|Vintage Pulp||Jul 29 2015|
Above and below, a July 1956 issue of Real Adventure magazine with uncredited art on the cover and throughout the issue. Inside you get model Peggy Ray, and a self-written feature by boxer Sandy Saddler in which he denies being a dirty fighter. The article includes a photo, which you see in panels three and four below, of Saddler mugging Willie Pep. That’s not the first appearance on Pulp Intl. for that image. Police Gazette featured it on one of its covers in February 1951 with a little photo-illustrative tweak. It’s worth glancing at and you can see it here.
Saddler won 144 bouts against only 16 losses, which would seem to indicate a considerable amount of talent. He retired in 1956, at the earlyish age of thirty, after he hurt his eye in a traffic accident. Afterward her became a trainer and counted among his clients a young George Foreman. He died in 2001 but was honored by The Ring magazine a couple of years later when editors ranked him as the fifth greatest puncher of all time. We have about twenty scans of Saddler, Pep, and others below.
|Femmes Fatales||Jul 29 2015|
Oiling up like this under a hot sun is terrible for the skin but great for the camera. If you shield you eyes from the glare you’ll see model and actress Mayumi Horikawa seeming to show so much but really showing very little. Horikawa has released numerous albums and singles, one of which was called “Sunny Side.” Indeed. We’re thinking around 1980 on the photo.
|Vintage Pulp||Jul 28 2015|
Antonio Vera Ramirez’s aka Lou Carrigan’s Brigitte en Accion was first published by Rio de Janeiro based Editora Monterrey in 1965, but here you’re seeing covers from Barcelona based Editorial Bruguera. The artist was the same for both, though—Brazilian illustrator José Luiz Benicio, and his work is beautiful. The series features the adventures of Brigitte Montfort, nicknamed Baby, a CIA agent posing as a journalist and getting into all kinds of sticky situations during the Cold War. You can see a large collection of Brigitte en Accion covers at the website Bolsi Libros Bruguera.
|Vintage Pulp||Jul 27 2015|
|Vintage Pulp||Jul 26 2015|
We recently scored a stack of thirty vintage men’s magazines, and here’s the first of that group we’re posting—Rugged Men from this month in 1958. Inside is art from Walter Popp, Ed Franklin, Russ Huban, and Irv Doktor, and the cover of a man taking a tumble after his unfortunate mount gets shot is by Ted Lewin. Probably the most notable aspect of the issue is a story on how members of the Croatan tribe broke up a Ku Klux Klan rally and sent its hooded denizens scattering in terror. The incident is written of with admiration for the tribe’s efforts, and this during an era when Klan rallies were common and open racism was not only acceptable, but actually encoded in federal law. But then, deep admiration for a people that were virtually wiped out by violence is one of many quirks of the American psyche. We're sure a sociologist would have something illuminating to say about it. Seventeen scans below.
|Vintage Pulp||Jul 25 2015|
The Smell of Murder has nothing to do with bodily fluids, but when we see yellow liquid in a test tube that’s where our minds go. Especially after a couple of nights in Magaluf, hereafter referred to as Malagoof, where the streets run with liquid gold. The rest of Mallorca, however, was very nice. The Smell of Murder is a mystery with a gangland focus and a secondary character who works for a perfume company—hence the test tubes. That character, interestingly, is named Grace Allen and is based upon the famous comedienne. Her Vaudeville partner George Burns appears too—he’s the owner of the perfume company. 1938 publication date, plenty of reviews online, unknown cover artist.
|Vintage Pulp||Jul 25 2015|
This Japanese poster for the American film The Stewardesses indicates that the movie played in 3D. That wasn’t the case only in Japan—it played in 3D globally and, because it was produced for about $100,000 and grossed $25 million, became the most profitable 3D film released up to that point. The movie was rated X, but it’s a non-porn film, with no actual sex to be found. Basically, star Christina Hart and her fellow stews party and get laid. That’s it. As a bonus for 60s-philes, there’s a psychedelic approach to the filming and some groovy music, along with Monica Gayle doing nude yoga, Hart making out with a stone bust and displaying one of cinema’s earliest bald groins, and various cast members enjoying lots of softcore nuzzling and wriggling. Does that sound your bag, man? Radical. The Stewardesses premiered today in 1969.
|Intl. Notebook||Jul 17 2015|
We’re having a little break from the website to enjoy some travels. We hadn’t planned to go anywhere this summer, but this is our window because, after years of nagging our Stateside friends to visit us, several are coming in the next few months. It’s either take a break now or wait until after October—and traveling then involves-less-than stellar weather in much of the world. So, Mallorca here we come. Back in a week.
|Vintage Pulp||Jul 17 2015|
We have another collection today as we prepare to jet away on vacation with the girls. Since the place we’re going is known for rowdy British tourists (what place isn’t known for that?), we thought we’d feature some of the numerous paperback covers featuring fights. You’ll notice, as with our last collection, the preponderance of French books. Parisian publishers loved this theme. The difference, as opposed to American publishers, is that you almost never saw women actually being hit on French covers (we’d almost go so far as to say it never happened, but we’ve obviously not seen every French paperback ever printed). The French preferred man-on-man violence, and when women were involved, they were either acquitting themselves nicely, or often winning via the use of sharp or blunt instruments.
Violence against women is and has always been a serious problem in the real world, but we’re just looking at products of the imagination here, which themselves represent products of the imagination known as fiction. Content-wise, mid-century authors generally frowned upon violence toward women even if they wrote it into their novels. Conversely, the cover art, stripped of literary context, seemed to glorify it. Since cover art is designed to entice readers, there’s a valid discussion here about why anti-woman violence was deemed attractive on mid-century paperback fronts, and whether its disappearance indicates an understanding of its wrongness, or merely a cynical realization that it can no longer be shown without consequences. We have another fighting cover here, and you may also want to check out our western brawls here.
|Intl. Notebook||Jul 17 2015|
Above is a photo of the French nuclear test codenamed Tamouré, a 50 kiloton airdrop at Mururoa Atoll, Pacific Test Area, French Polynesia. It was the first time the French dropped a nuclear device from an airplane. The photo has the same weird ass green color as the Betelgeuse test we showed you a few years ago, but we don’t know why that is. Exposure time? Film stock? French photog getting all artistic trying make the horrifying reality of the shot a bit more cheerful? We don’t know. But the image was made this week in 1966.