Vintage Pulp Oct 15 2018
DEATH MASK
A stranger in strange lands comes to know pure evil.


Because Eric Ambler's 1939 thriller The Mask of Dimitrios is the source of the classic 1944 film noir of the same name starring Peter Lorre and Sydney Greenstreet, we should have read it long ago, but better late than never. The book tells the story of a writer in Istanbul who becomes interested in a killer, smuggler, slaver, and political agitator known as Dimitrios Makropoulos. In hopes of finding inspiration the writer begins to piece together the life of this mystery man.

The investigation carries him from Istanbul to Sofia to Geneva and beyond. That sounds exotic, but the story is almost entirely driven by external and internal dialogues, with little effort spent bringing alive its far flung locales. While we see that as a missed opportunity, and the book could be shorter considering so much of the aforementioned dialogue fails to further illuminate matters, it's fascinating how Dimitrios is slowly pieced together. Here's a line to remember, as the main character Latimer reflects upon the modern age and what the world is becoming:

“The logic of Michelangelo's David and Beethoven's quartets and Einstein's physics had been replaced by that of The Stock Exchange Yearbook and Hitler's Mein Kampf.”

That isn't one you'd soon forget. Ambler sees casino capitalism and Nazism as twin signposts on a road to perdition built by people like Dimitrios. We can't even imagine that being written by a popular author today without controversy, but Ambler, writing in England during the late 1930s, had zero trouble identifying exactly what he was looking at. This Great Pan edition of The Mask of Dimitrios appeared many years later in 1961, and it has unusual but effective cover art from S. R. Boldero. 

 
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Vintage Pulp Oct 12 2018
DEVIL IN THE DETAILS
Stop calling me that. It's Stan. My name is Stan.


Satan in Malibu came from Vega Books via the brain and typewriter of Frank Cannon, and it deals with a man who tries to solve his brother's murder. He learns of the death when a telegram arrives, but is the woman who sent it to him really trying to help, or is there more to her story? The hero's investigation takes him to Santa Cruz Island off the coast of Southern California, and when he gets there he runs across a band of satanists who may have done the killing.

We last ran across Frank Cannon when we shared a cover for his 1964 effort Hide in Hell. The hell in that book was figurative. The hell in Satan in Malibu is a slightly less so, since the villains actually believe in it, but the reason for the murder is rooted firmly in the mundane world. We don't know who painted the cover art, but for Vega Books it's not bad. The copyright on this is 1961. 

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Vintage Pulp Oct 11 2018
END OF THE LINE
In the naked city there are a million reasons to kill and die.


In Dead End two crooked cops end up with a million dollars in dirty money and decide to ditch their jobs and flee the country. But their law enforcement colleagues are after them, so first they hole up in an old Prohibition hideout to let the heat dissipate. How long will they stay in this little room? As long as it takes. The older cop Doc suggests months. The younger cop Bucky is going crazy in days. You know for a certaintly that this partnership isn't going to end well. Lacy is up and down as a writer but this is him on the upswing. Originally published as Be Careful How You Live in 1959, this Pyramid paperback appeared in 1960 with cover art by Ernest Chiriaka. 

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Vintage Pulp Oct 10 2018
A DETECTIVE'S BEST FRIEND
I love fire escapes. I don't know if they've saved many lives, but they've helped me ruin quite a few.


Above is another cover for Ed Lacy's breakthrough detective thriller Room To Swing, with the hero lurking on a fire escape. They should change the names of those things, considering how often they're used for things other than escaping fires. The art here is by an unknown, and like the previous cover (though we didn't point it out at the time) shows a white detective. Or one that can be taken for white. But the main character Toussaint Marcus Moore is black. In fact he's so dark even his girlfriend gives him a hard time about it. Clearly both publishing companies knew the book would sell fewer copies with an identifiably black cover star. The whitewash is an ironic side note to a book that directly discusses racism, but mid-century book covers, even those having nothing to do with race, often deceived consumers, so this is not an anomaly. Both covers are high quality art pieces. See the other one here

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Vintage Pulp Oct 9 2018
SCOUT'S DISHONOR
I don't understand your reluctance to do me in the privacy of my office. Your résumé says you did this guy Chekhov in the park.


