Femmes Fatales Jul 18 2016
SOPHIE SO GOOD
There's hard work and then there's Hardy work.


What is it about celebs and gymnastics we like? Maybe just the unusual nature of the photos, the way they depart from typical promo portraits. So today, joining previous bendy celebs such as Danielle Darrieux, Joey Heatherton, and Constance Dowling is French actress Sophie Hardy—yes, again. When we posted her as a femme fatale last month we hadn’t seen this photo yet. It had to be shared. You may also remember Hardy recently fronting a beautiful Japanese poster for The Trygon Factor. This image comes from around the same time as the movie, circa 1968. And the shot below shows her right side up, possibly lightheaded, but none the worse for wear.
 


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Vintage Pulp Jul 3 2016
PRIMAL PROMODIFA
French photo covers get down and dirty.

We don't often feature photo covers, but these are pretty nice. They're French erotica-espionage from Éditions Promodifa written by various pseudonymous authors, eighteen examples from the company’s lines Érothèque, Sexpense, Mystérotic, and others, early and mid 1970s. Best pen name of the bunch—definitely Dick Wood.

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Vintage Pulp Jun 23 2016
A FULL CONFESSION
West German cinema begins looking at the world in a different way.

Confession d'une pécheresse, aka The Sinner caused a bit of a scandal in West Germany, where it premiered as Die Sünderin in 1951. The movie's depictions of pre-marital sex, prostitution, nudity, and particularly double-suicide got the Catholic church bent out of shape. Despite protests against cinemas and death threats directed toward star Hildegard Knef, the movie was a smash, seen by two million West Germans within the first two weeks of its run. So based on that preamble you know pretty much what the film is about—amid a desperate post-war backdrop a prostitute falls in love with less-than-satisfactory results. But even if the story is familiar by now thanks to the many newer films that have touched upon similar subject matter, Die Sünderin is a cinematic landmark, produced in a war shattered country that had begun to put the pieces back together in a new way, including in its film industry. The above poster, a beautiful piece by the way, was made to promote Die Sünderin's French run, which began today in 1953.

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Vintage Pulp Jun 16 2016
MERCI MON CHAIR
I look ridiculous, I know, but it’s cheaper than a chiropractor.


Above, the cover of Lewis Simford's Mon cœur est à moi from Éditions Les Presses de la Nuit's Collection Les 4 Vents de l'Amour, or 4 Winds of Love Collection, 1958. Simford was an alias used by Jacques-Henri Juillet. But of course the reason we're sharing this is because of the art from the always brilliant Aslan, aka Alain Gourdon. See more from him here.

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Femmes Fatales Jun 3 2016
ALLOVER HARDY
A blonde highlight.

The ongoing process of discovery that motivates us to maintain this website continues. We'd never heard of French actress Sophie Hardy before watching her in The Trygon Factor, a movie we talked about a couple of months ago. Since then we've found her in numerous eye-catching promo photos. Which means you'll be seeing her again. This winner comes from around 1965.

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Vintage Pulp Jun 1 2016
CABARET RIDE
Bal Tabarin is a movie that's a real kick.


We've been doing a lot on exotic dance of late, so keeping with that theme, above are two posters for Bal Tabarin, an American crime drama from Republic Pictures revolving around the Bal Tabarin cabaret in Paris. A Los Angeles secretary witnesses her boss's murder and flees to Paris to hide with a close friend. She's an aspiring singer, so naturally she soon receives a job offer from the owner of the cabaret. Add in a bit of romance and her Paris idyll is going better than expected, but the bad guys soon catch up to her, clued in by the many Paris postcards mailed to her apartment over the years. Standard ’50s drama with a good location gimmick and nice dance scenes, Bal Tabarin premiered today in 1952. But anyone going to Paris after that to visit the cabaret might have been disappointed. It closed in 1953.

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Vintage Pulp May 29 2016
CANCAN GOODS
Filled with everything a body needs.

Below, a cover and interior scans from the mid-century burlesque magazine Cancans de Paris, with Sophia Loren, Martine Beswick, Laya Raki, and Senta Berger, who the magazine mistakenly calls Santa. Well, ho ho ho—if you want to be even more naughty this Sunday click the links for the other two Cancans de Paris we posted here and here.

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Intl. Notebook May 26 2016
CINEMONDE VERITE
Lifestyles of the French and famous.


