First rule of plotting a murder: make sure the victim isn't listening in.
Above you see a poster for Pickup, one of the nastier little noirs we've run across our years maintaining this website. Beverly Michaels tries to worm her way into a retired man's affections in order to have the life of leisure she thinks she deserves. But her target, in addition to being old fashioned and a bit obtuse, has some sort of chronic or psychosomatic brain injury that results in confusion and hearing loss. Even so, she manages to marry the poor slob, then sets about figuring how to kill him to obtain his savings of $7,300. When he's hit by a car one afternoon his hearing returns, but Michaels has no idea it's happened and openly plots to murder him, assuming he's still deaf while the entire time he listens in horror. This isn't supposed to be funny, but it is, uproariously. Michaels says the most vicious things about the guy, behind his back and right to his face, day after day, with no idea he can hear every word. These crazy sequences are a big reason why this cheap little b-flick has survived the decades. Plus Michaels knocks her first starring turn over the center field bleachers, playing shrill, wall-eyed evil to the hilt. She was rewarded with more work, including similar gold digger parts in 1953's Wicked Woman and 1956's Blonde Bait. The latter was her last role, making for a short career, but a memorable one. We recommend Pickup, morbid plot, shoestring production values, and all. It premiered in the U.S. today in 1951.
Sharks aren't the worst predators in the water.
Behold! The longest piece of promo art we've ever shared. The oceangoing thriller The Deep premiered in the U.S. in June 1977 as part of a wave of similar movies that came in the wake of Jaws (see what we did there, with the "wave" "wake" thing?). Yeah. So anyway, author Peter Benchley, who wrote the novels that spawned both films, used similar themes for the two, but switched the monster shark for human dangers in The Deep. The Japanese run of the film began today in 1977, and for once the Japanese title isn't something wildly different—they went with ザ・ディープ, which means “the deep.”
We've never seen anything like this poster before, and we doubt we will again. Also of note is that the movie, which was not considered top notch, was a massive hit thanks to a brilliant marketing campaign that saw co-star Jacqueline Bisset wardrobed in a white t-shirt that turned transparent when wet, such as during her opening diving scene in the warm Bahamian waters. Never had a pair of nipples made such a splash. A longtime a sex symbol and thirty-three years old when the The Deep appeared, the film made Bisset a legit superstar for the first time.
No I won't turn to the left. This is my good side.
Above you see the legendary Jean Harlow in an awesome MGM promo shot made for the pre-code gangster film The Beast of the City, a movie often (but mistakenly) called a film noir. Harlow plays a gun moll who gets involved in an affair with a cop. The movie came out in 1932, which dates the photo as from that year or the end of the previous year.
If you love somebody pin them to a corkboard.
You know by now that roman porno is a Japanese softcore film genre, and that the “roman” stands for “romantic.” So it's fitting that the poster for the roman porno flick Seishojo: hitontasu no keiken has a romantic image. That isn't usually the case, but this one, with the colors and flowers, is pretty. The English title of this was One Summer Experience: Sexy Virgin, or sometimes Sex Virginity Hito: Natsu's Experience, and what happens is a man named Nobuyuki who collects butterflies meets a girl named Ruri who thinks she's the incarnation of a butterfly. Turns out she's a mental patient, but nuts never looked as good as Terumi Azuma, so Nobuyuki has to be be forgiven for violating the tenets of the hot/crazy matrix. This one gets pretty weird. There's a scene where Ruri experiences sexual pleasure from being stabbed with insect pins, and all we can say is, you know, it's roman porno. The movie has immense importance, at least to us, because it was Azuma's first lead role, and she gave the cinema world plenty of enjoyable material over the years. Below you see a beautiful promo shot—reversed by the lithographer, which we know because in real life Azuma's torso mole is actually on her left—and a nice alternate poster. Seishojo: hitontasu no keiken premiered today in 1976.
The ocean is perfect for covering a multitude of sins.
Manatsu no joji, aka Midsummer Affair—Underwater Series Part 4, appeared in 1960 from Shochiku Company Limited, and above you see two nice promo posters for the movie. These epics are, of course, nothing without franchise star Kyoko Izumi, and here she plays a woman discovered adrift on the sea. She tells her rescuers that her husband, less lucky, drowned trying to save her. But some elements of her story don't add up—for instance she claims to be a poor swimmer, but soon it becomes clear that she's quite at home in the water. Suspicions arise that Izumi has committed foul play, a fact soon clear enough to the audience. Meanwhile a swimwear fashion show and a bitter rivalry between two female aquatic teams give her the cover she needs to try to eliminate the person most intent on proving she murdered her husband. All she has to do is point and shoot—with a poison filled syringe. Will she get away with this crazy scheme? We're not telling. This was the last film in this franchise, but she did act in one more ama film, 1963's Ama no kaishinju, which was made by a different production company. So it looks like this'll do it for the series, except for an alternate poster for part 3 we have hiding somewhere. We'll get that up at some point.
