Modern Pulp Jun 16 2017
G WHIZ
If it's there you can bet we'll find it.

Above you see a poster for Aizome Kyôko: G no kaikan, aka Kyôko Aizome's G-spot Pleasure, with Kyôko Aizome (not to be confused with Kyoko Izumi) fronting the art. Aizome goes way back. She appeared in her first film in 1975, but this particular effort premiered in Japan today in 2000, when she was forty-two. Though it's a comparatively recent production we were not able to track down a copy, which when you think about it is apropos, considering science says g-spots don't really exist. We're pro-science guys, but a lot of women say there's a real piece of anatomy in there, and a dedicated search often turns something up—if only the woman's heart rate. Aizome, below, suggests you give it a try.

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Vintage Pulp Jun 8 2017
BABY AMA DRAMA
Currents and caves are bad enough, but lies can drag you into really dangerous waters.

Last week we talked about the 1959 drama Zoku-zoku-Kindan no suna: Akai pantsu, third film in the Shochiku Co. franchise sometimes referred to as the Underwater Series. You know we're sticklers for talking about movies on their premiere dates, which is why today we're looking at Zoku kindan no suna, which opened in Japan today in 1958. In the west the movie was known as Forbidden Sands or The Prohibited Man's Sand, and like the others in the series deals with the loves and troubles of an ama—a female skin diver. Two bank robbers steal seven million yen, which we think is like forty or fifty bucks, and hide out on an island peopled by amas and their families. The crooks pretend to be a marine biology professor and his assistant, and they don scuba gear and hide the cash in some underwater caves known as the Dragon's Caves—a name which just screams trouble. They're convinced the treasure is inaccessible, but these amas are really good, and one in particular has no trouble at all making especially long dives. One of the crooks takes a shine to her, and warns her to stay out of the caves because they're dangerous, but the shine is mutual, so surprise surprise, as a gift she decides to swim down there to find rare specimens for his phony marine research. Yes, theft is one thing, but lies are a whole other bucket of starfish. Zoku kindan no suna is a recommendable flick, but be forewarned that if you're in the States it might be even harder to find than that loot in the Dragon's Caves. But at least you can enjoy the posters. We aren't done with this series, so keep an eye out for another installment in a bit.

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Vintage Pulp May 12 2017
EVERYTHING OKA
Likes include fine saki, sunset walks, and light humiliation.


Above, five promo posters featuring Naomi Oka, who appeared in dozens of pinku and roman porno films between 1972 and 1987, with 1979 being her banner year as twelve films hit Japanese screens. As you might imagine based on the above evidence, she was one of the queens of bondage. The posters above are for, top to bottom, Onna keimusho shikei, aka Women's Prison: The Lynching, Hentai shikijô nawa fujin, aka Abnormal Rope Wife, Hitozuma hentai, aka Abnormal Bride, Nihon no rinchi, aka Japanese Lynching, and Kinbalu ijo-ma, aka Distributing agency: Shin-Toho, also sometimes referred to as Disturbing: Rope Master. It's always important to note that restraint and bondage have a special place in Japanese culture, where it's considered—if not quite normal—not outstandingly weird either. Below you see Oka mercifully freed from bondage.
 
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Vintage Pulp Apr 29 2017
TOSSED SALLY
She may get pushed around but eventually she always pushes back.


Rashamen Oman: higanbana wa chitta, for which you see he promo here, is known in English as Foreigner’s Mistress Oman: Falling Autumn Flower. The movie starred Sally Mei, aka Sally May, an enigmatic half Anglo half Japanese actress who appeared in a handful of movies and had a short singing career, here playing the character Oman in a sequel to Rashamen Oman: ame no Oranda-zaka (poster here). She'd do one more film in this series called Enzetsu jokyo-den: Oman midarehada, and all of them premiered between March and August of the same year, which shows you how fast Nikkatsu churned these Krispy Kremes out.
 
