Sex Files Feb 27 2015
SOPHIA'S CHOICE
Straight to the toplessness.


This issue of the Swedish magazine FIB Aktuellt appeared today in 1973 and its cover star, Sophia Loren, is exposed inside in exklusivt! photos from her 1951 campfest Era lui... sì! sì, aka It’s Him!... Yes! Yes! You probably know the story by now. Loren described the decision that led to her toplessness this way: “The scene involved several girls like myself in harem costume and, for the Italian version it was all right to wear clothes. The director asked that we do one take topless for the French version. I did not want to, but I was hungry. The other girls obliged him and, after a moment’s hesitation, I did too.” Loren said later that in general she couldn’t bear to be naked. “I’m not exactly a tiny woman. When Sophia Loren is naked, this is a lot of nakedness.”

It’s interesting that the photos are labeled exclusive by FIB Aktuellt, considering images from Era lui... sì! sì! had been floating around for years. We shared a page from the low rent Goodtime Weekly Calendar of 1963 featuring the same topless shot you see above. But we suppose in the days before the global internet the images were a scoop each time a new magazine acquired them. Playboy made a big deal of printing them in 1966. Loren’s nudity remained mildly controversial for decades due to her superstar status, but time marches on, and in 2011 she appeared on prime time television on Italy’s RAI 1 with a humungous topless still from Era lui... sì! in the background. That’s progress.  


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Vintage Pulp Jan 30 2015
A PERFECT CAPER
Caper presents its genteel vision of American eroticism.


Caper is an American nudie mag that was launched in 1956 by Humor Magazines, Inc., of Derby, Connecticut, and ran until 1980. This issue published in January 1960 features cover model Judy LaPree, and interior models Beth Marlboro (in the centerfold), Jamie O’Neil, and the ubiquitous June Wilkinson. Some of the photography is by Ron Vogel, who we last saw contributing images to the Goodtime Weekly Calendar of 1963, and you also get some pretty nice art, numerous cartoons, and a bit of fiction. As always when we look at one of these magazines, we can't help but note the modern day shift away from gentleness in erotic imagery. It’s still out there, of course. There are hundreds of blogs alone, many run by women and focused on female desire, that remain faithful to ideas of imagination, mystery, and mutual pleasure. But those are simply trampled by the many gigantic outlets that feature near-violent insertions of every known object and organ into every known orifice and crevice.

To be clear, we aren’t knocking explicitness. Explicitness has a place, and in any case it was there long ago—modern porn has only just caught up to the 1930s Tijuana bibles we share here on occasion. No, when we say erotic material has shifted away from gentleness, we’re thinking of the actual, physical aggression of modern mainstream porn. It’s pervasive, and while a curious phenomenon in itself, when lumped with all modern media, we see that heightened aggression is a standard feature of today's America—from argumentative cable news to transgressive horror and procedural novels to the mega-slaughter of modern action movies. We could even go so far as to add non-media aspects of society to the equation. Seen from the wider perspective, nobody could reasonably expect porn to be an exception to the current wave of violent expression, though it would be nice if it were. This early Caper is an interesting—and welcome—reminder just how genteel erotic material used to be.  

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Vintage Pulp Jan 23 2015
RED VELVET VARIATIONS
Monroe’s famous photo changes like a chameleon.

We’ve shown you a couple of Technicolor lithographs with overlays. Before we get off the subject for a while we want to show you one more—this effort featuring Marilyn Monroe. The image is best known as the centerfold of the debut issue of Playboy from December 1953, but it actually hit the market as part of a 1952 calendar, which means it went on sale in late 1951. The only text featured on those original calendars was the title “Golden Dreams,” but the above lithograph has both a title and Monroe’s name because it was a re-release designed to take advantage of her growing fame. That fame had waned since a favorably received role in 1948’s Ladies of the Chorus, but had been rekindled when she admitted to newspapers in early 1953 that she had posed nude. The Playboy centerfold further turbocharged her ascent, and the famous velvet photo kept appearing over and over again, mainly as calendar shots in 1955, 1956, and 1958, and at least three times with different types of obscuring overlays. In all those images, as well as the one above, Monroe is facing the opposite direction from the photo that appeared in Playboy. However, the Playboy centerfold is reversed from the original calendar shot, so it was Hugh Hefner who flip-flopped her. But from whichever direction you look at her, and in whatever garb she appears, Monroe is still exquisitely Monroe. 

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Femmes Fatales Jan 20 2015
UNCUT GEMSER
Rare jewels look best unadorned.

