Vintage Pulp May 25 2016
ADAM SMASHERS
Sweet science fiction from down under.


You probably are aware that boxing is known as the sweet science, which may be a fitting nickname for what goes on inside the ropes, but certainly doesn't apply to the behind-the-scenes machinations. This issue of Australia's Adam magazine dates from May 1962 and the cover illustrates Damon Mills' story “Blood of a Gladiator,” about a down-on-his-luck boxing manager who refuses to go along with a mob boss determined to fix a fight. Never make the mob angry, especially when you're already missing one arm.
 
Elsewhere in the magazine you get fact, more fiction, and girls. In our website you can find forty-five more issues of this venerable Aussie publication. That's the actual number. We get it wrong sometimes, but today we went back and meticulously counted. We'll help you find them. Here's the first one. And here's the oldest one. Keywords will take you to the rest. There was a time we were actually running out of Adams, but thanks to the international mails we have about twenty-five more issues we hope to share, so stay tuned.

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Vintage Pulp May 24 2016
PSYCHOLOGICAL CONCLUSION
Well, Freud teaches us that an uncontrollable compulsion to sexually gratify older authority figures isn't necessarily a bad thing.


We really like these psychotherapy sleaze covers. There are quite a few out there, probably enough for a collective post of them, but today we'll just go with one—Adam Coulter's 1965 sleazer Couch of Desire, about a psychologist who has a sexually disinterested wife, and several sexually interested female patients. You know the drill. Just lay back, close your eyes, and you'll start feeling very, very... creepy. 

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Vintage Pulp May 20 2016
HOW LOW KENYA GO
I'm sorry for bringing you here, baby. The travel guides didn't make the Day of Blood sound so violent and terrifying.


William Vance's Day of Blood looks like a western at first glance, but it's actually set in Kenya against the backdrop of a looming uprising by the Mau Mau, whose “maniacal leader had vowed to kill all the whites in Kenya on sight.” What nerve, right? Some people just refuse to take invasion, land theft, and mass subjugation lying down. This one has all the hallmarks of mid-century fiction set in Africa—rugged and world weary hero, sexually desperate women ranging from rapacious to virginal, and, of course, wrongheaded tribal locals trying to ruin the colonial party. Not our thing, but for readers willing to look past the obvious shortcomings, these types of books often offer solid entertainment. 1961 copyright on this one, with nice art from Harry Schaare.

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Vintage Pulp May 17 2016
GORE DETAILS
Oh, that Katherine Everard. On second thought, maybe the book isn't so bad after all.


“A first novel that holds little promise of a future.” Thus concluded one 1949 review of Katherine Everard's Cry Shame!, aka A Star's Progress. This assessment is funny because Everard was a pseudonym used by American literary treasure Gore Vidal, who'll be remembered far longer than any of his critics. Cry Shame! tells the story of a girl who becomes a stripper in New Orleans at age thirteen, a wife for a much older man at age fourteen, a Hollywood starlet as an adult, and finally—thanks to romantic misfortune—a broken woman. Today's critics claim they can see touches of Vidalian genius in various details of the book. Of course they can. This Pyramid edition comes complete and unabridged—except for the bottom half inch of the cover cut off by some shoddy work at the printer—with art by Harry Bennett. 

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Vintage Pulp May 15 2016
STUDENT BODY
To take my pulse you need to put your finger in just the right spot.


Even writers of utopian sci-fi had to pay the bills. John B. Michel was a founding member of the Futurians, a group of fans, writers, and editors who became a primary influence on science fiction during 1930s and 1940s, but here he writes as Louis Richard, producing a tasty piece of sleaze for Beacon Publishing in 1961 called The Sex Pulse. A professor at fictional Maybrook College performs a survey of students and the results blow the lid off the decrepit morals and depraved sexual habits of the student body, with ripple effects upon the young prof, his hot assistant, and a particularly horny student. Michel published three other books under his Richard pseudo—And Sex Is the Payoff, Secret Lusts, and Artist's Woman, the latter of which we included in this collection. These novels were a long way from utopia, but have been called more stylish than the typical sleaze fiction. The cover art for the above, with its excellent femme fatale, was painted by Ray Johnson. 

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Vintage Pulp May 13 2016
FOR WORSE
All that cutesy lovey-dovey stuff was the single me. Now that we're married let me introduce you to the real me.


Above, the cover of New Bride by Glenn Allison, written for First Niter and published in 1960. The art is by Eric Stanton, formerly obscure, but in the midst of a renaissance these last several years, and deservedly so. Check some of his astonishing pieces here.

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Vintage Pulp May 10 2016
FEAR AND MALAYS
Southeast Asia escape epic features murder, sex and everything between.


