New tabloid explodes onto the gossip scene.
When we describe Dynamite as a new tabloid, it's only partly true. It was a new imprint. But its publisher, the Modern Living Council of Connecticut, Inc., was headquartered at the Charlton Building in Derby, Connecticut, which is where Top Secret and Hush-Hush based operations. When you see that Dynamite carried the same cover font as Top Secret and Hush-Hush, and that those two magazines advertised in Dynamite, it seems clear that all three had the same provenance. But unlike Top Secret and Hush-Hush, it doesn't seem as if Dynamite lasted long. The issue above, which appeared this month in 1956, is the second. We are unable to confirm whether there was a third. But if Dynamite was short-lived it wasn't because of any deficiencies in the publication. It's identical in style to other tabloids, and its stories are equally interesting.
One of those deals with Henry von Thyssen, the Dutch born, German descended heir to an industrial fortune, and his wife, Nina Dyer, heiress to a tea plantation in Sri Lanka, back then called Ceylon. The von Thyssen family manufactured steel in Germany, including for Hitler's Third Reich, and came out of World War II unscathed, as big companies that profit from war always do. Dyer was a dilettante famed for making bikinis popular on the French Riveria. According to Dynamite, von Thyssen was so desperate to marry Dyer that he allowed her to keep her boyfriend, the French actor Christian Marquand. Society gossips whispered,but both spouses were fine with the set-up until von Thyssen accidentally ran into Dyer and Marquand in Carrol's nightclub in Paris and was forced to save face by starting a fight. The couple soon divorced, but not because of infidelity, as many accounts claim. What finally broke the couple up was that Dyer dropped Marquand. Dynamite tells readers: “[von Thyssen] has ditched his sloe-eyed Baroness because now she's decided she loves him.”
Interesting, but there are many similar stories about open high society marriages. What interested us, really, was the portrayal of Dyer. Apparently she had at some point been strongly influenced by Asian women. Her husband described her as “soft and feminine and oriental looking.” Dynamite painted this word picture: “She walks as though she has a water pot balanced on her head, her dark, slanting eyes are inscrutable, and her movements are so languorous and cat-like that von Thyssen gave her a baby panther as a companion.” Dyer eventually had two panthers, and was often seen walking them on the Croisette in Cannes. After her marriage to von Thyssen ended she quickly married Prince Sadruddin Aga Khan, but that marriage ended in divorce. Over the years she had been given many gifts. Besides the panthers there were cars, jewels, and a Caribbean island. But the one thing money never bought for her was happiness. She committed suicide at age thirty-five.
There's a lot more to learn about Nina Dyer—her modeling career, her adventures in the south of France, her free-spirited ways in the Caribbean, her 1962 E-Type Jaguar Roadster that was found in Jamaica in 2015 and restored for a November 2016 auction, and more. So we'll be getting back to her a little later. We still have about fifty tabloids from the mid-1950s and we're betting she appears in more than a few. Meanwhile, elsewhere in Dynamite is a story tracking Marilyn Monroe's movements around Fire Island during a summer 1955 vacation, a report about Frank Sinatra being barred from the Milroy Club in London, an exposé on prostitution in Rome, a breakdown of the breakdown of Gene Tierney's engagement to Aly Khan (Sadruddin Aga Khan's brother), and a couple of beautiful photos of Diana Dors. We have about thirty scans below for your enjoyment. Odds are we'll never find another issue of Dynamite, but we're happy to own even one. It's great reading.
There's nothing up my sleeve except more of me.
Above, Paris-Hollywood magazine published in 1949, with a bare-shouldered Jane Russell on the front cover and Anne Baxter (spelled Ann by editors) gracing the rear. Baxter is pointing out Alaska on a wall map, probably explaining that she'd need a parka and snow shoes if she ever went there, rather than the undies and heels she's wearing. Inside the issue you get showgirls, models in lingerie, and celebs dressed as bunnies. Was it Easter? No idea, because Paris-Hollywood came without publication dates during these years. However, the front cover noted that Russell was starring as Calamity Jane in the film Pale Face, aka The Paleface. Since that appeared in France in mid-February and promotional efforts usually occur in advance of a film's premier, or at least around its opening date, we suspect the issue was published in February or March of 1949.
Tabloid dunks readers in a pool of vice.
