A few moments of joy—an entire lifetime worth of regrets.
Here you see a promo poster for the roman porno flick Rabu Hantâ: Atsui hada, aka Love Hunter: Hot Skin, starring Pulp Intl. fave Mari Tanaka. In this one she plays a rich man's wife who indulges in an extramarital liaison, hooking up with her lover in a parked car, which thanks to some vigorous rocking generated by its occupants, goes down a hill. The lover is killed, and Tanaka suffers non-lethal injuries, though is trapped in the wreck. Thus immobilized she is victimized when a man shoots photos of the whole naked fiasco. Later he uses these photos for nefarious purposes—either Tanaka extracts blackmail cash from her husband or the photographer will show him the photos. It's really amazing the scrapes these roman porno actresses get into.
In addition to the promo poster above we also have a nice promo image of Tanaka below, probably her most provocative, at least that we've seen. The last image we shared of her was one we scanned that hadn't been seen online before. For that matter so was the first one we ever shared of her. But the below shot can be found in many places around the internet, and for that reason we can't credit the original uploader because it's not possible to know who it was. But he or she did the cyberworld a great service when they uploaded this one. Rabu Hantâ: Atsui hada is well worth seeing, but good luck finding it anywhere in the English speaking world. It premiered in Japan today in 1972.
He'll learn any tune you want him to.
The above poster, with its sinister art, was made for the Japanese run of a 1970 French movie titled L'aveu, aka The Confession. It was directed by Costa-Gavras, who often delves into political themes, and here Yves Montand stars as a Czech communist party official named Anton who is one day followed, arrested without warrant, and thrown in jail without charge or access to legal counsel. He thinks it's a mistake but soon realizes party officials suspect him of treason and plan to extract a confession through whatever means are required. He's subjected to isolation, sleep deprivation, and rough treatment, all presented here unequivocally as torture. And indeed when the movie was made there was no doubt what it was. But these days, in the U.S., tens of millions of people and many government officials say it isn't torture—or worse, say it is torture and should be used more. For that reason the film, in the fullness of time, now offers a double lesson—its intended one about a Soviet empire that collapsed, and an unintended one about an American empire making the same mistakes. In L'aveu the state tries to forcibly program Anton; in the U.S. millions have been programmed to accept torture simply because the state has told them to. For us, it was all pretty hard to watch, but it's a damned good movie. It premiered in Japan today in 1971.
Operating at a whole new delinquency.
Above are two posters for Zubeko banchô: hamagure kazoe uta, aka Delinquent Girl Boss: Ballad of Yokohama Hoods, third in the Delinquent Girl Boss series, with Reiko Oshida reprising her role as the ass kicking Rika Kageyama. We managed to track down a copy of this and took a gander. It's similar to other entries, with Oshida going from the frying pan to the fire—or more literally, from reform school to the mean streets, as shortly after arriving in Yokohama she gets tangled up in girl biker and organized crime weirdness. She proves her mettle to the girls, then sets about causing trouble for the boys. All this is wrapped around a subplot involving a deserter from the U.S. army.
One distinguishing aspect of Yokohama Hoods is that sex and nudity are de-emphasized throughout the proceedings, and we think this actually helps the movie. We're still grappling with the often challenging role of sexual violence in pinku films, trying but not always managing to understand it in its cultural context, so Yokohama Hoods was refreshing for its lack. Other aspects are exactly as you'd anticipate—i.e. a climactic confrontation between the tough good girls and the superbad boys. Director Kazuhiko Yamaguchi goes all out, staging a waterfront fracas featuring speeding motorcycles, blazing machine guns, flashing swords, and more. If everyone actually aimed their guns rather than thrusting them wildly at their targets the fight might have ended sooner, but in any case Yokohama will never be the same. Zubeko banchô: hamagure kazoe uta premiered in Japan today in 1971.
Tajima joins the white panty club.
This is the last of our Heibon Punch calendar pages. Sad, we know—these things have provided a lot of visual pleasure, but we'll acquire more at some point. The above foldout features actress Harumi Tajima, who appeared in Kyôfu joshi kôkô: Animal dôkyôsei, aka Terrifying Girls' High School: Animal Courage, and in Seijû gakuen, aka School of the Holy Beast, which we talked about here. This shot, as you can see from the date at bottom left, is from 1974, and she sports the same garb worn last month by Yumiko Tatsuno. While the look is similar, the photographer is different. This shot was made by Keinosuke Hashimoto. Wanna see the other Heibon Punch calendar pages? Just click here and scroll down.
When they say love hurts they aren't kidding.
This wintry poster for Hakkinbon bijin ranbu yori: semeru!, aka Beauty's Exotic Dance: Torture! shows star Junko Miyashita looking miserable and cold. Which actually happens in the movie. It tells the story of an artist who engages a prostitute to satiate his need for sadistic sex, which he uses to fuel his art. The prostitute, Miyashita, is a consensual partner in all this, wanting to please the artist and out-do his dearly departed wife. You gets lots of drawn out sadism involving rope bondage, asphyxiation, ice baths, scaldings with candle wax, and more. And if that isn't dark and weird enough already, matters take a really nasty turn when Miyashita turns out to have inherited something unusual from her mother. If you watch the movie, don't say we didn't warn you. Hakkinbon bijin ranbu yori: semeru! premiered in Japan today in 1977.
