West German cinema begins looking at the world in a different way.
Confession d'une pécheresse, aka The Sinner caused a bit of a scandal in West Germany, where it premiered as Die Sünderin in 1951. The movie's depictions of pre-marital sex, prostitution, nudity, and particularly double-suicide got the Catholic church bent out of shape. Despite protests against cinemas and death threats directed toward star Hildegard Knef, the movie was a smash, seen by two million West Germans within the first two weeks of its run. So based on that preamble you know pretty much what the film is about—amid a desperate post-war backdrop a prostitute falls in love with less-than-satisfactory results. But even if the story is familiar by now thanks to the many newer films that have touched upon similar subject matter, Die Sünderin is a cinematic landmark, produced in a war shattered country that had begun to put the pieces back together in a new way, including in its film industry. The above poster, a beautiful piece by the way, was made to promote Die Sünderin 's French run, which began today in 1953.
I look ridiculous, I know, but it’s cheaper than a chiropractor.
Above, the cover of Lewis Simford's Mon cœur est à moi from Éditions Les Presses de la Nuit's Collection Les 4 Vents de l'Amour, or 4 Winds of Love Collection, 1958. Simford was an alias used by Jacques-Henri Juillet. But of course the reason we're sharing this is because of the art from the always brilliant Aslan, aka Alain Gourdon.
A blonde highlight.
The ongoing process of discovery that motivates us to maintain this website continues. We'd never heard of French actress Sophie Hardy before watching her in The Trygon Factor, a movie we talked about a couple of months ago. Since then we've found her in numerous eye-catching promo photos. Which means you'll be seeing her again. This winner comes from around 1965.
Bal Tabarin is a movie that's a real kick.
We've been doing a lot on exotic dance of late, so keeping with that theme, above are two posters for Bal Tabarin, an American crime drama from Republic Pictures revolving around the Bal Tabarin cabaret in Paris. A Los Angeles secretary witnesses her boss's murder and flees to Paris to hide with a close friend. She's an aspiring singer, so naturally she soon receives a job offer from the owner of the cabaret. Add in a bit of romance and her Paris idyll is going better than expected, but the bad guys soon catch up to her, clued in by the many Paris postcards mailed to her apartment over the years. Standard ’50s drama with a good location gimmick and nice dance scenes, Bal Tabarin premiered today in 1952. But anyone going to Paris after that to visit the cabaret might have been disappointed. It closed in 1953.
Lifestyles of the French and famous.
Does this image of Karin Dor look familiar? Possibly because it’s the same one we used in a femme fatale post on her late last year. It was made to promote the film You Only Live Twice, and appeared in many places, here for example on the cover of the French magazine Cinémonde. Focusing pretty much exclusively on movies and movie stars, Cinémonde launched in 1928 and lasted until 1971, with seven years of dormancy from 1940 to 1946, and another two in 1969 and 1970. The examples you see here are all from the mid- to late-1960s, when director Maurice Bessy moved toward less conservative graphics than in the past. Generally Cinémonde cover stars were women, often French, but every once in a while a guy made the cut, such as the fronts with Marlon Brando and Gérard Philipe below. We’ll get to the interiors of Cinémonde a bit later.
, You Only Live Twice
, Karin Dor
, Marlon Brando
, Miiko Taka
, Gérard Philipe
, Maria Latour
, Sylvie Vartan
, Oya Palinka
, Mireille Darc
, Michèle Mercier
, Dany Carrel
, Candice Bergen
, Anita Ekberg
, Daniele Gaubert
, Maurice Bessy
, Anny Nielsen
French photographer earns raves for fresh look at the nude form... except for one little thing.
Those who cannot remember the past are condemned to be impressed by those who do. Especially when it comes to art. The very nice image above was shot by Parisian photographer Dani Olivier. He has published three photo books, exhibited his pieces all over France, as well as in galleries in such places as Kiev, Moscow, and Los Angeles, and describes his work as an effort to create nude portraits “that [haven't] been shot before.” Ah, but they have been shot before, Dani, they surely have, and by one of your countrymen, no less—Fernand Fonssagrives, as we discussed here.
The photo we posted back in 2012 was one from the Fonssagrives canon that had never been seen online before, which makes it worth a gander, but for those disinclined to click over there, an example of Fonssagrives' work from 1956 appears below. Very similar, no? We have a feeling Olivier would exclaim, “But Fonssagrives' light is dots, while mine is sperm, you idiot!” Well, dots, sperm—maybe Fonssagrives' is sperm too, but seen head-on.
