We suspect what was outlawed was Howard Hughes' directorial career.
The Outlaw is reputed to be a terrible movie. Since it premiered today in 1943 we thought we'd give it a glance, and guess what? It's terrible. Howard Hughes directed it when he still fancied himself a man with artistic talent, and the main takeaway is that the Dunning-Kruger Effect is more than just a theory. His adoration of Jane Russell radiates from each of her scenes, but in overall execution the movie flops in every area except infuriating the era's movie censors. It's accidentally funny, though.
Billy the Kid: “Doc, if you're not already fixed up you can bunk with me tonight.”
Doc Holliday: “No thanks, Billy. I've got a girl. She and her aunt just moved in town. You got a girl, Billy?”
Billy the Kid: “Naw. I ain't got nothin'. Except that horse.”
On the other hand, the film is also terribly unfunny. Wikipedia says it's implied that Billy rapes Jane Russell's character Rio McDonald in a barn. We're here to tell you it may be implied visually and in the dialogue that drifts out of those obscuring shadows, but as a matter of plot it's a dead certainty that's what happens. And she's his friend's lady, the one discussed in the above dialogue exchange. Billy is just a bad guy. But you know exactly what happens next, right? Rio falls in love with Billy. But he remains a dick:
Rio McDonald: “What are you waiting for? Go ahead.”
Billy the Kid: “Say that sounds real nice. I like to hear you ask for it. Beg some more.”
Rio McDonald: “What would you like me to say?”
Billy the Kid: “Well you might say please very sweetly.”
Rio McDonald: “Please.”
Billy the Kid: “Will you keep your eyes open?”
Rio McDonald: “Yes.”
Billy the Kid: “Will you look right at me while I do it?”
The music alone during that scene could drive you from the room. And what does Billy do to Rio after he's had his way with her yet again? Ties her by her wrists and ankles and leaves her in the hot sun to roast to death. Holliday rescues her and opines that Billy must really be in love with her to do something so cruel. Um... okay. This is another great exchange:
Billy the Kid: “I think I'd rather have that cuckoo clock do the counting for me.”
Doc Holliday: “Yeah that's good enough. It's gonna strike in a minute.”
Billy the Kid: “Shall we pull on the last cuckoo?
We're pretty sure Hughes was pulling on his cuckoo when he made this, but luckily he never directed again. Amazingly, even though the film is awful, everything associated with it is collectible, including the promo poster above, which if you wanted to buy would cost you $56,000. Not the original painting. An original print. At least that's what one ambitious soul is asking for it. We suspect the separation between the quality of The Outlaw and the cost of its memorabilia is the largest of any film in American history. Watch it if you dare.
New tabloid serves up Russell, Monroe, and others.
Jane Russell, wedged into an outfit that turns her boobs into footballs, graces the cover of the debut issue of Exposed, a high budget tabloid launched by Fawcett Publications in 1955. It arrived on a crowded newsstand already occupied by Confidential—then arguably the most circulated magazine in the U.S.—as well as Whisper, Hush-Hush, Uncensored, and similar publications. The get-up Russell is wearing is a costume from her starring role in 1954's The French Line, and we sort of assumed the shot had been at least slightly doctored, and we seem to be correct. Judge for yourself at right. At least her boob punishment was offset by the fact that her outfit was too flimsy to include one of the deadly corsets that sometimes made their way around stars' waists.
Russell is in Exposed to illustrate a story about sex in cinema, but she isn't the most exposed occupant of the magazine. That would be Marilyn Monroe, whose famous Playboy nude is reprinted for a story about hustlers reprinting her photos. We'll just assume Exposed licensed their Monroe shot. Apparently, though, those other miscreants were selling her likeness by the thousands without permission and without compensating Monroe. Exposed shows her in court testifying for prosecutors. The prosecution may have won its case in 1955, but in the here and now Monroe is sold from Tegucigalpa to Manila, unlicensed all of it. Which just goes to show the more things change the more they stay the same.
Probably the highlight of the issue is a long story about detectives who make their living catching cheating couples in action. Exposed offers up numerous photos of these pairs caught in the act in motel rooms and secluded homes. Are these photos real? Well, we have our doubts. Even the most cleverly posed action shots have those intangibles that mark them as fakes, but that's just our opinion. Judge for yourself. Elsewhere in Exposed you get “Sophie” Loren, Errol Flynn, Marguerite Chapman, Franchot Tone, and other big time celebs.
