She doesn't want to see, and you probably don't want her watching.
This poster of Sophia Loren was made to promote her drama Donna del fiume, aka The River Girl, and as we observed when we watched the movie a couple of years ago, only in cinema could backbreaking labor (harvesting rice by hand) make someone look like Loren. The poster is what we usually call panel length, which means it's about the right size to hang on a door, for instance in your bedroom. And Loren has exactly the facial expression you'd expect after seeing what you do in there. Columbia maybe should have manufactured a poster of her smiling and giving a thumbs up, but we love this promo anyway because even when Loren looks repulsed she looks great. Donna del fiume premiered today in 1954 and you can read what we wrote about it here.
Tarzan gets fully dressed but remains king of the naked jungle.
A killer ape, eh? Since the film opens with crocodiles getting axed to death—in real life—killer humans is more like it. Well, these old African wilderness flicks are never kind to animals, whether chimps, big cats, or what-have-you. The point of the croc massacre is that they're sick and have to be put down. Nobody can understand what's wrong with them, but it turns out an evil white scientist is testing bioweapons on wild animals. Wait—did we single him out as white? The distinction is meaningless, since everyone in the film is white or white-ish. That's what happens when deepest, darkest Africa is in reality a backlot in Simi Valley. In any case, someone needs to figure out why the crocs are sick. Who can do it? Why Jungle Jim, of course, played by Johnny Weissmuller. After years running around in a loincloth as Tarzan he got chubby enough that his body needed to be covered, so he slid into a new role as the khaki-garbed, pith-helmeted Jim, and for thirteen films did more or less the same things he did in twelve Tarzan films except yodel and swing on vines. The killer ape of the title is actually an ape/man hybrid, played by 7'7'' ex-wrestler Max Palmer in a pimp's fur coat and a putty nose. He lurches around uprooting trees like a one man lumber company and absorbing bullets with no ill effects. But though he's bulletproof, he isn't Weissmullerproof. Really, who among us can claim to be? The man subdued an entire continent, so certainly one pimped out wrestler isn't going to offer much resistance. Killer Ape is preposterous, but at least it has numerous unintentional laughs. It premiered in the U.S. today in 1953.
Stand back everyone. When I strip down to my fifteen-year-old Tarzan loincloth you don't want to be anywhere downwind, trust me.
So I had wardrobe trim this coat to expose my knees. Even during my wrestling days these sweet babies were my calling card.
Cut! Max, the camera is over here to your right. Can we get a hairdresser to trim the man-ape's bangs, please?
The name is Jungle Jim! Call me Junk Food Jim one more time! Just once! I dare you!
You know, even with this highly authentic costume I'm still not feeling very African. Maybe some cornrows.
It's about this long, give or take. I know that sounds like every man's dream, but size also brings real issues with it.
Hah hah, no, you're light as a feather, Carol. A feather that's been packing in high calorie Columbia Pictures catering for a few weeks, but still feather-like.
Just like you, Tarzan, I wear nothing under my costume. When I sit on your big ugly head those bristly things on your eyes will be my nuts.
She had every reason to smile.
This photo shows U.S. star Kim Novak and it appeared in the men's magazine Escapade in April 1957 in a feature titled “Love Goddess: 1957.” The idea was simply that Novak was the biggest new sex symbol of the year, and the spread featured a half dozen shots. The one above is the best of the bunch, in our opinion. Since Novak had become spectacularly famous in 1956, had won a Golden Globe in 1955, and had begun scoring important co-starring roles in 1954, and because we can assume her studio Columbia Pictures wouldn't have wanted her to be associated with a cheesecake magazine, we can safely guess the Escapade photos predate her 1954 Columbia contract. They probably came from some obscure photographer who suddenly realized he had valuable commodities in his archives. Escapade doesn't give a date, but we'd say Novak looks about twenty. In Hollywood, stardom means old photos will always come out unless preemptively purchased by the star themself. The same thing happened to Marilyn Monroe when she got famous, except her photos were early nudes. Novak's were early smiles.
Blinding curves ahead—proceed with caution.
American actress Patricia Blair strikes a bold pose on this 1959 Columbia Pictures promo for City of Fear, an atomic era thriller about an escaped convict in possession of what he thinks is a canister of heroin but which is really radioactive cobalt-60. We may circle back to this movie later. Blair appeared in a few films but her career was mostly on television, including recurring roles on The Rifleman and Yancy Derringer.
A theory of light and shade.
This beautiful promo photo of Romanian actress Tala Birell strikes a film noir note, but because her career flourished before the advent of the genre she never made a movie that can be fully classified as noir, though 1937’s She’s Dangerous comes close. Birell appeared in about forty films, first in Europe, then the U.S., and eventually moved back to Europe where she worked for the U.S. Government organizing theatrical productions in Germany, France, and Austria. You’re thinking what we’re thinking, right? She was totally a spy. Well, perhaps not, but she sure looks like one above. The shot was made for Columbia Pictures after she was signed as a contact player there in 1933.
They’re only being nice because they want to know where he bought his paisley sarong.
Above is the cover of an issue of V published today in 1947. Inside are various celeb and cinema features, a photo-comic written by the famed Maurice Dekobra, a back cover by Jean David, and plenty of photography, including the feature “Don Juan les pins,” or Don Juan of the Pines, whatever the hell that means. Also a bit of a mystery is the baffled looking cover star surrounded by six swooning women and a dog. He’s damnably familiar but we can’t quite place him, and since this is V we’re talking about, the editors have predictably failed to identify him. He’s a Columbia Pictures player, according to the caption, but that’s all we got. Anyone recognize him? Drop us a line. Thanks.