You know, you're kind of sexy when you're mad.
The panel length promo for Furyô anego den: Inoshika Ochô, aka Sex & Fury was one of the first Japanese posters we ever shared. It's now the standard poster scan for this film on the internet. We see it everywhere, and it's defnintely the one we uploaded because we recognize the various imperfections of the image. We've also had the above bo-ekibari style promo the whole time, and we're sharing it now, whole and in halves, eight years after that first upload, just for the sake of completeness. Have you seen the movie? It's pretty wild, and it has a love scene between Reiko Ike and Christina Lindberg. If that doesn't make your loins go all hot and gooey you aren't technically alive. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.
She wouldn't have believed it at the time, but she hadn't reached her peak.
Above is Japanese actress Mayumi Asaka, who was born in 1955, first appeared onscreen in 1966, and tallied about fifteen roles up until the year 2000. That's about one every two years, which is perfectly fine, but nothing to amaze and awe. But since then she's been a beast, appearing in about eighty movies and television shows, often in recurring roles, pushing her credits up toward a hundred and fifty from the time she turned forty-five. The top shot is from the late-1970s, a decade during whose entirety she accumulated exactly two roles. If she wasn't thinking about quitting show business at that point we'd be surprised. The second shows her recently, still looking great. Perseverance paid.
Don't hate the dealer. Hate the game.
Did you know the main character in Super Fly is named Priest? Over time he's become known as Superfly, but in the film the term comes up only once—when someone says to Priest, “You always got some super fly shit!” He's referring to cocaine. Priest is a drug dealer, but he wants out and will do whatever it takes to make that happen. This is one of the better blaxploitation flicks. Ron O'Neal's Priest is tough but three-dimensional, showing vulnerability, confusion, even desperation. Dynamic if uneven direction from Gordon Parks, Jr. and a propulsive soundtrack by Curtis Mayfield help put the whole concept over. In fact, after you watch the movie, you should listen to the album, particularly the sparkling, “Give Me Your Love,” which we think is one of the most immaculately constructed soul tunes ever written. Super Fly premiered in the U.S. in the summer of 1972 and opened in Japan today in 1973.
It's hard to get past my defenses—but I'm worth it.
This person standing with a suit of armor—possibly occupied by her protector—sure looks familiar. She's Yumiko Tatsuno and you may remember we just mentioned her two days ago because she was in the 1975 roman porno flick A Bakeneko Toruko furo, aka A Haunted Turkish Bathhouse. Well, what a coincidence. This shot of her on a February calendar page was shot by celeb photographer Takeo Sano and is from a 1974 issue of Heibon Punch. We have more from this calendar upcoming.
The cat is definitely out of the bag.
This cool poster is for the Japanese roman porno flick Bakeneko Toruko furo, aka A Haunted Turkish Bathhouse, a movie you should think of as an off-the-program addition to the website today, as it is not playing at Noir City. Obviously, the poster reveals that this is a ghost cat movie, and the title does too—a bakeneko is a cat that has changed into a yōkai, or supernatural creature. They made plenty of these ghost cat flicks in Japan, including Kaidan nobori ryu, aka Black Cat’s Revenge, which we talked about a while back.
This one stars Naomi Tani, Misa Ohara, Yumiko Tatsuno, and the luscious Terumi Azuma. Tani is whipped to death, no thanks to her husband, and comes back to haunt her killers as an avenging cat spirit. If you're a cat person, you might be thinking you'd love this. But the thing about these movies is the cats are basically just thrown into shots from off camera by production assistants, or sometimes suspended from wires, and there's no doubt their treatment was not very kind. It's good they have nine lives, because to us it looks like they need all of them to get through these movie shoots.
Below you see two more posters for the same film, alternate versions that are completely different from the one above. All three pieces are visible around the internet, but the red ones have never before been shared at this size or clarity. Watch the movie if you can. You'll find it interesting, especially the bathhouse elements (hint, hint). Whether you can watch it or not, please be kind to cats—they're a little evil in normal form anyway, but as bakeneko they're just plain lethal. Bakeneko Toruko furo premiered in Japan today in 1975.
The headlines that mattered yesteryear.
1986—Jimmy Cagney Dies
American movie actor James Francis Cagney, Jr., who played a variety of roles in everything from romances to musicals but was best known as a quintessential tough guy, dies of a heart attack at his farm in Stanfordville, New York at the age of eighty-six.
1951—The Rosenbergs Are Convicted of Espionage
Americans Ethel and Julius Rosenberg are convicted of conspiracy to commit espionage as a result of passing nuclear secrets to the Soviet Union. While declassified documents seem to confirm Julius Rosenberg's role as a spy, Ethel Rosenberg's involvement is still a matter of dispute. Both Rosenbergs were executed on June 19, 1953.
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
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