We found two more Mafé one-sheets, and we’re now going to just go ahead and declare him the greatest illustrator of x-rated posters ever. He did non x-rated work too, but he flourished in porn, bringing a real elegance to the material, as you can see for yourself. He’s still a bit of a mystery to us, but we’re digging for more info. These two posters are circa mid-seventies, and you can see the other two Mafé pieces we posted here. 

Sleeve of Italian pop performer Fabrizio Ferretti's 1966 single "Operazione Tuono", aka "Thunderball", with a flip side of "L'amore" by Memo Remigi.

Above we've posted two Spanish one-sheets for El Pajaro de las Plumas de Cristal, aka L’uccello dale piume de cristallo, aka The Bird with the Crystal Plumage. This was horror grandmaster Dario Argento’s first film, a thriller in the Hitchcockian mode about an American in Italy who witnesses an attempted murder. The police make him stay in the country, and the would-be killer soon begins stalking him. In subsequent films, Argento would explore realms of gore Hitchcock probably never dreamt of, but in this early effort, he relies on mood to achieve his goals, and the English language version succeeds despite the distraction of some less than breathtaking dubbing. The Bird with the Crystal Plumage premiered in Italy today in 1970. The poster art is by another grandmaster, Spanish illustrator Francisco Fernandez Zarza-Pérez, who worked under the pseudonym Jano—aka Janus, the two-faced Roman god of doorways, arches, beginnings and endings. Jano painted thousands of pieces beginning in the 1940s, and we’ve cobbled a few more together and posted them below for you to enjoy this lovely Friday. More on Jano later. 

Liliana Cavani’s controversial drama Il portiere di notte, aka The Night Porter, is a landmark of Italian cinema, and another of those seventies films that could never be made today. It involves the sado-masochistic relationship between a concentration camp survivor, played by Charlotte Rampling, and a former camp officer, played by Dirk Bogarde. The camp is eventually liberated, but the Nazi manages to escape the Allies. Postwar he builds a normal-seeming life but must carefully hide his former identity. Meanwhile, the woman builds a normal-seeming marriage, but conceals her psychological scars. In Vienna years later, the woman is shocked to encounter the Nazi again, and soon their destructive codependency is rekindled. The amazing promo poster above uses a frame from the movie’s pivotal scene, a flashback in which Rampling performs a striptease wearing an SS uniform, after which her captor rewards her á la Salomé with the head of a prisoner who has been tormenting her. Il portiere di notte is dark, slow, and deadly serious, but for the true film buff it’s probably a must-see. It was generally well-reviewed upon release, but there were also slams from a few major critics. In the end, you’ll have to make your own decision. Il portiere di notte premiered in West Germany yesterday, 1974. 

Italian promo poster for the James Bond classic Agente 007: Licenza di uccidere, aka Dr. No, starring Sean Connery. It premiered in Italy today in 1963. 

Italian actress Monica Vitti, star of several great Michelangelo Antonioni films, as well as one critically slammed English language film, the camp spy thriller Modesty Blaise, shown here circa 1967 in a shot published in the Italian magazine Triunfo. 

What you’re looking at are two pieces of Japanese promo art for the Italian shocker Cannibal Holocaust. Released in 1980, the film was so disturbing that it was banned by several countries, and resulted in director Ruggero Deodato being dragged before authorities who were seriously intent on jailing him for the rest of his life. In order to avoid that fate, he had to prove that his actors had not been killed during filming, and in particular, he had to show that the scene of an indigenous Amazonian girl impaled on a pole was just a special effect. But even knowing the impalement, a castration, a disembowelment, a beheading, and the cannibalism are all fake doesn’t make the film any easier to stomach, mainly because it features some real atrocities, such as a three-foot long turtle being de-shelled, a pig being shot to death, and a monkey having its face cut off with a machete. On the plus side, the Brazilian scenery is beautiful. Cannibal Holocaust’s central premise of lost film footage being found and reviewed in order to determine the fate of the foolhardy foreigners who shot it sets up like familiar horror, but in all other respects the film pushes the envelope so far it’s on the outside looking in. Think you’re tough? Give this one a try. Cannibal Holocaust premiered in Tokyo in January 1983. 

Below is a photo of Italian actress Pier Angeli on the cover on France’s Ciné-Révélation. She was originally Anna Pierangeli, but she split her surname, thus giving herself the last name “angels.” A truer pseudonym has yet to be invented. But for as much excitement as attended her arrival onto the Italian movie scene, her career never quite reached the expected heights once she made the leap to Hollywood. She worked steadily in a series of unimpressive films, and had a few love affairs, including one with James Dean that was reportedly nixed by her mother. After twenty years in movies, and two divorces, she died at age 39 of a barbiturate overdose. Though she was depressed during her final years, it is impossible to know for sure whether her death was an accident or suicide. You see her here at the apex of her fame and beauty, January 1958. 

The Asphalt Jungle is half a century old, but remains one of the best procedural heist films ever made. The men who commit the robbery at the center of this movie come from all walks of life—some are perennial losers, others are opportunists, and others are just having a hard time and need a way out. All of them long for better lives. All desperately need the money to get there. These footmen, facilitators, and financial backers plan every aspect of a lucrative heist, but the caper begins falling apart almost immediately, due to back luck, mistrust, and greed. Sterling Hayden, who we’ve mentioned before, is incendiary in the lead, exuding extreme menace but with a hint of recognizable humanity behind the eyes. One of his best moments comes in a brief but exquisitely choreographed shooting involving a thrown valise. All of this takes place under the sure hand of legendary director John Huston, working from a 1949 book by William Riley Burnett. Burnett was a bit of a legend himself. He was a prolific crime novelist who wrote the source material for Little Caesar, Scarface, and High Sierra, and whose screenplays include This Gun for Hire, I Died a Thousand Times, and Nobody Lives Forever. Put Burnett, Huston and Hayden together (not to mention James Whitmore, Jean Hagen, Sam Jaffe, and a young Marilyn Monroe in a small role as a rich man's plaything) and you get exactly what you’d expect—a genre classic that transcends its boundaries and becomes instead a piece of high art. The film was a major hit that wowed audiences worldwide. At top you see the Italian promo art, and below that we have both the hardback and paperback cover art. The Asphalt Jungle opened as Giungla di asfalto in Italy today in 1951.