Update: So we have the answer from Nick, who informs us this is Arthur Lake, who played Dagwood in the U.S. television series Blondie, based on the famous comic strip. Thanks a million for that info. This also seems like a good time to thank not just Nick, but all Pulp Intl. readers. Your support and knowledge is essential to making this site work and we always appreciate it.
Update 2: Now it all becomes clear. A reader informs us that "Don Juan les pins" is a play on words. Juan-les-pins is a popular vacation spot in France, located on the Côte d'Azur between Nice and Cannes.
A siren in the desert.
This Columbia Pictures promo photo of Swedish actress Märta Torén was shot when she appeared in the adventure Sirocco in 1951, starring opposite Humphrey Bogart. The film, which was set in Syria, was an attempt to recapture the magic of Casablanca, and one of its taglines was: “Beyond Casablanca... Fate, in a low-cut gown lies in wait for Bogart!” The movie didn’t recapture that Casablanca magic, but it was a nice role for Torén. She worked steadily until 1957 when she died of a sudden brain hemorrhage at age 30.
Where there’s smoke there’s fire.
These two gorgeous promo photos of Jan Sterling, née Jane Sterling Adriance, were shot for her role in Columbia Pictures’ drama Women’s Prison. Sterling also appeared in Johnny Belinda, Mystery Street, Appointment with Danger, and was Academy Award nominated for her role in The High and the Mighty. Women’s Prison was released in 1955, and these images date from the year before.
Marilyn had a little lamb, but soon she'd have the world.
By now we shouldn’t be surprised where Marilyn Monroe turns up. Still though, we never thought we’d see her befrocked and befrilled, fondling livestock in a field. Yet there she is on the April 26, 1946 cover of the women’s magazine The Family Circle. At the time, Monroe was modeling just about anywhere she could find work, going by her real name Norma Jeane Daugherty. She was twenty years old, one year away from her first film appearance, and two years away from her first minor film contract with Columbia Pictures. The year after that, in 1949, still trying to make ends meet, she posed nude for photographer Tom Kelley. In 1952 one photo from that session ended up on a Western Lithograph Co. pin-up calendar. Monroe was a contract player with 20th Century Fox by then, and the studio feared the photos would cause a scandal. They were wrong. Monroeadmitted posing nude to pay the rent, and the public was fine with it. The next month she appeared on the cover of Life. Said Monroe: “Oh, the calendar’s hanging in garages all over town. Why deny it? You can get one anyplace. Besides, I’m not ashamed of it. I’ve done nothing wrong.”
Monroe’s career took off from there, but there’s a modern postscript to the story—namely, with the internet being what it is (a massive repository of misinformation the likes of which we never could have imagined a mere fifteen years ago), there are many shots of Monroe out there that are misidentified as the one that ended up on that 1952 calendar. So we took the liberty of posting a scan of the Life story, with its inset of the Monroe calendar. The shot you see there—and not the several others appearing on assorted websites—is the one that scandalized Monroe’s bosses but was shrugged off by the public. The nude image is pretty small in Life, but the internet being what it is (a massive repository of nakedness the likes of which we could never have imagined—but always hoped for), we were able to simply grab a larger version of Kelley’s shot and post it below so that, for purely academic interest, you can have a closer look. The photo will disappear if we get a cease and desist order, but for now it’s there.
The headlines that mattered yesteryear.
1963—Profumo Denies Affair
In England, the Secretary of State for War, John Profumo, denies any impropriety with showgirl Christine Keeler and threatens to sue anyone repeating the allegations. The accusations involve not just infidelity, but the possibility acquaintances of Keeler might be trying to ply Profumo for nuclear secrets. In June, Profumo finally resigns from the government after confessing his sexual involvement with Keeler
and admitting he lied to parliament.
1978—Karl Wallenda Falls to His Death
World famous German daredevil and high-wire walker Karl Wallenda, founder of the acrobatic troupe The Flying Wallendas, falls to his death attempting to walk on a cable strung between the two towers of the Condado Plaza Hotel in San Juan, Puerto Rico. Wallenda is seventy-three years old at the time, but it is a 30 mph wind, rather than age, that is generally blamed for sending him from the wire.
2006—Swedish Spy Stig Wennerstrom Dies
Swedish air force colonel Stig Wennerström, who had been convicted in the 1970s of passing Swedish, U.S. and NATO secrets to the Soviet Union over the course of fifteen years, dies in an old age home at the age of ninety-nine. The Wennerström affair, as some called it, was at the time one of the biggest scandals
of the Cold War.
The federal penitentiary located on Alcatraz Island in San Francisco Bay closes. The island had been home to a lighthouse, a military fortification, and a military prison over the years. In 1972, it would become a national recreation area open to tourists, and it would receive national landmark designations in 1976 and 1986.
1916—Einstein Publishes General Relativity
German-born theoretical physicist Albert Einstein publishes his general theory of relativity. Among the effects of the theory are phenomena such as the curvature of space-time, the bending of rays of light in gravitational fields, faster than light universe expansion, and the warping of space time around a rotating body.
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