I find plants ideal for alleviating stress. I've already successfully killed three ferns, a cactus, and four pots of posies.
A Pascal is a physics unit that measures, among other things, internal pressure or stress, and it's pretty clear that Pascale Roberts is feeling none of that. She's a César Award nominated French actress who appeared in such films as Weiße Fracht für Hongkong, aka Mystery of the Red Jungle, and the television series Allô police. This shot of her tending some unlucky plants appeared in Belgian film magazine Ciné-Revue in 1964.
Lady Luck shines on Roques book front.
Above is a beautiful cover for La Chance aime le jolies filles, published in 1955 with art by an unidentified genius. The work looks like Jef de Wulf to us, but we won't swear to it because we've guessed wrong before. French book titles can be a bit arcane but not this time—it translates as “luck loves beautiful girls.” Roques was an interesting character. He was both author and publisher of this and other books, running his company out of Boulevard Beaumarchais in Paris. He continually pushed the boundaries of what censors considered acceptable, for twenty years skirting but managing to avoid serious trouble, though books like 1955's Viol and 1957's Dit oui, madame were banned. Roques did not skimp on cover art. Every edition we've seen from his company is beautiful. In fact, one of our favorite fronts ever came from Roques. See that here, and expect more in the future.
In the land of bad men the one eyed woman becomes queen
Above is a promo poster for the Swedish sexploitation flick Thriller - en grym film. When it was released in the U.S. it was retitled Thriller: A Cruel Picture, then edited and given the revised name They Call Her One Eye, and still later dubbed Hooker's Revenge, which we think gives a bit too much away. But what do we know? It's not like we have marketing degrees. Anyway, the poster above for the film's Thriller incarnation has an unusual shape sometimes referred to as subway size because such promos were usually displayed on mass transit vehicles. As far as we know, no standard vertically oriented poster was ever made with the title Thriller: A Cruel Picture. But if any do exist, you can be sure they're worth a fortune.
Sweden's best export Christina Lindberg stars here as a Frigga, a young woman gone mute due to a sexual assault in her youth. Terrible luck strikes again when, as an adult, she's abducted, addicted to heroin, and forced into prostitution. She resists, but after she harms a customer her pimp punishes her by cutting her eye out with a scalpel. After enduring further indignities she eventually musters the courage to try and escape. Heroin addiction is the leash her pimp counts on to keep her in line, but she's otherwise free to use her down time as she wishes. With the little money she has she secretly buys lessons in martial arts, shooting, and tactical driving, then when the moment is ripe she finally goes on a revenge spree.
There's nothing here you won't find in other 1970s revenge sexploitation flicks except lots of slo-mo, but for Lindberg's fans—among them Quentin Tarantino, who borrowed the eyepatch look for Daryl Hannah when he made Kill Bill—this is probably a must-see. As a side note, you'll sometimes find Lindberg referenced as a porn actress because of this movie. BAV Film made two versions, one with x-rated inserts and one without. The explicit stuff was done by a stand-in. Or a lay-in. In an interview Lindberg once said the hardest part of her career was resisting the constant pressure to do porn. We suspect this was a film she had in mind when she said that. After premiering in France at the Cannes Film Festival in 1973 and later playing in Sweden, Thriller: A Cruel Picture first opened eyes in the U.S. today in 1974.
If I manage get out of this situation how about dinner Friday?
You should always thank your human shield. It's a tough job and they deserve some acknowledgment. Piège en enfer fits perfectly into our growing collection of hostage art, and in fact it's one of the best covers of this type we've seen yet. The book was written by Paul Berg, aka André Jammet, for Editions S.E.G., published in 1965, and the title means “trap in hell,” which seems about right considering what's developing here. The art is uncredited—not unusual for S.E.G., but it's always a shame. Maybe someone should have taken the editors hostage and explained that covers should always be attributed.
Crime magazine gives readers the gifts of death and mayhem.
Produced by the J.B Publishing Corp. of New York City, Reward was a true crime magazine, another imprint designed to slake the American public's thirst for death and mayhem. Inside this May 1954 issue the editors offer up mafia hits, Hollywood suicides, domestic murder, plus some cheesecake to soothe readers' frazzled nerves, and more. The cover features a posed photo of actress Lili Dawn, who was starring at the time in a film noir called Violated. It turned out to be her only film. In fact, it turned out to be the only film ever acted in by top billed co-star William Holland, as well as supporting cast members Vicki Carlson, Fred Lambert, William Mishkin, and Jason Niles. It must have been some kind of spectacularly bad movie to cut short all those careers, but we haven't watched it. It's available for the moment on YouTube, though, and we may just take a gander later. Because Reward is a pocket sized magazine the page scans are easily readable, so rather than comment further we'll let you have a look yourself.
Bond is born in Ian Fleming's 1953 Cold War thriller.
