If she gets any hotter the building will go up in flames.
It’s about that time again, so here’s another previously unseen image of a 1970s Japanese actress—Hitomi Kozue, one of the era’s most beautiful exports, seen here in a very nice shot dating from 1974. Kozue did an entire series in this cabin setting and we have quite a few of them, which we’ll eventually post so you can see if she left the building a pile of ashes.
Always wash delicates gently or by hand.
Think accidental upskirts are a modern day phenomenon? Seemingly not, as Vikki Dougan shows by getting a little too frisky in a mid-1950s promo shoot, leading her to accidentally reveal just a bit more than she intended. Or we assume so. Considering the shoot showcased both her rear and breasts (below), maybe the trifecta was intentional. She was the queen of wardrobe publicity stunts, after all, and proof that skin always generates ink. Her antics even inspired a song from cheeseball rockers the Limeliters. It went a little somethin’ like this:
Vikki turn your back on meCome on darlin' just for me'Cause there is something so appealin'that your eyes are not revealin'! Oh, Miss Dougan, you're for me!
Other girls who approach me,Are beautiful, gorgeous and gay!But you're so gosh darn more invitingGoing the other way! Vikki baby, you move me,Without you I'm bereft!I'm hypnotized by those crazy eyes,And that callipygian cleft! Vikki baby you rock me,In those far-out clothes!But don't it get chilly flyin' home at nightWhen that cold cold tail-wind blows?
You can hear the tune at this link, and if you don’t want to deal with the comedic preamble the actual music starts at 2:37.
Reiko Ike makes her presence felt in Rome.
Reiko Ike appears here in a bold photo published in the French magazine Euro Cinéma in November 1972. The text reads: A beautiful oriental pearl came to Rome for the turn Toei’s “A modern biography.” What does that mean? Unfortunately, our translating widget cannot clear that up. Seems as though the magazine is telling us Ike was sent to Rome earlier that year to promote either one of her own films, films by her studio Toei Company, or both. We found no references to anything made by Toei called A Modern Biography, and nothing that would translate to such. Our guess is the name refers to a Japanese film festival in Rome they put together or participated in. Anyone out there want to clear this up? You know the drill—email@example.com. Anyway, what’s extra cool about this magazine is that it also has Christina Lindberg on the cover and inside, plus Florinda Bolkan and Laura Antonelli. Euro Cinéma is good cinema.
, Toei Company
, Euro Cinéma
, Reiko Ike
, Christina Lindberg
, Laura Antonelli
, Florinda Bolkan
, pinky violence
Reiko Ike and Sandra Julien get together and sparks fly.
Gendai poruno-den: Sentensei inpu, aka Modern Porno Tale: Inherited Sex Mania, aka The Insatiable is a Noribumi Suzuki-directed tale of sexual awakening, but we bet most viewers don't awaken until co-stars Reiko Ike and Sandra Julien end up in the shower together. Pretty steamy stuff, and as a bonus the two migrate into bed, which you see in the photo below. Prefacing that agreeable sequence are less agreeable but standard pinku elements, including legions of slimy horndogs, shameful voyeurism, forced de-virginization, a drugging, and an alcohol fueled orgy. The only good thing that happens is that Ike falls into bed with Pulp Intl. fave Miki Sugimoto. Actually, that's nearly the opening sequence, which is nice because it lets you know exactly where the movie plans to take you. But that interlude aside, other aspects of Reiko's life really suck, and her escalating problems eventually lead to a brawl which she escapes by hiding in a parked car. The man who owns that car seems to bethe person destined to save her from the sordid club girl life she's made for herself. Or is he? He slaps her within minutes of their initial meeting, but can you blame the guy? She was trying to kiss him. We can't pretend to truly understand these movies, and since there are no real reviews of this one online we're flying blind with our interpretation, but the message seems to be that sluttiness is genetic. In any case, we love the two posters at top. We also love the two promo images below of Ike and Julien. Gendai poruno-den: Sentensei inpu opened in Japan today in 1971. Japan
, Toei Company
, Modern Porno Tale: Inherited Sex Mania
, Gendai poruno-den: Sentensei inpu
, The Insatiable
, Noribumi Suzuki
, Reiko Ike
, Sandra Julien
, Noribumi Suzuki
, Miki Sugimoto
, poster art
, pinky violence
, movie review
Sometimes having noisy neighbors is good thing.
Above is a rare Japanese poster for the French film Luxure, which was known in the U.S. as Sweet Taste of Honey and in Britain by the curious title Everybodys, with no apostrophe. Basically, director Max Pécas tells the story of a jilted woman—played by Karine Gambier—who checks into a luxury hotel possibly planning to commit suicide, but whose desire to live is rekindled due to hearing the honeymooning couple in the next room constantly humping. From that basic premise Pecas manages to get Gambier into all sorts of situations, including the obligatory orgy, but done with style of course, because the French take their erotica very seriously. Luxure had its Japanese premiere—in edited form—today in 1976. Gambier appears unedited below.
This is the second time a warm front like this has passed through.
You may be thinking we already showed you this Diane Webber Technicolor lithograph, but nope. While it is almost identical at first glance, and Webber is even posing for the same company—A. Scheer—it's a completely different photo shot in a different place at a different time. Don't believe us? Compare and contrast here.
A touch of velvet.
Above is a Technicolor lithograph from Corp. A. Fox, aka A. Fox Corp., of an unknown model posing on a comfy looking velvet sofa. The image is titled “Captivating” and dates from 1969. As always, if you recognize the model drop us a line, because we don’t. See more Technicolor lithographs at this link. |
The headlines that mattered yesteryear.
1935—Jury Finds Hauptmann Guilty
A jury in Flemington, New Jersey finds Bruno Hauptmann guilty of the 1932 kidnapping and murder of the Lindbergh baby, the son of Charles Lindbergh. Hauptmann is sentenced to death and executed in 1936. For decades, his widow Anna, fights to have his named cleared, claiming that Hauptmann did not commit the crime, and was instead a victim of prosecutorial misconduct, but her claims are ultimately dismissed in 1984 after the U.S. Supreme Court refuses to address the case.
1961—Soviets Launch Venus Probe
The U.S.S.R. launches the spacecraft Venera 1, equipped with scientific instruments to measure solar wind, micrometeorites, and cosmic radiation, towards planet Venus. The craft is the first modern planetary probe. Among its many achievements, it confirms the presence of solar wind in deep space, but overheats due to the failure of a sensor before its Venus mission is completed.
1994—Thieves Steal Munch Masterpiece
In Oslo, Norway, a pair of art thieves steal one of the world's best-known paintings, Edvard Munch's "The Scream," from a gallery in the Norwegian capital.
The two men take less than a minute to climb a ladder, smash through a window of the National Art Museum, and remove the painting from the wall with wire cutters. After a ransom demand the museum refuses to pay, police manage to locate the panting in May, and the two thieves, as well as two accomplices, are arrested.
1938—BBC Airs First Sci-Fi Program
BBC Television produces the first ever science fiction television program, an adaptation of a section of Czech writer Karel Capek's dark play R.U.R., aka, Rossum's Universal Robots. The robots in the play are not robots in the modern sense of machines, but rather are biological entities that can be mistaken for humans. Nevertheless, R.U.R. featured the first known usage of the term "robot".
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