Vintage Pulp May 24 2017
FRIENDS WITH BENEFITS
Membership is costing her the shirt off her back.

Charles Copeland is the brush behind this cover for The Friendship Club, and he's done his usual bang-up job. The book was written by Dean McCoy, which was a pseudonym used by Dudley Dean McGaughy for several novels, including Beach Binge and Juice Town, which also sound like winners. In this one a swinging couple puts together a swapping club for like-minded residents of their small town community, and everything goes well until one of the members decides swapping means woman on woman too. The guys are dismayed to learn their services aren't required, or for that matter desired, and countermeasures follow. Put this in the dangerous lesbians bin, 1963. 

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Vintage Pulp Jan 22 2017
FACULTY HEAD
When the dean's away the wife will play.

Above, another entry in the school sleaze genre, The Dean's Wife, by Lee Thomas for Beacon Books. Thomas was a pseudonym used by author Lee Floren, who also wrote as Matt Harding, Will Watson, and possibly other entities. He didn't just write sleaze—he authored numerous westerns, and generally wrote those under his own name. The Dean's Wife is copyright 1963, and the art is by Charles Copeland.

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Vintage Pulp Jul 28 2016
LADY LOVE
When girl meets girl sparks fly.

Above and below is a small percentage of some of the thousands of lesbian themed paperback covers that appeared during the mid-century period, with art by Paul Rader, Fred Fixler, Harry Schaare, Rudy Nappi, Charles Copeland, and others, as well as a few interesting photographed fronts. The collection ends with the classic Satan Was a Lesbian, which you’ve probably seen before, but which no collection like this is complete without. Hopefully most of the others will be new to you. Needless to say, almost all were written by men, and in that sense are really hetero books reflecting hetero fantasies (fueled by hetero misconceptions and slander). You can see plenty more in this vein on the website Strange Sisters.

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Vintage Pulp Apr 22 2016
MALE PRIVILEGE
They reserve the right to kill everything in sight.


It's murder and mayhem in this issue of Male published this month in 1958. The carnage and gunplay span the Wild West era to World War II, and France to Xinjiang, China, with cheesecake model Diana Crawford thrown in to break up the monotony. The cover is an atypical effort from George Gross, and the interior art is by the always excellent Charles Copeland, along with Brendon Lynch, John Leone, Arthur De Kuh, and others. Looking for more Male? Click here. Or here.

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Vintage Pulp Dec 18 2015
WESTERN FRONT
It's ironic they call this place the O.K. Corral, because things have not gone well since I came in here.


Above, Stag magazine published December 1957, with an uncredited cover and interior art from James Bama, Emile C. Shurmacher, Jay Smith, Charles Copeland, Jim Bentley, Lou Marchetti, and Mel Crair. We checked the auction sites this morning and saw this issue going for twenty dollars minimum, so we're feeling pretty smart because we got ours for four bucks. Probably the most interesting story is Bill Wharton's “Brother Chalmers,” about a pompous white missionary in Papua New Guinea who has very little in the way of morals. But it has a happy ending—he gets his brains bashed out. 

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Vintage Pulp Aug 13 2015
MAIM TO PLEASE
Climb up just a bit higher. The part of you I’m planning to shoot isn’t out of the water yet.

Interesting Charles Copeland cover art for Victor Canning’s 1955 adventure thriller Twist of the Knife, published outside the U.S. as His Bones Are Coral. It’s the story of a drug smuggler flying contraband from Sudan to Egypt who crash lands near the town of Suabar, gets involved in a caper to raise gold from the waters of the Red Sea, and of course beds the only white girl within sight. This was actually made into a really bad Burt Reynolds movie called Shark! in 1970.

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Vintage Pulp Jul 10 2015
GIRL MEETS CORPSE
What do you call forty dead men? A good start.

Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy. 

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Vintage Pulp Jan 2 2015
WAR PROFITEERS
The Male capacity for violence.


Above is a Mort Kunstler cover for Male painted for the January 1965 issue. Kunstler was famed for his war panoramas, as we’ve discussed before, and if you click his keywords below you’ll see several more martial covers from him that we’ve shared. Inside Male you also get art from Charles Copeland, Samson Pollen, and Gil Cohen. The model feature is Susan Radford, who is described as a starlet but who we’d never heard of. Turns out it wasn’t just us. We checked the usual databases and found no mention of Radford anywhere, so it seems Male editors were premature in dubbing her a major riser.

Male focused on all kinds of violent adventures, but especially those dealing with warfare. This issue has four war stories dealing with the Soviet Union, China, and the Nazis, but the most notable entry is South African author Anthony Trew’s gripping Two Hours to Darkness, published here as booklength fiction. The tale is described in the contents as “the nightmarish spine-tingler that will be the movie blockbuster of 1965,” but it looks like Male was wide of the mark again, because no film based on the book was ever released. So Trew had to settle for selling a measly 3.5 million copies of the novel in sixteen languages, the hack. We have a dozen scans below.

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Vintage Pulp Apr 1 2013
NAZI ROUND-UP

Below, a few scans from Stag of April 1963, with cover art by Mort Kunstler illustrating Emile C. Shurmacher’s story “90 Nazis and 8 Redheads of Radar Island,” and interior spreads from Charles Copeland, Samson Pollen and Walter Popp. See two more issues of Stag here and here.

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Vintage Pulp Sep 22 2010
AMERICANUS INTERRUPTUS
Beyond the villa of the dolls.

Above, a September 1964 Action for Men adventure magazine containing assorted WWII and Korean War tales. The cover art is by Charles Copeland, and it depicts American soldiers and partially dressed Italian “call dolls” aka prostitutes, capturing a group of Nazi officers who we’ll assume are pretty bummed the raid didn’t happen about an hour later. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
November 19
1916—Goldwyn Pictures Formed
In the U.S.A., Samuel Goldfish and Edgar Selwyn establish Goldwyn Pictures, which becomes one of the most successful independent film studios in Hollywood. Goldfish also takes the opportunity to legally change his last name to Goldwyn.
November 18
1916—First Battle of the Somme Ends
In France, British Expeditionary Force commander Douglas Haig calls off a battle against entrenched German troops which had begun on July 1, 1916. Known as the Battle of the Somme, this action resulted in one of the greatest losses of life in modern history—over three-hundred thousand dead for a net gain of about seven miles of land.
1978—Jonestown Cult Commits Mass Suicide
In the South American country of Guyana, Jim Jones leads his Peoples Temple cult in a mass suicide that claims 918 lives, including over 270 children. Congressman Leo J. Ryan, who had been visiting the makeshift cult complex known as Jonestown to investigate claims of abuse, is shot by members of the Peoples Temple as he tries to escape from a nearby airfield with several cult members who asked for his protection.
November 17
1973—Nixon Proclaims His Innocence
While in Orlando, Florida, U.S. President Richard Nixon tells four-hundred Associated Press managing editors, "I am not a crook." The false statement comes to symbolize Nixon's presidency when facts are uncovered that prove he is, indeed, a crook.
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