We've read a few Bond novels, but not his debut in 1953's Casino Royale. When it comes to secondhand bookstores and yard sales you read what you find. But we decided to finally made a deliberate effort to go back to the beginning with an edition from Signet, which appeared in 1960 with Barye Phillips cover art. The debuts of franchise characters leave room for continuing adventures by design but we've never read a book that was so deliberately a prequel as Casino Royale. It's the essential novel for understanding Bond. You know the basics already: Cold War intrigue, opposing teams taking the field for a long struggle, a Soviet spy named La Chiffre who's dipped into funds not his and who hatches a desperate plan to restore them via the baccarat tables of a famous French casino, Bond dispatched to outplay him, break him, and ensure his downfall for stealing the money.
The book is fantastic from its opening, through its tremendously tense middle sections, and on to its brutal punchline of an ending. Bond is imperfect as both a spy and a man. He's sometimes kind, prone to sentiment, and philosophical about his work; he's also sexist, racist, and generally regressive. Casino Royale is designed to explain how the first three qualities were destroyed, making him a perfect spy. The latter three qualities remain. While in serious fiction many authors of the period were writing about racial equality and the essential sameness of people, Ian Fleming was declaring that Asians are terrible gamblers because as a race they lack resolve. None of this is a surprise because much is known about Fleming's personal views. Bond is an icon, but of a less enlightened era. We're readers, of ours. Yet we can meet on the page, and—with a tolerance Fleming never showed others—still manage to have a little fun.
Hiding behind her won't help you. She's my wife, and this morning she demanded a divorce.
Here's another cover to add to our collection of women being used as human shields, Faut pas me la faire by Robert Chirze, aka Georges Claveyre-Peyre, for Éditions le Trotteur's collection Les Grandes Roman Noirs, 1953. The art is a particularly nice example of the work of Alex Pinon, and you can see another piece here.
I know I'm new to lifting, but are you sure a spotter is supposed to just sit there and stare at me?
Unimprovable French actress Mylène Demongeot pounds the iron in this production photo made when she was filming the comedy Doctor in Distress in London in 1963. Mylène in impossibly short shorts was a sort of trademark, seemingly. See another example here.
Pulp and art deco. Two great tastes that rarely went together.
The pulp era is generally agreed as having commenced the last several years of the 19th century and having ended during the 1950s. Art deco is agreed to have begun around 1900 and ended around the beginning of World War II. Despite co-existing, they occupied the same place surprisingly little. You would see crossover in cinematic adaptations of pulp material such as Flash Gordon, with its deco styled spaceships and costumes. Some pulp magazines had art deco influenced fonts, and some hardbacks had art deco sleeve art, such as those designed by Edna Reindel for W.R. Burnett's novels Iron Man and Saint Johnson. But when popular paperbacks and magazines began to focus on high quality cover art they developed their own visual style which we think of today as good girl art, or GGA.
But even if pulp and art deco didn't mix much back then, they mix here. Today we have an issue of Paris Plaisirs published in 1929 with drawings, paintings, studio photography, French wit and more. The cover photo-illustration was shot by Lucien Waléry, also known as Stanisław Julian Ignacy Ostroróg. Though his name was Polish he was a British citizen, born in London after his father Stanisław Julian Ostroróg—also a famed photographer—emigrated there in 1856 and became a citizen in 1862. The younger Ostroróg took the pseudonym Waléry and thus forever created confusion with earlier photographers who had used the same name. We won't bother unwinding all those Walérys. You can see another of our Waléry's beautiful art deco covers here, and we have other issues of Paris Plaisirs you can see by clicking the keywords at bottom.
The headlines that mattered yesteryear.
1953—The Rosenbergs Are Executed
Julius and Ethel Rosenberg, who were convicted for conspiracy to commit espionage related to passing information about the atomic bomb to the Soviet spies, are executed at Sing Sing prison, in New York.
1928—Earhart Crosses Atlantic Ocean
American aviator Amelia Earhart becomes the first woman to fly in an aircraft across the Atlantic Ocean, riding as a passenger in a plane piloted by Wilmer Stutz and maintained by Lou Gordon. Earhart would four years later go on to complete a trans-Atlantic flight as a pilot, leaving from Newfoundland and landing in Ireland, accomplishing the feat solo without a co-pilot or mechanic.
1939—Eugen Weidmann Is Guillotined
In France, Eugen Weidmann is guillotined in the city of Versailles outside Saint-Pierre Prison for the crime of murder. He is the last person to be publicly beheaded in France, however executions by guillotine continue away from the public until September 10, 1977, when Hamida Djandoubi becomes the last person to receive the grisly punishment.
1972—Watergate Burglars Caught
In Washington, D.C., five White House operatives are arrested for burglarizing the offices of the Democratic National Committee in the Watergate Hotel. The botched burglary was an attempt by members of the Republican Party to illegally wiretap the opposition. The resulting scandal ultimately leads to the resignation of President Richard Nixon, and also results in the indictment and conviction of several administration officials.
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