Vintage Pulp Feb 9 2016
PETAL POWERED
Tips for perking up a wilting flower.


This beautiful poster was made for the drama Kaben no shizuku, which was known in English as Beads from a Petal, as in beads of moisture. A lot of Japanese softcore movies have titles referencing beads of moisture, or dew, or the various parts of flowers, such as pistils and petals and whatnot. In this one Rie Nakagawa plays a married woman who is unfulfilled by sex. When her husband strays, the betrayal sends her seeking help, which she eventually gets from a psychiatrist (an ex of hers actually, which we're sure is unethical, but whatever) and he is able to determine that her aversion to sex has to do the repressed memory of having seen her parents making love when she was young. Do you need to know more? We thought not. Kaben no shizuku premiered in Japan today in 1972.

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Femmes Fatales Feb 4 2016
CABIN FEVER
If she gets any hotter the building will go up in flames.


It’s about that time again, so here’s another previously unseen image of a 1970s Japanese actress—Hitomi Kozue, one of the era’s most beautiful exports, seen here in a very nice shot dating from 1974. Kozue did an entire series in this cabin setting and we have quite a few of them, which we’ll eventually post so you can see if she left the building a pile of ashes.

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Intl. Notebook Jan 12 2016
EURO SINFUL
Reiko Ike makes her presence felt in Rome.


Reiko Ike appears here in a bold photo published in the French magazine Euro Cinéma in November 1972. The text reads: A beautiful oriental pearl came to Rome for the turn Toei’s “A modern biography.” What does that mean? Unfortunately, our translating widget cannot clear that up. Seems as though the magazine is telling us Ike was sent to Rome earlier that year to promote either one of her own films, films by her studio Toei Company, or both. We found no references to anything made by Toei called A Modern Biography, and nothing that would translate to such. Our guess is the name refers to a Japanese film festival in Rome they put together or participated in. Anyone out there want to clear this up? You know the drill—editor@pulpinternational.com. Anyway, what’s extra cool about this magazine is that it also has Christina Lindberg on the cover and inside, plus Florinda Bolkan and Laura Antonelli. Euro Cinéma is good cinema.
 

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Vintage Pulp Jan 3 2016
RIDER ON THE STORM
Fasten your seat belt—turbulence ahead.

Promo poster for Nora-neko rokku: Bôsô shudan ’71, aka Stray Cat Rock: Crazy Rider ’71. We talked about this final installment of the Stray Cat Rock franchise and shared the super rare panel length promo last year. The above version is the one that's more commonly seen, but this is a new scan—well, really a digital photo, because who has a scanner that big? Anyway, it's an improvement over what was already out there. 

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Vintage Pulp Dec 25 2015
SAFETY NOT GUARANTEED
Motorcycle? I don’t own one. The helmet is for protection when I crash the Pulp guys’ picnic over there.

Only a little time today, but we love sharing this Japanese material, so above you see an alternate poster in panel length for Yoshio Inoue’s pinku film Kawaii Akuma: Iimono ageru, aka Just for You, which premiered today in 1970 starring Mari Atsumi. It’s completely different from the standard sized version, which we showed you here, and better too, we think. Now we are off—our holiday involves lobster, crab, and other oceanic yummies eaten picnic style in a hilltop park. Hope your day is excellent. 

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Vintage Pulp Dec 17 2015
INSATIABLE APPETITES
Reiko Ike and Sandra Julien get together and sparks fly.


Gendai poruno-den: Sentensei inpu, aka Modern Porno Tale: Inherited Sex Mania, aka The Insatiable is a Noribumi Suzuki-directed tale of sexual awakening, but we bet most viewers don't awaken until co-stars Reiko Ike and Sandra Julien end up in the shower together. Pretty steamy stuff, and as a bonus the two migrate into bed, which you see in the photo below. Prefacing that agreeable sequence are less agreeable but standard pinku elements, including legions of slimy horndogs, shameful voyeurism, forced de-virginization, a drugging, and an alcohol fueled orgy. The only good thing that happens is that Ike falls into bed with Pulp Intl. fave Miki Sugimoto. Actually, that's nearly the opening sequence, which is nice because it lets you know exactly where the movie plans to take you. But that interlude aside, other aspects of Reiko's life really suck, and her escalating problems eventually lead to a brawl which she escapes by hiding in a parked car. The man who owns that car seems to bethe person destined to save her from the sordid club girl life she's made for herself. Or is he? He slaps her within minutes of their initial meeting, but can you blame the guy? She was trying to kiss him. We can't pretend to truly understand these movies, and since there are no real reviews of this one online we're flying blind with our interpretation, but the message seems to be that sluttiness is genetic. In any case, we love the two posters at top. We also love the two promo images below of Ike and Julien. Gendai poruno-den: Sentensei inpu opened in Japan today in 1971.

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Vintage Pulp Dec 3 2015
VERSATILE DELINQUENT
She can cause serious bodily harm with knives and swords.


Zubekô banchô: Tôkyô nagaremono, known in the English speaking world as Delinquent Girl Boss: Tokyo Drifters, was Reiko Oshida’s second spin in the Girl Boss series after Delinquent Girl Boss: Blossoming Night Dreams was a hit in cinemas less than three months earlier. Toei Company must have planned for a sequel all along, but a follow-up installment in fewer than 90 days? Not surprisingly, the final product feels a tad aimless—though on the plus side, nobody gets fucked by a German shepherd (yes, we’re still having problems with that). There are some funny bits in this movie, which is good, because when substance is lacking comedy is a perfect time-filler. You also get reform school hi-jinks, a stylish Oshida, and a final mass sword fight against the Yakuza—so what more do you need? Zubekô banchô: Tôkyô nagaremono premiered in Japan today in 1970.