We featured Indonesian actress Laura Gemser as a femme fatale not long ago, and shared some eye-opening stills from one of her softcore romps even more recently—but then we came across this frontal 1973 shot from the Dutch magazine Chick. So we brought her back. That is all.

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Vintage Pulp Jan 11 2015
SEX A-PEEL
The top layer looks nice, but in the end it’s really just in the way.

Above, another Technicolor pin-up that undresses when you peel back a glassine overlay, which as we mentioned before, was probably pioneered by the French magazine Paris-Hollywood. This particular pin-up, with its unidentified model, is entitled “Dreaming of You,” it comes from the company KLM, and it dates from 1950.

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Femmes Fatales Dec 29 2014
ARDEN DESIRE
Good day sunshine.

So, did you notice that server switch yesterday? The one where our site went down for about twelve hours? Well, we’re making it up to you with this 1971 photo of German actress Doris Arden. She falls squarely into the b-movie category, having appeared in such amusing efforts as Graf Porno und seine Mädchen, Der Sex-Agent, and Eros Center Hamburg. Hopefully she appeals to your Eros center, as well. We also hope our new server arrangement ends our problem with periodic website outages. That’ll mean fewer posts like the one above where we try to ingratiate ourselves with you, but hey, with the good always comes some bad.

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Vintage Pulp Dec 26 2014
XMAS EVE
Here’s one more gift to unwrap.

This Technicolor lithograph features something we’ve seen before—a semi-transparent overlay that provides coverage for the model. But all you have to do is lift the glassine top layer et voila!—instant nude. We’re pretty sure these were first done in France, as we showed you here, here, here, and in a couple of other places. Those examples date from 1951 and 1952. The above lithograph is originally from 1951, but it was published without the overlay. We think the nightie was added sometime in the mid-1950s. The model is unidentified. 

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Vintage Pulp Dec 11 2014
AMONG FRIENDS
Amis du Soleil makes nudism look like paradise on Earth. Now just wait until the guys show up to ruin it all.

Is it pulp? Of course it is, nos amis. There are countless mid-century novels about nudism. So, we couldn’t pass this up. It’s a special issue of the French nudist magazine Amis du soleil. This appeared around 1950, but the magazine went on for a long while, publishing hundreds of issues well into the late 1960s, so we’re told. We’re also told it was actually a satellite publication of Sonnenfreunde, which was the official publication of the German, Swiss and Austrian Nudist Federations. We’ve talked once or twice about how the Germans feel about this stuff, remember?

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Vintage Pulp Dec 6 2014
RAVE REVUE
Sex and cinema in an open age.


When we went to Paris a couple of months ago we mentioned that we found a stack of Ciné-Revue magazines in Le Marché aux Puces de Saint-Ouen. Their dimensions make for extra work because we have to scan every page in two pieces and put them together in Photoshop, and even more daunting, any two-page spreads have to be scanned in four pieces and assembled (this is actually true for all the tabloids we post). That’s why we get a bit lazy about it sometimes. Yeah, yeah, we know—get a bigger scanner. Easier said than done, unless someone wants to mail us one. Anyway, we managed to get some pages together from the above issue of Ciné-Revue published today in 1973.

Ciné-Revue originated out of Belgium in 1944 and was the premiere French-language cinema magazine there and in France for many years. Today it remains popular, making it one of the longest-lived cinema magazines as well. On the cover of this one you get German softcore and hardcore actress Karin Schubert, and inside you get John Wayne, Pia Giancaro, Brigitte Bardot, Jean Gabin, and an artful nude shot of impossibly handsome Austrian actor Helmut Berger. You’re welcome, girls, but please don’t start doing internet searches trying to find out what he looks like now—you won’t be happy. Berger also appears on the back of the mag.
 
Regarding the Schubert cover, the line between mainstream cinema and porn was never blurrier than back then, and Ciné-Revue reflected that with its features of hardcore and softcore performers. Could you imagine porn actresses routinely appearing in, say, Rolling Stone, and being given equal standing with mainstreamers? Nevertheless, popular American media is heavily porn-influenced, even if the seed, so to speak, goes unacknowledged. What is a Sports Illustrated swimsuit issue about, for example, with its models wearing not swimsuits, but rather paint on their fully waxed bodies?
 
