|Vintage Pulp||Oct 20 2016|
Above, a colorful poster for Fûten Rôjin nikki, aka Diary of a Mad Old Man, with Sô Yamamura as a man recovering from a stroke and Ayako Wakao as the occasionally towel-clad young daughter-in-law whose presence inflames his libido. Far better and more serious than it sounds. The movie premiered in Japan today in 1962. We have a couple more promo images below, and you can see a few more Wakao posters for a different movie here.
|Modern Pulp||Oct 15 2016|
This beautiful and unusually designed poster was made for a 2008 Brigitte Bardot film retrospective in Japan. The event focused on her romantic movies and the slate consisted of Et Dieu... créa la femme, aka ...And God Created Woman, En effeuillant la marguerite, aka Plucking the Daisy, Une Parisienne, Les bijoutiers du claire de lune, aka The Night Heaven Fell, and Doctor at Sea. This is a frame-worthy piece of modern graphic design. Note how all the lines of text are set at slight angles, just a little something to dazzle the eye. Top work.
|Femmes Fatales||Oct 15 2016|
Above, Japanese roman porno actress Izumi Shima, whose movies we've written about four times, and who we think is one of the more alluring stars of her era. We've already expended a lot of keyboard time on her, so there's little more to say. Read about her films by starting here and following the subsequent links. This image of her in a big pipe of some sort dates from 1979.
|Sportswire||Oct 10 2016|
This bit of World War II propaganda, which was created by the Graphics Division of the U.S. government's Office of Facts and Figures in 1942, caught our eye for a couple of reasons. It features champion boxer Joe Louis, which is interesting enough, but it also features a quote he had uttered while taking part in a military charity event: “We’re going to do our part… and we’ll win because we’re on God’s side.”
This is an interesting turn of phrase because of the inversion of “our” and “God.” The way Louis formulates the idea suggests God desired the war and the U.S. was just helping out. Usually you hear the sentiment expressed as, “God is on our side,” but Louis's quote has more power loaded into it than the standard iteration. It casts Japan as not just battling an enemy nation, but battling the natural order of the cosmos.
Of course, the Japanese also thought they were divinely guided, and over in Europe where Germany was fighting several countries at once, the opportunistic Adolf Hitler, though a skeptic in private, declared himself a Christian in public and busily used religious sentiment in his devoutly Catholic nation to whip up support for his rule. We have a sizable collection of World War II propaganda inside Pulp Intl., originating from many countries, which we think is worth a look. You can see some of it here, here, here, here, here, and here.
|Vintage Pulp||Oct 9 2016|
Didn't we just see Erina Miyai a couple of days ago? Indeed we did. Her prison pinku flick Onna keimusho opened two days ago in 1978, and this effort, Danchizuma maruhi shuccho baishun, aka Apartment Wife: Secret Call Girl, premiered today in 1976. It's about a blackmail ring that uses illicit photos of an unfaithful wife to force her into prostitution, pretty basic Nikkatsu roman porno, sixteenth of twenty-one entries in the Apartment Wife series, a moneymaking franchise that lasted from 1971 to 1979. This one was the first of three go-rounds with Miyai. Hard to find, but interesting to watch.
|Modern Pulp||Oct 9 2016|
Above, two posters for Robo-geisha, or Robogeisha, as it was titled in the west. Only for the adventurous, this is low budget action gore, or maybe subversive shock sci-fi, or possibly transgressive black comedy. In any case, it's about a pair of orphaned sisters who compete as assassins after receiving cybernetic implants, are separated and exploited by a powerful corporation, and eventually are thrown together in a final duel. You get sword fights, machine guns, sparks and bloodspray and explosions, a walking castle, copious miniature/computer/stop action efx, and lots of shakycam—aka the budget filmmaker's crutch. If the whole bizarre counterculture spectacle is preposterous, well, you've been warned. Viewers generally react one of three ways—some like it; some want to like it because it will make them cool; and some dislike what they see as a sophomoric mess. We won't say which we were, but we'll note that even with the numerous references to films ranging from Godzilla to Ichi the Killer, Robo-geisha isn't as clever as it thinks it is. The smartest aspect of it is that director Noboru Iguchi and cohorts managed to create their own cinematic genre. That, no matter how you feel about the actual movie, is pure genius. Robo-geisha premiered in Japan today in 2009.
|Modern Pulp||Oct 8 2016|
These two pretty posters were made to promote the sci-fi movie Embryo. It hit cinemas stateside in 1976 but didn't reach Japan until today in 1977. What you get here is a research biologist, played by Rock Hudson, who in classic mad scientist style learns he can accelerate gestation and decides to experiment on humans. He acquires an early stage fetus and dumps it in his magic tank. In hours it's born, in days it's a child, and in short order it's Barbara Carrera. So he's the smartest scientist who's ever lived. At least until one figures out how to create a test tube Elke Sommer. Carrera is super beautiful and super smart, but has one big problem. Can you guess what it is? We'll give you a hint—if you think too long she might be dead before you answer. The threat of early death will throw anyone for a loop so we'll forgive poor Barbara her transgressions. She dances naked—and that's worth all the forgiveness in the world.
|Vintage Pulp||Oct 7 2016|
Above, a nice poster with Erina Miyai and Natsuko Yashiro for Onna keimusho, aka Women's Prison, about a woman whose fiancée strays on their wedding day, prompting her to attack her romantic rival, leading to her being sentenced to a stint in the big house. Friends and enemies are made, sex and sexual assault occurs, and an escape leads to a showdown with the fiancée whose wandering dick started the whole mess in the first place. The photos below show Miyai and Yashiro in happier times, before they became hardened felons. Onna keimusho premiered in Japan today in 1978.
|Modern Pulp||Oct 6 2016|
Above, a very nice chirashi mini-poster made in 1995 to promote a cinematic triple-bill of three Ed Wood films—Plan 9 from Outer Space, Glen or Glenda, and Bride of the Monster. None of the three played in Japan when originally released—and if you've seen any of them you realize there's no reason they should have—so this poster is for their premieres. The reason this happened is because Tim Burton's biopic Ed Wood became a hit in the U.S. in 1994 and this triple bill occurred about a month in advance of that film's arrival in Japan.
|Vintage Pulp||Oct 6 2016|
A different type of paperback today, an example of World War II sexploitation, in this case John Slater's Women Under the Samurai, from Stag Modern Novels, which deals with, well... this is not the kind of book to be proudly displayed on a shelf. More like tucked in the back of a closet. The women here are nurses and are believed by the Japanese to know the location of Allied soldiers on the Pacific Island which they all inhabit. Pretty much every torture you can imagine is used, with the whole spectacle serving to both titillate and horrify the reader. Slater, who was a pseudonym used by Ray Slattery (as well as R.L. Taylor, and others) dipped into these murky waters regularly. Some of the titles that resulted: Island Slave, Brides of Terror, Women of Warsaw, Love Slave of Paris, The Captive Women. And so forth. More than eighty times. You can understand these selling during the war and post-war period, but the amazing thing about this genre of fiction is that it lasted until well into the 1970s. This example is from 1964.