Exposé for Men is a new tabloid for us, which is saying something, since we've posted about 350 inside Pulp Intl. You can pick your way through those at our tabloid index. Exposé was originally launched as Sensation by Skye Publishing of New York City. The rebranding came sometime in 1959. This issue, which was published this month in 1960, flogs similar themes as other tabloids, including the blaming of women for rape in an article by criminal specialist Robert Mines where he proclaims that “frequently it's not the perpetrator but the victim of a [sex] crime who is most responsible for it.”
You'd think one article of this type would be sufficient, but Exposé offers up another piece called “The Weird Love-Hatred That Binds a Prostitute to Her Pimp.” This time the male expert on female minds is Joseph Le Baron, but at least his reasoning makes sense—i.e. prostitutes feel they need pimps around to protect them from “house dicks, bartenders, [and] vice cops out to shake them down and get tricks for free.” We'll buy that part, but we don't buy that the choice is voluntary, which is how Le Baron makes it sound.
Elsewhere readers learn that women have a natural propensity to lie, Mexico is wonderful because every man can afford a mistress, and insomniacs can't sleep because they're thinking about sex all night. Exposé also has celebrity gossip, including the claim—first we've heard of it—that Diana Dors' 1956 fall into a swimming pool was actually a publicity stunt. Considering the fact that the subsequent brawl generated terrible press we doubt the veracity of this one, but you never know. We do like the photo of Dors wet. Scans below, and more tabloids to come.
Mid-century tabloid hits all the familiar tabloid notes.
Lowdown makes the rounds in this issue published in May 1965. Inside, Ann-Margret claims she doesn't want to be a tease (fail), editors ask if women are more immoral than men (which they really are, once you take war, genocide, faithlessness, and generally violent tendencies off the table), and June Wilkinson's photo is among those used in a story about women supposedly receiving insurance covered breast implants from Britain's National Health Service.
Probably the most interesting story concerns Swedish actress Inger Stevens disappearing for a week. Lowdown hints at an alcohol binge, which is nothing special (hell, we do those) but while there are plenty of sources citing a 1960 suicide attempt, we found no other mention anywhere of Lowdown's missing week. The story is notable because Stevens would die at age thirty-five of a drug overdose.
Elsewhere you get nude skiing in Austria, Richard Chamberlain and his hit television show Dr. Kildare, the sex powers of mandrake root, and Belgian born actress and dancer Monique Van Vooren endorsing regular exercise. Scans below—oh, and sorry about the quality. Lowdown's printing process caused scanner problems. It's never happened before, so hopefully we won't encounter the issue again.
Diana Dors dirties her golden locks for another turn as a woman behind bars.
The excellent promo above for Le femme et le rôdeur, aka The Unholy Wife was created by Roger Soubie, one of the best French poster artists of the mid-century period. His art drew us to the movie, which we watched only to discover Diana Dors in identical grime mode as in her prison drama Yield to the Night. Not only do both productions feature Dors locked down with her blonde tresses gone brown due to lack of available dye, but both involve her being on death row for murder. Since The Unholy Wife was the next film she did after Yield to the Night we can only assume her initial foray into crime and incarceration was such a success it needed to be repeated. Like almost exactly. Unfortunately, two visions of a bruise-eyed Dors about to receive state-sponsored revenge were too much for audiences, and her repeat excursion was roundly panned.
And sadly, we must agree. Dors is living in California and is married to a Napa winery baron, but since she’s also sharing her affections with a hot young lover, she soon ponders murdering her unsuspecting hubby for his estate. When we lived in Berkeley, just south of the California wine country, we rarely pondered anything more than sunlit grapes and a nice Schug Syrah. But okay, The Unholy Wife is a film noir, which means Dors is no more happy with her heaven-on-Earth existence than a Wall Street stockbroker is with his untaxable Cayman Islands shadow fortune. Both inexplicably want more. Dors starts the film in prison and tells her story via flashback, so we already know her schemes backfired. If only the same were true for stockbrokers. The Unholy Wife premiered in England in the summer of 1957 and premiered in France today the same year.
Every celebrity’s time comes eventually.
Reading about celebrities in these old tabloids is a bit like reliving their fame in real time, and in this Whisper published this month in 1957 we get to observe Marilyn Monroe in mid-career. You know that stage. It’s the one where she’s no longer a sparkling new star, but hasn’t yet earned the status of a venerable old treasure. It’s the stage where almost overnight the very editors who were partners in constructing the edifice of fame begin to take it apart brick and girder, with sledgehammers and blowtorches.
