Vintage Pulp Apr 17 2014
KILLER SEX
She bent over backwards to please everyone and what did it get her?


The above poster, which is very rare, promotes an American x-rated flick called Farewell Scarlet, starring Terri Hall acting under the bizarre name National Velvet, a decision we’re sure didn’t go over well with Metro-Goldwyn-Mayer. Made during the days when adult films were real cinema, Farewell Scarlet is a porno murder mystery about a woman who is murdered at an orgy. The cause of death? Asphyxiation via a large, wiggly dildo. The moment is actually depicted on the lower left quadrant of the poster, which is fine because the genre requirements here are sex, not suspense, so presumably nobody in Japan cared if the art fingered the killer. You’d think the death of the star at the 5:40 mark would leave a void in the film, but Hall’s many other scenes are shot in flashback as the character of Dexter Sleuth attempts to unravel the mystery.

And of course there are other performers present to fill the running time, notably Kim Pope, who had been ko’d by a mugger prior to filming and had to perform with her jaw wired shut. That’s really no laughing matter, but unfortunately, watching her deliver cheesy dialogue through gritted teeth is unavoidably funny. And on the bright side for her, perhaps being unable to talk was for the better, since it probably prevented her from strongly protesting her key participation in a sado-masochistic Nazi sex scene while wearing swastika pasties. How does the movie get there? Doesn’t matter. Ultimately it’s as much a comedy as it is a mystery, and that’s part of its murky, 35mm charm.

And then there’s Hall. The former ballerina would later flex her muscles in golden age classics like The Opening of Misty Beethoven, Rollerbabies, and the frighteningly titled Gums, in the process becoming one of the era’s most famous stars. We'd show you some promo shots of her, like we usually do with the stars of movies we write about, but she seems to have traversed her career without a single good photo ever being made. Which means her movies are the only real evidence of her work. Are we recommending Farewell Scarlet? Not so much. But it is an interesting curiosity. It premiered in the U.S. in 1975 and had its Japanese debut today in 1976.

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Vintage Pulp Apr 3 2014
CULTURAL EXCHANGE
Japanese cinema invades Eastern Europe.


You know we love Japanese movie posters. We’ve shared at least a hundred. Today, for something different, we have a set of posters made during the 1950s and 1960s to advertise Japanese movies that played in the now defunct country of Yugoslavia. It was a place that had one of the most distinct design aesthetics in vintage promo art, as you can see in these examples, as well in other pieces we’ve shared here, here, and here. Ex-Yu memorabilia goes for a pretty penny, and some of these posters would cost upwards of $400.00 to buy. The movie above is Akira Kurosawa’s Seven Samurai, and the ones below are Yasuzô Masumura’s A Wife Confesses, Umetsugu Inoue’s Man Who Causes a Storm, Haku Komori’s Soldiers’ Girls, and Oichi Beware of Samurai.

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Vintage Pulp Mar 18 2014
SALLY FORTH
Do you feel lucky?

Another rare Japanese one-sheet, this advertises Rashamen oman: ame no Oranda-zaka, aka, Woman Gambler with Blue Eyes. The eyes in question belong to Sally May, who in addition to acting put together a singing career in Japan. We have another rare Japanese promo involving gambling geishas here. Rashamen oman: ame no Oranda-zaka premiered in Tokyo today in 1972. 

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Vintage Pulp Mar 13 2014
LOST KOZUE
A hazy shade of winter.


Here’s our process: we have scores of these Japanese posters but usually know nothing about the movies. So we pick a nice one and start digging. A simple internet search on virtually any obscure pinku or roman porno film brings up pages of useless results, often empty sites that reflect the search terms back into Bing or Google, drawing clicks. The presence of these sites is something that’s really changed on the internet in the last five years and it makes finding info on obscure movies more time consuming than it used to be. But we take our hobby seriously, and so we keep slogging our way through the digital swamps. And with the help of legit informational pages like romanporno.com and wpedia.goo.ne.jp, as well as visual sites like onesheetindex.com that allow us to confirm we have the art and info matched correctly, quite often we eventually end up seeing a pretty good movie.

