|Vintage Pulp||Apr 24 2017|
We ran across this West German poster for Solange ein herz schlaegt, aka Mildred Pierce, and realized we had a substantial gap in our film noir résumé. So we watched the movie, and what struck us about it immediately is that it opens with a shooting. Not a lead-in to a shooting, but the shooting itself—fade in, bang bang, guy falls dead. These days most thrillers bludgeon audiences with big openings like that, but back in the day such action beats typically came mid- and late-film. So we were surprised by that. What we weren't surprised by was that Mildred Pierce is good. It's based on a James M. Cain novel, is directed by Michael Curtiz, and is headlined by Joan Crawford. These were top talents in writing, directing, and acting, which means the acclaim associated with the movie is deserved.
While Mildred Pierce is a mystery thriller it's also a family drama revolving around a twice-married woman's dysfunctional relationship with her gold-digging elder daughter, whose desperation to escape her working class roots leads her to make some very bad decisions. Her mother, trying to make her daughter happy, makes even worse decisions. The movie isn't perfect—for one, the daughter's feverish obsession with money seems extreme considering family financial circumstances continuously improve; and as in many movies of the period, the only black character is used as cringingly unkind comic relief. But those blemishes aside, this one is enjoyable, even if the central mystery isn't really much of a mystery. Solange ein herz schlaegt, aka Mildred Pierce opened in West Germany today in 1950.
|Vintage Pulp||Apr 21 2017|
Above is a Japanese poster for the 1972 blaxploitation film Come Back Charleston Blue, starring Godfrey Cambridge and Raymond St. Jacques as the Harlem detectives Gravedigger Jones and Coffin Ed Johnson. It was the sequel to the highly successful Cotton Comes to Harlem. The plot deals with the return of a legendary vigilante named Charleston Blue, who killed with a blue steel straight razor and is believed by some to be responsible for a series of recent slayings aimed at the local drug trade. He's supposed to be dead, but his casket is empty and his collection of razors has gone missing. Is he really back from beyond? You'll have to watch the movie to find out. Reviews were mixed, but there are some thrills and laughs, there's good location filming around Harlem and environs pre-gentrification, and the soundtrack by Quincy Jones and Donny Hathaway is a nice bonus. All-in-all, a middling effort, but certainly not a waste of time. Come Back Charleston Blue first played in Japan today in 1973.
|Vintage Pulp||Apr 19 2017|
Pornodelirio was originally made in France as Les grandes jouisseuses and premiered today in 1978. The title literally means “the great enjoyers,” but Pornodelirio is a lot snappier, don't you think? As usual with these Italian smut posters, the names are all pseudonyms made especially for the movie's run in Italy. We don't know why, but if if any of the stars ever needed to go there at least their hotels weren't overrun by adoring, pornodelirious fans.
In any case, Annick Fougery, Anne Sand, Michele Perelo, and Pierre Forget are actually Brigitte Lahaie, Ursula White, Jean-Louis Vattier, and Dominique Aveline. It's weird that two of the pseudonyms are Fougery like “forgery” and Forget. And it's even weirder that Annick Fougery and Pierre Forget were actual French stars. But they certainly weren't in this movie. Did they ever know their names had been borrowed? Did Europe have trademark infringement laws in 1978? When they checked into hotels were they beseiged by pornodelirious fans?
This is all a bit of a mystery, but the only name in which we're really interested is Mafé. He or she painted the promo poster you see above and it's another example of his/her great work on an x-rated promo, along with this, these, and these, one of which you'll notice is an alternate poster for Pornodelirio. We still have no idea who Mafé is/was, but as always, we'll keep up the research. Soon as our delirium subsides. You wanna watch the film? The English dubbed version (with correct credits) is online right here.