The plot of the first movie saw Mei travel from Shanghai to Japan in search of her mother, only to be betrayed by her companion and sold to a brothel, where she becomes a geisha and gambler. Luckily, Mei had picked up some sword skills along the way and put those to good use julienning her captors. The sequel, then, picks up after she's served a prison sentence only to find that her sister is in the clutches of a group of yakuza lowlifes. Mei is up the challenge once again. Starring as her sister, by the way, is Yuri Yamashina, who we've looked at before. Rashamen Oman: higanbana wa chitta premiered in Japan today in 1972. 

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Vintage Pulp Apr 9 2017
A DELICATE FLOWER
Without tender loving care it dries up and wilts.


This fantastic poster was made to promote the film Akai kaben ga nureru, which in English would have a title like Red Petals Get Wet or possibly Red Wet Petals. Yeah. Japanese filmmakers and their vagina metaphors, right? There are so many of these wet petal, dewy pistil movies you could make a bouquet. A very moist one. The film stars Teruo Matsunaga, who we last saw in Tokyo Chatterly fujin, and here she plays a stripper who gets involved in illicit upper crust orgies and even more illicit smut films. Co-starring is the incomparable Hitomi Kozue. We can't tell you much more about the film because we haven't seen it, but hopefully we'll be able to track it down later and give it a look.

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Vintage Pulp Mar 29 2017
MISS LONELY HEART
A few moments of joy—an entire lifetime worth of regrets.

Here you see a promo poster for the roman porno flick Rabu Hantâ: Atsui hada, aka Love Hunter: Hot Skin, starring Pulp Intl. fave Mari Tanaka. In this one she plays a rich man's wife who indulges in an extramarital liaison, hooking up with her lover in a parked car, which thanks to some vigorous rocking generated by its occupants, goes down a hill. The lover is killed, and Tanaka suffers non-lethal injuries, though is trapped in the wreck. Thus immobilized she is victimized when a man shoots photos of the whole naked fiasco. Later he uses these photos for nefarious purposes—either Tanaka extracts blackmail cash from her husband or the photographer will show him the photos. It's really amazing the scrapes these roman porno actresses get into.

In addition to the poster above we also have a nice promo image of Tanaka below, probably her most provocative, at least that we've seen. The last image we shared of her was one we scanned that hadn't been seen online before. For that matter so was the first one we ever shared of her. But the below shot can be found on many sites, and for that reason we can't credit the original uploader because it's not possible to know who it was. But he or she did the cyberworld a service when they uploaded this one. Rabu Hantâ: Atsui hada is well worth seeing, but good luck finding it anywhere in the English speaking world. It premiered in Japan today in 1972.

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Femmes Fatales Feb 1 2017
HER BODYGUARD
It's hard to get past my defenses—but I'm worth it.

This person standing with a suit of armor—possibly occupied by her protector—sure looks familiar. She's Yumiko Tatsuno and you may remember we just mentioned her two days ago because she was in the 1975 roman porno flick A Bakeneko Toruko furo, aka A Haunted Turkish Bathhouse. Well, what a coincidence. This shot of her on a February calendar page was shot by celeb photographer Takeo Sano and is from a 1974 issue of Heibon Punch. We have more from this calendar upcoming.

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Vintage Pulp Jan 29 2017
HISSING IN ACTION
The cat is definitely out of the bag.

This cool poster is for the Japanese roman porno flick Bakeneko Toruko furo, aka A Haunted Turkish Bathhouse, a movie you should think of as an off-the-program addition to the website today, as it is not playing at Noir City. Obviously, the poster reveals that this is a ghost cat movie, and the title does too—a bakeneko is a cat that has changed into a yōkai, or supernatural creature. They made plenty of these ghost cat flicks in Japan, including Kaidan nobori ryu, aka Black Cat’s Revenge, which we talked about a while back.

This one stars Naomi Tani, Misa Ohara, Yumiko Tatsuno, and the luscious Terumi Azuma. Tani is whipped to death, no thanks to her husband, and comes back to haunt her killers as an avenging cat spirit. If you're a cat person, you might be thinking you'd love this. But the thing about these movies is the cats are basically just thrown into shots from off camera by production assistants, or sometimes suspended from wires, and there's no doubt their treatment was not very kind. It's good they have nine lives, because to us it looks like they need all of them to get through these movie shoots.
 