Now you see him, now you don't.
The open road adventure Vanishing Point is one of cinema history's most beloved cult classics. You know the story probably. Barry Newman plays a guy hired to drive a beautiful 1970 Dodge Challenger R/T 440 Magnum from Denver to San Francisco. He decides to do it in record time, and this brings him the attention of police, who try to stop him. It's austere, introspective, and mystical, and is an interesting commentary on the rootlessness and disillusionment of Vietnam War vets. Highly recommended. And as a bonus, not only do you get to watch that Challenger move at high speed, but there's the classic naked-woman-riding-her-motorcycle-through-the-desert scene starring Gilda Texter. The scene made Texter famous, but she only appeared in a few more productions. Ironically, though, she had a forty year career in another area of cinema—costume and wardrobe design. We consider Vanishing Point to be her best wardrobe work. You see two Japanese promo posters above, six production photos below, and can see four more, along with further discussion of the film, at this link.
Every time I turn my back you bite another little hussy from the village
This unusual Japanese poster was made to promote the horror flick The Brides of Dracula, which premiered in the U.K. today in 1960. We don't have a Japanese premiere date, but we're guessing it was several years later. In the film, a French schoolteacher is hired to staff a position in Transylvania and, having lodging difficulties upon arrival, ends up accepting an offer by Baroness Meinster to spend the night in her creepy old castle. The teacher discovers the Baroness's son chained up in one of the rooms. She helps the seemingly beleaguered wretch escape, not realizing she's just released a vampire. She still doesn't realize it when she later agrees to marry him, but that's about when Dr. Abraham Van Helsing shows up with plans to ram a sharp piece of wood through his heart. Will it happen in time to save the teacher from a really bad marriage to a vampire who has neglected to mention not only that he's undead, but that he already has several undead wives? You'll have to watch to find that out. If you like dungeon horror, it's worth the effort, as this is from Hammer Studios, and is probably one of the best efforts from one of the most storied horror production companies.
All greatures great and small.
This might be our first piece of Finnish pulp. Actually, nope—we just checked. We have some Finnish items here, here, and here. So this poster is our fourth entry from that country, and it's a promo for Uga-uga ihmishirviöiden maa, aka Creatures the World Forgot. Finnish is a weird language, but even without knowing how to read it you can probably discern that the movie was re-titled. The poster says, “uga uga a country of human beings.” So we guess the creatures the world forgot lived in Uga Uga. We didn't know that. Another online translator tells us the poster actually says, "the upright country of human beings," and a third tells us it says "the land of the sea of magpie." We have a former roommate who lives in Finland, so maybe he'll help us out with this one, especially the "uga uga" part. Did we mention we went to Finland once? Try drinking with that crowd and after a couple of hours, “uga uga,” is all you'll be able to say. You may also have noticed the creatures of the original movie somehow transformed into “greatures,” at the lower right of the art, one of the funnier misspellings we've seen on a foreign version poster. The film starred Julie Ege, who's in no way uga uga, and is probably the best reason to watch the movie. We've mentioned her before, particularly the publicity stunt Hammer Studios cooked up to promote the film. Read about that here, and read a short review here. Greatures—er, we mean Creatures—the World Forgot premiered in Finland today in 1971.
The hard work around the house is never done.
Above is a vanishingly rare Japanese promo poster for the sexploitation flick Maid in Sweden, with starred Christina Lindberg in her only U.S. production. The movie was made by the schlock factory known as Cannon Films, and coming early in Lindberg's career it helped establish her popularity with international audiences. We already talked about it back in 2013, so if you want to know what it's about check this link. We've also uploaded a promo shot of Lindberg you've never seen before, just below. It isn't the last of the unseen Lindbergs we have, so keep an eye out for more. Maid in Sweden premiered in Japan today in 1972 as 情欲 or Yokubō, which is, succinctly, “lust.”
There's no business like Monroe business.
Spanish illustrator Francisco Fernandez Zarza-Pérez painted this beautiful poster for the comedy Luces de candilejas, aka There's No Business Like Show Business, and signed the piece as his alter ego Jano. As you can see by comparing the poster to the set photo below, he covered Monroe's leg, which maybe isn't surprising, since he was working in Franco's fascist Spain. Even so this is by far the best poster we've seen from him. The movie's Spanish title Luces de candilejas translates as “candle lights,” which is appropriate, as Marilyn Monroe gets into the type of moth-to-flame difficulties in which she specialized, with her arrival as a new talent on the Vaudeville scene bringing strife to a show business family. No pulp material here—it's a pure musical, with a lot of performance numbers from Monroe, Mitzi Gaynor, Johnnie Ray, Dan Dailey, and headliners Ethel Merman and Donald O'Connor. The Jano artwork makes the poster a must share, but the film is a pass—not because it's a Vaudeville musical, but because it's bland, due in part to Monroe's minimal screen time. Luces de candilejas premiered in Spain today in 1959, and you can see more Jano here. |
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