|Vintage Pulp||Jun 18 2015|
Who does the woman on this issue of Harrison Marks’ Kamera No. 26 remind you of? Think carefully. If you said Rachel Dolezal that’s exactly who we were thinking of. In past times Dolezal would have been a local kook, but one considered harmless in the scheme of things. Today she’s landed smack in the middle of America’s poisonous race debate and everyone in the Western world with an internet connection is aware of her. So, while her fifteen minutes lasts, what better time could there be for Pulp Intl. to join in by sharing this Kamera?
As cover star Pamela Green shows, various degrees of race appropriation have a long history, done for show business (Al Jolson, C. Thomas Howell, Eddie Murphy, et al), stupid fun (think frat parties of the past), economic or social gain (passing as white), malicious intent (typically the case), sex (we can only assume), and myriad other reasons. In Green’s case, she’s posing as Princess Sonmar-Harriks, a made-up Middle-Eastern persona she adopted for photo sessions conducted by Marks, who was her husband.
Green dominates this issue of Kamera, appearing in the centerfold and numerous other pages as both Sonmar-Harriks and herself, but readers are also treated to other models variously lounging on leopard skins, loitering in alleys, showing off oiled-up boobs, erased pubes, and more. We have more of these we’ll get around to posting, and meantime you can see another here, and something very rare in a smilar vein published by Harrison Marks here.
|Vintage Pulp||Mar 26 2015|
A Yank on Piccadilly is another book that sounds blatantly pornographic, at least to us, but it's merely the adventures of an American soldier in World War II London. Mild sexual involvement? Yes, there's some of that. Dick yanking? Lamentably, no. In case you’re curious, the name Piccadilly comes from “piccadill,” which was a stiff—cough cough—collar with scalloped edges and a lace border that was the fashion rage during the late sixteenth century. The websites we checked have this cover as by an unidentified artist, but it’s Earle Bergey’s work, clearly. 1952 publication date.
|Vintage Pulp||Mar 2 2015|
The last book cover we shared was a Dell mapback, so today we thought we’d continue that theme by showing you a double-sided Hank Janson cover from London based Roberts & Vinter, Ltd., advertising Janson’s upcoming novel on the rear. This appeared in 1960 with uncredited art, but was painted, according to a couple of convincing sources, by an Italian artist named Fernando Carcupino, who did work for Digit Books, Mondadori, and other companies. We’ll dig for more info, but these do pass the initial eye test—i.e. they look very much Carcupino’s work.
|Vintage Pulp||Jan 28 2015|
As long as we’re doing Spanish language pulp today, we might as well share this cover for El siniestro Doctor Crippen, or The Sinister Doctor Crippen, written by Enrique Cuenca for Barcelona based Ediciones G.P., and published in 1960 as part of its low cost Enciclopedia Pulga collection. Eventually, about five-hundred books appeared as part of the collection, including translations of Jules Verne, Robert Lewis Stevenson, and other classic authors. This particular novel is of course based on the strange story of Hawley Harvey Crippen, aka H.H. Crippen, the American physician and fugitive who murdered his wife Cora in 1910 and was eventually hanged in London’s HM Pentonville Prison. Many of the covers we’ve seen from Enciclopedia Pulga are nice, so we’ll try to revisit the collection a little bit later.
|Vintage Pulp||Jan 18 2015|
Above is a vintage Japanese poster for Jayne Mansfield’s 1956 musical comedy The Girl Can’t Help It. They don’t make ’em like this anymore—a gangster hires a boozing agent to transform his girlfriend into a star, but the girlfriend has no talent, and the agent falls in love with her. This might be Mansfield’s most important movie due to the role it played in popularizing early rock music. For example:
|Intl. Notebook||Sep 7 2014|
Britain’s Daily Mail newspaper has published a story in which it claims infamous serial killer Jack the Ripper has been identified through DNA testing. The analysis was performed on a shawl found by police on the body of Catherine Eddowes, the fourth of the Ripper’s canonical victims, killed on the same night as Elizabeth Stride in what is termed by Ripper scholars as “The Double Event.” The shawl had recently been bought at auction by an amateur sleuth and passed on to genetic experts, who took samples from the fabric and found matches to the DNA of descendants of Eddowes, and to the descendants of Aaron Kosminski, an original Ripper suspect who had been questioned and surveilled by police back in 1888.
The Mail has said the new evidence “puts to end the fevered speculation over the Ripper’s identity,” but we imagine independent corroboration will probably have to follow before that’s true. Kosminski was of Polish descent and had emigrated from the Russian Empire to London. Police reports from the time of the murder describe him as a serial masturbator, and indeed the Kosminski DNA sample from the shawl is thought to be semen, meaning that in the few minutes after the killing he both mutilated the corpse and ejaculated over it. Presumably more details will emerge in the coming days, but the announcement of Kosminski as the killer, if true, has to rank as one of crime history’s most significant, and may bring to a close one of its most baffling murder cases.
Update: That didn't take long. Various scientists and DNA experts say the genetic analysis done on the shawl was botched due to error of nomenclature. Instead of an extremely rare genetic match, DNA extracted from Eddowes' shawl actually matches that of most people of European descent. So forget everything we wrote above.
|Vintage Pulp||Jul 1 2014|
Marilyn Monroe shows up just about everywhere, and here she is yet again where we didn’t expect to see her—fronting a Malaysian film publication that appeared today in 1953. The magazine, called Filmalaya, is in English, which marks it as aimed at the British colonial community that occupied the upper stratum of society in Malaysia and Singapore. The cover photo is from a publicity series made when Monroe filmed the movie Niagara in Ontario, Canada in late 1952, and let’s just assume her perch is not as precarious as it seems and there’s a handy ledge or lawn behind her in case she goes heels up. But if she does, there are other stars in the magazine, such as Joan Collins, Betty Grable, Rhonda Fleming, Ava Gardner, and Nat King Cole.
|Politique Diabolique||Oct 14 2013|
Over the weekend, a squad of drug cops raided the London flat of a woman named Natalie Rowe based on what they described as a “tip from a member of the public.” The drug cops found no drugs, no drug paraphernalia, no sign that drugs had ever been consumed in the apartment. Why is this such an interesting story? Because Rowe, formerly a prominent madam who procured women for paying male customers, is mere days from publishing an autobiography in which she details early 1990s sex and drug parties attended by various Tory politicians. She claims one of the politicians was current Chancellor of the Exchequer George Osborne. He appears in the photo above with Rowe, along with what she says is a line of cocaine (in full, fat view between the yellow vase and the wine glass).
|Intl. Notebook||Sep 10 2013|
|Vintage Pulp||Aug 15 2013|
Paul Anna Soik is another great pulp artist who we hadn’t gotten to previously, but better late than never, especially when we’re talking about this particular cover. The scene is London's Soho district near Charing Cross Road, and he presents an image of two listless souls in an urban night infused with streetlight glare, marquee glow, and a sort of carnivalsque seediness. We know the location because the Palace Theatre is in the background. The book is a realistic look at vice and prostitution, and we can assume the woman here is a hooker, though an improbably upscale one to be soliciting. But Soik lived in Canada, so maybe he wasn’t all that familiar with London street trade. This is a Harlequin book, and Soik was basically a Harlequin house artist who painted numerous covers during the company’s early years. This one, which we think is one of his best, appeared in 1955. We’ll have more from him later.