For a pack of troublemakers they sure are hard to find.
This beautiful orange poster showing a brawl in front of the ocean is for the movie Zankoku onna rinchi, which was released in English as Mini-Skirt Lynchers and Cruel Women’s Lynch Law, and is credited as the movie that launched Japanese film's girl gang genre. It starred Annu Mari and Masako Ota, the latter of whom would become pinku icon Meiko Kaji. The film is elusive—nobody we know has seen it, and searching online for reviews just sends you to numerous empty landing pages designed toattract visits while offering zero information (gotta love the rampant false economy of the internet). Well, at least at Pulp Intl. we have this rare promo. It’s so rare, in fact, that we’ve never seen it on another website (though it will soon appear on all those lame landing pages we mentioned). We’ve also included a more commonly seen promo poster just below. We’ll keep searching for this film, and if we ever find it we’ll get back to you. Zankoku onna rinchi premiered in Japan today in 1969.
She may look harmless but she hits below the belt.
Above, a rather nice poster with Salome Tsunoda for a film that had no Western release and thus no Western title, but would be something like “Agony Ball Break.” That just sounds bad, doesn’t it? Some sources give a longer title that would be something like “The Ball Break of Salome Tsunoda.” Hey, we only work here—anyone want to throw a better translation our way, feel free. The movie, which is a brisk 59 minutes long and was directed by Hiroshi Mukai, aka Kan Mukai, starred Tsunoda, Mami Sakura, and Lena Ogawa Lena. On the internet its premiere dates are all over the calendar, but what we consider a reliable source believes it opened today 1976.
Meiko Kaji and her sword return for another dance of death.
You know those days when you go out at noon and one thing leads to another and you don’t get home until about five in the morning? No? Well, that’s why we didn’t do this post yesterday on Shura-yuki-hime: Urami Renga, aka Lady Snowblood 2: Song of Vengeance, which features Meiko Kaji reprising the iconic role of Yuki the avenging swordswoman. We were going to write a whole deal on this movie, but there are numerous reviews and such online just a few mouseclicks away, so instead we’ll simply give you the rare promo poster above, along with two less rare pieces below. We also have a ton of promo art for the first Lady Snowblood at this link. This is mandatory viewing from the Japanese canon, so if you haven’t seen it, put it in your queue. Shura-yuki-hime: Urami Renga premiered in Japan yesterday in 1974.
Drinking over the recommended limit.
Random Japanese goodness today—a poster for Kôji Seki’s early pinku film Biyaku no wana, aka Trap of a Love Potion, with Nami Katsura and Kaoru Miya. This promo represents a nice upgrade from posters currently available online. 1966 release year.
Reiko Oshida delights the senses.
Above are the front and rear cover for pinky violence icon Reiko Oshida’s album Nani ga doshite kounatta, which translates to something roughly along the lines of “Why does this happen?” It’s available with a couple of different covers, but we like the above version with its array of playful Oshidas. The rear is also nice, and some enterprising Tumblr.com user dug up an enlargement, which, since Oshida is a Pulp Intl. fave, we thought we’d share with you, just below. But what of the music, you ask? It falls, we suppose, into the kayokyoku category, which is to say it’s Western-inspired. We like it, but maybe you should judge its merits for yourself. Check out the album’s title song.
Crucifixion, death, and insurrection.
Last night we asked the Pulp Intl. girlfriends if they wanted to watch a movie and they said no because the movies we pick are always bad. That obvious slur against our taste aside, we explained yet again that we choose poster art, not movies. Which is to say, we merely react to interesting vintage movie promos by following where we’re asked to go—to the sofa for a screening. The above poster for Hiroku Nagasaki onna-ro, aka Nagasaki Women’s Prison is about as successful as Japanese promo art gets. With its graphics, colors, and weird-ass content it demands that you watch the movie. The fact that it’s a quasi-sequel to 1970’s successful Onna-ro hizu, aka Island of Horrors gave us hope it would be good.
So we watched and what we got was Akane Kawasaki, Tomoko Mayama, and others in a women-behind-bars flick set in the seventeenth century that starts with a crucifixion, ends with a crucifixion, and has lots of scheming, catfighting, and mayhem between. The only English review we found online said the crucifixions were a framing device—i.e. we see the same woman up there both times and the film explains how she got there. That isn’t true. We see two different women crucified. The first serves mainly as an example of what happens to unruly prisoners, which of course is what Kawasaki and company quickly become. Escape may not be in the cards, but at least they exact some measure of revenge against their male tormentors before all is said and done.
