you enslave someone your own size!
Above, more Down Under goodness from Australia's Adam magazine, with a cover from this month in 1969 depicting a scene from Mark Bannerman's “Murder in Marseilles.” It's a tale of kidnapping and slavery, or as the author constantly puts it, “white slavery.” This is a term you run into often mid-century and pulp literature, and of course the idea is that enslaving white people must be specially pointed out, as it's presumed to be orders of magnitude more evil than just plain slavery. In this case, a “swarthy Algerian” is the villain, and a Marseillaise beauty is the target. Do we need to tell you this plot is foiled? Of course not.
Adam offers another interesting feature—a piece of factual journalism entitled “Wild Girls of the American Suburbs.” It's about apartment complexes for singles, which are described as if they're twenty-four hour sex parties. All of this being well before our time, we weren't sure if such places actually existed, but it seems they did, in locales all over the U.S., particularly San Francisco, the Jersey Shore, Myrtle Beach, and Fire Island. Apparently Los Angeles had a famous one called Villa Dionysus, which we can't help noticing would be initialed V.D. Hopefully a walk-in-clinic was somewhere in the same zip code. Twenty-seven scans below.
Jealous murder strikes a John Wayne movie set.
This Master Detective published today in 1960 has a nice cover by Al Drule, and inside the issue are several interesting stories, but the one we're looking at today is “The Crime that Wasn't in the Script,” about a murder that took place during the filming of John Wayne's western The Alamo. The story is kind of forgotten, but basically, an actress named LaJean Etheridge was killed by her boyfriend Chester Harvey Smith, who was angry that Etheridge had decided to move closer to the movie set in Brackettville, Texas. Such a killing is impossible to understand under any circumstances, but putting on your jealous madman cap for a second you can picture a possessive man losing it over his girlfriend moving thousands of miles away. Like if someone told you the story you'd nod and go, “Umm hmm,” because you could see it.
But Etheridge wasn't moving thousands of miles. She and Smith had both scored work as extras on The Alamo, had traveled from Hollywood together, and were living in Spofford, Texas with three other extras in lodgings set up by Wayne's Batjac Productions. Etheridge had decided to move from Spofford to Fort Clark, ten miles north, a relocation precipitated by her landing a larger part in the film. Was she simply moving closer to the set to facilitate the changed demands of her role? Or was she leaving her boyfriend? Still wearing your jealous madman cap, you can picture Smith believing the latter. Etheridge would be out of sight, living with unknowns, possibly having fun with production staff and carousing with handsome actors. But she never got the chance—as she was packing Smith stabbed her in the chest with a Bowie knife, and she died on the scene. He was arrested when police arrived fifteen minutes later, pled guilty to murder, and was sentenced to thirty years in prison.
The final assessment by Smith's lawyer was that the murder was a crime of “passion and professional jealousy.” As details emerged a clearer picture of Smith formed. He had once struck his ex-wife's roommate in the head with a hatchet, and earlier had tried to run her, her roommate, and their dates down with his car. His rage wasn't reserved only for ex-lovers. He also once attacked a bus driver. So Smith needed no excuses to hurt people. It's just what he did. But maybe this particular episode really was a so-called crime of passion. Rumors circulated during the trial that Etheridge had been seeing John Wayne, but he never testified nor was officially involved with the case in any way. And under the circumstances, it was probably inevitable that such rumors would spring up. Yet Etheridge had completed her part, and Wayne, according to several accounts, had asked her to stay on at Fort Clark. So there's no telling.
Etheridge's part in The Alamo was left on the cutting room floor. No surprise. The murder caused enough bad publicity as it was, so naturally there was no way she could have remained in the film. It wasn't until an extended version was released in 1993 that her role as Mrs. Guy was seen by movie fans. Though the story of the murder hasfaded somewhat, author John Hegenberger used the events as the backdrop for a 2017 crime novel called Stormfall. Chester Harvey Smith, John Wayne, and others are characters, and the star is Hegenberger's detective creation Stan Wade. The book opens with the murder, and Etheridge uttering her final words to Smith before she dies. What were the words? According to the statement Smith gave police, Etheridge said, mortally wounded and bleeding to death, “I love you.” You can take off your jealous madman cap now.
The headlines that mattered yesteryear.
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying
. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
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