Femmes Fatales Aug 24 2014
TOLO SOLO
Marilu, Italian style.

Above, a photo of Italian actress Marilù Tolo, who appeared in many movies between 1960 and 1985, including 1964’s Matrimonio all’italiana, aka Marriage Italian Style, and 1966’s Se tutte le donne del mondo, aka Kiss the Girls and Make Them Die. This shot is from a 1966 issue of the French magazine Ciné-Revue

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Femmes Fatales Aug 22 2014
GRABLE-BODIED
America’s top pin-up makes a summer splash.

Above, an early 1940s promo image of American actress Betty Grable. Born Elizabeth Ruth Grable in 1916, an iconic bathing suit photo (not this one, this one) would make her the number one pin-up girl of World War II.

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Vintage Pulp Aug 19 2014
VENUS GUYTRAP
Kill her and she’ll kill you back.


Jesus Franco’s Paroxismus was an Italian erotic mystery known in the English-speaking world as Venus in Furs. Basically, an American jazz musician in Istanbul goes to a party and there sees a woman involved in sadomasochistic sex. Later he finds the same woman’s body on a beach, and at that point flees to Rio de Janeiro. In Rio he plays with a jazz group, but one night sees the dead woman from Istanbul walk into the club where he’s performing. Or is it her? Whoever she is, she seems intent on exacting revenge against those who killed her. Or didn’t. Jesus Franco is a polarizing filmmaker, but if you’re ever going to like one of his films, this may be it. It’s dark and surreal, beautifully shot, has an interesting score, and a compelling cast that includes James Darren, Maria Rhome, and the always arresting Klaus Kinski. The late-1960s hepcat dialogue may amuse or repel, depending on one’s sensibilities, and those hoping for a linear plot or Hollywood ending should give up before even settling into their seats, but as a whole we thought it was quite entertaining.

In terms of understanding the film, it helped when we learned that a chance comment by the jazz trumpeter Chet Baker had been the inspiration for the script. We also discovered, on an unrelated note, that the lead as originally written was supposed to be a Miles Davis type guy, which is to say black, but Franco was shot down because American audiences were thought to be unready to see a black man and white woman in bed together. This led to the ethnic reversals of the lead role into a white jazzman and the character of Rita into his black girlfriend. Too bad for Franco he wasn’t allowed to make the film the way he wanted, but it’s impossible to be bummed with the casting of Barbara McNair as Rita, despite the circumstances. Impossible to be bummed about the art, either. The above promo poster was painted by the awesome Mario De Berardinis, who signed his work MOS, and we also have an ultra-rare alternate poster below, painted by unknown. Paroxismus premiered in Italy today in 1969.

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Vintage Pulp Aug 15 2014
MONROE ITALIAN STYLE
Non ci siamo già visti prima Marilyn mia cara?

Then French call it déjà vu, but in Italian it would be già visto. But while it may seem like you just saw this cover a few days ago, it’s actually entirely different. The Italian magazine Epoca loved Marilyn Monroe, and she was the star of many issues. The last one we shared was from the first anniversary of her death, give or take a few days. This one was published 15 August 1954, eleven years before she died, and again features an extensive set of rare photos. And just to show they weren’t giving short shrift to homegrown talent, Epoca editors also offer a very nice shot of Italian superstar Gina Lollobrigida. Scans below.

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Vintage Pulp Aug 11 2014
EPOCA HISTORY
Italian magazine marks end of Monroe era.

This otherwise unremarkable issue of the Italian magazine Epoca has two things going for it—a cover featuring Marilyn Monroe, and a six-page interior spread featuring some rare photos. It appeared as a tribute issue today in 1963, more or less a year after Monroe had died. The cover text boasts of having found her personal photo album. We can’t confirm that, but the photos are indeed ones we see less often than others of Monroe. That is, if “less often” even applies when talking about probably the most photographed woman in cinema history. Eight scans below.

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Vintage Pulp Aug 7 2014
WANDER LUST
Italian artist Mario De Berardinis finds a perfect Playmate.