These crucifixions, we should mention, are not like what you see on the poster. That image is designed to trick you into watching something a bit more screamy, stabby, and bloody than you’d expect, so proceed with caution. In the end, we didn’t like the movie very much, and we got to thinking maybe our girlfriends are right. Maybe we do watch a lot of bad movies. Maybe they’re smart to avoid them. But no worries—we don’t need no icky old girls watching movies with us anyway. Hiroku Nagasaki onna-ro premiered in Japan today in 1971.
, Daiei Studios
, Hiroku Nagasaki onna-ro
, Nagasaki Women’s Prison
, Akane Kawasaki
, Tomoko Mayama
, poster art
, pinky violence
, movie review
Learning to love yourself is the greatest love of all.
Tatsumi Kumashiro’s roman porno flick Shoujo shofu: kemonomichi was called Path of the Beast for its Western release, but the literal translation of the Japanese title is something like “Girl Whore Beast Road.” That sounds ridiculous, but it does sum up the plot. Yoshimura Ayako stars as a sex-loving twenty-something who has two horny lovers and thinks of herself as a whore because she can’t say no to either of them. She believes she inherited the trait from her equally sexual mother, and vows not to go down the same road of carnality. You see? Girl Whore Beast Road. Ayako’s assessment of herself may seem a little harsh—after all, if she loves to bone, what’s the problem? Well, reputational issues, obviously, as well as possessiveness issues on the part of her men—and those don't often end happily. But at least Ayako has ample fun in the midst of her anguish. She has sex on the beach, sex on a boat, sex in a shack, sex under the ruined pier, and even sex in a bed. It’s all softcore, of course—if you’ve never seen a roman porno movie, the sex scenes usually look like two people trying hold a water balloon between their torsos, and Shoujo shofu: kemonomichi holds to that tradition with plenty of writhing and wiggling. At some point Ayako learns to accept herself, if not her circumstances, and that’s really what the movie is about. Shoujo shofu: kemonomichi premiered in Japan today in 1980.
, Shoujo shofu: kemonomichi
, Path of the Beast
, 少女娼婦 けものみち
, Tatsumi Kumashiro
, Ayako Yoshimura
, roman porno
, poster art
, movie review
When life gives you lemons make a roman porno movie.
We’ve been holding onto this poster for a few years. We were told when we got it that it’s for a movie called in English A Clockwork Lemon—an intriguing title. But we looked everywhere and the name didn’t appear in a single film database. The poster text doesn’t say anything about clocks or lemons, by the way, but it’s often true that Japanese titles are changed completely for films’ Western runs. When we finally located info on this one—looking for the Japanese rather than English name—it turned out it was made in 1968, which eliminates “A Clockwork Lemon” as the English title, since Kubrick’s dystopian citrus epic didn’t appear until ’71. Unless, of course, he stole his title from this film. We doubt that, so, let's assume we were led astray on the English title, but whatever, that happens sometimes. Wanna know what the movie is called in Japanese? The text reads something like “same hole again.” So, there you go. Not much we can add to that.
Um, except to mention as we always do, that these aren’t porn films, despite the titles. They’re about on the level of late night cable softcore. Softer, actually, because no naughty bits could legally appear onscreen in vintage Japanese cinema. “Same Hole Again” was directed by… actually, wait—that sounds so wrong. Maybe we’ll just go with Japanese here. 穴じかけ was directed by Hajime Sasaki, stars Kazuko Shirakawa, and appeared in 1968. Shirakawa is an important cinematic figure—she headlined the first roman porno (again, not porn) production Nikkatsu Studios ever made—Danchizuma: hirusagari no jôji, aka Apartment Wife: Affair in the Afternoon. She made a series of films in the genre, later moved into mainstream flicks, and was still acting as of 2011. Sorry we don’t have more info. But you gotta love the poster, right? To make up for our lack of data, below is a shot of Shirakawa looking lemony fresh.
She’ll be your beast of burden.
Akira Katô’s crime thriller Shinayakana kemonotachi, for which you see the promo poster above, had the interesting English title She-Beasts, Warm Bodies, and was also known as Sensuous Beasts. It stars Mari Tanaka and is noteworthy for being Naomi Tani’s first movie. Unfortunately, we weren’t able to track down a copy so the poster is all you get for now. We do know that it’s a bit of a black comedy, and the plot revolves around embezzlement, drug trafficking, and of course the yakuza. We’ll keep our eyes open for this one and maybe report back. Shinayakana kemonotachi premiered in Japan today in 1972.
