|Femmes Fatales||Oct 1 2015|
Two years ago we shared a very rare Japanese promo poster from the 1976 Italian romance Laure, also known as Forever Emmanuelle. The calendar image above from the Japanese cinema and celebrity magazine Roadshow doesn’t directly promote Laure, but it comes from the same photo session, and like the earlier image features French actress Annie Belle doing her imitation of Monday’s supermoon. Both are amazing events, but this one, happily, features fewer craters.
|Vintage Pulp||Sep 21 2015|
Above, popular model Judy O’Day, who appeared in dozens of magazines during her career, seen here in a Technicolor lithograph entitled “A Good Connection.” O’Day, normally a flaming redhead, is said by various websites to have been a burlesque dancer. But among the scores of photos we’ve seen of her none have shown her onstage. We’ll dig and see if we can confirm some sort of dancing career. This print is from 1957.
|Sex Files||Sep 15 2015|
Studio nudes of Susanne Haines have been floating around the web for a while now, and they made us curious who she is. No info was readily available, but after some digging it turns out this obscure dancer has a very interesting story. She born and raised around Sacramento, California, and spent some time in Utah, before winning the Miss Placer County beauty contest in 1963 when she was sixteen. Several years later, as an unhappily married college student, she saw an ad asking for a go-go waitress and took the job to get away from her husband. She was soon earning $72.50 a week serving drinks in a nightclub. From there it was a short leap to the stage—and a bump in earnings to $450 a week as she peeled for male customers. In May 1969 she was performing at the Pink Pussy Kat in the Sacramento suburb of Orangevale when two sheriff’s deputies entered and found Haines and two other women serving drinks topless. When Haines took the stage and performed a dance number that ended with her completely naked, the cops arrested her along with fellow dancer Sheila Brendenson for indecent exposure and lewd and dissolute conduct. Club owner Leonard Glancy was arrested for soliciting.
Brendenson quit dancing after the trial, but Haines was ready to get naked again, and Glancy was more than willing to provide a stage. The county sheriff had said he’d continue to jail dancers despite the jury’s verdict, and Haines racked up seven arrests at the Pink Pussy Kat—plus about fifteen others at various venues over the years. But she also was nationally known thanks to the trial and won the title of Miss Nude Universe in 1972, which in turn pushed her earnings as high as $1,000—about $5,700 in today’s money. Fame didn’t deter the morals squads, though. She was arrested for indecent exposure in Oklahoma and this time lost a $5,000 judgment. Later she was arrested for larceny. Not long after, realizing her life was going in a direction she couldn’t control, she quit show business and became an evangelical Christian. In 1978, under her married name Susanne Haines Register, she wrote an autobiography, a cautionary tale of life in the fast lane entitled—what else?—Take It All Off. She does just that in the three shots below. They were made, like the one at top, around 1969.
|Femmes Fatales||Sep 7 2015|
There are many good photos of Terumi Azuma—entire books of them, in fact, and we’ll get to one of those later—but for our money this is one of the best images ever made of one of the most photogenic Japanese stars of the 1970s. It comes from a collection called Holiday of Terumi Azuma, which is appropriate because today is a holiday in the U.S. You also may have noticed that we vanished for four days without a peep last week. That was holiday related too—we went on a spontaneous island jaunt with a few friends. Consider the above awesome image an apology for our absence, and rest assured next time we’ll at least get up an intermission card before we disappear. We have many posters for Azuma’s movies that we’ll share at some point, but in the meantime see more of her here and here. And what the heck, here too.
|Modern Pulp||Aug 26 2015|
Not all of our Japanese posters are of the vintage variety, and the eye-catching piece you see above is an example from our stash of newer promo art. It was made for Ranchijo: Bikyaku Feromon, which translates to—ready for this?—something like “turbulent slut legs pheromone.” Hey, we just work here. The movie never had a Western release, so there’s never been a Western title assigned to it, which means a ridiculous literal translation from the Japanese is all you get. Maybe one of our readers out in that part of the world will write in with a better interpretation.
The movie is about a university professor who becomes obsessed with a rhythmic gymnast played by Sayaka Kitagawa. Basically, what you have here is an erotic production built around the idea of flexibility, because flexibility is Kitagawa’s thing—she’s gotten bent in most of her flicks and she’s really good at it. In this one she does a bit with a hula hoop that’s rather interesting and, while wearing pink lingerie, performs some standing splits similar to what you see on the poster. 59 minutes of mind- and body-bending fun, Ranchijo: Bikyaku Feromon premiered in Japan today in 2004.
|Femmes Fatales||Aug 23 2015|
|Vintage Pulp||Aug 1 2015|
Today’s Technicolor lithograph features a recognizable figure for once—the much adored Diane Webber, a California born model, dancer, and actress who was also known as Marguerite Empey and became one of the most important fixtures of the 1950s and 1960s nudist magazine scene. You can see a few examples of those here. Webber was also a two-time Playboy centerfold under her Empey persona, in May 1955 and February 1956. We’ve mentioned before that the blank spaces at the tops of these Technicolor prints were made for the insertion of advertising, and at right you see how that worked with a calendar for a Baltimore, Maryland establishment called Stanley’s Drive-In. The original image came from the A. Scheer Company, was called Exclusively Yours, and appeared in 1955. The calendar came out in the winter of 1958.
|Femmes Fatales||Jul 16 2015|
French actress/singer Danièle Graule, better known as Dani, appeared in about twenty movies beginning in 1964, including Un officier de police sans importance, aka A Police Officer without Importance, and La fille d'en face, aka The Girl Across the Way, and was last seen onscreen as recently as 2012. We’ve turned this watery image of her vertically because a horizontal orientation would make it too small to truly appreciate. You know the drill—drag, drop, and rotate for a better view. The shot is from the French magazine Lui and is from 1975.
|Sex Files||Jul 10 2015|
USA gyaru pâto 5: Karei naru higi premiered in Japan this month in 1983, and it’s an example of an erotic movie made with an American star for the Japanese market, such as this excellent example we shared way back. The top billed actress on this one is Carol Frazer, who was better known in the U.S. as Nikki Randall, and is a veteran of more than 100 adult productions. She also maintained a presence on mainstream network television, and appeared twenty or so shows between 1973 and 1989. She's joined above by Japanese actress Mayumi Sanjo.
The last three words mean, among other things, “beauty,” “become,” and “ceremony.” So there you go—as best we can tell the movie is about a beautiful American sex worker, and some sort of figurative or literal change she undergoes. Usually, when we do this sort of piecemeal translation, someone who actually speaks Japanese writes in to correct us, so let’s hope that happens this time. In the meantime, just for the hell of it, we have a completely not-safe-for-work full-frontal promo image of Randall/Frazer below—not the raciest image we’ve ever shared, but very provocative.
|Vintage Pulp||Jul 5 2015|
We’re back to unidentified models in our Technicolor lithograph series with this southwestern U.S-themed image from the mid-1950s. The shot is called “Forward Look.” You can see the rest of the collection by looking back—here.