The National Police Gazette reveals on this cover from today in 1960 that Hollywood said no to Brigitte Bardot. The accompanying story quotes an unnamed independent producer, who says that the problem is that Bardot's deficient acting skills limited her to sex kitten roles, but American censorship meant Hollywood couldn't make those kinds of movies. He adds that, at $150,000 salary per project, Bardot is too expensive for Hollywood. A second “well-informed source” tells Gazette that studios are afraid of Bardot’s unbridled sexuality, claiming that her image is “so sexually devastating, that [Hollywood] quivers in fear before the slight, curvaceous French girl with the moist, pouted lips.” So, basically two of three reasons Police Gazette gives for Bardot not featuring in Hollywood films have to do with the influence of legions of American prudes. So maybe it wasn’t really a case of Hollywood saying no to Bardot as much as it was saying yes to sexual repressives. Bardot, it should be noted, simply continued on as the biggest star in the world. Elsewhere in this issue you get the plot-of-the-month attributed to Fidel Castro, tales of Adolf Hitler and Eva Braun, Jack Paar’s fears, and a nice portrait of Babe Ruth and Lou Gehrig. Scans of all that below, and more Gazette coming soon. 

Above, a very cool cover from French illustrator Nik for Arnold Rodin’s 1954 novel Au rythme des rafales, which means “the rhythm of the bursts.” Like from a gun. So, we posted a Nik cover a while back and said we had no info on him. Turns out he’s Jacques Thibésart, who did some illustrations for Mystery Magazine, which was the French version of Ellery Queen’s Mystery Magazine. This particular cover shows the different result when a skinny dipping woman is packing heat, and not. We’ll try to locate some more Nik covers and post them in the future. 

Above is a lovely image of American actress Jean Seberg, who streaked across the cinematic firmament at the end of the 1950s in movies like Lilith and Breathless, but once famous quickly learned that freedom of association was a right that was guaranteed only if one didn’t actually exercise it. When her political support for civil rights groups became known to federal authorities, they made her a target of the FBI’s infamous COINTELPRO, which was a covert, illegal spying program aimed at American citizens whose political activities were deemed a threat to the status quo. The FBI harassed and discredited Seberg, and surveilled her both in the U.S. and abroad, all while hiding its involvement, and that of high ranking government officials, including U.S. President Richard M. Nixon. Seberg ended her turbulent life by committing suicide in Paris in August 1979, and her family as well as numerous fans blamed the FBI and U.S. government for pushing her over the edge. The above image was made many years before, in 1963. 

The French erotic magazine Paris-Hollywood regularly printed themed issues and you're looking at the cover of one above, "Nus Couleurs," which appeared in 1951. It's a 28-page collection of color nude photos, shot with typical French panache. Below are scans of our favorite images. Also, we managed to locate a couple of other Paris-Hollywood themed issues, so look for those down the line.  

Sad news just off the wire—unique, prolific, and influential French illustrator Jean Giraud has died aged 73 after a long battle with cancer. Giraud broke onto the art scene in 1965, won his first awards by 1973, and by 1975 had adopted the pseudonym Moebius and developed into a graphic arts master. He worked in the comics medium quite a bit as both a writer and artist, and in addition to nine Marvel/Epic graphic novels, and work on longrunning Marvel characters like the Silver Surfer, was also a regular in the pages of the seminal French sci-fi magazine Métal Hurlant—known in the U.S. as Heavy Metal. Aside from all that, he also worked extensively in motion picture production design, and his efforts helped shape films such as Alien, Willow, Tron and The Fifth Element. It’s been a rough week for the art world—Ralph McQuarrie died less than a week ago. We’ve gathered up a few Giraud/Moebius pieces below so those who don’t know this master can get a sense of his singular style. 

Folies de Paris et de Hollywood gets a little more naked than usual in this issue dedicated to the zodiac. This was issue #228, published in 1961, and in addition to the 28 pages of interesting and provocative unknown models—some of whom have received the ole disappearing pubes treatment—you get an Anita Ekberg cover and a nice final image of French film star Mylène Demongeot. We especially like the Demongeot shot, because its cuteness stands out in what is a rather racy collection. See for yourself, below. 

Above, an eye-opening photo of German actress Solvi Stubing, one of the great sex symbols of Italian cinema. Her film career began in 1964, and included appearances in Nude per l'assassino, aka Strip Nude for Your Killer, Le deportate della sezione speciale SS, aka Deported Women of the SS Special Edition, and Le amazzoni, aka Battle of the Amazons (we wrote about that one here). This photo is from the French magazine Sexyrama, 1970. 

On a tué Déjanire, for which see this interesting cover above, was written for Editions Ferenczi by Ange Arbos, aka Adrien Sobra, aka Marc Agapit in 1952. Arbos was born in 1897 and wrote scores of books, as well as many short stories, the latter notably for Mystère Magazine, which was the French version of Ellery Queen’s Mystery Magazine. Arbos’ fiction was pretty dark, ranging from the Hitchcockian suspense to pure horror and fantasy. We’ll get back to him later. Today we just wanted to show you the art, which gave us a laugh. But then again, it would. We’re cat people. 

The French erotic magazine Beauté may look familiar to you because we shared another copy of it a while back. That one was from 1937 and was called Beautés. This one, with a stylized twilight time photo-illustration, was published in 1933, when the Depression was in full swing. Perhaps that’s why the cover subject, who has a flapper/party-girl aspect, looks so weary and jaded. If her face rings a bell, that’s because she isn’t just any flapper—she’s Mary Astor, whose forty-four year screen career included turns in Dodsworth, The Maltese Falcon, The Hurricane, Across the Pacific, and The Great Lie. We have no idea why Beautés dropped the “s” from its name. Nothing was dropped from inside, though—it’s erotica as only the French were able to do it. Nine scans below, including a great shot of Muriel Evans, star of numerous films between 1928 and 1940.