Above is a promo poster for OL nikki: Chigireta aiyoku, aka Office Lady Journal: Ruined Lust, and for this one we weren’t so lucky—we found info but we couldn’t find anyplace to download or watch the actual film. But we can tell you it was written and directed by Asao Kuwayama, and it starred Hiroshi Chô, Hiroshi Gojo, and one of our favorite ’70s actresses, Hitomi Kozue, who plays Yuko, an office worker whose boyfriend wants to marry her but doesn’t know she’s a prostitute by night. Naturally, her secret doesn’t last for long. As with many Nikkatsu Studios films, Office Lady was a series, with six entries made between 1972 and 1975, of which Kozue appeared in two. Another Office Lady appeared in 1977 but it seems to be considered non-canonical, for some reason. That’s all we found out, but at least we can offer something new—the quality digital image above. It’s a serious upgrade over what’s out there currently. OL nikki: Chigireta aiyoku premiered in Japan today in 1974.

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Vintage Pulp Mar 7 2014
MIDNIGHT SUGGESTION
She may well have been wild, wicked and willing but we doubt she ever said it to Midnight.

Above, a Midnight from today 1966 with cover star Nobu McCarthy, wild, wicked and willing. Or so Midnight claims. Born Nobu Atsumi in Canada of Japanese extraction, McCarthy won the 1955 Miss Tokyo pageant, and later parlayed a chance Los Angeles encounter with a talent agent into a television and theater career dotted with film roles. As far as Midnight’s suggestion of availability goes, McCarthy was already married with children by 1966, and probably already too well-known to have to stoop to cheap publicity techniques on the covers of second rate tabloids. Which means we’re putting this quote entirely on the editors. After many years on screen and stage, McCarthy died of an aortal aneurysm while filming Gaijin—Ama-me Como Sou in 2002. Below is a still of her from her first credited film role in the 1958 Jerry Lewis comedy The Geisha Boy.

 
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Vintage Pulp Mar 6 2014
GIRL CAN'T HELP IT
Everybody loves Lindberg.


Above is a Japanese promo poster for the Swedish sexploitation classic Anita, aka Anita: Swedish Nymphet, which is the story of a young nymphomaniac. Let’s just say up front that we’re aware many people think nymphomania doesn’t exist, and is rather just a term coined by alarmed men to label women who didn’t obey their gender roles. Twenty-three-year-old Christina Lindberg plays a sixteen-year-old title character who fails to do exactly that, throwing convention aside and bedding everyone in sight, from friendly acquaintances to unknown, smudge-covered vagrants. Most of the encounters that don’t take place in an actual bed occur in a dirty tent she’s discovered near a downtown construction site. We loved these seductions in particular, because the set-ups were exactly the same as you’d find in a serial killer movie, with the guys casting a worried eye toward her tent and saying nervously, “Er, you want to do it in there?

Anyway, poor Anita has a dozen or so sexual encounters, all unfulfilling, and even gets run out of one town, perhaps undeservedly, before finally meeting a doctor who thinks he may be able to help. The doctor is played by an unrecognizably young Stellan Skarsgård—Alexander Skarsgard’s father, for you fans of True Blood—but who we prefer to think of as the villain from the 1998 Robert DeNiro actioner Ronin, a movie that for the first 100 of its 122 minutes is among the best spy thrillers ever made. Anita is much the same—the first 80 minutes or so are excellent and exceedingly serious sexploitation, but its inevitable path toward redemption for the lead character tries the patience just a bit. In the remake, if there ever is one, we suggest Anita dismember some guys in her tent. Considering their age and her obvious youth, they’d deserve it. Anita premiered in Sweden in 1973 and finally made its way to Japan today in 1976. 

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Intl. Notebook Mar 4 2014
SPACE ODDITY
Some invitations are harder to come by than others.

When we first saw this post card/invitation card, we assumed it was for the gala 1993 Japanese re-release of Barbarella, but we’re told it’s actually from 1968, which makes sense considering how faded it is. In any case, it's an unusual and fun souvenir from an unusual and fun movie. See the reverse below. 


 
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Vintage Pulp Feb 23 2014
JUST ADD AGUA
Isabel Sarli + water = success.

