|Vintage Pulp||Dec 2 2016|
Above, She Tried To Be Good, by the prolific Florence Stonebraker for Venus Books, 1951. The cover is the flawless work of Rudy Nappi, whose output we've shown you before. We think this is one of the most beautiful illustrations of the mid-century era, and we suspect we're not alone in that opinion. We'll have more from Nappi a bit later.
|Vintage Pulp||Nov 30 2016|
Last week we shared a collection of Bill Edwards paperback covers, but this piece of his needed to stand alone, if for no other reason than its absurdity. A prison built within feet of an apartment building? A scantily clad woman encouraging a convict to seek an early release? Possibly right in her window if his aim is good enough? This one is sublime. 1965 copyright.
|Vintage Pulp||Nov 28 2016|
You can figure out the story here, right? The title and cover combine to sort of give it away. Bored rich girl Teresa Porter, who's married to linguist Julian Porter, is dragged along on a two-year research trip to the Belgian Congo along with her hot young lover Allan, who is her husband's assistant. Literarily speaking, Africa has been the end of tougher people than these three, so you know they're going to have myriad troubles. The interracial aspect suggested by the cover blurb does not apply to lover Allan, but Edmund Schiddel adds subplots along those lines, as you'd expect from any author working in the African milieu. The copyright on this is 1956, and the art is uncredited.
|Vintage Pulp||Nov 27 2016|
A couple of months back we shared a cover from Spain's Ediciones G.P. for Franck Marchal's Natalia enciende la mecha, which we mentioned was part of a series written by French authors Pierre Aspetéguy and Monique Henry. Above is the first entry in that series, simply titled Natalia, featuring the 1959 debut of their part-time fashion model/full-time ass whipping super spy. We're sharing this today because we've dug up some new info on the series—we couldn't identify the cover artist on the previous example, but we we think this one may have been painted by a Spanish artist who called himself or herself Chaco. That's all the info we have, but we'll keep digging. Anyone out there know anything? Drop us a line.
|Vintage Pulp||Nov 25 2016|
Bill Edwards' profile as a paperback illustrator has risen considerably in recent years. Like others who painted for sleaze imprints, it is not so much his technical ability that has garnered the attention, but rather the subject matter and a strong style. Edwards is a guy whose work you can identify in a millisecond. His women almost always have sharp cheekbones, ski jump noses, and a prominent beauty mark. The cover above for Rick Rand's New Girl in Town shows you all three elements up close. Edwards was also prolific like few other painters, which makes finding his work easy. Below are many more illustrations, some for novels with subject matter well beyond the pale, and we have other Edwards pieces populating Pulp Intl., for example here, here, and here.
|Vintage Pulp||Nov 24 2016|
Above, an eyecatching piece of Jef de Wulf art fronting Le dragon vert, or The Green Dragon, written by Bob Arnal for Editions de la Flamme d'Or. Basically, it's Fu Manchu style Asian Peril fiction about a nefarious criminal organization known as Green Dragon, majorly uncool Chinese cocaine dealers planning to extend their long reach into Europe. 1953 copyright.
|Vintage Pulp||Nov 18 2016|
The interesting cover above for Five Sinister Characters was painted by Paul Stahr and fronts a Raymond Chandler short story collection composed of "Trouble is My Business,” “Pearls Are a Nuisance,” “I'll Be Waiting,” “The Red Wind,” and “The King in Yellow.” Lovecraft fans probably know that last title via its usage by Robert W. Chambers for his 1895 collection of weird stories, which you see at right, but Chandler's “King in Yellow” is unrelated. Chandler's tale involves a tough guy bandleader named King Leopardi who wears yellow suits, while Chambers' collection is, well, weird. But Chandler knew of Chambers and he also knew of Lovecraft's Cthulhu mythos, of which Chambers' fiction is considered a part. Midway through Chandler's tale a character says, “The King in Yellow. I read a book with that title once.” A clear reference to Chambers' macabre work. The influence of that work continues to grow over time—it even made an impact on the first season of True Detective. Originally published by Avon in 1944, this edition of Five Sinister Characters appeared as part of Avon's Murder Mystery Monthly series in 1945. Recommended stuff.
|Vintage Pulp||Nov 16 2016|
Above, a little cowboy sleaze action from author E.L. Scobie and Midwood books, as assorted female guests at a western health ranch hook up with assorted horny cowpokes in cabins, in sleeping bags, in barns, and anywhere else they fancy. The girls may not know much about horses, and yet clearly this is not their first rodeo. 1963, with uncredited cover art.
|Vintage Pulp||Nov 15 2016|
This novel has a rather funny title—Vide ton sac... hé means “Empty your sack... hey!” It was written by Louis de la Hattais for the Allo Police series published by SEG, aka Société d’Editions Générales, 1957 copyright. We didn't know who painted these covers when we first posted from this series, but now know it's Auguste Liquois, who did a lot of work for SEG. Learn more about de la Hattais and Allo Police here.
|Vintage Pulp||Nov 13 2016|
This beautiful Quarter Books edition of Harmon Bellamy's Frenchy was published in 1949 and was a re-issue of Bodies Are Different, from 1935. The story deals with two very different twin sisters in New York City and their various escapade with men. Bellamy, who also wrote such books as Flesh and Females and Leap Year Madness, was a pseudonym used by Herman Bloom, who wrote as sideline and as an actual job ran a camera shop with his brothers in Springfield, Massachusetts. The cool cover art is by Bill Wenzel, and you can more of his work here. Also, we're just joking about the French. The cliché is untrue. We've been treated quite well during our many trips to France, but it does help if you bother to memorize a dozen or so useful phrases. File it away.