Before we do anything else here are five book covers of women shooting men. And here's a book cover of a woman whipping a man. And here's one of a woman about to stick a gun in a man's mouth. This is just paperback art, which is not to be taken too seriously, but we felt we needed to de-Weinstein things a bit anyway. So what's going on with this book? A sleazy casting agent named Stirling Steele catches wind of a beautiful singer and goes to Nashville to promise her anything she wants as long as she ends up naked on her back. Instead he gets arrested for trying to corrupt her morals and finds himself in jail with a friend of his, also a shady agent who'd heard about the singer and shown up in Nashville for the same reason. The jail is run by a hot matron, and there's also a beautiful— Wait. Let's stop. This is silly. The plot doesn't matter at all. Orgy Scouts is so stupid and badly written it isn't even worth summarizing. Why do we torture ourselves with these books, you're wondering? Because we buy them in lots, and others in the group promise to be better. We'll see. This one is copyright 1967 with art by Tomas Cannizarro. 

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Vintage Pulp Oct 6 2018
FLASHY GORDON
Cats always get in the way at the worst moments.


The above cover from the Milan based publishers Longanesi & Co. features U.S. glamour model Virginia Gordon fronting a 1959 translation of Ed McBain's The Pusher. McBain is basically a legend, but is it a stretch to call Gordon legendary too? We don't think so. She was Playboy magazine's January 1959 Playmate of the Month, and because of that her photos are highly collectible and expensive. You'd see two important reasons why if not for a mischievous cat, but you can outmaneuver him by clicking here or here.

Below we have a few more fronts from Longanesi, including Jonathan Craig's Case of the Village Tramp, which also has Gordon on the cover, and John Jakes' detective novel Johnny Havoc, featuring Carol Baker giving a nice over-the-shoulder glance. Like Australia's Horwitz Publications and several other non-U.S. companies, Longanesi used (probably) unlicensed images of Hollywood starlets and glamor models as a matter of habit. We'll show you more examples of those a bit later.
 
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Vintage Pulp Oct 4 2018
FINAL PAYMENT
Turns out too big to fail was a strictly financial concept.


You wouldn't think when you work for one of the industries most responsible for screwing up the planet you'd get much sympathy when you wind up dead, but Frances and Richard Lockridge's Payoff for the Banker was written in a previous era. This banker, George Merle, was loved by many and respected by all. Well, not all. At least one person hated him, and police think it's the woman in whose apartment his body was found. Enter husband and wife sleuths Pamela and Jerry North to solve the case. The fact that husband and wife sleuths were written by husband and wife authors interests us, as we have trouble collaborating on a trip to the store with the Pulp Intl. girlfriends, but that's why fiction is different from reality. The Lockridges were so good at working together they even made the Norths into franchise characters who appeared in twenty-six books. They also were portrayed on radio, stage, television, and cinema. We bet the Lockridges argued mostly about how to spend all their earnings. Originally published in 1946, this Pocket paperback edition appeared in 1948 fronted by Donald Beck art. 

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Vintage Pulp Oct 2 2018
BATHROOM BREAK
Help... dying... last wish... to see dripping wet naked woman.

The cover art for this 1948 Avon edition of Paul Cain's Fast One kind of looks like a guy's about to drop dead in front of a bathing woman, but actually he's merely been shoved into the bathroom by the story's anti-hero protagonist. It's always interesting which moment an artist (or a publisher directing an artist) will choose for a cover. This is not an important event in the narrative, but the chance to show a woman in the bath was apparently too enticing to pass up.

The backdrop here is prohibition era Los Angeles and the main character Gerry Kells and the femme fatale S (we never learn her first name) are pulled into a maelstrom of trouble when Kells refuses to work for his old crime buddies and in retaliation they frame him for murder. The novel was put together from five stories that appeared in Black Mask magazine, and when it was published Cain—aka Peter Ruric, aka George Sims—was hailed as a giant of hard-boiled fiction on par with Hammett and Chandler. We don't know about that, but Fast One is a good read—bare bones and quick paced and filled with random brutality.

The bio page for Fast One says Cain “has lived as he writes—at high speed and with violence.” It's a phrase that makes you want details but none are provided. We imagine the description is accurate, though, because Cain published this single novel, as well as some screenplays (including for The Black Cat), then vanished into obscurity and eventually died of alcoholism. 

