Below are fifteen mid-century book covers featuring nuclear explosions, which are a major part of the photo history we document here at Pulp Intl. You'll notice three of the authors wrote six of the books. That's because once you write nukes, you never go back. And actually, a couple of these are non-fiction, so our wish for them not to come true is too late.

A couple of days ago we shared a cover painted by Harry Barton, and today we're back with assorted examples in the same vein, once again showing instances of neck kissing, or variations very close to that. All of these were also painted by Barton, who clearly had a fine appreciation for female necks. Or male mouths. Whichever.

Barton was a prolific artist who through the ’50s and ’60s produced covers for Avon, Bantam, Dell, Monarch, and Pocket Books. He painted even more fronts with poses close to those seen here, for example men and women kissing normally, but today we decided to stick only to neck kissing. Which by the way is a nice way to spend a few minutes if you have a willing partner.

We've run across some low characters in paperback art, but these guys are the lowest. Faced with danger they've grabbed the nearest woman to use as a shield. Women in mid-century fiction have it rough—they're interrupted while skinny-dipping, carried off against their will, manhandled, spied on, tied up, and more. They have their victories too, thankfully—put a gun in their hands and they start dropping men like two-foot putts. Well, good thing femmes fatales are so tough, because they'll need to be hard enough to stop bullets to get out of these jams.

It's a good thing the real world isn't like the worlds of pulp and mid-century crime fiction. In those realms, when a woman receives an unexpected visitor the result is often disastrous. Bad cops, evil crooks, ruthless blackmailers, lecherous uncles, and all sorts of nasty characters usually await on the other side of the door. Above and below you see a collection of mid-century paperback fronts showing those fraught moments just after a woman opens her door to trouble, or trouble takes matters into its own hands and busts its way in. Our recommendation: in the event of an unexpected knock just go out the window.

Bill Edwards' profile as a paperback illustrator has risen considerably in recent years. Like others who painted for sleaze imprints, it is not so much his technical ability that has garnered the attention, but rather the subject matter and a strong style. Edwards is a guy whose work you can identify in a millisecond. His women almost always have sharp cheekbones, ski jump noses, and a prominent beauty mark. The cover above for Rick Rand's New Girl in Town shows you all three elements up close. Edwards was also prolific like few other painters, which makes finding his work easy. Below are many more illustrations, some for novels with subject matter well beyond the pale, and we have other Edwards pieces populating Pulp Intl., for example here, here, and here.

The first step is a doozy, as they say, but in vintage fiction so is the last one and all those in between. Abovr and below are assorted paperback covers featuring characters who've had a bad time navigating stairs, a few due to accidents but most via ill intent from third parties. We also have one hardback dust sleeve we added at the bottom because it was so interesting. Just scroll down, but do it carefully. 

Above, a small collection of Mickey Spillane covers illustrated by Barye Phillips in similar style for Signet Books published throughout the 1950s. Spillane had many cover treatments over the decades but these are among the best. Phillips did other art for Signet, including illustrating the fronts of James Bond and Al Wheeler novels. We're also big fans of this piece, and this one too. And you can also see another Spillane collection we put together here.