Vintage Pulp May 26 2016
HEAD TRIPS
That one too! Just like the last one and the one before that! Help me, doctor—they all look like people having sex!

Whenever we say “someone” should do something that just means we’re being lazy. A couple of days ago we said we liked therapy sleaze fiction covers and someone should put together a collection. Well, that someone turned out to be us. We took a quick scuttle around the web and the result is this small group of people baring their souls—and sometimes more—to their therapists In P.G. Wodehouse’s case, the main character of Lady Doctor is actually a medical practitioner, but since others confide in her and the awesome Dutch cover is psychoanalytic in style, we’ve included that. The last three examples come from Killer Covers, which is a site you should get into the habit of visiting regularly. 

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Vintage Pulp May 24 2016
PSYCHOLOGICAL CONCLUSION
Well, Freud teaches us that an uncontrollable compulsion to sexually gratify older authority figures isn't necessarily a bad thing.


We really like these psychotherapy sleaze covers. There are quite a few out there, probably enough for a collective post of them, but today we'll just go with one—Adam Coulter's 1965 sleazer Couch of Desire, about a psychologist who has a sexually disinterested wife, and several sexually interested female patients. You know the drill. Just lay back, close your eyes, and you'll start feeling very, very... creepy. 

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Vintage Pulp May 20 2016
HOW LOW KENYA GO
I'm sorry for bringing you here, baby. The travel guides didn't make the Day of Blood sound nearly so violent and terrifying.


William Vance's Day of Blood looks like a western at first glance, but it's actually set in Kenya against the backdrop of a looming uprising by the Mau Mau, whose “maniacal leader had vowed to kill all the whites in Kenya on sight.” What nerve, right? Some people just refuse to take invasion, land theft, and mass subjugation lying down. This one has all the hallmarks of mid-century fiction set in Africa—rugged and world weary hero, sexually desperate women ranging from rapacious to virginal, and, of course, wrongheaded tribal locals trying to ruin the colonial party. Not our thing, but for readers willing to look past the obvious shortcomings, these types of books often offer solid entertainment. 1961 copyright on this one, with nice art from Harry Schaare.

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Vintage Pulp May 17 2016
GORE DETAILS
Oh, that Katherine Everard. On second thought, maybe the book isn't so bad after all.


“A first novel that holds little promise of a future.” Thus concluded one 1949 review of Katherine Everard's Cry Shame!, aka A Star's Progress. This assessment is funny because Everard was a pseudonym used by American literary treasure Gore Vidal, who'll be remembered far longer than any of his critics. Cry Shame! tells the story of a girl who becomes a stripper in New Orleans at age thirteen, a wife for a much older man at age fourteen, a Hollywood starlet as an adult, and finally—thanks to romantic misfortune—a broken woman. Today's critics claim they can see touches of Vidalian genius in various details of the book. Of course they can. This Pyramid edition comes complete and unabridged—except for the bottom half inch of the cover cut off by some shoddy work at the printer—with art by Harry Bennett. 

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Vintage Pulp May 15 2016
STUDENT BODY
To take my pulse you need to put your finger in just the right spot.


Even writers of utopian sci-fi had to pay the bills. John B. Michel was a founding member of the Futurians, a group of fans, writers, and editors who became a primary influence on science fiction during 1930s and 1940s, but here he writes as Louis Richard, producing a tasty piece of sleaze for Beacon Publishing in 1961 called The Sex Pulse. A professor at fictional Maybrook College performs a survey of students and the results blow the lid off the decrepit morals and depraved sexual habits of the student body, with ripple effects upon the young prof, his hot assistant, and a particularly horny student. Michel published three other books under his Richard pseudo—And Sex Is the Payoff, Secret Lusts, and Artist's Woman, the latter of which we included in this collection. These novels were a long way from utopia, but have been called more stylish than the typical sleaze fiction. The cover art for the above, with its excellent femme fatale, was painted by Ray Johnson. 

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Vintage Pulp May 13 2016
FOR WORSE
All that cutesy lovey-dovey stuff was the single me. Now that we're married let me introduce you to the real me.


Above, the cover of New Bride by Glenn Allison, written for First Niter and published in 1960. The art is by Eric Stanton, formerly obscure, but in the midst of a renaissance these last several years, and deservedly so. Check some of his astonishing pieces here.

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Vintage Pulp May 8 2016
RED SHUNA DIARIES
Ever get the feeling you've met someone before?


Shuna and the Lost Tribe and Shuna White Queen of the Jungle were written by British author John King, aka Ernest L. McKeag, and reached bookstores via Harborough Publishing in 1951. Shuna is exactly what she seems to be—the archetypal Western literary fantasy of a naturalistic and uncorrupted white woman maintaining semi-sexual thralldom over black hordes who look on with wonder but never, ever get to touch. She's also a virtual copy, right down to the form-fitting leopardskin tunic, of the character Sheena, who appeared in the 1930s, and was part of a wave of lost world literature, comics, and movies that came after the runaway success of Edgar Rice Burroughs' 1912 novel Tarzan of the Apes. We're a little surprised King was able to basically steal Sheena's name. He seems to have gotten away with it, though—we found no mention in the historical record of legal trouble. Maybe it's like the whole Britney Spears vs. Britney Rears thing. The name is close, but juuust different enough to avoid a lawsuit. Anyway, the cover art is really the thing to focus on here. We love these. They're two of the most striking efforts we've seen from the incomparable Reginald Heade, and a reminder we need to feature him more. 

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Vintage Pulp May 7 2016
MARITIME TO DIE
It looks like she tried to write her killer's name. Quick—check the passenger manifest for anyone named Arrrghh...


Frank Bunce's So Young a Body has a great premise—an everyman named Peabody Humble who's tired of being normal decides while on a cruise to tell people he's a hard-boiled detective rather than a boring old accountant. But when a passenger is murdered the captain turns to Humble to solve the crime. Luckily, instant sidekick Dorit Bly is on hand to help him over the rough patches with her outgoing nature and photographic memory. Fully as fun as it sounds, but the series you'd expect to have been launched from this novel never materialized, sadly. Originally published by Simon and Schuster in 1950, this Pocket Books edition adorned with Cass Norwalsh cover art appeared in 1951. The 1952 British edition from Pocket was completely different. See below. We have to thank Monty Python for the subhead, by the way. You've all obviously seen Holy Grail like five or six times, right?

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Vintage Pulp May 4 2016
THE ART OF BURLESQUE
Mid-century paperbacks and the many sides of erotic dance.


We've seen more paperback covers featuring dancers than we can count. No surprise—they are after all an essential element of crime fiction, and many of the covers depicting them are excellent. But as you might imagine, novels that feature strippers, showgirls, and burlesque dancers as characters also fall into the sleaze genre quite often, which in turn makes for a lot of low budget cover work. So we have the full range for you today in a collection depicting the kinetic art of stage dancing, with illustrations from Mitchell Hooks, Bernard Safran, Robert Maguire, Robert McGinnis, Gene Bilbrew, Doug Weaver, and others, as well as numerous unknowns. Enjoy.


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Vintage Pulp May 2 2016
CORPORATE RADER
They've been looking forward to this merger for a long time.

A while back we put together a collection of mid-century paperback covers set in offices and depicting hanky panky between bosses and workers. Most of the covers were by Paul Rader because he painted in that theme quite a bit for Midwood-Tower. Well, we've found another—the double novel Always Say Yes by Monty Brian and A Sure Thing by Vin Fields. It's a worthy addition to the collection, which you can see here.

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History Rewind
The headlines that mattered yesteryear.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.

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