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Vintage Pulp Sep 28 2018
DEMONIC OBSESSION
You're amazing. This whole reputation you have for evil is totally undeserved. Wait, what are you doing? Hey, I can't bre— *glug*


Another cheapie cover from Greenleaf Classics, Lust Demon by Don Elliott, with a tableau featuring a nipple-less devil woman and her unsuspecting companion. This isn't just any sleaze—it's sleaze by Robert Silverberg hiding behind the Elliott pseudonym. We've read of few of his smut efforts now, and he's better than the average literary perv. That doesn't sound like a compliment, but it really is. 1966 on this with art by uncredited. 

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Vintage Pulp Sep 27 2018
HELL AND GOODBYE
I know I shouldn't laugh, but I never realized you even had a heart.


In the 1952 crime thriller One for Hell trouble comes to the fictional West Texas oil town of Breton and it arrives by train. Author Jada M. Davis tells the readers this with strong style, as various characters around town hear a sound portentous of approaching calamity but which they don't yet recognize as such. Davis writes in chapter three, “Far off, faint but clear, a train whistle mourned the passing of the night. Whoo-ooo-ooo, whoo-ooo-ooo, whooooo...”

Chapter four starts this way: The mayor heard the whistle, the whoo-ooo-oooing, shrilly whoo-ooo-oooing whistle, and sat up in bed.

Chapter five opens with this: Chief Bronson heard the whoo-ooo-oooing, whoo-ooo-OOO, whoo-ooo-oooing of the train and was glad morning was on its way.

And chapter six opens: The train whistle sounded fuzzy and dreamy to Laura Green, the whoo-ooo-ooo, whoo-ooo-ooo, whooooo-oooing-oooing lonesomely lonely and by itself.

Yes, trouble has arrived in the form of a man so bad he'll turn even the most corrupt town west of the Mississippi River upside down. He's a man who has no limits to how much he'll lie, what he'll steal, and who he'll hurt. He's a thief and a grifter. When he stumbles into a position of authority there's no thought of playing it straight. The trust he's given just means more opportunity to do wrong.

We suspect Jada Davis identified a bit with his creation, because like the author, his lead character has a name that sounds like it belongs to a woman—Willa. And he has an attitude about it, as a couple of characters find out when they comment on the fact. Willa robs stores, frames the innocent, beats women, and worse. He's racist, sexist, and destructive in ways most ’50s crime novel bad guys can't even touch. Nature or nurture? It's impossible to know.

All in all One for Hell is an effectively dark piece of entertainment, but not for the faint of heart in these days when the difference between depicting evil and endorsing it seems ever harder for people to discern. This edition came from Red Seal and it has cover art by John Floherty, Jr., who was active throughout the 1940s and 1950s. We featured another one of his covers not long ago, and you can see that here. We'll see if we can dig up more down the line.

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History Rewind
The headlines that mattered yesteryear.
October 17
1933—Capone Sentenced to Prison
Chicago organized crime boss Al Capone is convicted of income tax evasion after all other attempts to tie him to an assortment of crimes, from the mass murder of the St. Valentine's Day Massacre to widespread violations of the Volstead Act, fail. He is sentenced to eleven years in federal prison and, cut off from the outside world while on Alcatraz Island, his power is finally broken.
October 16
1964—China Detonates Nuke
At the Lop Nur test site located between the Taklamakan and Kuruktag deserts, the People's Republic of China detonates its first nuclear weapon, codenamed 596 after the month of June 1959, which is when the program was initiated.
1996—Handgun Ban in the UK
In response to a mass shooting in Dunblane, Scotland that kills 16 children, the British Conservative government announces a law to ban all handguns, with the exception .22 caliber target pistols. When Labor takes power several months later, they extend the ban to all handguns.
October 15
1945—Laval Executed
Pierre Laval, who was the premier of Vichy, France, which had collaborated with the Nazis during World War II, is shot by a firing squad for treason. In subsequent years it emerges that Laval may have considered himself a patriot whose goal was to publicly submit to the Germans while doing everything possible behind the scenes to thwart them. In at least one respect he may have succeeded: fifty percent of French Jews survived the war, whereas in other territories about ninety percent perished.
1966—Black Panthers Form
In the U.S., in Oakland, California, Huey P. Newton and Bobby Seale form the Black Panther political party. The Panthers are active in American politics throughout the 1960s and 1970s, but eventually legal troubles combined with a schism over the direction of the party lead to its dissolution.
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