Are you ready to see my unbelievably sexy new panties? These will blow your mind.
There was a time when her panties probably were considered unbelievably sexy. We're glad that time passed, though with the waistlines in women's fashion creeping back up—harkening to the era when it was illegal to show a navel on television or in movies—will it be long before panties turn into parachutes again? We're on record as hating high waistlines on undergarments. Let's pray to the Roman goddess Clotho that sense prevails before that happens. She isn't technically responsible for clothing, but she does spin the threads that determine the course of people's lives. Presumably that includes fashion designers. 1964's Suzy and Vera comes from author Peggy Swenson, aka Richard Geis, last seen around these parts writing the sleaze classic Lesbian Gym. The same artist painted the covers for both books, looks to us. Some say it's Fred Fixler, but we think it's someone charged by Brandon House with producing work in a similar style. And a nice style it is. But Fixler? We think not. We'll keep researching this.
*sigh* Sense of safety. Last shred of dignity. Trust in people's basic goodness. I think I lost all those tonight.
Sleazemeister general Orrie Hitt's Ex-Virgin is the story of a gaggle of youthful characters with zero life prospects stuck on the worst street in a jerkwater town. Abysmally dumb boys and girls have sex, cheat on each other, and roll the dice on pregnancy. In the midst of all this an innocent beauty hopes to make a good life for herself. But she lets a boy sample her wares, and once that becomes known her reputation goes down the tubes, with detrimental effects. Put this in the scare-kids-out-of-having-sex category. It's all very monotonous thanks to Hitt's colorless writing style. The cover art on this 1959 Beacon edition, which does not depict a scene that occurs anywhere in the story, is by Fred Rodewald, and was adapted from a piece that originally appeared on a September 1949 cover of True Crime Cases.
Don't! That's for salads or desserts, not meat!
This is very nice cover work for Everett and Olga Webber's U.S. Civil War novel Bound Girl. The art is by Sam Cherry, one of the best. After a 1949 hardback debut the book came out as this Popular Library paperback in 1950. The bound girl of the novel is an indentured servant living on the Kansas-Missouri border who experiences both war and various romantic ups and downs. Possibly her love problems stem from bad manners. After all, who'd want to date someone who doesn't even know that a three prong fork isn't for meat courses?
Yep, from now on I think all my problems are behind me.
First published in 1945 with this Bantam paperback appearing in 1951, Dorothy Macardle's The Unforeseen deals with a woman who installs herself in a quiet Irish cottage to work on a book about birds, but begins having a series of hallucinations. The main character Virgilia at first thinks they're manifestations of second sight, especially since more than a few of her visions come true. But they're such minor predictions that it's easy for her—after seeing a psychiatrist friend who offers rational explanations—to dismiss them as imaginings brought on by fatigue and stress. But the doctor's psychic researcher son believes the visions are supernatural, and covets Virgilia as a prospective case study. Things get darker when the visions at the story's center go from basically harmless to darkly frightening, but are they actually real? We won't tell. The Unforeseen is pretty entertaining, all in all, especially considering we picked it solely because of the cover art by H.E. Bischoff. However, pulp fans may find the book slow, as it owes more to du Maurier than to any crime or adventure writers.
Eew. Please tell me you washed that hand after you were out there in that nasty gutter.
Above, an awesome cover for Gutter Star, Intimate Novel #52, written by Dorine B. Clark and published in 1954. The painting is by Frank Uppwall, and it was reused in 1957 by Beacon for Carol Emery's lesbian novel Queer Affair.
I'm getting pretty fed up with your attitude, mister. You should try being as friendly as your wife.
John Deering meets a sexpot in a bar who offers him employment with her rich aunt. The aunt—this is a sleaze book, so she's a total cougar—is mysterious about the job, but when you send your daughter to find a man in a bar what do you suppose the job will be? The aunt lounges about in bed half naked and tells John she'll pay him just to hang around her mansion, allegedly so she can study him and see if he's the right man for the still unspecified job. It's about at this point that he realizes she has no feet. Which makes this passage rather interesting:
“He could not help noticing that her nightgown was high on her hips. She was exposed to his view. He tried not to look at her cunt, but found it next to impossible not to do so. She has a beautiful body, he thought. She must have been ravishing once, before her accident. She still is, he thought further—no mistake about it. There is nothing about her that repels me, as she feared there might be. I find her damned pleasant to look at—feet or no feet.”