Below you see two more posters for the same film, alternate versions that are completely different from the one above. All three pieces are visible around the internet, but the red ones have never before been shared at this size or clarity. Watch the movie if you can. You'll find it interesting, especially the bathhouse elements (hint, hint). Whether you can watch it or not, please be kind to cats—they're a little evil in normal form anyway, but as bakeneko they're just plain lethal. Bakeneko Toruko furo premiered in Japan today in 1975.

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Vintage Pulp Dec 24 2016
FLESH TONES
You can't keep a good girl down.

This dramatic poster was made for Nikutai no mon, aka Gate of Flesh, a movie based on a 1947 novel by Japanese author Taijirô Tamura. The book has been filmed five times. The most famous version was made in 1968 with Jo Shishido and Yumiko Nogawa earning acclaim for their lead roles in what was a serious and artistic film, but the above promo is for the 1977 roman porno version starring Reiko Kayama, Izumi Shima, and Junko Miyahsita. Needless to say, the two films diverge rather sharply. However, we need to point out, as we do periodically, that roman porno isn't porno—it's softcore. The “roman” in roman porno is short for “romantic,” and though the movies aren't typically romantic in the normal sense, they aren't explicit. Such depictions were illegal in Japan back then, and remain so today (though filmmakers use pixilation of sexual organs to skirt the law).

When the novel Nikutai no mon appeared in 1947 a different censorship regime existed called the Civil Censorship Detachment, which was under the authority of the Supreme Commander for the Allied Powers, aka Douglas MacArthur. Under SCAP CCD censorship, explicit accounts of fraternization between Japanese and whites were forbidden, as were detailed accounts of the atomic bombings, or anything that could generate distrust toward the American occupiers. Most Japanese authors obeyed. A few wrote obliquely about the forbidden subjects. And a very few broke the rules entirely to describe war horrors—e.g. flashburned nuclear victims walking naked and blind amongst the ruins, their hairless bodies so swollen their sex could not be determined. Tamura's novel falls in the middle. It tells the story of a group of Japanese women trying to survive in the rubble of Tokyo via prostitution.
 
Where the 1968 movie stuck pretty close to Tamura's fiction, the roman porno focuses more on the sexploitation angle, though it keeps the action set in 1947. A criminal syndicate known as Black Rose provides Japanese girls as prostitutes to the American military, and any who resist the various examinations, training, and indignities are punished with torture and death. When Reiko Kayama arrives on the scene, she eventually inspires the others to follow her as she leads a revolt against her enslavers. You get sex, girlfights, killings, and blood. If you're looking for standard roman porno fare—with perhaps a bit more visual piazazz than usual thanks to director Shôgorô Nishimura and cinematographer Yoshihiro Yamazaki—you've picked the right film. Nikutai no mon premiered in Japan today in 1977.

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Vintage Pulp Nov 26 2016
ERINA'S PLACE
Miyai's indoor escapades continue in installment eighteen of Nikkatsu's popular series.

This poster was made to promote the roman porno flick Danchizuma: Okasareta hada, known in English as Apartment Wife: Violated Skin, eighteenth entry in the Apartment Wife series launched by Nikkatsu Corporation in 1971. Erina Miyai stars again, and we can't imagine there are many surprises eighteen entries into the series, but we couldn't find a copy so all you get is the poster. And the promo photo below. Danchizuma: Okasareta hada premiered in Japan today in 1977. 

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History Rewind
The headlines that mattered yesteryear.
June 22
1944—G.I. Bill Goes into Effect
U.S. president Franklin D. Roosevelt signs the Servicemen's Readjustment Act into law. Commonly known as the G.I. Bill of Rights, or simply G.I. Bill, the grants toward college and vocational education, generous unemployment benefits, and low interest home and business loans the Bill provided to nearly ten million military veterans was one of the largest factors involved in building the vast American middle class of the 1950s and 1960s.
June 21
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
June 20
1967—Muhammad Ali Sentenced for Draft Evasion
Heavyweight boxing champion Muhammad Ali, who was known as Cassius Clay before his conversion to Islam, is sentenced to five years in prison for refusing to serve in the military during the Vietnam War. In elucidating his opposition to serving, he uttered the now-famous phrase, “I ain’t got no quarrel with them Viet Cong.”
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