It isn't the wind making that howling noise.
Above you see two colorful Japanese posters for The Howling, Joe Dante's 1981 werewolf thriller starring Dee Stone, Patrick Macnee, and Invasion of the Body Snatchers hero Kevin McCarthy. As werewolf movies go, The Howling was a bit of a gamechanger simply because the principle werewolf was more terrifying than any that had been put on screen to that point. It looks more than anything like a ten-foot tall Wile E. Coyote, with a long crooked snout, and devilish ears that stick out from its head like horns. Covered with wiry hair and perched upon long canine legs like a walking dog, the brute physicality of this beast is cringe inducing. On the other hand, the ancillary werewolves might make you laugh. The filmmakers obviously wanted to genderize the creatures, which led to the idea of making the female wolves somehow cute. Instead they end up looking like Ewoks. The giallo-styled soundtrack might also be jarring for modern audiences. We love it, though it's right in your face like doggie breath.
But the film is definitely worth watching these thirty-six years later. The plot involves a television reporter whose investigation into serial killings in New York City result in her—seemingly in random fashion—spending time in a rural retreat to recover from emotional trauma. There she realizes a coven of werewolves rule the woods. Dante went for a slow build-up to the big reveal, and when that first encounter came it forever recalibrated the werewolf genre. Today some of the balloon effects may look quaint, but objectively they're more visceral than anything computer graphics have managed thus far. Other effects, including a brief animation, aren't as convincing, but no movie is perfect. The Howling is a landmark, and our only regret is we were never able to see it in a cinema (though that may change if ever our local horror festival screens it). The film premiered in the U.S. in March 1981, and first howled across Japan today the same year.
In retrospect, maybe this solo hiking trip wasn't the best idea. Oh well, I'll be fine. But next year: Burning Man.
Hmm. So she disappeared down there in that bizarre nimbus of light? I think it's about time for my donut break.
Okay, okay! Let me just find the leash and we'll go. Geez—sometimes I can't tell who's the owner and who's the pet.
Arooooooo! Bacon! Bacon! Bacon! Baaaaacooooon!
So, you loaded this with the silver bullets, right? Right? Baby, did you hear me?
Well, the thing is, werewolfing helps me relax. Fronting my speedmetal band is really stressful.
I think the night went bad after the third Jäger shot. Could be worse, though. Garth got a tribal tattoo on his calf. Man, these beasts are seriously horr— Whoa. Single white werewolf at twelve o'clock. Bitch got some fucked up teeth but I can work with that.
Likes include fine saki, sunset walks, and light humiliation.
Above, five promo posters featuring Naomi Oka, who appeared in dozens of pinku and roman porno films between 1972 and 1987, with 1979 being her banner year as twelve films hit Japanese screens. As you might imagine based on the above evidence, she was one of the queens of bondage. The posters above are for, top to bottom, Onna keimusho shikei, aka Women's Prison: The Lynching, Hentai shikijô nawa fujin, aka Abnormal Rope Wife, Hitozuma hentai, aka Abnormal Bride, Nihon no rinchi, aka Japanese Lynching, and Kinbalu ijo-ma, aka Distributing agency: Shin-Toho, also sometimes referred to as Disturbing: Rope Master. It's always important to note that restraint and bondage have a special place in Japanese culture, where it's considered—if not quite normal—not outstandingly weird either. Below you see Oka mercifully freed from bondage.
The situation is becoming Seri-ous.
Continuing with our recent theme, we've done a deep search on our site and found every instance where we said we'd get back to a subject later. We can't fulfill all those promises, but we're shortening the list again today. After sharing a couple of promos of an underwear clad Meika Seri from a 1974 photo session, we said we'd reveal whether the Secret Chronicle actress shed any more clothing. Above is your answer. She shed all her clothing.
Cohjizukin creates a modern piece of poster art for two classic films.
You know how we always say we're going to get back to something? Some artist, some subject, some mid-century murder spree? And then we never do? Kind of like when you were eight and your parents kept promising to let you buy a grizzly bear but always put you off until finally telling you they weren't going to buy you one and never planned to? Well, we don't want to be like your lying ass parents, so we've decided we need to be better about actually geting back to stuff we said we'd get back to. Consider it a twelve-step program of sorts, which we already started by keeping that five-year old promise about the naked diaries.
So here's someone else we promised to revisit—Japanese illustrator Cohjizukin, whose poster for an Ed Wood triple bill we shared back in October. He painted the above poster for Federico Fellini's I vitelloni, known in some circles as The Young and the Passionate, and Giulietta degli spiriti, aka Juliet of the Spirits. We knew nothing about Cohjizukin last year, but we've learned a few things. He's actually award winning artist Koju Suzuki, who was born in 1948, has had innumerable exhibitions, live painting events, published many books, and seemingly even has delved into music, releasing four albums in the 1990s.