This issue of Male magazine published this month in 1958 features James Bama cover art illustrating Richard Farrington's story “The Incredible 'Blood and Bamboo' Escape,” which is the true tale of Dutchman Klaus van Tronk's flight from a Japanese internment camp in Malaysia during World War II. The story is a book-length special, and one of the more harrowing and interesting details involves one of the prisoners being tied spread-eagled on a bamboo mat elevated six inches above the ground. Beneath the mat were living bamboo shoots. As Farrington tells it (via van Tronk's account), “The shoots are tough, the tips as sharp as honed steel, and they can push through a plank floor [two inches thick]. They grow rapidly in the Pacific sun, about six inches on a good hot day. It had been a hot day.” When van Tronk's work detail came back that evening from a long grind of slave labor in the jungle the bound man already had bamboo shoots growing through his chest, and was still alive, screaming.

We did a verification check on this arcane torture and found that no cases confirmed to scholarly standards exist, but that it is well known in Asia, and experiments on substances approximating the density of human flesh have shown that it would work. As little as forty-eight hours would be needed to penetrate an entire body. Fascinating stuff, but what you really want to know in terms of veracity is whether scantily clad women helped the escapees paddle to freedom like in Bama's cover art, right? Well, this depiction is actually a completely accurate representation of what van Tronk described, or at least what biographer Farrington claims van Tronk described. The women were the daughters of a sympathetic Malay farmer, and indeed they wore virtually nothing, and were considered quite beautiful by the prisoners, save for the minor detail of having red teeth from the local tradition of chewing betel nuts.
 
The risk taken by these women was extraordinary. Other women who had helped van Tronk and his companions during their months-long odyssey were tortured and raped, and at one point a village was machine-gunned. Why would these Malays take up the foreigners' cause if the risks were so high? Van Tronk attributes it to a cultural requirement to help strangers in need, but we'd note that people have taken these sorts of risks everywhere, cultural norms or no. Often the suffering of others simply brings out the best in people. A historical check on Klaus van Tronk turned up nothing, though, so maybe the entire true story is a piece of fiction. If so, it's a very good one. We have some scans below with art by John Kuller, Joe Little, Al Rossi, Mort Kunstler, and Bruce Minney, and more issues of Male magazine at the keywords.

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Vintage Pulp May 8 2016
RED SHUNA DIARIES
Ever get the feeling you've met someone before?


Shuna and the Lost Tribe and Shuna White Queen of the Jungle were written by British author John King, aka Ernest L. McKeag, and reached bookstores via Harborough Publishing in 1951. Shuna is exactly what she seems to be—the archetypal Western literary fantasy of a naturalistic and uncorrupted white woman maintaining semi-sexual thralldom over black hordes who look on with wonder but never, ever get to touch. She's also a virtual copy, right down to the form-fitting leopardskin tunic, of the character Sheena, who appeared in the 1930s, and was part of a wave of lost world literature, comics, and movies that came after the runaway success of Edgar Rice Burroughs' 1912 novel Tarzan of the Apes. We're a little surprised King was able to basically steal Sheena's name. He seems to have gotten away with it, though—we found no mention in the historical record of legal trouble. Maybe it's like the whole Britney Spears vs. Britney Rears thing. The name is close, but juuust different enough to avoid a lawsuit. Anyway, the cover art is really the thing to focus on here. We love these. They're two of the most striking efforts we've seen from the incomparable Reginald Heade, and a reminder we need to feature him more. 

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Vintage Pulp May 7 2016
MARITIME TO DIE
It looks like she tried to write her killer's name. Quick—check the passenger manifest for anyone named Arrrghh...


Frank Bunce's So Young a Body has a great premise—an everyman named Peabody Humble who's tired of being normal decides while on a cruise to tell people he's a hard-boiled detective rather than a boring old accountant. But when a passenger is murdered the captain turns to Humble to solve the crime. Luckily, instant sidekick Dorit Bly is on hand to help him over the rough patches with her outgoing nature and photographic memory. Fully as fun as it sounds, but the series you'd expect to have been launched from this novel never materialized, sadly. Originally published by Simon and Schuster in 1950, this Pocket Books edition adorned with Cass Norwalsh cover art appeared in 1951. The 1952 British edition from Pocket was completely different. See below. We have to thank Monty Python for the subhead, by the way. You've all obviously seen Holy Grail like five or six times, right?

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Vintage Pulp May 4 2016
THE ART OF BURLESQUE
Mid-century paperbacks and the many sides of erotic dance.


We've seen more paperback covers featuring dancers than we can count. No surprise—they are after all an essential element of crime fiction, and many of the covers depicting them are excellent. But as you might imagine, novels that feature strippers, showgirls, and burlesque dancers as characters also fall into the sleaze genre quite often, which in turn makes for a lot of low budget cover work. So we have the full range for you today in a collection depicting the kinetic art of stage dancing, with illustrations from Mitchell Hooks, Bernard Safran, Robert Maguire, Robert McGinnis, Gene Bilbrew, Doug Weaver, and others, as well as numerous unknowns. Enjoy.


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History Rewind
The headlines that mattered yesteryear.
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
May 24
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.

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