Does this image of Karin Dor look familiar? Possibly because it’s the same one we used in a femme fatale post on her late last year. It was made to promote the film You Only Live Twice, and appeared in many places, here for example on the cover of the French magazine Cinémonde. Focusing pretty much exclusively on movies and movie stars, Cinémonde launched in 1928 and lasted until 1971, with seven years of dormancy from 1940 to 1946, and another two in 1969 and 1970. The examples you see here are all from the mid- to late-1960s, when director Maurice Bessy moved toward less conservative graphics than in the past. Generally Cinémonde cover stars were women, often French, but every once in a while a guy made the cut, such as the fronts with Marlon Brando and Gérard Philipe below. We’ll get to the interiors of Cinémonde a bit later.

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Intl. Notebook May 6 2016
NEW NUDES ARE OLD NUDES
French photographer earns raves for fresh look at the nude form... except for one little thing.


Those who cannot remember the past are condemned to be impressed by those who do. Especially when it comes to art. The very nice image above was shot by Parisian photographer Dani Olivier. He has published three photo books, exhibited his pieces all over France, as well as in galleries in such places as Kiev, Moscow, and Los Angeles, and describes his work as an effort to create nude portraits “that [haven't] been shot before.” Ah, but they have been shot before, Dani, they surely have, and by one of your countrymen, no less—Fernand Fonssagrives, as we discussed here.

The photo we posted back in 2012 was one from the Fonssagrives canon that had never been seen online before, which makes it worth a gander, but for those disinclined to click over there, an example of Fonssagrives' work from 1956 appears below. Very similar, no? We have a feeling Olivier would exclaim, “But Fonssagrives' light is dots, while mine is sperm, you idiot!” Well, dots, sperm—maybe Fonssagrives' is sperm too, but seen head-on.

There's no doubting Olivier's light patterns are more varied and detailed, however Fonssagrives might have gone in a similarly precise direction had he possessed similarly superior projection technology. In any case, we love Dani Olivier’s work. But the quote about its originality caught our eye, as well as the fact that none of the articles we checked on him mentioned Fonssagrives, so we were pretty much compelled to bring up the old master, who certainly deserves his just due.

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Vintage Pulp Apr 23 2016
FOLIES THE LEADER
King of the hill, top of the heap.


Owned by a publisher calling itself Sapho, Folies de Paris et de Hollywood was one of the pre-eminent pin-up magazines of the mid-century period, running from 1947 to 1975 for a total of nearly 600 issues. It also operated under other names, including Paris-Hollywood, and generated another 150 issues. Appearing this week in 1966, this issue of Folies is number 345 and features the usual assortment of showgirl portraits and write-ups. Often the magazine slipped in a model or two from outside the world of Parisian dance, and in this issue a good chunk of pages are given to British pin-ups Cleo Simmons and Penny Winters. We didn't scan all their photos—sorry. This is a big magazine, dimensionally speaking, and every page must be scanned in two pieces and merged in Photoshop—with the centerfold being scanned in four pieces and reassembled—so sometimes we don't get to all of them. But we strive to improve. Speaking of the centerfold, she's unknown to us, as is the rear cover star. If anyone knows them feel free to drop us a line. Twenty images below, and many more Folies to come.

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Featured Pulp
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History Rewind
The headlines that mattered yesteryear.
July 23
1984—Miss America Resigns
Vanessa Williams, who had been crowned Miss America and was the first African American woman to win the prize, resigns her title after Penthouse magazine purchases and slates for publication a series of lesbian-themed nudes Williams had posed for when she was younger. After resigning she files a $500 million lawsuit against Penthouse publisher Bob Guccione but later drops the suit.
July 22
1992—Cocaine Baron Escapes Prison
Pablo Emilio Escobar Gaviria, imprisoned leader of the Medellin drug cartel, escapes from a posh Colombian jail known as La Catedral after he learns authorities intend to move him to a real prison. His taste of freedom doesn't last—he's killed in a shootout a year-and-a-half later.
July 21
1925—Jury Decides the Teaching of Evolution Is a Crime
In the famous Scopes Monkey Trial, American schoolteacher John Scopes is found guilty of violating the Butler Act, which forbids the teaching of evolution in schools. The sensational trial pits two great legal minds—William Jennings Bryan and Clarence Darrow—against each other. Ultimately, Scopes and Darrow are destined to lose because the case rests on whether Scopes had violated the Act, not whether evolution is fact.
1969—First Humans Reach the Moon
Neil Armstrong and Eugene 'Buzz' Aldrin, Jr. become the first humans to walk on the moon. The third member of the mission, command module Pilot Michael Collins, remains in orbit in Apollo 11.
1972—Chaos in the Big Apple
In New York City, within a span of twenty-four hours, fifty-seven murders are committed.

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