When cinema first developed into an industry many filmmakers thought of movies as simply a motile version of photography, or painting, or sculpture. Nudity was a regular occurrence onscreen during the pre-code 1920s, but a funny thing happens when you add motion and character development to the static nude—Michelangelo turns into Brazzers. Today, all nudity in American cinema is on some level political. No? Then why is it that only in American cinema there is such a proclivity for the clothed sex scene? It raises a question. Is it possible for both men and women, gay and straight, to celebrate their sexuality without conflict? Maybe, but only with more economic equality for women, less stigmitization of homosexuality, less racism, and more understanding that we are—male and female, gay and straight, green and purple—biologically driven by sexual desire.
 
Looking at the Schubert image above, we’re reminded of a time (in which we were basically zygotes, but go with us here) during which mainstream movies asked questions about freedom for versus exploitation of women, and how commerce in an age of mass media impacts women’s security versus the ideal of sexual freedom. For instance, how do we have sex and sexual aspiration but also have a safe pressure release for the millions who aren’t having sex in any given week or year? Can sex and porn safely co-exist? No idea. Option two is to beat the need for sex out of every man and woman on the planet. Not our preferred solution, but we can talk about it. Why did we write all this? Probably because there’s nudity/exploitation in the next two posts, so these questions just came into our minds.
 
On another note, we had to go back to France on short notice, but to Bordeaux this time, and we’re there at this moment. So maybe hanging out with the always philosophical French made us write this missive. Possibly some fine red wine has contributed. Anyway, we will scour Bordeaux for more wine—er, pulp—but especially Ciné-Revue, as we’re very interested in 1970s international movie stars, and this magazine gave them as much exposure as any publication we’ve seen. We have eighteen scans below, and more from Ciné-Revue to come.


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Vintage Pulp Dec 6 2014
SHINE A LITE
National Spotlite isn’t exactly illuminating but at least it’s entertaining.

This National Spotlite was published today in 1971. Betty Flenders graces the cover and centerfold, the beautiful Mary Weston brags about her sexual prowess inside, burlesque dancers Ava Braniff, Gid-Jet, and Rita Atlanta pose for insets, and Swede Barbara Klingered tries to keep her balance on a Zündapp motorcyle in a photo that gives us a trifecta of rare images from that session. The issue concludes with a sexual horoscope from resident seer Celestia. For more from the rare National Spotlite click its keywords at bottom. 

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History Rewind
The headlines that mattered yesteryear.
March 02
1933—King Kong Opens
The first version of King Kong, starring Bruce Cabot, Robert Armstrong and Fay Wray, and with the giant ape Kong brought to life with stop-action photography, opens at Radio City Music Hall in New York City. The film goes on to play worldwide to good reviews and huge crowds, and spawns numerous sequels and reworkings over the next eighty years.
1949—James Gallagher Completes Round-the-World Flight
Captain James Gallagher and a crew of fourteen land their B-50 Superfortress named Lucky Lady II in Fort Worth, Texas, thus completing the first non-stop around-the-world airplane flight. The entire trip from takeoff to touchdown took ninety-four hours and one minute.
1953—Oscars Are Shown on Television
The 26th Academy Awards are broadcast on television by NBC, the first time the awards have been shown on television. Audiences watch live as From Here to Eternity wins for Best Picture, and William Holden and Audrey Hepburn earn statues in the best acting categories for Stalag 17 and Roman Holiday.
March 01
1912—First Parachute Jump Takes Place
Albert Berry jumps from a biplane traveling at 1,500 feet and lands by parachute at Jefferson Barracks, Missouri. The 36 foot diameter chute was contained in a metal canister attached to the underside of the plane, and when Berry dropped from the plane his weight pulled the canopy from the canister. Rather than being secured into the chute by a harness, Berry was seated on a trapeze bar. It's possible he was only the second man to accomplish a parachute landing, as there are some accounts of someone accomplishing the feat in California several months earlier.
1932—Lindbergh Baby Is Kidnapped
The twenty-month-old son of aviator Charles Lindbergh, Charles Augustus Lindbergh III, is kidnapped from the family home in East Amwell, New Jersey. Over two months later the toddler's body is discovered in woods a short distance from the home. A medical examination determines that he had died of a massive skull fracture. A German carpenter named Bruno Hauptmann is arrested, tried, and convicted for the crime. He is sentenced to death and executed in April 1936.
February 28
1953—Watson and Crick Unravel DNA
American biologists James D. Watson and Francis Crick tell their friends that they have determined the chemical structure of DNA. The formal announcement takes place in April following publication in Nature magazine. In 1968, Watson writes The Double Helix, a non-fiction account of not only the discovery of the structure of DNA, but the personalities, conflicts and controversy surrounding the work.

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