|Sex Files||Feb 27 2015|
This issue of the Swedish magazine FIB Aktuellt appeared today in 1973 and its cover star, Sophia Loren, is exposed inside in exklusivt! photos from her 1951 campfest Era lui... sì! sì, aka It’s Him!... Yes! Yes! You probably know the story by now. Loren described the decision that led to her toplessness this way: “The scene involved several girls like myself in harem costume and, for the Italian version it was all right to wear clothes. The director asked that we do one take topless for the French version. I did not want to, but I was hungry. The other girls obliged him and, after a moment’s hesitation, I did too.” Loren said later that in general she couldn’t bear to be naked. “I’m not exactly a tiny woman. When Sophia Loren is naked, this is a lot of nakedness.”
It’s interesting that the photos are labeled exclusive by FIB Aktuellt, considering images from Era lui... sì! sì! had been floating around for years. We shared a page from the low rent Goodtime Weekly Calendar of 1963 featuring the same topless shot you see above. But we suppose in the days before the global internet the images were a scoop each time a new magazine acquired them. Playboy made a big deal of printing them in 1966. Loren’s nudity remained mildly controversial for decades due to her superstar status, but time marches on, and in 2011 she appeared on prime time television on Italy’s RAI 1 with a humungous topless still from Era lui... sì! in the background. That’s progress.
|Vintage Pulp||Jan 30 2015|
Caper is an American nudie mag that was launched in 1956 by Humor Magazines, Inc., of Derby, Connecticut, and ran until 1980. This issue published in January 1960 features cover model Judy LaPree, and interior models Beth Marlboro (in the centerfold), Jamie O’Neil, and the ubiquitous June Wilkinson. Some of the photography is by Ron Vogel, who we last saw contributing images to the Goodtime Weekly Calendar of 1963, and you also get some pretty nice art, numerous cartoons, and a bit of fiction. As always when we look at one of these magazines, we can't help but note the modern day shift away from gentleness in erotic imagery. It’s still out there, of course. There are hundreds of blogs alone, many run by women and focused on female desire, that remain faithful to ideas of imagination, mystery, and mutual pleasure. But those are simply trampled by the many gigantic outlets that feature near-violent insertions of every known object and organ into every known orifice and crevice.
To be clear, we aren’t knocking explicitness. Explicitness has a place, and in any case it was there long ago—modern porn has only just caught up to the 1930s Tijuana bibles we share here on occasion. No, when we say erotic material has shifted away from gentleness, we’re thinking of the actual, physical aggression of modern mainstream porn. It’s pervasive, and while a curious phenomenon in itself, when lumped with all modern media, we see that heightened aggression is a standard feature of today's America—from argumentative cable news to transgressive horror and procedural novels to the mega-slaughter of modern action movies. We could even go so far as to add non-media aspects of society to the equation. Seen from the wider perspective, nobody could reasonably expect porn to be an exception to the current wave of violent expression, though it would be nice if it were. This early Caper is an interesting—and welcome—reminder just how genteel erotic material used to be.
|Vintage Pulp||Jan 23 2015|
We’ve shown you a couple of Technicolor lithographs with overlays. Before we get off the subject for a while we want to show you one more—this effort featuring Marilyn Monroe. The image is best known as the centerfold of the debut issue of Playboy from December 1953, but it actually hit the market as part of a 1952 calendar, which means it went on sale in late 1951. The only text featured on those original calendars was the title “Golden Dreams,” but the above lithograph has both a title and Monroe’s name because it was a re-release designed to take advantage of her growing fame. That fame had waned since a favorably received role in 1948’s Ladies of the Chorus, but had been rekindled when she admitted to newspapers in early 1953 that she had posed nude. The Playboy centerfold further turbocharged her ascent, and the famous velvet photo kept appearing over and over again, mainly as calendar shots in 1955, 1956, and 1958, and at least three times with different types of obscuring overlays. In all those images, as well as the one above, Monroe is facing the opposite direction from the photo that appeared in Playboy. However, the Playboy centerfold is reversed from the original calendar shot, so it was Hugh Hefner who flip-flopped her. But from whichever direction you look at her, and in whatever garb she appears, Monroe is still exquisitely Monroe.
|Femmes Fatales||Jan 20 2015|
We featured Indonesian actress Laura Gemser as a femme fatale not long ago, and shared some eye-opening stills from one of her softcore romps even more recently—but then we came across this frontal 1973 shot from the Dutch magazine Chick. So we brought her back. That is all.
|Vintage Pulp||Jan 11 2015|
|Femmes Fatales||Dec 29 2014|
So, did you notice that server switch yesterday? The one where our site went down for about twelve hours? Well, we’re making it up to you with this 1971 photo of German actress Doris Arden. She falls squarely into the b-movie category, having appeared in such amusing efforts as Graf Porno und seine Mädchen, Der Sex-Agent, and Eros Center Hamburg. Hopefully she appeals to your Eros center, as well. We also hope our new server arrangement ends our problem with periodic website outages. That’ll mean fewer posts like the one above where we try to ingratiate ourselves with you, but hey, with the good always comes some bad.
|Vintage Pulp||Dec 26 2014|
This Technicolor lithograph features something we’ve seen before—a semi-transparent overlay that provides coverage for the model. But all you have to do is lift the glassine top layer et voila!—instant nude. We’re pretty sure these were first done in France, as we showed you here, here, here, and in a couple of other places. Those examples date from 1951 and 1952. The above lithograph is originally from 1951, but it was published without the overlay. We think the nightie was added sometime in the mid-1950s. The model is unidentified.
|Vintage Pulp||Dec 11 2014|
|Vintage Pulp||Dec 6 2014|
When we went to Paris a couple of months ago we mentioned that we found a stack of Ciné-Revue magazines in Le Marché aux Puces de Saint-Ouen. Their dimensions make for extra work because we have to scan every page in two pieces and put them together in Photoshop, and even more daunting, any two-page spreads have to be scanned in four pieces and assembled (this is actually true for all the tabloids we post). That’s why we get a bit lazy about it sometimes. Yeah, yeah, we know—get a bigger scanner. Easier said than done, unless someone wants to mail us one. Anyway, we managed to get some pages together from the above issue of Ciné-Revue published today in 1973.
|Vintage Pulp||Dec 6 2014|
This National Spotlite was published today in 1971. Betty Flenders graces the cover and centerfold, the beautiful Mary Weston brags about her sexual prowess inside, burlesque dancers Ava Braniff, Gid-Jet, and Rita Atlanta pose for insets, and Swede Barbara Klingered tries to keep her balance on a Zündapp motorcyle in a photo that gives us a trifecta of rare images from that session. The issue concludes with a sexual horoscope from resident seer Celestia. For more from the rare National Spotlite click its keywords at bottom.