In this issue Whisper editors throw Monroe into their monthly crucible “The Pit,” an unenviable place you may remember from our post on Liberace a while back. Sometimes a celebrity behaves in such a way as to deserve harsh criticism, but generally that isn’t the case—only the narrative has changed, which itself reflects the belief in editorial circles that more magazines can be sold by tearing a person apart than by continuing to build them up. As we’ve mentioned before, we know a little bit about this, having spent many years working in media.
So what had Monroe done? What was Whisper so miffed about? Well, she had declared her craving to act in serious films. We’ll let Whisper hatchet man Tom Everleigh spin it for you in his own words: “And while the only success she’s ever had in films has been by rolling her hips and doing a lightweight Mae West routine, she’s suddenly going to become a “serious actress”—and would even love to render Shakespeare even!” There you have it, complete with two "evens," oddly. Monroe was the pits because she sought artistic growth. Everleigh describes every aspect of her career as crass manipulation and propaganda, which strikes us as pretty harsh, considering she was never in politics.
But anyway, it does illustrate the point that when the script is primed to flip the flimsiest of pretexts will do. At this point in her career Monroe probably would have ended up in Whisper’s Pit whether she’d personally thwarted a terrorist attack or thrown a crate of golden retriever puppies in a woodchipper. Or put another way, when it’s your time to suffer the knives of the tabloids it’s simply your time. Monroe eventually did reach venerable old treasure status, but sadly, it was after her death five years after this issue appeared. We have a couple of scans of her, as well as a great page of Diana Dors with her husband Dennis Hamilton, below.
Did she turn into a freak or was she always that way?
The National Insider was a second tier tabloid, but even it sometimes got the facts correct. The headline on this cover is true—Diana Dors did have a two-way mirror in the bedroom ceiling of her house in Maidenhead, just outside London. Insider didn’t break the story. Rupert Murdoch’s News of the World had done that six years earlier and had shared all the tawdry details with British readers in a heavy breathing 12-week serial. But a good sex story can always be reprised, so Insider decided to dredge the details up again for American readers today in 1964.
At age nineteen Diana Dors had married a man named Dennis Hamilton, who turned out to be a paranoid, violent, and domineering louse who smacked her around and took over the management of her career. Professionally, he steered her away from serious drama into fluff cinema, while privately he initiated her into a life of sex parties and voyeurism. In addition to the two-way mirror in the bedroom ceiling, there were also assorted 8mm motion picture cameras scattered around the house so they could film their bacchanals and later review the action in their leisure time.
While all this partying was going on, a young American actress named Marilyn Monroe was becoming a star. Largely because of Hamilton’s career strategy, Dors would forever be considered Monroe lite, or, as she was often called, "The British Marilyn Monroe." This despite starting in movies a year earlier than Monroe.
Things weren’t going well in the marriage either. Hamilton’s violent and drunken tendencies were more and more often on public display. Make-up artists gossiped about the bruises they had to mask before Dors could shoot a scene. Hamilton punched out a photographer. And in one ugly incident, he brought two reporters home at midnight, dragged a sleepy Dors out of bed, and when she protested, smacked her so hard she tumbled down the stairs. She landed at the reporters’ feet, naked save for a dressing gown that had come open during the fall. Hamilton shouted to the reporters: “Now fucking interview her!”
Hamilton, who you see with Dors at bottom on their wedding day, died in 1959. An autopsy revealed that he had been suffering from tertiary syphilis. This terrrible affliction may have contributed to his erratic behavior, but it’s equally possible that his type of bad simply came straight from the core, and his need to hurt and control was a character trait, not a symptom. In any case, The National Insider replayed all the tawdry details of the marriage, and the issue must have simply flown off the newsstands, because the paper ran with the story again the very next week, at right. The interest is understandable. Dors was glamorous and very beautiful, and tabloid readers love nothing more than seeing a goddess in the muck.
What is most interesting about all this, to us at least, is that Dors did not curtail her raunchy activities after Hamilton exited the scene. Even two husbands later she was up to the same tricks. Her son Jason described life with Dors and her third husband Alan Lake this way: “There were no taboos in our house. I was only seven but I was free to wander in and out of my mum’s parties, no matter how hot they got. I would walk around in my pajamas chatting to John Lennon and Keith Moon. Mum would wander around serving cups of tea and trying to get people up into the bedrooms. She loved having friends round to watch the porn films made at the parties. They would sit around giggling as couples groped each other and made love on the bed. Most of them didn't even know they had been filmed.”