There's no doubting Olivier's light patterns are more varied and detailed, however Fonssagrives might have gone in a similarly precise direction had he possessed similarly superior projection technology. In any case, we love Dani Olivier’s work. But the quote about its originality caught our eye, as well as the fact that none of the articles we checked on him mentioned Fonssagrives, so we were pretty much compelled to bring up the old master, who certainly deserves his just due.
King of the hill, top of the heap.
Owned by a publisher calling itself Sapho, Folies de Paris et de Hollywood was one of the pre-eminent pin-up magazines of the mid-century period, running from 1947 to 1975 for a total of nearly 600 issues. It also operated under other names, including Paris-Hollywood, and generated another 150 issues. Appearing this week in 1966, this issue of Folies is number 345 and features the usual assortment of showgirl portraits and write-ups. Often the magazine slipped in a model or two from outside the world of Parisian dance, and in this issue a good chunk of pages are given to British pin-ups Cleo Simmons and Penny Winters. We didn't scan all their photos—sorry. This is a big magazine, dimensionally speaking, and every page must be scanned in two pieces and merged in Photoshop—with the centerfold being scanned in four pieces and reassembled—so sometimes we don't get to all of them. But we strive to improve. Speaking of the centerfold, she's unknown to us, as is the rear cover star. If anyone knows them feel free to drop us a line. Twenty images below, and many more Folies to come.
They reserve the right to kill everything in sight.
It's murder and mayhem in this issue of Male published this month in 1958. The carnage and gunplay span the Wild West era to World War II, and France to Xinjiang, China, with cheesecake model Diana Crawford thrown in to break up the monotony. The cover is an atypical effort from George Gross, and the interior art is by the always excellent Charles Copeland, along with Brendon Lynch, John Leone, Arthur De Kuh, and others. Looking for more Male? Click here. Or here. France
, World War II
, Male Magazine
, George Gross
, Charles Copeland
, Brendon Lynch
, John Leone
, Diana Crawford
, Arthur De Kuh
, magazine art
If you're hearing this it's already too late.
This curious photo shows a bit of pulp-era technology—the acoustic mirror or acoustic locator. It was used to detect the approach of aircraft. The examples above and below are from Japan, Finland, Russia, Sweden, and other countries, and date from the 1930s to the eve of World War II, when they were replaced by radar systems. Apparently, these worked quite well, picking up engine noise from miles away. But as aircraft became speedier the effective range of the devices decreased—enemy planes would reach the site where a mirror was located within a minute or two of being detected. At such speeds, a spotter with a good pair of binoculars and decent visibility would see the planes the same time a mirror heard them. But before airspeeds increased these were the surest way to detect an oncoming aerial attack or reconnaissance flight, particularly at night. In addition to portable mirrors, some countries used cast concrete to construct massive versions that had a twenty-mile range. Great Britain built the last set of these in 1943 when fears surfaced that the Germans had developed a means to jam radar. Built to endure weather and time, some survive and have become tourist attractions. We have ten more crazy acoustic mirror designs below for your enjoyment.
The headlines that mattered yesteryear.
1958—Workers Assemble First Corvette
Workers at a Chevrolet plant in Flint, Michigan, assemble the first Corvette, a two-seater sports car that would become an American icon. The first completed production car rolls off the assembly line two days later, one of just 300 Corvettes made that year.
1950—U.S. Decides To Fight in Korea
After years of border tensions on the partitioned Korean peninsula, U.S. President Harry Truman orders U.S. air and sea forces to help the South Korean regime repel an invasion by the North. Soon the U.S. is embroiled in a war that lasts until 1953 and results in a million combat dead and at least two million civilian deaths, with no measurable gains for either side.
1936—First Helicopter Flight
In Berlin, Germany, in a sports stadium, Ewald Rohlfs takes the Focke-Wulf Fw 61 on its first flight. It is the first fully-controllable helicopter, featuring two counter rotating rotors mounted on the chassis of a training aircraft. Only two are ever produced, and neither survive today.
1963—John F. Kennedy Visits Berlin
22 months after East Germany erects the Berlin Wall as a barrier to prevent movement between East and West Berlin, John F. Kennedy visits West Berlin and speaks the famous words "Ich bin ein Berliner." Suggestions that Kennedy misspoke and in reality called himself a jelly donut are untrue.
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