Operating at a whole new delinquency.
Above are two posters for Zubeko banchô: hamagure kazoe uta, aka Delinquent Girl Boss: Ballad of Yokohama Hoods, third in the Delinquent Girl Boss series, with Reiko Oshida reprising her role as the ass kicking Rika Kageyama. We managed to track down a copy of this and took a gander. It's similar to other entries, with Oshida going from the frying pan to the fire—or more literally, from reform school to the mean streets, as shortly after arriving in Yokohama she gets tangled up in girl biker and organized crime weirdness. She proves her mettle to the girls, then sets about causing trouble for the boys. All this is wrapped around a subplot involving a deserter from the U.S. army.
One distinguishing aspect of Yokohama Hoods is that sex and nudity are de-emphasized throughout the proceedings, and we think this actually helps the movie. We're still grappling with the often challenging role of sexual violence in pinku films, trying but not always managing to understand it in its cultural context, so Yokohama Hoods was refreshing for its lack. Other aspects are exactly as you'd anticipate—i.e. a climactic confrontation between the tough good girls and the superbad boys. Director Kazuhiko Yamaguchi goes all out, staging a waterfront fracas featuring speeding motorcycles, blazing machine guns, flashing swords, and more. If everyone actually aimed their guns rather than thrusting them wildly at their targets the fight might have ended sooner, but in any case Yokohama will never be the same. Zubeko banchô: hamagure kazoe uta premiered in Japan today in 1971.
Tajima joins the white panty club.
This is the last of our Heibon Punch calendar pages. Sad, we know—these things have provided a lot of visual pleasure, but we'll acquire more at some point. The above foldout features actress Harumi Tajima, who appeared in Kyôfu joshi kôkô: Animal dôkyôsei, aka Terrifying Girls' High School: Animal Courage, and in Seijû gakuen, aka School of the Holy Beast, which we talked about here. This shot, as you can see from the date at bottom left, is from 1974, and she sports the same garb worn last month by Yumiko Tatsuno. While the look is similar, the photographer is different. This shot was made by Keinosuke Hashimoto. Wanna see the other Heibon Punch calendar pages? Just click here and scroll down.
When they say love hurts they aren't kidding.
This wintry poster for Hakkinbon bijin ranbu yori: semeru!, aka Beauty's Exotic Dance: Torture! shows star Junko Miyashita looking miserable and cold. Which actually happens in the movie. It tells the story of an artist who engages a prostitute to satiate his need for sadistic sex, which he uses to fuel his art. The prostitute, Miyashita, is a consensual partner in all this, wanting to please the artist and out-do his dearly departed wife. You gets lots of drawn out sadism involving rope bondage, asphyxiation, ice baths, scaldings with candle wax, and more. And if that isn't dark and weird enough already, matters take a really nasty turn when Miyashita turns out to have inherited something unusual from her mother. If you watch the movie, don't say we didn't warn you. Hakkinbon bijin ranbu yori: semeru! premiered in Japan today in 1977.
You know, you're kind of sexy when you're mad.
The panel length promo for Furyô anego den: Inoshika Ochô, aka Sex & Fury was one of the first Japanese posters we ever shared. It's now the standard poster scan for this film on the internet. We see it everywhere, and it's defnintely the one we uploaded because we recognize the various imperfections of the image. We've also had the above bo-ekibari style promo the whole time, and we're sharing it now, whole and in halves, eight years after that first upload, just for the sake of completeness. Have you seen the movie? It's pretty wild, and it has a love scene between Reiko Ike and Christina Lindberg. If that doesn't make your loins go all hot and gooey you aren't technically alive. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.
It's hard to get past my defenses—but I'm worth it.
This person standing with a suit of armor—possibly occupied by her protector—sure looks familiar. She's Yumiko Tatsuno and you may remember we just mentioned her two days ago because she was in the 1975 roman porno flick A Bakeneko Toruko furo, aka A Haunted Turkish Bathhouse. Well, what a coincidence. This shot of her on a February calendar page was shot by celeb photographer Takeo Sano and is from a 1974 issue of Heibon Punch. We have more from this calendar upcoming.
The cat is definitely out of the bag.
This cool poster is for the Japanese roman porno flick Bakeneko Toruko furo, aka A Haunted Turkish Bathhouse, a movie you should think of as an off-the-program addition to the website today, as it is not playing at Noir City. Obviously, the poster reveals that this is a ghost cat movie, and the title does too—a bakeneko is a cat that has changed into a yōkai, or supernatural creature. They made plenty of these ghost cat flicks in Japan, including Kaidan nobori ryu, aka Black Cat’s Revenge, which we talked about a while back.
