|Vintage Pulp||Nov 28 2016|
You can figure out the story here, right? The title and cover combine to sort of give it away. Bored rich girl Teresa Porter, who's married to linguist Julian Porter, is dragged along on a two-year research trip to the Belgian Congo along with her hot young lover Allan, who is her husband's assistant. Literarily speaking, Africa has been the end of tougher people than these three, so you know they're going to have myriad troubles. The interracial aspect suggested by the cover blurb does not apply to lover Allan, but Edmund Schiddel adds subplots along those lines, as you'd expect from any author working in the African milieu. The copyright on this is 1956, and the art is uncredited.
|Musiquarium||Nov 28 2016|
On the cover of Looks Like Fun!, a Café Society Series album by comedian Cliff Ferré, both models have decided to test the far limits of 1956 fashion with their dresses. Diane Webber, on the right, gets all Vikki Dougan with her asscrack, while her unidentified friend goes the more conventional route with a neckline that plunges so far it becomes a navel line. Not that we're complaining. The only thing we're unhappy about is not being able to name the model on the left. She's the same person as in this Technicolor lithograph, and we know that the photo was made by Tom Kelley. Beyond that we got nada. We would love to know who she is because we have her on three more lithographs we're reluctant to share without info.
|Hollywoodland||Nov 27 2016|
Why is this woman laughing? Because she's just been granted a divorce. She's actress Francesca de Scaffa and she was married to actor Bruce Cabot until today in 1951, when the photo memorialized her cheerful unfettering. Why is the man laughing? He's Hollywood super lawyer Jerry Giesler, and he's probably thinking about the fees he collected. Strangely, Wikipedia lists de Scaffa and Cabot as divorcing in 1957, but we found wire photos stating unambiguously that they split in 1951. However, we also found references to the 1957 divorce. We can only guess that two remarried at some point, a supposition that makes sense considering we also found a photo of the two dining in December 1951 captioned in part, “Last night, guess who took [de Scaffa] night-clubbing? Right! Bruce Cabot.” The point of the caption being that divorced couples are not often seen out having a night on the town together. It lends credence to the idea that they married twice, but don't quote us on it. We will find out, though, because we'll probably revisit de Scaffa a bit later—she's true pulp material. Among her many exploits were acting as an informant for Confidential magazine, a liaison with the Shah of Iran, marrying a Spanish bullfighter, running afoul of Mexican officials who tried to deport her, two suicide attempts, and more. As far as her marriage(s) with Cabot go(es), we'll put it(them) in the mystery file for now.
|Vintage Pulp||Nov 27 2016|
A couple of months back we shared a cover from Spain's Ediciones G.P. for Franck Marchal's Natalia enciende la mecha, which we mentioned was part of a series written by French authors Pierre Aspetéguy and Monique Henry. Above is the first entry in that series, simply titled Natalia, featuring the 1959 debut of their part-time fashion model/full-time ass whipping super spy. We're sharing this today because we've dug up some new info on the series—we couldn't identify the cover artist on the previous example, but we we think this one may have been painted by a Spanish artist who called himself or herself Chaco. That's all the info we have, but we'll keep digging. Anyone out there know anything? Drop us a line.
|Vintage Pulp||Nov 26 2016|
This poster was made to promote the roman porno flick Danchizuma: Okasareta hada, known in English as Apartment Wife: Violated Skin, eighteenth entry in the Apartment Wife series launched by Nikkatsu Corporation in 1971. Erina Miyai stars again, and we can't imagine there are many surprises eighteen entries into the series, but we couldn't find a copy so all you get is the poster. And the promo photo below. Danchizuma: Okasareta hada premiered in Japan today in 1977.
|Vintage Pulp||Nov 25 2016|
Bill Edwards' profile as a paperback illustrator has risen considerably in recent years. Like others who painted for sleaze imprints, it is not so much his technical ability that has garnered the attention, but rather the subject matter and a strong style. Edwards is a guy whose work you can identify in a millisecond. His women almost always have sharp cheekbones, ski jump noses, and a prominent beauty mark. The cover above for Rick Rand's New Girl in Town shows you all three elements up close. Edwards was also prolific like few other painters, which makes finding his work easy. Below are many more illustrations, some for novels with subject matter well beyond the pale, and we have other Edwards pieces populating Pulp Intl., for example here, here, and here.
|Femmes Fatales||Nov 25 2016|
Anita Colby, née Anita Counihan, is probably most remembered for her role as the bad girl Flossie in Jules Dassin's film noir Brute Force. It was one of only a few cinematic parts she landed, but it was a memorable one—she robs John Hoyt at gunpoint, kicks him out of his own car, and leaves him stranded. But he remembers her somewhat fondly anyway. Here's how he describes her to another character: “Flossie had looks, brains and all the accessories. She was better than a deck with six aces. But I regret to report that she also knew how to handle a gun—my gun.” Well, nobody's perfect. This image dates from 1947.
|Vintage Pulp||Nov 24 2016|
Remember the Technicolor lithographs we shared a while back that had acetate overlays? Today we have another. In the top version the model is wearing a cartoon nightie and in the version below that you see her in the altogether. These after-the-fact cover-ups rarely look good, but today they're collectible, which just goes to show how years and scarcity are a sort of temporal alchemy that turn lead into gold. Speaking of precious metals, the print is titled “Platinum Beauty.” As a bonus, below is a version of the litho with an advertising strip at top (where a business of some sort would insert a logo). The date on that one is 1962, but we aren't sure about the overlay versions above. The seller claims 1951 but we're highly doubtful of that. Also, we think acetate versions tended to come later than advertising versions, but we have no evidence to support that theory. It's just a feeling. In any case, you get three versions of a beautiful platinum haired model, so that makes it a good day, right?
|Vintage Pulp||Nov 24 2016|
Above, an eyecatching piece of Jef de Wulf art fronting Le dragon vert, or The Green Dragon, written by Bob Arnal for Editions de la Flamme d'Or. Basically, it's Fu Manchu style Asian Peril fiction about a nefarious criminal organization known as Green Dragon, majorly uncool Chinese cocaine dealers planning to extend their long reach into Europe. 1953 copyright.
|Vintage Pulp||Nov 23 2016|
This Japanese poster was made to promote the run of the West German sexploitation movie Der Fluch der schwarzen Schwestern, which translates to “curse of the black sisters,” but which for its English release was titled The Devil's Plaything, as well as Plaything of the Devil and Vampire Ecstasy. Last time we saw Swedish sex symbol Marie Forså she was using a giant zucchini for something other than nutrition. Here phallic items prove useful yet again. Forså and three other women are stranded in a castle by a storm. The workers in this gothic pile are secretly priestesses intent upon engineering the rebirth of their vampire mistress who was put to death 400 years ago. The details don't really matter. Here's what you get: naked dancing girls, continual bongo drumming, dick shaped candles, and lots of softcore lezzie action, with occasional token guys mixed in for variety. It's of course tender young Forså who seems the most susceptible to the ancient vampiress. Can she escape with her soul intact? Only a viewing will answer that question for you. We won't recommend the movie but we'll say this much—it's ludicrous, but very sexy. Der Fluch der schwarzen Schwestern opened in West Germany in October 1973 and premiered in Japan today the same year.