Bonnie Parker and the vicious circle.
The above poster is the Japanese promo for The Bonnie Parker Story, which starred Dorothy Provine in a fictionalized yarn about the famous outlaw's fast life and early death. The movie premiered in 1958 in the U.S., and in Japan today in 1960. On the surface it's a teenybopper oriented b-cheapie, courtesy of American International Pictures, but there's more entertainment value than you'd expect, especially from a movie where history dictates the ending. Quentin Tarantino famously loves the film, but we wouldn't go so far as to call it an overlooked gem. It's more of a cult curiosity. Provine says, “We got ourselves a one way ticket. There's nothing you can do once you get on but ride right to the end of the line.” The end of the line is death in a hail of bullets, but the ride makes The Bonnie Parker Story worth a look. If you want to watch it, for the moment you can catch it on YouTube (with French subtitles). You can also see a cool promo from the film here.
If you're lucky she'll let you kiss her there.
Above is a poster we first noticed some years back at the blog Sangre Yakuza for the Nikkatsu Studios roman porno flick Inranna kankei, aka Nasty Relationship, which starred pinku icon Hitomi Kozue, and— Wait, what is she holding? Inflatable plastic lips? A novelty sized cherry gummi? Whatever it is, it's supposed to look vaginal. Pinku movies in general are not subtle, and roman pornos are even less so. But this is not a flick we were able to track down, which is sad, because we'd like to know what's going on here. Not finding films has happened a lot this month but it's just one of those random dry spells that occur when you watch nothing but rare classics. The worm will turn, the yin shall yang, and the cloud shall burst. In the meantime we thought we'd share this promo anyway, weird lips and all, because Kozue is a Pulp Intl. favorite. Inranna kankei premiered in Japan today in 1976.
Seventh movie in famed sexploitation series has plenty to report.
After taking a little break you can be sure we'd return to posting by showing you something unusual, so above you see a beautiful Japanese poster for the West German sexploitation comedy Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein. It's a mouthful, we know. The title would translate as “schoolgirl report part 7 - but the heart must be there.” This word salad was changed for the film's English language release to merely Teenage Playmates. It was the seventh of thirteen films in the Schulmädchen-Report series and is generally regarded as one of the better entries—though having not seen all of them we can't corroborate that. Among its large cast are Elke Deuringer, Ulrike Butz, and Puppa Armbruster. The movie is also said by various websites, including IMDB, to feature Christina Lindberg, but she's not in it. It would be better if she were, but no such luck, and we aren't even sure how that rumor sprouted, except that the cast is uncredited and people have bad eyes.
Plotwise, when a bunch of high school aged brothel workers are arrested they tell a judge and court filled with scandalized spectators how they ended up in such circumstances. Thus the entire film is just a framework for sex vignettes. Our favorite quote: “Naturally I touched my breasts in the shower. Which are erogenous zones according to The Atlas of Sexual Education. My nipples got hard and my... my... my... how should I describe it? My pussy became aroused.” Movies like this fall into the could-not-be-made-today category, which is a good thing—though we should note that all the alleged high schoolers were actors in their twenties, some considerably so. Which will be obvious when you look at the promo images below. After premiering in West Germany in 1974 Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein reached Japan today in 1975.
Fuck—I look at least twenty-five. I guess it's true what they say about this life aging you.
Oh, ah, the fact that some people mistake me for Christina Lindberg is a real turn on!
I'll leave the glasses on, if you don't mind. When this all comes out in court later I'll need to describe you accurately.
Mmm... fuzzy. I love you Mr. Zwetschgenkuchenbear.
The teen brothel is on the third floor. This floor sells designer handbags. Buy one for a woman and you'll get laid even faster than going to a hooker. You'll learn that later in life.
Who's in the mood for kochwurst? Kochwurst, everyone? Okay, kochwurst for all of us, please, waiter. Thanks.
The Atlas of Sexual Education says we're rounding second base. Next stop—deeply unfulfilling sex for pay.
Police! This is a raid! Girls—you're all under arrest! Men—all of you go home and revel in the fact that male privilege lets you off scot-free!
John Travolta sets the recording straight.
Above is a Japanese poster for Brian De Palma's 1981 thriller Blow Out, his update of the classic British thriller Blowup. In the latter film a photographer thinks he's accidentally shot a photo of a murder, and in Blow Out a movie sound man thinks he's accidentally recorded one. And indeed he has, a political assassination actually, which brings highly connected villains out of the woodwork to engineer a cover-up. The movie stars John Travolta in his hunk incarnation, pouting his way through the twists and turns of the mystery, along with Nancy Allen as his shakedown artist sidekick. De Palma's movies often underwhelm upon release but usually age well. This is a good example. Audiences were cool toward Blow Out but it's a solid, giallo influenced thriller, wrapped in Kennedyesque conspiracy. It premiered in the U.S. in the summer of 1981 and reached Japan today in 1982 with the title ミッドナイトクロス, or Middonaito kurosu, which means “midnight cross.”
Getting into the place isn't the problem.
