Pulp Intl. visits Paris as it springs into summer.
We're going to Paris for a bit. The trip is not due to our initiative. The Pulp Intl. girlfriends plan to intersect with friends passing through there, and we're going along partly to keep them company and partly to buy magazines and books. When the girls go to meet pals we generally stay home and take the opportunity to eat popcorn, hit the bars until sunrise, and churn out website material at an increased rate, but not when Paris is involved. As buying opportunities go, that's a city you can't pass up. So the website will be idle for a few days. Five or six, depending.
Second topic, you remember a technical glitch threw us offline a while back. Every time that happens we lose some functionality or other, and this time it was the ability to navigate to earlier pages using keywords or section headers. Savvy internet users know that it's possible to paste “?next=10” onto the end of the url and navigate backwards by changing the number—i.e. “?next=20,” “?next=30,” etc. So that's an option for those that want to bother.
But it's also a pain, and we know that. We will fix the navigation problem, hopefully soon. But of course, that will be a case of slapping duct tape on the most rickety old website left online. So, as we've been promising for years, a Pulp Intl. 2.0 is coming. It's 95% built, we swear. Whether that final 5% will take a week, a month, or years is not known at this point. We'll get there eventually. But right now we want to get to Paris. We'll be back soon.
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The Corpse Came C.O.D., as if you couldn't guess from its screwball title, is a comic murder mystery, and yes, it features a corpse sent through the mail—or more precisely by messenger. This stiff arrives in a crate to a famous actress's home, and when the body spills out she calls a well-connected newspaperman to help her with the problem. For him this involves not only solving the crime while staying ahead of the police, but fending off a rival who smells a juicy story. This rival happens to be his romantic interest, so the two fight and feud while trying to snatch the scoop from each other. This love-hate relationship is the core of the film, with the two hurling lines at each like, “I wouldn't trust you if I had an atomic bomb in each hand!”
This is a pretty fun flick. Think The Thin Man, but with less budget and a bit less panache. It stars George Brent, Joan Blondell, Adele Jergens, and Leslie Brooks, and has interesting cameos from actual Hollywood gossip columnists George Fisher, Hedda Hopper, Erskine Johnson, Louella Parsons, and others. The film was written by columnist Jimmy Starr, which accounts for the tabloid focus, and he has a cameo too. You pretty much can't lose with this one. It's good natured and well put together, and might even make you wonder why movies like this aren't made anymore. The Corpse Came C.O.D. premiered in the U.S. today in 1947.
They said she needed a hobby and look what happened.
Each vintage book brings interesting discoveries. For instance, we recently learned that there was once a drink made with sherry and an egg yolk. Seriously. Reading Beast in View we learned that another name once used for scissors—at least by author Margaret Milar—was “paper knife.” Always have a really big paper knife around the house. Small ones are fine for cutting paper, but the huge ones are better for going through arteries. A terrible fate, surely, though no worse than drinking sherry with an egg yolk in it. But we're getting ahead of ourselves.
The villain in Beast in View begins as nothing more than a serial phone harasser who seems to know just enough about her victims to prey on their insecurities. The lies she tells her victims are terrible, and the language is ugly too. More direct forms of harassment soon commence, just about the time amateur sleuth Paul Blackshear steps in and is asked to find the caller. That seems easy enough at first, but he soon finds that identity is a more nebulous concept than he imagined.
Beast in View won the 1955 Edgar Award for best mystery of the year. Hmm... well we liked it. But is it really better than Patricia Highsmith's The Talented Mr. Ripley, which it beat? We don't know about that. Later Beast in View was voted one of the best mysteries of all time by the Mystery Writers of America. That's a broader accolade, in a way, and we can't find any fault there. It's a good book, written in classical mystery style, with a great ending, and this line:
[no spoiler] felt no pain, only a little surprise at how pretty the blood looked, like bright and endless ribbons that would never again be tied.
Well, that's certainly a nice piece of writing. This was our second Millar, and we have another lined up for a bit later. But first we may re-read The Talented Mr. Ripley, just to see if our memories are betraying us and Highsmith really isn't the better writer. But it isn't a competition anyway, is it? That defeats the entire point of reading for pleasure. Copyright on Beast in View is originally 1955, and this Bantam paperback edition came in '56 with Mitchell Hooks cover art.
We suspect Le Corbusier would have wanted a model to enhance his furniture, not eclipse it altogether.
This image of Pam Grier, which came from a high-end auction site, is an eight-panel centerfold from an issue of Players magazine originally published in 1974. She's posed on a Le Corbusier lounge. Did you care at all? We have a feeling you didn't. Le Corbusier died in 1965, and if he hadn't, this surely would have made his heart stop. It's one of Grier's most provocative shots, and we can't not have it on the site, a type of imperative we've discussed before. We've also done something special with it, just for you. While it's only 433 pixels wide visually, the file is more than ten times that size digitally. Pull it off the page and you'll have your own 5,000 pixel image of one of U.S. cinema's most iconic stars. Or alternatively, you can just look at the chair.