John is finally told about the job. The cougar and her husband can't inherit unless they give the patriarch of the clan a grandchild. Why can't the hubby get the job done? Does it matter? This is sleaze. The only job that truly matters is giving readers boners. John is sexually attracted the aunt, but also likes her daughter, who's more age appropriate for him. Complications arise, including—gasp!—murder. And that's all we'll say. Except that we really enjoy these silly books. The copyright on this one is 1967 and the art is by Ed Smith.
Lady Luck shines on Roques book front.
Above is a beautiful cover for La Chance aime le jolies filles, published in 1955 with art by an unidentified genius. The work looks like Jef de Wulf to us, but we won't swear to it because we've guessed wrong before. French book titles can be a bit arcane but not this time—it translates as “luck loves beautiful girls.” Roques was an interesting character. He was both author and publisher of this and other books, running his company out of Boulevard Beaumarchais in Paris. He continually pushed the boundaries of what censors considered acceptable, for twenty years skirting but managing to avoid serious trouble, though books like 1955's Viol and 1957's Dit oui, madame were banned. Roques did not skimp on cover art. Every edition we've seen from his company is beautiful. In fact, one of our favorite fronts ever came from Roques. See that here, and expect more in the future.
What do you expect? I've tried therapy, meditation, and religion. But alcohol actually works.
Above, front and rear covers for John White's The Sins of Skid Row, 1959, for Hillman Books. This was originally published as Ward N-1 and it's basically five autobiographical days spent in Bellevue Mental Hospital's detox wing. These were the days of involuntary commitment, electroshock, and lobotomies, with a lot of secrecy around these practices, so this was likely a very illuminating book for the time. Inside are various curious characters with nicknames like Creep, Minny, and Bomber. One Flew Over the Cuckoo's Nest, a similar story, would come along several years later, with the major difference being the ending. The art on this paperback is by an unknown.
If I manage get out of this situation how about dinner Friday?
You should always thank your human shield. It's a tough job and they deserve some acknowledgment. Piège en enfer fits perfectly into our growing collection of hostage art, and in fact it's one of the best covers of this type we've seen yet. The book was written by Paul Berg, aka André Jammet, for Editions S.E.G., published in 1965, and the title means “trap in hell,” which seems about right considering what's developing here. The art is uncredited—not unusual for S.E.G., but it's always a shame. Maybe someone should have taken the editors hostage and explained that covers should always be attributed.
Actually, that's more than enough money, lover. You're under arrest.
The thing about GGA covers is they often mislead in terms of written content. The dove in The Frightened Dove is not the femme fatale on the cover but rather a Mussolini underling named Colombo—Italian for dove—who's hunted by the hero Ricci Bartoli, a retired anti-fascist fighter dragged out of his peaceful life as a tailor in New York City. Colombo is after a trove of gold, and Bartoli is out to stop him, with the crucial action taking place in Montreal. You can always tell there's something French about a book when the cover femme is wearing a beret. And her name is Marie, which seems to be the go-to for French women in genre fiction. The story here fits squarely into the post-war political adventure niche—i.e. cleaning up the loose ends of World War II. And on the subject of pseudonyms, Hardin was actually a Hungarian author named Louis Vaczek. The Frightened Dove was originally published in hardback in 1951, with the above Bantam paperback arriving in 1952 with uncredited cover art.
The headlines that mattered yesteryear.
1953—The Rosenbergs Are Executed
Julius and Ethel Rosenberg, who were convicted for conspiracy to commit espionage related to passing information about the atomic bomb to the Soviet spies, are executed at Sing Sing prison, in New York.
1928—Earhart Crosses Atlantic Ocean
American aviator Amelia Earhart becomes the first woman to fly in an aircraft across the Atlantic Ocean, riding as a passenger in a plane piloted by Wilmer Stutz and maintained by Lou Gordon. Earhart would four years later go on to complete a trans-Atlantic flight as a pilot, leaving from Newfoundland and landing in Ireland, accomplishing the feat solo without a co-pilot or mechanic.
1939—Eugen Weidmann Is Guillotined
In France, Eugen Weidmann is guillotined in the city of Versailles outside Saint-Pierre Prison for the crime of murder. He is the last person to be publicly beheaded in France, however executions by guillotine continue away from the public until September 10, 1977, when Hamida Djandoubi becomes the last person to receive the grisly punishment.
1972—Watergate Burglars Caught
In Washington, D.C., five White House operatives are arrested for burglarizing the offices of the Democratic National Committee in the Watergate Hotel. The botched burglary was an attempt by members of the Republican Party to illegally wiretap the opposition. The resulting scandal ultimately leads to the resignation of President Richard Nixon, and also results in the indictment and conviction of several administration officials.
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