In Nikkatsu roman porno the question, as always, is exactly how the script will place the female lead under the control of men determined to use her. In Dan Oniroku kurokami nawa fujin, aka Black Hair Velvet Soul, it's alcoholism and debt. A gambling and philandering husband owes a pile to a slimy financier, so he puts up as collateral the restaurant he owns with his wife. Izumi Shima plays the wife. Because the place was founded by her father and succeeded because of his sweat and struggle, as she notes in a monologue, she sees no other choice but to agree to work off the debt in an S&M club run by the financier. She goes through the usual range of indignities, but in what has to be considered a bit of a twist, she at no point likes it, nor has some inner freak unleashed, nor somehow dies by ironic means. She does her bit, the restaurant is saved, and she leaves her shitty husband. Why watch the movie? Well, because Shima is a shimmering goddess and she's always worth watching. Sixty-six minutes including credits and you're done. Dan Oniroku kurokami nawa fujin premiered today in 1982.
When you gamble with her you're gambling with your life.
Hibotan bakuto: oryû sanjô, which in English was called Red Peony Gambler: Oryu's Return, is the sixth of eight films in the Red Peony Gambler series. Uploading its special round promo poster in one piece makes it kind of small, so we've also broken it into two pieces so you can pull them off the page and paste them together if you're inclined. It's an incredibly rare piece, so credit would be appreciated. The movie premiered today in 1970, and stars Junko Fuji, a prolific actress who made more than ninety films during a busy run between 1963 and 1972, and another dozen or so after that.
The plot here involves a greedy yakuza cartel and the downtrodden farmers who oppose the imposition of a new tax. The farmers are basically planning to strike in protest, which angers the yakuza because they stand to loose profits with the yearly village festival approaching. Drastic measures seem to be the only solution, but Junko stands in the way with guile, guts, gambling skill, and gunplay. And as a fallback position she's good with fists and sword. Hibotan bakuto: oryû sanjô isn't quite top tier pinky violence, but it's beautifully shot, the blood flies high and far, and ultimately the film is a winner.
First the airline loses her luggage. And now this.
Above you see an incredibly rare alternate poster for Poruno no joô: Nippon sex ryokô, aka The Pornstar Travels Around Japan, aka The Kyoto Connection. Notice how it promises SEX in big letters. That English word appeared on many Japanese promos of the era, as we've documented before. Basically, the movie is about a Swedish woman who visits Japan and is abducted by a wacko taxi driver. See the original poster and read what we wrote about the flick at this link.
If it was easy to steal anyone could do it.
We have some nice pinku posters lined up for this month, and above you see the first of those—the tateken and standard promos for Suke Yakuza, aka Female Yakuza Convict, aka Female Prisoner Yakuza, which premiered in Japan today in 1974 starring Yoko Horikoshi and Reiko Ike. Though we can't be sure, we don't think this movie has been released on DVD, because we couldn't find it—the first time that's happened with one of Ike's films. No copy means no firsthand rundown, but we can tell you what the Japanese websites say. It's about bank robbers who steal 30 million yen and try to elude the cops and escape with the cash. Of the three, only one manages to avoid capture. Horikoshi, a female accomplice, is tossed in a women's prison where she meets Reiko, and the two of them manage to escape. Their plan is meet up with the robber who avoided capture, get ahold of the cash, and get for away from the big city, but mishaps and twists follow. Basically, it's sounds like classic Toei pinky violence, but sadly we may not get to see this one unless we go to Japan. But the posters sure are pretty. We have bonus material below—production photos, a Horikoshi promo poster, and a Reiko promo shot from wherever.
Grier goes missing from another foreign poster.
We shared an Italian poster for the 1971 Roberta Collins/Pam Grier women-in-prison flick The Big Doll House, and today we have the Japanese promo. In Japan the movie was called Zankoku Onna-Keimusho, which means something along the lines of “cruel female prison.” Grier doesn't show up on the poster anywhere, though she's third billed. The central figure is Judy Brown, and elsewhere you see Roberta Collins, Sid Haig, and seven other cast members, but no Grier. This is not the only time she was demoted from an overseas poster, and all we can say is it's not a nice thing. The art is still very interesting, though. The Big Doll House opened in Japan today in 1972. |
The headlines that mattered yesteryear.
1939—Holiday Records Strange Fruit
American blues and jazz singer Billie Holiday
records "Strange Fruit", which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.
1927—Mae West Sentenced to Jail
American actress and playwright Mae West is sentenced to ten days in jail for obscenity for the content of her play Sex. The trial occurred even though the play had run for a year and had been seen by 325,000 people. However West's considerable popularity, already based on her risque image, only increased due to the controversy.
1971—Manson Sentenced to Death
In the U.S, cult leader Charles Manson is sentenced to death for inciting the murders of Sharon Tate and several other people. Three accomplices, who had actually done the killing, were also sentenced to death, but the state of California abolished capital punishment in 1972 and neither they nor Manson were ever actually executed.
1923—Yankee Stadium Opens
In New York City, Yankee Stadium, home of Major League Baseball's New York Yankees, opens with the Yankees beating their eternal rivals the Boston Red Sox 4 to 1. The stadium, which is nicknamed The House that Ruth Built, sees the Yankees become the most successful franchise in baseball history. It is eventually replaced by a new Yankee Stadium and closes in September 2008.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.