Here’s a rarity—a western film for which we can’t find an official English translation, which of course means it likely never played on American or British screens. The film in question is the Italian sex comedy Giro girotondo... con il sesso è bello il mondo, which loosely means something like “wander wandering… with sex it’s a beautiful world.” Or something. Whatever it means, the unwieldy title surely would have been changed for a run Stateside, which is why we’re pretty sure that never happened. But the title isn’t the reason we’re sharing this poster. The reason is it’s by the Italian genius Mario De Berardinis, who we discussed last year. This effort is actually copied from a photo of 1973 Playboy centerfold Cyndi Wood, one of the magazine’s most popular models. And we’d show that image to you, but one thing we are sure of after working at that company is they’ll sue you in a second. So here’s a link to the shot. Did that make your day? Giro girotondo... con il sesso è bello il mondo premiered in Italy today in 1975.

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Femmes Fatales Aug 5 2014
EYES ON MARSH
Marian Marsh makes a vision in sepia.

This photo of American actress Marian Marsh, née Violet Ethelred Krauth, has no year, but we know Irving Lippman shot it as a promo for Warner Bros. Since she was signed by Warner in 1930 and left in 1932, that at least gives us a range. It’s a great image, and Marsh is wearing an absolutely killer outfit.

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Vintage Pulp Aug 1 2014
THE GOOD, THE BETTER, AND THE BEST
Who needs a name when none of your enemies survive to remember it anyway?

There are precious few movies that truly age well, and far fewer series. But like the Clint Eastwood spaghetti western series colloquially known as the Man with No Name Trilogy, these Japanese posters have stood the test of time. From top to bottom they are for A Fistful of Dollars, aka Koya no yojimbo, For a Few Dollars More, aka Yuuhi no ganman, and The Good, the Bad, and the Ugly, aka Zoku yuuhi no ganman. There are some who say Eastwood’s character actually has a name in these films, but we beg to differ. In the first he’s referred to once as Joe, which is a name, yes, but more likely is a tag, like calling him “hotshot,” or “buddy.” In the second he’s referred to as Manco, which colloquially means “one armed” in Spanish. And in the third film he’s referred to as Blondie. But whatever his real name was, probably everyone thought of him the same way—as trouble. 

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Femmes Fatales Jul 26 2014
PAST KIM PERFECT
Hmm, I think maybe I’ll just keep this for myself.

Above, a promo image of the beautiful Kim Novak from the 1958 Academy Awards at the Pantages Theatre in Hollywood. She wasn’t nominated that year, though her hit film Vertigo was eligible. Instead she accepted the statuette for Best Screenplay Based on Material from Another Medium on behalf of winner Pierre Boulle, who had written the script for The Bridge on the River Kwai. No word on whether she ever actually gave him the Oscar.

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Vintage Pulp Jul 21 2014
CLAMMY HANDS
Dive-in cinema at its best.

This poster is for Shiofuki ama, aka Clam-Diving Ama. You of course remember that an ama is a woman who dives for valuable undersea items, typically abalone or pearls. Like the other ama movies we’ve discussed, this one is from Nikkatsu, and it stars Akiko Hyûga as a neglected ama named Saki whose truck driver husband is inconveniently away for long periods. When he dies in an accident the men of Saki’s village turn their attention to her, and a resultant affair leads to trouble. This one has a secret pregnancy, a miscarriage, and betrayal, and while Hyûga is the lead it’s actually co-star Yûko Asuka who does most of the down and dirty. For those interested in viewing the movie, it will prove impossible to find, probably, but at least we can show you the poster. Oh, and the promo shot below. Shiofuki ama premiered in Japan today in 1979.

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History Rewind
The headlines that mattered yesteryear.
August 27
1975—Haile Selassie I Dies
Haile Selassie I, former Emperor of the Kingdom of Ethiopia, dies of respiratory failure. Selassie was most famous for his landmark speech before the League of Nations in 1936, in which he pleaded for help against an Italian invasion, but to no avail. He warned that fascist aggression would not end with Ethiopia. His words, "It is us today; it will be you tomorrow," turn out to be prophetic when Germany's fascists later spark World War II.
August 26
1939—First Baseball Telecast
The first televised baseball game, a doubleheader between the Cincinnati Reds and the Brooklyn Dodgers, takes place at New York City's Ebbets Field.
August 25
1944—Vive la France
With the surrender of the last occupying German garrison, Paris is liberated from Nazi occupation by Allied troops after six days of fighting. The city had been administered by Nazi Germany since the Second Compiègne armistice in June 1940 when Germany occupied the north and west of France and when the Vichy regime was created in the city of Vichy in central France.

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