, Shinayakana kemonotachi
, She-Beasts Warm Bodies
, Akira Katô
, Mari Tanaka
, Naomi Tani
, roman porno
, poster art
Meiko Kaji takes the Stray Cat Rock franchise out for a final spin.
Even Nikkatsu serials eventually end, and this entry in the Stray Cat Rock series, entitled Nora-neko rokku: Bôsô shudan ’71, aka Stray Cat Rock: Crazy Rider, was the final outing for Meiko Kaji in the franchise. That’s her, of course, looking exceptionally badass on an exceedingly rare promo poster, and below we have even rarer distributor sheets. Plotwise, Kaji has a boyfriend named Ryumei who has spurned the mainstream lifestyle for hippie freedom. When bikers attack Ryumei and Kaji the altercation leads to Ryumei killing one of the thugs. Unluckily for Kaji, he’s whisked away, leaving her to take the murder rap, in turn leading to her being tossed in jail. Turns out Ryumei’s father wants him to give up hippiedom and join the family business, and sent the bikers to kidnap him and bring him home.
Kaji escapes from jail a while later, seeks out Ryumei, finds him transformed into a cold-hearted suit, and is imprisoned again, this time by the father’s evil thugs. The main problem with this movie for Kaji fans is she doesn’t get much screen time. Instead much of the tale is told from the other end, as Kaji’s friends, led by Yoshio Harada, plot to free her. This isn’t fatal to the movie, though. If you can embrace the other protagonists you’ll find plenty to enjoy. The sentiment of hippies-versus-power may seem quaint, and indeed the film handles certain elements of their lifestyle comedically, but all these years later, with Japan’s rich getting richer while its poverty rate is among the highest for developed nations, is anyone still laughing? Nora-neko rokku: Bôsô shudan ’71 premiered in Japan today in 1971, and you can see more posters for the series here and here.
, Hori Production
, Nora-neko rokku: Bôsô shudan ‘71
, Stray Cat Rock: Crazy Rider ‘71
, Meiko Kaji
, Yoshio Harada
, poster art
, pinky violence
, movie review
The headlines that mattered yesteryear.
1931—Schmeling Retains Heavyweight Title
German boxer Max Schmeling TKOs his U.S. opponent Young Stribling in the fifteenth round to retain the world heavyweight boxing title he had won in 1930. Schmeling eventually tallies fifty-six wins, forty by knockout, along with ten losses and four draws before retiring in 1948.
1969—Stones Guitarist Is Found Dead
Brian Jones, a founding member of British rock group Rolling Stones, is found at the bottom of his swimming pool at Crotchford Farm, East Sussex, England. The official cause of his death is recorded as misadventure from ingesting various drugs.
1937—Amelia Earhart Disappears
Amelia Earhart fails to arrive at Howland Island during her around the world flight, prompting a search for her and navigator Fred Noonan in the South Pacific Ocean. No wreckage and no bodies are ever found.
1964—Civil Rights Bill Becomes Law
U.S. President Lyndon Johnson signs the Civil Rights Bill into law, which makes the exclusion of African-Americans from elections, schools, unions, restaurants, hotels, bars, cinemas and other public institutions and facilities illegal. A side effect of the Bill is the immediate reversal of American political allegiance, as most southern voters abandon the Democratic Party for the Republican Party.
1997—Jimmy Stewart Dies
Beloved actor Jimmy Stewart, who starred in such films as Rear Window and Vertigo, dies at age eighty-nine at his home in Beverly Hills, California of a blood clot in his lung.
1941—NBC Airs First Official TV Commercial
NBC broadcasts the first TV commercial to be sanctioned by the Federal Communications Commission. The FCC began licensing commercial television stations in May 1941, granting the first license to NBC. During a Dodgers-Phillies game broadcast July 1, NBC ran its first commercial, from Bulova, who paid $9 to advertise its watches.
1963—Kim Philby Named as Spy
The British Government admits that former high-ranking intelligence diplomat Kim Philby had worked as a Soviet agent. Philby was a member of the spy ring now known as the Cambridge Five, along with Donald Maclean, Guy Burgess, Anthony Blunt and John Cairncross. Of the five, Philby is believed to have been most successful in providing classified information to the Soviet Union. He defected to Russia, was feted as a hero and even given his commemorative stamp, before dying in 1988 at the age of seventy-six.
1997—Robert Mitchum Dies
American actor Robert Mitchum dies in his home in Santa Barbara, California. He had starred in films such as Out of the Past, Blood on the Moon
, and Night of the Hunter
, was called "the soul of film noir," and had a reputation for coolness
that would go unmatched until Frank Sinatra arrived on the scene.
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