|Vintage Pulp||Apr 10 2017|
Il pavone nero ends with the arrest of the voodoo environmentalists, which means the dam is no longer in danger. Can't stop progress, after all. There may be an environmental message buried in this film, or an anti-colonial message, or a racial harmony message, or even a spiritual message, but those are all secondary to the real point—for audiences to enjoy some vanilla Schubert getting freaky with the locals. The movie delivers ample opportunities, as you can see in the promo images below. Also, there's a cockfight. There's always a cockfight. Poor chickens. Il pavone nero premiered in Italy today in 1975.
|Vintage Pulp||Apr 9 2017|
|Vintage Pulp||Apr 7 2017|
|Vintage Pulp||Apr 4 2017|
The movie was actually inspired by the real life struggle between the Ward Brothers, who were leaders of Oakland's black underworld, and the Black Panthers. Both groups wanted to bring Oakland under their respective control for opposite reasons. Film critic Elvis Mitchell described The Mack succinctly in 2013, saying: “Do you become this horrible kind of mutation of free enterprise, or do you take the nationalist route and help your people?” But the Oakland police ultimately considered power achieved through crime and power achieved through politics to be equally unacceptable. And that may be the entire disturbing point of the film. The Mack premiered in the U.S. today in 1973, and the awesome poster was painted by Fred Pfeiffer.
|Vintage Pulp||Apr 1 2017|
We already shared the West German poster for Deathsport back in September. We'd be remiss if we didn't share these two U.S. promos also. One thing we can't share, though, is the name of person who painted the art. We checked every resource we know of for this sort of thing, and the consensus is that the provenance of this piece is lost to the mists of time. It's a bit of a surprise because the posters are considered collectible, but there you go. The movie premiered in the U.S. today in 1977. If you haven't seen it and want to know what it's actually about, check our previous write-up here. And below, as a bonus, we have a couple of promo images of stars David Carradine and Claudia Jennings.
|Vintage Pulp||Mar 29 2017|
This simple but effective poster was made to promote the simple but effective film noir Night Editor, starring William Gargan, Janis Carter, and Jeff Donnell. A group of grizzled reporters arrayed around a poker game reminisce over past scoops, with one of the group eventually telling the story of Tony Cochrane, a cop who got himself in too deep with a dame. A dissolve to the past takes viewers to the cop's world, and the narrative is broken up by occasional returns to the smoky poker game, where the storyteller punctuates his tale with a bit of Monday morning quarterbacking.
The story is that Cochrane the cop, who was cheating on his wife with a beautiful society woman, was parked one night at a secluded beach when he and his lover witnessed a murder. But fearing exposure of their affair, he neither stops the killing, nor pursues the killer, and later actively tampers with evidence to hide his own presence at the murder scene. You know this is going nowhere good, but just how complicated the mess becomes is where the fun lies. Low budget, but reasonably entertaining, Night Editor premiered in the U.S. today in 1946.
|Vintage Pulp||Mar 29 2017|
Here you see a promo poster for the roman porno flick Rabu Hantâ: Atsui hada, aka Love Hunter: Hot Skin, starring Pulp Intl. fave Mari Tanaka. In this one she plays a rich man's wife who indulges in an extramarital liaison, hooking up with her lover in a parked car, which thanks to some vigorous rocking generated by its occupants, goes down a hill. The lover is killed, and Tanaka suffers non-lethal injuries, though is trapped in the wreck. Thus immobilized she is victimized when a man shoots photos of the whole naked fiasco. Later he uses these photos for nefarious purposes—either Tanaka extracts blackmail cash from her husband or the photographer will show him the photos. It's really amazing the scrapes these roman porno actresses get into.
In addition to the poster above we also have a nice promo image of Tanaka below, probably her most provocative, at least that we've seen. The last image we shared of her was one we scanned that hadn't been seen online before. For that matter so was the first one we ever shared of her. But the below shot can be found on many sites, and for that reason we can't credit the original uploader because it's not possible to know who it was. But he or she did the cyberworld a service when they uploaded this one. Rabu Hantâ: Atsui hada is well worth seeing, but good luck finding it anywhere in the English speaking world. It premiered in Japan today in 1972.