There's only one way out and it isn't retirement.
Above is a poster for Gendai yakuza: yotamono jingi, aka Hoodlum Yakuza, which premiered in Japan today in 1969 and starred Bunta Sugawara as a yakuza footsoldier trying to escape the life. He wants to run away with his girlfriend, and with the help of his brother hatches a scheme he hopes will make his freedom possible. Fat chance.
We shared a standard promo of this at the bottom of a collection we put together five years ago, but this piece is an exceedingly rare, horizontally oriented, two-piece promo, a style known as bo-ekibari. We have the halves uploaded separately below, and we have another rare poster for the film we'll share later.
Jack Finney's alien invasion novel is filled with close encounters of the worst kind.
This paperback cover was painted by John McDermott, and it's iconic, as is Jack Finney's novel The Body Snatchers. You know the story. Aliens come from space in the form of pods that grow into exact duplicates of humans, who are replaced and dissolved into dust. Finney deftly blends sci-fi and horror, and the result is great—simply put. As with many macabre tales, the fear factor subsides somewhat once the monsters move from the shadows to center stage, but it's still very good even after that point.
The Body Snatchers became a movie in 1956, 1978, 1993, and 2007. The ’56 Don Siegel version is famously considered by many to be a direct Cold War allegory, and is the best of the quartet of adaptations, but the ’78 iteration is damned good too. In terms of metaphor, the book is less about the Cold War and more clearly about the overall loss of freedom in American society. Finney would probably be a bit dismayed about how—other than the freedom to buy things—that process continues to accelerate.
The novel originally appeared in 1955 as a serial in Colliers Magazine, with this Dell edition coming the same year. The cover artist McDermott is someone we've featured before, and if you're curious you can see more of his nice work here and here. Some book dealers actually try to sell this edition for $100, if you can believe that. Money snatchers is more like it. Buy a cheap new edition, read it, and enjoy it.
Mari Atsumi goes searching for her place in the sun.
Above, two beautiful posters for Taiyo wa mita, aka I Saw the Sun, with Mari Atsumi. We couldn't track this one down but we know it's a drama set in a seaside town and know it premiered in Japan today in 1970. We already shared a really nice promo image for the film here, and if we learn more we'll report back.
Ever feel like you were born in the wrong time?
Above is another Mexican promo poster, this time for the drama La loca, which starred Libertad Lamarque in an Ariel nominated performance as a woman who believes she's living in 1936. We feel that way sometimes ourselves. But in her case, her delusion is preventing her family from collecting an inheritance, which pits them against her, prompting a psychiatrist to take up her cause in order to defend her against being exploited. Speak Spanish? You can watch the movie online here while the link lasts. The poster was painted by Juan Antonio Vargas, and as we discussed earlier this beautiful style of illustration was popular among Mexican poster artists of the time. La loca premiered today in 1952.
The headlines that mattered yesteryear.
1928—Earhart Crosses Atlantic Ocean
American aviator Amelia Earhart becomes the first woman to fly in an aircraft across the Atlantic Ocean, riding as a passenger in a plane piloted by Wilmer Stutz and maintained by Lou Gordon. Earhart would four years later go on to complete a trans-Atlantic flight as a pilot, leaving from Newfoundland and landing in Ireland, accomplishing the feat solo without a co-pilot or mechanic.
1939—Eugen Weidmann Is Guillotined
In France, Eugen Weidmann is guillotined in the city of Versailles outside Saint-Pierre Prison for the crime of murder. He is the last person to be publicly beheaded in France, however executions by guillotine continue away from the public until September 10, 1977, when Hamida Djandoubi becomes the last person to receive the grisly punishment.
1972—Watergate Burglars Caught
In Washington, D.C., five White House operatives are arrested for burglarizing the offices of the Democratic National Committee in the Watergate Hotel. The botched burglary was an attempt by members of the Republican Party to illegally wiretap the opposition. The resulting scandal ultimately leads to the resignation of President Richard Nixon, and also results in the indictment and conviction of several administration officials.
1961—Rudolph Nureyev Defects from Soviet Union
Russian ballet dancer Rudolf Nureyev defects
at Le Bourget airport in Paris. The western press reported that it was his love for Chilean heiress Clara Saint that triggered the event, but in reality Nuryev had been touring Europe with the Kirov Ballet and defected in order to avoid punishment for his continual refusal to abide by rules imposed upon the tour by Moscow.
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