This one stars Naomi Tani, Misa Ohara, Yumiko Tatsuno, and the luscious Terumi Azuma. Tani is whipped to death, no thanks to her husband, and comes back to haunt her killers as an avenging cat spirit. If you're a cat person, you might be thinking you'd love this. But the thing about these movies is the cats are basically just thrown into shots from off camera by production assistants, or sometimes suspended from wires, and there's no doubt their treatment was not very kind. It's good they have nine lives, because to us it looks like they need all of them to get through these movie shoots.
Below you see two more posters for the same film, alternate versions that are completely different from the one above. All three pieces are visible around the internet, but the red ones have never before been shared at this size or clarity. Watch the movie if you can. You'll find it interesting, especially the bathhouse elements (hint, hint). Whether you can watch it or not, please be kind to cats—they're a little evil in normal form anyway, but as bakeneko they're just plain lethal. Bakeneko Toruko furo premiered in Japan today in 1975.
Igarashi shows Japan who's the Boss.
This high kicking poster is for the Japanese pinku flick Semi-dokyumento: Sukeban yôjimbô. It's an obscure movie. It never had a western release, thus has no western title, but it would translate to like, “Semi-document: Girl Boss Bodyguard,” or “Semi-document: Girl Boss Bouncer.” It has nothing to do with the Noir City Film Festival that we've been looking at the past week, but we wanted to slip it in because we're dogmatic about sharing movie posters on premiere dates and this film opened in Japan today in 1974. We have another Noriko Igarashi movie poster which you can see here, and a summery promo image below.
Oh, my mistake. I thought you said out with the old in with the nude.
We thought we'd start your 2017 off right with this January calendar page from a 1974 issue of the Japanese magazine Heibon Punch featuring the always wonderful Mari Tanaka. She's chameleonic and can look very different from shot to shot. For a glimpse of her at her best, we suggest peeking here.
Hitomi Kozue is number one on any chart you care to name.
We've shared several images of Japanese actress Hitomi Kozue that had never been seen online before, and we have more we haven't uploaded we plan to get to. But today we wanted to share someone else's effort. The Tumblr blog Humungus posted a Japanese album cover with Kozue on the front. The image was so striking we decided to wipe the text off it and present it as a clean photograph—just Kozue, unadorned. You see the result above. You're welcome.
You can't keep a good girl down.
This dramatic poster was made for Nikutai no mon, aka Gate of Flesh, a movie based on a 1947 novel by Japanese author Taijirô Tamura. The book has been filmed five times. The most famous version was made in 1968 with Jo Shishido and Yumiko Nogawa earning acclaim for their lead roles in what was a serious and artistic film, but the above promo is for the 1977 roman porno version starring Reiko Kayama, Izumi Shima, and Junko Miyahsita. Needless to say, the two films diverge rather sharply. However, we need to point out, as we do periodically, that roman porno isn't porno—it's softcore. The “roman” in roman porno is short for “romantic,” and though the movies aren't typically romantic in the normal sense, they aren't explicit. Such depictions were illegal in Japan back then, and remain so today (though filmmakers use pixilation of sexual organs to skirt the law).
When the novel Nikutai no mon appeared in 1947 a different censorship regime existed called the Civil Censorship Detachment, which was under the authority of the Supreme Commander for the Allied Powers, aka Douglas MacArthur. Under SCAP CCD censorship, explicit accounts of fraternization between Japanese and whites were forbidden, as were detailed accounts of the atomic bombings, or anything that could generate distrust toward the American occupiers. Most Japanese authors obeyed. A few wrote obliquely about the forbidden subjects. And a very few broke the rules entirely to describe war horrors—e.g. flashburned nuclear victims walking naked and blind amongst the ruins, their hairless bodies so swollen their sex could not be determined. Tamura's novel falls in the middle. It tells the story of a group of Japanese women trying to survive in the rubble of Tokyo via prostitution.
Where the 1968 movie stuck pretty close to Tamura's fiction, the roman porno focuses more on the sexploitation angle, though it keeps the action set in 1947. A criminal syndicate known as Black Rose provides Japanese girls as prostitutes to the American military, and any who resist the various examinations, training, and indignities are punished with torture and death. When Reiko Kayama arrives on the scene, she eventually inspires the others to follow her as she leads a revolt against her enslavers. You get sex, girlfights, killings, and blood. If you're looking for standard roman porno fare—with perhaps a bit more visual piazazz than usual thanks to director Shôgorô Nishimura and cinematographer Yoshihiro Yamazaki—you've picked the right film. Nikutai no mon premiered in Japan today in 1977.
The headlines that mattered yesteryear.
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.
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