So there you have it. Whether Dennis Hamilton unleashed something in Diana Dors or she was always a voyeur party animal we don’t know. Or maybe it was a little of both, exacerbated by her reaching the height of fame as the prim fifties gave way to the swinging sixties. Interestingly, most of the information about the wild parties came from Dors herself at first. It wasn’t until after she died of cancer at age 52 that other people spoke up. But they were often kind with respect to Dors. That could be for many reasons, but we like to think of it this way: they must have had an awfully good time at those parties.
What was it Shakespeare wrote about rough winds and May?
Above is a publicity photo of American singer/actor/comedian Sammy Davis, Jr. with his Swedish bride, actress May Britt. The shot dates from today in 1960, and as you might guess, that was a very bad time for mixed couples. Sammy had for years been making tabloid headlines for dating white women ranging from Tinseltown icon Kim Novak to Canadian singer Joan Stuart, but when he announced plans to marry Britt, a chunk of the general public lost its collective mind. He faced racist banners and chants in London, received rafts of hate mail, and was confronted in Los Angeles with the bizarre spectacle of three men marching outside the Huntington Hartford Theater in nazi regalia. Even two admirers, John and Robert Kennedy, allegedly asked Frank Sinatra to tell Davis to delay the wedding until after the 1960 presidential election.
Professionally, Britt had to choose between her career and Davis, because it was quite clear that she would never be hired in Hollywood if she married him. Some websites suggest that she lost little because she was a minor talent at best, but she had appeared in over a dozen films and had made the cover of Life magazine twice before even meeting Sammy, so her expectations of a strong run in Hollywood were in no way delusional. Obviously, she chose love over career, and wed Davis at his home in the Hollywood Hills. Some of the guests at the reception included Peter Lawford, Diana Dors, Barbara Rush, Janet Leigh, Leo Durocher, Shirley MacLaine, Milton Berle, and Edward G. Robinson, Jr. The marriage lasted eight years—not long in the real world perhaps, but an eternity by Hollywood standards.
So, what are you doing on Friday? Being executed? How about Thursday?
We love this poster for the British-produced prison drama Yield to the Night, aka Blonde Sinner, which is the tale of a woman languishing on death row for committing murder. Diana Dors stars, and before you decide you can’t buy her as a death row inmate, know that she isn’t playing a hardened criminal, but rather a spurned woman who has committed a rash act of passion. As written, the role works fine for the glamorous Dors. In fact, you kind of get two versions of her, the first a platinum-maned knockout, the second a sunken-eyed, dishwater blonde wreck (although the wreck is still quite nice looking, of course). There’s no question of whether her character committed the crime—we see her pull the trigger in the first minutes of the film. The tension derives from whether she will win a reprieve from the death chamber. We won’t tell you. But we will say that for fans of mid-century cinema, this one is a worthwhile expenditure of time. And as a bonus, for fans of mid-century design, the credit graphics are kind of cool. Yield to the Night had its U.S. premier today in 1956.
The headlines that mattered yesteryear.
1940—Trotsky Iced in Mexico
In Mexico City exiled Russian revolutionary Leon Trotsky is fatally wounded with an ice axe
(not an ice pick) by Soviet agent Ramon Mercader. Trotsky dies the next day.
1968—Prague Spring Ends
200,000 Warsaw Pact troops backed by 5,000 tanks invade Czechoslovakia to end the Prague Spring political liberalization movement.
1986—Sherrill Goes Postal
In Edmond, Oklahoma, United States postal employee Patrick Sherrill shoots and kills fourteen of his co-workers and then commits suicide.
1953—Mohammed Mossadegh Overthrown in Iran
At the instigation of the CIA, Prime Minster of Iran Mohammed Mossadegh is overthrown and the Shah Mohammad Reza Pahlavi is installed as leader of the country.
1920—U.S. Women Gain Right To Vote
The Nineteenth Amendment to the United States Constitution is ratified despite heavy conservative opposition. It states that no U.S. citizen can be denied the right to vote because of their gender.
1958—Lolita is Published in the U.S.
Vladimir Nabokov's controversial novel Lolita, about a man's sexual obsession with a pre-pubescent girl, is published in the United States. It had been originally published in Paris three years earlier.
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