Vintage Pulp Oct 12 2017
MOOD SWINGING
There's a thin line between love and hate.

Above is a poster we're reasonably sure you won't see anywhere else. It was made to promote a movie called 愛憎のからみ. The film never had a western release, but if it had it would have been called something like A Love Hate Relationship. It was from Aoi Film, another company that delved into softcore pink cinema during the 1960s and 1970s, and this one was directed by Taskashi Chiba and starred Yuri Izumi, who during a career encompassing dozens of screen credits would go on to become one of Japan's bondage queens. This is obviously a pretty obscure movie, since we can't come up with its rōmaji or romanized title. We also can't pinpoint its exact premiere date. But we know it appeared sometime this month in 1972. Below we've included some detail from the poster, and just for the fun of it we also have one of Izumi's many provocative bondage shots.

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Vintage Pulp Oct 11 2017
REST IN PEACE
I'm not judging you for being an easy lay, baby. I'm judging you for not letting me get any damn sleep.


This is a nice effort from illustrator Barye Phillips for John D. MacDonald's 1951 thriller Judge Me Not. Everything Phillips does is beautiful, of course, but we were particularly stuck by the pastel pinks and blues here. As for the writing, this is early John D., and the story concerns a burned out war vet having an affair with the mayor's wife in a small town, and the events set into motion when she turns up dead. We've been making our way through MacDonald's bibliography. His renown makes us sure we'll soon come across the book that truly thrills us, but this wasn't the one.

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Hollywoodland Oct 9 2017
LAFF A MINUTE
Hardly a laughing matter.


Above is the cover and below are twenty-plus interior scans from the showbiz magazine Laff, published this month in 1945. The laffs aren't often funny—there's a shelf life on humor of the kind that considers itself edgy. Particularly bad is the cartoon of two men calling a woman a “m-o-r-o-n.” We always get a kick out of how men back then—who were already well on the way to making an absolute shambles of the planet—called women dumb. But we share such cartoons and jokes anyway because we consider it useful to chart mid-century attitudes toward women, ethnic minorities, and gays. Hint: the “greatest generation” wasn't so great on that stuff. Elsewhere in the magazine you get photos of Wynn Stanley, Dorothy Friday, Jennie Lewis, the lovely Jinx Falkenberg in Mexico, and others. See more from Laff here and here.

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Femmes Fatales Oct 9 2017
GEISHA WITH A GUN
In some ways she's a non-traditionalist.


Above, a nice geisha themed promo photo of Japanese actress Junko Fuji, star of scores of films spanning forty-five years. Among them: Kyokotsu ichidai, aka The Chivalrous Life, Bakuchi-uchi: socho tobaku, aka Big Time Gambling Boss, and the popular Hibotan bakuto aka Red Peony Gambler series. Fuji's showed no signs of slowing down and has another film on the slate for 2018. We don't have a date on this image, but figure late 1960s.

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Vintage Pulp Oct 8 2017
ANGEL FOOD
Watch out—she's a manna eater.


According to Christian literature angels eat manna. According to R. W. Taylor's 1962 sleazer The Man-Eating Angel they just eat men. The book enjoyed both a U.S. and Australian release—though as She Devil up north. We find it interesting that the same character—Beulah Bell—was a devil in the U.S. and an angel, albeit a bad one, in Australia. In the book the character of Beulah Bell is married, but has the time and inclination to meet the carnal needs of a fella named John, and grants the sexual wishes of other men too. She just gets around in general. She even got around to the 1980s, where she inspired Hall & Oates to write the song “Manna Eater.” Well, maybe not. But she definitely inspired a pretty nice piece of cover art, which is uncredited. We're tempted to say it's Robert Bonfils, but we aren't aware of him ever working for Beacon-Signal, so we'll keep this in the mystery bin for now, and hope an angel or devil—or maybe even a crazy Aussie—provides an answer.

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Vintage Pulp Oct 7 2017
THE VERDICT IS IN
He's judge, jury, and executioner.


Mickey Spillane's first novel I, The Jury has been reprinted innumerable times since its 1947 debut. Of all the art that fronted the book, the painting on this White Circle Pocket paperback published in Canada by HarperCollins in 1948 is our favorite. It's scarce, and the art is uncredited, unfortunately. As for the story, we won't bother to tell you much about it, since it's been well covered by numerous outlets. We'll just say it introduced Mike Hammer to the world, and though the novel isn't perfect it's more than worth your time.

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Intl. Notebook Oct 7 2017
BODY COUNT
We'll put our six against their six anytime.