We're pretty proud of this acquisition. It wasn't terribly expensive, but we've seen it priced much higher than what we paid. Maybe down the line we'll flip ours for a tidy profit. But that's what we always say. Much to the Pulp Intl. girlfriends' chagrin, our office just piles higher and higher with mid-century ephemera and we haven't sold a single piece yet. Exposed goes to the top of the precariously tottering pyramid. We have about thirty-five scans below, and plenty more tabloids on the way.
You know how movie stars sometimes say they wish they could be anonymous? Welcome to the cover of V.
This issue of V was published today in 1948 and features art by Jean David, which accompanies, as always, celeb content and bit and pieces of French culture. As we've noted before, writers like Hilary Conquest and others often don't bother to identify the movie stars in these issues because they're ancillary to the text. For example, the story “Pour l'amour de Tex Julia,” talks about actual women of the Old West, with photos of Jane Russell and others serving merely to illustrate. However the magazine does at least identify Barbara Bates, Juliette Greco, Yvonne DeCarlo, and Olga San Juan. You can probably guess where we're heading with all this—the person on the cover is unidentified. The editors always did this, and it's a bit maddening. Yes, we know—we should recognize this person, us being a nostalgia website and all, but there are a lot of vintage actresses. It's difficult to know all their faces definitively. Have an idea on this one? Drop us a line at firstname.lastname@example.org. The photo is a Warner Bros. promo, and you already have the year.
There's nothing up my sleeve except more of me.
Above, Paris-Hollywood magazine published in 1949, with a bare-shouldered Jane Russell on the front cover and Anne Baxter (spelled Ann by editors) gracing the rear. Baxter is pointing out Alaska on a wall map, probably explaining that she'd need a parka and snow shoes if she ever went there, rather than the undies and heels she's wearing. Inside the issue you get showgirls, models in lingerie, and celebs dressed as bunnies. Was it Easter? No idea, because Paris-Hollywood came without publication dates during these years. However, the front cover noted that Russell was starring as Calamity Jane in the film Pale Face, aka The Paleface. Since that appeared in France in mid-February and promotional efforts usually occur in advance of a film's premier, or at least around its opening date, we suspect the issue was published in February or March of 1949.
And as far as gentlemen go, they’ll take whatever they can get.
Above is a brilliant poster for the film musical Gentlemen Marry Brunettes starring Jane Russell and Jeanne Crain. Both Brunettes and 1953’s Gentlemen Prefer Blondes had begun as novels written by Anita Loos, in 1927 and 1925 respectively. Blondes (it was actually the second time the book had been filmed) was of course a smash with Marilyn Monroe and Jane Russell in the leads. A year later Monroe was unavailable to reprise her role as Lorelei Lee, so both leads were rescripted into entirely new characters and Jeanne Crain scored the new part opposite Russell. Gentlemen Marry Brunettes appeared in 1955, but the result wasn’t quite as electric as Gentlemen Prefer Blondes. Same old story—it’s almost always pointless trying to capture lightning in a bottle twice, and a sequel without Monroe was destined to disappoint, at least artistically. But it did become one of the top box office movies of 1955. Amazing, considering it’s almost forgotten today. Seems the audience has stated its preference rather clearly. Well, even if Brunettes fell short of Blondes in the memorability department, there’s nothing forgettable about its Japanese poster.
He really appreciates the wilder side of life.
Last year we posted the front and back covers of an issue of He magazine. As usual, it’s taken us longer than we intended, but today we’re back with more. The above cover appeared this month in 1953 and features a masked model shot at New York City’s annual Artists Equity Ball, which, according to He, pretty much turned into an orgy. We don’t know about that, but the photos do reveal a rather racy scene. You also get shots of (we think) Rocky Marciano knocking out someone or other and lightweight champ Jimmy Carter mashing some hapless opponent’s face, photos of Laurie Anders, Lili St. Cyr, Lilly Christine, Daniele Lamar, and other celebs of the day, an amazing still of Julie Newmar, aka Julie Newmeyer, dancing in Slaves of Babylon, plus a back cover featuring highly touted but ultimately underachieving actress Mara Corday. We don’t have to bother too much with a description today, because these digest-sized magazines have text that scans large enough to be read even on small computers. So read and enjoy.
The headlines that mattered yesteryear.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
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