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Vintage Pulp Nov 22 2015
TRICKY DICK
Some say being a big fish in a small pond is better than being a small fish anywhere. They may be wrong.


Hakkin nikubuton, aka Banned Book: Flesh Futon, for which you see a poster above, has one of those strange titles you come across occasionally in Japanese cinema. “Banned book” seems straightforward enough. But “flesh futon”? Hmm… Based on an erotic novel by Chinese writer Li Yu and starring Hajime Tanimoto, Maya Hiromi, Terumi Azuma, and Rei Okamoto, the movie tells the story of a poor writer named Mio who unexpectedly authors a bestselling erotic novel called—and this will clear up the title weirdness—Flesh Futon. See? Mio takes to fame quite easily, living in the fast lane and generally having a good time.

But his wonderful life begins to fall apart due to various unexpected misfortunes. These run the gamut from having a prostitute spread a rumor that his penis is “like a guppy,” to having to his house robbed and (now that we understand the title, we know this next part is coming) his book banned. When Mio later encounters the house thief this dodgy character reveals that it’s possible to have one’s penis enlarged. How? Let’s just say it’s a pretty ruff procedure. Mio opts for the surgery, but alas, quickly learns that being a big fish isn’t everything, as his previous misfortunes turn out to be only a taste of what is to come. Hakkin nikubuton premiered in Japan today in 1975.

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Vintage Pulp Oct 28 2015
THE BOSS IS BACK
Just when you thought it was safe.
 
 
We already shared the two-piece panel length poster for Sukeban berûsu: mesubachi no chosen, aka Girl Boss Blues: Queen Bee’s Challenge, but today we have two alternate versions. At top you see the standard poster, and below is the bo-ekibari, or horizontal two-piece. We already told you everything you need to know about the movie—in short, it has Reiko Ike, Miki Sugimoto, and strategic soap foam. A perfect night’s entertainment.
 


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Vintage Pulp Oct 1 2015
NOBODY'S ANGEL
Life and death at the edge of a razor.

This promo is for Jigoku no tenshi: Akai bakuon, aka Hells Angels: Crimson Roar, one of scores of girl gang movies that deluged Japanese cinema during the 1970s. This one is from Toei Company and concerns a gang member named Yoko, played by Yûko Iruka, who spends three years in prison for assault with a switchblade, and afterward emerges onto the mean, nightclub-lined streets of her coastal hometown. You know Japanese bars are sleazy when their names are English—Bar Lucky, The Apollo, The Happening, Club Ace, New York 3, et al. We especially liked the placard that read: Girls can get so excited and lustful sometimes, as shown in this picture. Why don’t you come in now? The girls working for me are so sexy. You can try to satisfy them. Yes, even sex club signage is polite in Japan.

These places are all geared toward American servicemen, of course, and the distaste for Western decadence, though subtle, is clear. But it isn’t Americans who are a problem for Yoko—it’s a group of pesky Yakuza who make their home at the Lonely Angel bar. After Yoko is drugged into paralysis and raped by two of the slimier specimens she hones that trusty switchblade of hers and goes on a revenge spree that, well, doesn’t end nicely for her enemies. She gets timely help from her boyfriend, and when he ends up on the point of a katana, that makes her even angrier. Turns out she’s deadly with a sniper rifle too. Standard stuff, but with an unusual and effective star in Iruka, and Reiko Ike’s 1973 hit song “Futen Gurashi Part 2” recurring throughout the soundtrack—a bonus.  Jigoku no tenshi: Akai bakuon premiered in Japan today in 1977.

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History Rewind
The headlines that mattered yesteryear.
February 14
1929—Seven Men Shot Dead in Chicago
Seven people, six of them gangster rivals of Al Capone's South Side gang, are machine gunned to death in Chicago, Illinois, in an event that would become known as the St. Valentine's Day Massacre. Because two of the shooters were dressed as police officers, it was initially thought that police might have been responsible, but an investigation soon proved the killings were gang related. The slaughter exceeded anything yet seen in the United States at that time.
February 13
1935—Jury Finds Hauptmann Guilty
A jury in Flemington, New Jersey finds Bruno Hauptmann guilty of the 1932 kidnapping and murder of the Lindbergh baby, the son of Charles Lindbergh. Hauptmann is sentenced to death and executed in 1936. For decades, his widow Anna, fights to have his named cleared, claiming that Hauptmann did not commit the crime, and was instead a victim of prosecutorial misconduct, but her claims are ultimately dismissed in 1984 after the U.S. Supreme Court refuses to address the case.
February 12
1961—Soviets Launch Venus Probe
The U.S.S.R. launches the spacecraft Venera 1, equipped with scientific instruments to measure solar wind, micrometeorites, and cosmic radiation, towards planet Venus. The craft is the first modern planetary probe. Among its many achievements, it confirms the presence of solar wind in deep space, but overheats due to the failure of a sensor before its Venus mission is completed.
1994—Thieves Steal Munch Masterpiece
In Oslo, Norway, a pair of art thieves steal one of the world's best-known paintings, Edvard Munch's "The Scream," from a gallery in the Norwegian capital. The two men take less than a minute to climb a ladder, smash through a window of the National Art Museum, and remove the painting from the wall with wire cutters. After a ransom demand the museum refuses to pay, police manage to locate the panting in May, and the two thieves, as well as two accomplices, are arrested.

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