This cover of Midnight from today in 1968 gets us back into more tolerable tabloid territory after some hair-raising recent examples from National Spotlite dealing with rape and incest. Today we deal merely with scientists resurrecting the dead. Since they chose experimental subjects of no particular importance, it got us thinking about six people who could do some actual good if brought back. We restricted ourselves to figures from the pulp and post-pulp eras—no Cleopatra or Leonardo DaVinci. Here's our list:

George Orwell, because his wit and political insight are sorely needed in this day and age.

Babe Ruth, because we never saw him play, and we love the idea of someone who was great without taking what he did very seriously.

Marilyn Monroe, because nobody was better on a movie screen, and also because one of her most valuable qualities—usually overlooked—was how her ditzy characters always reduced supposedly smarter men to weak little boys.

Martin Luther King, Jr., so whenever some multi-millionaire cable pundit professes an understanding of him we can go straight to the source and hear: “I was against you and everyone like you.”

Albert Einstein, because perhaps only he could convince the growing ranks of proud know-nothings that intelligence, learning, and worldliness are good qualities.

Paul Rader, Rudy Nappi, George Gross, or any one of about a dozen other departed illustrators, because: more art.

So there you have it. We had a difficult time coming up with six, but after a few days playing around with about a dozen names we narrowed it down to a group we think would really enrich our existence. Honorable mentions: Amelia Earhart, Willie Mays, George Carlin, Richard Pryor, Elmore Leonard, et al. Maybe you would find choosing easier. Give it some thought and see what your list looks like.

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Vintage Pulp Oct 6 2017
RODE TO PERDITION
She's not out of the woods yet.


This is your regular reminder that Michel Gourdon was a top notch illustrator, though his brother Alain was the one who attained legendary status. Michel was more of a workhorse, though, painting many hundreds of paperback fronts, which probably contributed to him producing the occasional less-than-stellar effort. But this piece for Pierre Courcel's, aka Roger Jean Tribot's La haine qui rôde, aka The Hatred that Lurks, is Michel at his best. The sports car and female figure are nice, but the background of trees and sunlight is particularly beautiful, we think. It's from 1965 for Editions Fleuve Noir, entry #483 in its long-running Collection Spécial-Police. 

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Femmes Fatales Oct 6 2017
SHEER JOI
I had a pretty flimsy excuse for inviting you over.


We featured a very nice shot of U.S. actress Marilyn Joi last year, but she deserves a rerun, so here she is again, chilled out, sporting an afro, and looking like she has something naughty on her mind. The shot was made in 1973 as a promo for the blaxploitation flick Coffy. The fact that the photo exists is a bit is unusual due to the fact her role in the film was so brief she never got screen credit. She was one of the prosties in the pimp King George's stable, competition for an infiltrating Pam Grier, who was on a revenge mission. Joi probably got fifteen seconds of screen time, which may be why this photo is often misattributed. It's Joi, though. As proof there she is below in a screen grab from the movie.



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Vintage Pulp Oct 5 2017
THE MORNING AFTER
You love me for my innocence? How sweet. Um... about that—remember how I said I had an interesting night?


Above, Virgin No More by Charles E. Colohan, author of Accidental Husband and Overnight Blonde. This one is from Quarter Books and was published in 1949. Quarter usually had beautiful art, but it was often unattributed, this one included.

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History Rewind
The headlines that mattered yesteryear.
October 18
1968—Olympic Committee Suspends Carlos and Smith
The U.S. Olympic Committee suspends African-American track & field athletes Tommie Smith and John Carlos for saluting the crowd with raised, gloved fists during a medal ceremony at the Mexico City games. The salutes represented the black power and civil rights movements in the United States. Both athletes also received their medals shoeless to represent black poverty.
October 17
1933—Capone Sentenced to Prison
Chicago organized crime boss Al Capone is convicted of income tax evasion after all other attempts to tie him to an assortment of crimes, from the mass murder of the St. Valentine's Day Massacre to widespread violations of the Volstead Act, fail. He is sentenced to eleven years in federal prison and, cut off from the outside world while on Alcatraz Island, his power is finally broken.
October 16
1964—China Detonates Nuke
At the Lop Nur test site located between the Taklamakan and Kuruktag deserts, the People's Republic of China detonates its first nuclear weapon, codenamed 596 after the month of June 1959, which is when the program was initiated.
1996—Handgun Ban in the UK
In response to a mass shooting in Dunblane, Scotland that kills 16 children, the British Conservative government announces a law to ban all handguns, with the exception .22 caliber target pistols. When Labor takes power several months later, they extend the ban to all handguns.
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