Vintage Pulp Sep 13 2012
V, VOIR, VOILA
Whatever it was called, we love it.

More from France today with V magazine of winter 1965. This particular issue, in the masthead in extremely small print, reveals that V is short for Voilà. Other issues we have do not mention that, so it’s news to us, and probably to many other people as well, especially because we shared an issue a while back that clearly says on the cover “Supplement au No. 445 de Voir Magazine.” So it is Voilà, Voir, or just V? To tell the truth, we wondered in the past if the 1950s V was the same as the earlier magazine that published through the ’40s, but it was. The publisher, editor, and even the street address changed, but we’ve seen an issue from 1949 that shows an unmistakable visual transition between the two versions. If indeed the magazine was ever actually called Voilà, or Voir, the full name never appeared on the cover, as far as we know. Speaking of covers, this one was painted by Raymond Brenot, aka Pierre-Laurent Brenot, who was both an artist and a successful fashion designer, and he joined a special fraternity of brilliant V cover artists such as René Caille, Jean David, and Georges Pichard. The interior illustrations are from Brenot, Pichard, Le Gano, Renoir and others. Plus there are photos of Margaret Lee, Catherine Frank, Mara Berni, Liten Østern, dancer Sonia Vareuil, et.al. Generally, the more a magazine costs us the more pages we scan, just so we can feel like we got our money’s worth. This one was ten euros, so below are more than thirty images for your enjoyment.

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Vintage Pulp Sep 20 2011
BED COMPANY
I’ve done the early to bed bit, now if you’ll handle the early to rise part, this day should work out just fine.

Above, two great, provocative covers by Jean David for Pedro Alvarez’s Bonjour, Princesse... and Dora Christobal’s La maîtresse de Santiago, published by Seine Editions for their collection Plume au vent, 1956/1957. 

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Vintage Pulp Jul 8 2011
V COOL
Les bicylettes de Paris.

Here’s another of our recent French acqusitions, a July 10 1949 issue of V, with an Alex Quinio front cover. Below you get art from Jean David, who drew both the comic strip and the rear cover, and you also gets lots of images of French people frolicking in the sun. Probably that's what we like about this magazine—it depicts the good life, which is something we always aspire to. Actually, thinking about it, what the hell are we doing indoors right now? There's a glass of cold white wine calling our names. See you later.

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Vintage Pulp Jun 1 2011
SO VERY V
V employed three of the most talented but least-known pin-up artists of the pulp era.

The French magazine V is probably one of the most visually pleasing and collectible periodicals ever published. The early issues featured photo-illustrations of movie stars, but starting in the 1950s V began to showcase provocative pin-up style cover paintings from a succession of three artists—Georges Pichard, René Caille and Jean David. All were geniuses; none are well known outside collectors circles and France, where they lived and worked. But popularity is never a true measure of value—Pichard, Caille and David Vs can go at auction for thirty, forty, or even fifty dollars. We've seen them listed for even more, though those went unsold as far as we can tell. Vs with Pierre-Laurent Brenot covers are also highly regarded. This one, V Sélections 57, with a Pichard cover and Brigitte Bardot, Christine Carère and Marilyn Monroe inside, dates from winter 1957. We have a couple more of these we’ll share in their entirety as soon as we get in the mood to do the scanning. Meantime see some 1940s V covers here and here

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Vintage Pulp Aug 22 2009
Melange Francais

French Pulp Cover, La Vipére De Shanghai
French Pulp Cover, Virage A L’Est
French Pulp Cover, SOS
French Pulp Cover, SOS
French Pulp Cover, La Coupure
French Pulp Cover, Sabine
French Pulp Cover, Le Gang des Toubibs
French Pulp Cover, Meurtres à l’ O.N.U.

Random mix of French pulps, circa 1950s, except for Sabine, which carries a copyright date of 2005. The rips and creases on that one are a deliberate part of the cover design intended to make the book look vintage, and it worked—we bought it before realizing it was just a pulp knock-off. C’est la vie. It cost a euro so we can’t really complain.

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Featured Pulp
FEBRUARY 1933 BEAUTE MAGAZINE
JULY 1937 BEAUTES MAGAZINE
JANUARY 1935 PARIS MAGAZINE
JANUARY 1935 POUR LIRE A DEUX
OCTOBER 1929 PARIS PLAISIRS
NOVEMBER 1933 PARIS MAGAZINE
MAY 1935 PARIS MAGAZINE
History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.

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