He also likes creepy eyes. Everybody in this poster looks like they're trying to drain your vital essence. We checked to see if either of these movies involved essence-draining, but they're both comedy/dramas. Not sure Fellini would have approved of psycho faces on a poster for his films, but the art is amazing. Cohjizukin created it for a double-bill sometime during the 1990s, probably for some film festival or other. You can learn more about him by visiting the (also a bit scary) website maintained at this link, but it's text heavy and without Japanese probably useless to you. We'll dig up more pieces from him later. That's a promise we'll keep.
Mari Atsumi shows her stripes.
We've already shared two posters for the 1970 pinku flick Denki kurage: kawaii akuma, aka Play It Cool, aka Electric Medusa: Lovely Wicked Woman. Today we have yet another promo for the film, with Mari Atsumi looking cool, lovely, wicked, and a few other things, all of them good. In the film she plays a model who loses her job after she refuses to “entertain” a department store owner, and later finds herself hassled by a villainous Yakuza who wants to turn her into a call girl. If you've seen any pinku films at all, you know how this goes—humiliation, tables turned, revenge.
Atsumi was a big star in her day. She appeared in twenty-eight films, guested on a number of television shows, and released a couple of popular albums. Like many pinku actresses, though, her current whereabouts are basically a mystery. One Japanese webpage literally says nobody knows where she is. But that's okay—she gave us plenty to remember her by. You can see the other Denki kurage posters we've shared here and here, and there's even another promo for the film you can see over at the website Bulles de Japon at this link. And below we have more bonus material—some promo photos from the film.
She may get pushed around but eventually she always pushes back.
Rashamen Oman: higanbana wa chitta, for which you see he promo here, is known in English as Foreigner’s Mistress Oman: Falling Autumn Flower. The movie starred Sally Mei, aka Sally May, an enigmatic half Anglo half Japanese actress who appeared in a handful of movies and had a short singing career, here playing the character Oman in a sequel to Rashamen Oman: ame no Oranda-zaka (poster here). She'd do one more film in this series called Enzetsu jokyo-den: Oman midarehada, and all of them premiered between March and August of the same year, which shows you how fast Nikkatsu churned these Krispy Kremes out.
The plot of the first movie saw Mei travel from Shanghai to Japan in search of her mother, only to be betrayed by her companion and sold to a brothel, where she becomes a geisha and gambler. Luckily, Mei had picked up some sword skills along the way and put those to good use julienning her captors. The sequel, then, picks up after she's served a prison sentence only to find that her sister is in the clutches of a group of yakuza lowlifes. Mei is up the challenge once again. Starring as her sister, by the way, is Yuri Yamashina, who we've looked at before. Rashamen Oman: higanbana wa chitta premiered in Japan today in 1972.
Etsuko Shihomi in hot pursuit.
Above, an alternate promo for the Japanese actioner Karei-naru tsuiseki, aka The Great Chase, released today in 1975. This was surprisingly good. See the other poster and read about the movie here.
The team wouldn't be nearly as nice without her.
This 1974 shot of the Japanese AV model Mimi came from an issue of Heibon Punch we bought a while back. It's pretty much impossible to isolate any information on her, because Mimi is actually a very popular name in Japan, as well as the name of a clothing line, a porn star, a movie, and some other things, but we thought we'd share the photo anyway. Apparently Mimi plays basketball, since her shirt says “Nice Sports Basketball.” Shirts against skins, anyone?
Life on the edge of a razor.
Above is a Japanese poster for the 1972 blaxploitation film Come Back Charleston Blue, starring Godfrey Cambridge and Raymond St. Jacques as the Harlem detectives Gravedigger Jones and Coffin Ed Johnson. It was the sequel to the highly successful Cotton Comes to Harlem. The plot deals with the return of a legendary vigilante named Charleston Blue, who killed with a blue steel straight razor and is believed by some to be responsible for a series of recent slayings aimed at the local drug trade. He's supposed to be dead, but his casket is empty and his collection of razors has gone missing. Is he really back from beyond? You'll have to watch the movie to find out. Reviews were mixed, but there are some thrills and laughs, there's good location filming around Harlem and environs pre-gentrification, and the soundtrack by Quincy Jones and Donny Hathaway is a nice bonus. All-in-all, a middling effort, but certainly not a waste of time. Come Back Charleston Blue first played in Japan today in 1973.
The headlines that mattered yesteryear.
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.