|Vintage Pulp||Jul 5 2015|
We have no idea why scientists are surprised. Native Americans brewed many types of alcoholic beverages, so it follows they’d come up with ridiculous ways to drink them. Jean d’Ascain wrote L’or qui tue in 1946 for the Paris based publishing company La Caravelle as part of its Collection Le Ranch. On the cover Albert Chazelle art shows an early American colonist named Trish learning how to funnel, while one of the boys cops a cheap feel. The natives would later improve the funneling process by adding a tube, as well as sexually suggestive, horribly out-of-pitch singing. Genealogical note—Trish is the many-times-great grandmother of this person. Also, d’Ascain wrote a sequel where natives invent the drinking game Edward Fortyhands.
|Vintage Pulp||Jul 3 2015|
The hitchhiker has been a central element of many a mid-century thriller, with the results of these rides ranging from hot sex to bloody murder, and several outcomes between. Below is a collection of paperback covers depicting various characters casting their fates to the road. Wish them luck—they’ll need it. And thanks to all the original uploaders on these.
|Vintage Pulp||Jun 29 2015|
Last month we shared a reprint-by-demand Horwitz cover for Carter Brown’s Death of Doll that featured a young Elke Sommer. We got to wondering if other celebs had been used on Horwitz covers and decided to have a look. Above you see Brown’s Swan Song for a Siren, which Horwitz printed in 1958, and the face staring out at you is that of Austrian actress Senta Berger. That’s her, right? Full lips. Sensuous eyes. Hawk eyebrows. Gotta be. Like they had with Sommer, Australia-based Horwitz appropriated Berger’s image when she was barely famous, having appeared in only four films to that point, none in starring roles. We have a photo of Berger below for comparison, and we think you’ll agree it’s her. We’ll dig up a few more of these Horwitz celebrity covers later.
|Vintage Pulp||Jun 26 2015|
The Deadly Climate is a 1955 mystery by Ursula Curtiss, the story of a woman who thinks she’s seen a murder in the woods, but since she can’t identify the killer, and the body has vanished, nobody believes her. But of course meantime the murderer is lurking with plans to eliminate her as a witness. There are many good reviews around the internet on this one. Art is by James Meese.
|Vintage Pulp||Jun 25 2015|
Above, a thoroughly pulped out cover for C.S. Forester’s 1935 adventure tale The African Queen, published in this Bantam paperback edition in 1949. This is a great book with a letdown of an ending, in our opinion, but when John Huston made it into a film in 1951 he greatly improved the last act and the result was an all-time cinema classic. The beefcakey art here is by Ken Riley.
|Vintage Pulp||Jun 20 2015|
Above, a truly excellent Rudolph Belarski cover for Shack Road by Hallam Whitney, aka Harry Whittington, for NYC-based digest publisher Star Novels. What you get here is a hayseed sharecropper named Juba who is surrounded by highly sexual hayseed women, including a soon-to-be runaway daughter, a wife that draws men like flies, and a mother-in-law only fifteen years older than Juba’s wife and who was once the fastest girl around. Juba owned a car once, but sold it twenty-six years ago to pay maternity ward bills. He finds another one by the side of the road and decides to hitch his mule to it, pull it home, and get it running. If he can manage it life will be sweet again, but complications, of course, arise. Simple people and countrified prose, in a book that was part of a popular sub-genre of mid-century hick novels.
|Vintage Pulp||Jun 18 2015|
“Is it a shark?”
|Vintage Pulp||Jun 17 2015|
Yes, this Harry Reasoner is the famed American newsman. Tell Me About Women was his only novel, written mostly while he was serving as a correspondent for Stars and Stripes during World War II, and was originally published by Beechhurst Press in 1946. Reasoner described the book as warmly received, but joked about its poor sales, and after a time admitted he cringed over the prose, perhaps because he never really knew anything about women until he fathered five daughters. The book is partly autobiographical, and follows the pattern of a lot of novels from the period—war, discharge, disillusionment, and troubled relations with the opposite sex. The Dell edition above appeared in 1950, and the art is by Harry Barton.
|Vintage Pulp||Jun 13 2015|
It’s been a while since we’ve put together a pulp collection, so below you’ll find vintage cover art that uses the roulette wheel as a central element. They say only suckers play roulette, and that’s especially true in pulp, where even if you win, eventually you lose the money and more. Art is by Ernest Chiriaka, Robert Bonfils, Robert McGinnis, and many others.
|Vintage Pulp||Jun 10 2015|
Brother and Sister is Donald E. Westlake writing incest sleaze under the pseudonym Edwin West, telling the story of a twenty-one-year-old meathead and his nubile teen sister who, er, come together on a deeper level after the accidental deaths of their parents. They hump like rabbits for a few weeks, deal with a villainous uncle, then morality triumphs and they die in the end. The male character here is in the Air Force, which is appropriate, because Westlake must have written this on autopilot. The Harry Schaare cover art shows a much older guy than the punk-ass troublemaker in the story, but it’s still quite nice. 1961 copyright.