This Japanese poster for the Argentine melodrama Intimidades de una cualquiera, aka Intimacies of a Prostitute, shows star Isabel Sarli in her natural state—naked in the water. Aquatic frolicking was her calling card, and any movie in which she didn’t do it was a disappointment. That would be especially true for Japanese viewers, because the retitle here is something like “underwater agony frenzy” and when you promise that you better deliver. Basic plot: woman named Maria leaves small town for big city, find herself in dire straits, resorts to the oldest profession, falls in love with client. Think of it as Pretty Woman with underwater agony frenzy (but not really, because that scene is actually pretty sedate). You can watch the entirety of the film, if you’re inclined, on You Tube here. By the way, here’s another bit of translative trivia for your Sunday: cualquiera is used for prostitute in Spanish speaking countries, but it literally means “whoever” or “anyone.” Interesting, no? Originally released in 1972, Intimidades de una cualquiera premiered in Japan today in 1974. See two more Sarli posters here.

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Femmes Fatales Feb 21 2014
DEVIL'S HANDMAIDEN
Oh this old thing? It just symbolizes pain, madness, chaos, that sort of stuff. Now relax and get comfortable.

We’ve had this one laying around for a few years. It’s a Japanese promo poster of Naomi Tani holding—disconcertingly—a demonic mask with extremely sharp horns. But of course, most images of Tani play with the duality of eroticism and danger. Except usually the danger is to her. Don’t know what we mean? Just clickety-click here and here.

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Vintage Pulp Feb 16 2014
THORNY SITUATION
Who said life couldn’t be a bed of roses?


Way back in 2009 two promos for Seijû gakuen were the first pinku posters we ever shared on Pulp Intl. Ah, the good old days. We got the title wrong and misspelled the name of the star, but other than that, what a glorious memory. When we located that pair of posters we also found two others, and now, years later, we’re getting around to sharing those too. Seijû gakuen was known in the West as School of the Holy Beast, and above you see a rare two panel horizontal poster. At that orientation it renders a little small here, so we’ve posted the panels seperately below:

 
The second poster we wanted to share is a somewhat less colorful effort, but still quite nice, with a splash of rose pink in the middle. You see that below:

 
In addition to starring Yumi Takigawa, Seijû gakuen had Emiko Yamauchi and Pulp fave Yayoi Watanabe, and as we mentioned in the previous post, it’s nunsploitation from Toie Studios. As you no doubt have deduced, Takigawa goes through all kind of indignities, and at one point is bound with vines and whipped across her naked torso by two nuns using bouquets of roses (and, more importantly, their thorns). It’s a bizarre and bloody but beautifully shot spectacle.


 
Lastly, just below, we’ve decided to share a promo image of Yumi Takigawa looking her radiant best. She spends a good portion of the movie wearing a nun’s habit that covers everything except her face. If Toei and director Norifumi Suzuki wanted a lead actress whose face could be isolated in that manner yet still hold an audience’s attention they succeeded. Seijû gakuen was Takigawa’s first film but not her last—she’s still quite busy as an actress, appearing mainly on television. Seijû gakuen premiered today in 1974.

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History Rewind
The headlines that mattered yesteryear.
April 18
1923—Yankee Stadium Opens
In New York City, Yankee Stadium, home of Major League Baseball's New York Yankees, opens with the Yankees beating their eternal rivals the Boston Red Sox 4 to 1. The stadium, which is nicknamed The House that Ruth Built, sees the Yankees become the most successful franchise in baseball history. It is eventually replaced by a new Yankee Stadium and closes in September 2008.
April 17
1961—Bay of Pigs Invasion Is Launched
A group of CIA financed and trained Cuban refugees lands at the Bay of Pigs in southern Cuba with the aim of ousting Fidel Castro. However, the invasion fails badly and the result is embarrassment for U.S. president John F. Kennedy and a major boost in popularity for Fidel Castro, and also has the effect of pushing him toward the Soviet Union for protection.
April 16
1943—First LSD Trip Takes Place
Swiss scientist Albert Hofmann, while working at Sandoz Laboratories in Basel, accidentally absorbs lysergic acid diethylamide, better known as LSD, and thus discovers its psychedelic properties. He had first synthesized the substance five years earlier but hadn't been aware of its effects. He goes on to write scores of articles and books about his creation.

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