Vintage Pulp | Sex Files Jan 21 2010
BOLD TESTAMENT
Tijuana bibles pushed back against the conservative sexual mores of the times.

Well, we’re glad to see somebody finally went and put together a website of Tijuana bibles. The site is called tijuanabibles.org. Above you see six covers from their collection, and below is the entirety of a raunchy and racially charged Esther Williams bible entitled Get a Li’l Like the Fishes Do. We had doubts about posting it, but whenever we self-censor we end up kicking ourselves later, so this time we decided screw it. We consider ourselves mainly a history site, and censoring history is always a bad idea. Consider that a content warning. Anyway, Esther Williams was of course a famous swimmer who used her skills in an acting career, so the underwater theme of her bible is a play on her many aquatic roles. It was probably printed in the late 1940s, a time during which its IR content would have gotten the hood and noose crowd pretty riled up. But they would have been clueless whom to blame, because, as we discussed before, these American-made books may have been called Tijuana bibles for the sole purpose of misdirecting crusading citizens and curious authorities. For more examples of these little treasures, pay tijuanabibles.org a visit.

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Vintage Pulp Jan 5 2010
TEX'S POKER
A cowboy’s work is never done.

Assorted covers of the French serial comic Tex Bill, with art that seems to be—how shall we say it—subtly phallic and/or centered on the groin. Yeah, we know—guns are phallic anyway, but even so, you see what we're talking about, right? Don’t even try to play us. You know you see it. 

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Modern Pulp | Vintage Pulp Dec 4 2009
SEASON'S GREETINGS
Ding dong merrily on high.

Assorted Italian and Spanish covers of Nicola del Principe’s Sukia,1977 to 1986, borrowed from sources too numerous to name. Credit to all. Also, perhaps you noticed that the cover star looks like Italian actress Ornella Muti? Well, she is Ornella Muti. At least, the main character Sukia Dragomic is modeled after her. We’ll have the full story on Sukia later, along with more covers.     

Update: Okay apparently nobody got our headline and subhead, but that's because they didn't look at the first cover. Notice the snowman has a giant schlong, indicated by the shadow? So Season's Greetings is like a penile salute. And Ding Dong Merrily on High is a (not so) famous Christmas Carol. Not funny? Sigh. All we want for Christmas is more wit.

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Vintage Pulp Nov 22 2009
KENNEDY CENTERED
The killing of an American president.

Here’s a rather disturbing 1977 cover by Spanish artist Prieto Muriana for the first of a six issue comic series about the assassination of John F. Kennedy (which happened forty six years ago today), and the events leading up to his brother Robert Kennedy’s killing. When we first saw this image at Blonde Zombies it made us cringe a bit, which makes it a successful cover, since it’s clearly intended to be an iconoclastic representation of this sad day. After our initial misgivings, we were able to appreciate the artistry involved. But then JFK is before our time. If you're old enough to have personal memories of the event, maybe there's nothing artistic here at all. Either way, you can see the other Kennedy covers here, and if you read French, you can check out the interior action here.

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Modern Pulp Sep 5 2009
METAL STORM
Influential French comic magazine paved the way for today’s graphic novels.

Métal Hurlant

Métal Hurlant was published in France by artists Jean Giruad, aka Mœbius, and Philippe Druillet, with the help of writer Jean-Pierre Dionnet and financial director Bernard Farkas. These four became known as Les Humanoides Associés, or United Humanoids, and their magazine focused on serialized sci-fi and fantasy stories paired with high-quality art by geniuses such as Richard Corben, Milo Manara, and Alain Voss. These efforts helped bring comics into the adult mainstream, where they were finally taken seriously as art. So next time you buy a graphic novel like Watchmen or 30 Days of Night, give a nod to Les Humanoides Associés and their creation. More covers below.

Métal Hurlant
Métal Hurlant
Métal Hurlant
Métal Hurlant
Métal Hurlant
Métal Hurlant
Métal Hurlant
Métal Hurlant

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Vintage Pulp | Sex Files Sep 1 2009
TIJUANA CRASS
Mexicans got the blame, but only Americans could have done this.

We stumbled across a collection of Tijuana bibles and just had to share these things. For the uninitiated, Tijuana bibles are dirty booklets produced starting in the 1920s, but which reached their zenith during the Great Depression. The booklets depicted sex between well-known figures of the time—everyone from movie stars to cartoon characters, all rendered in low rent art, but with the gynecological precision of kama sutra diagrams. In addition, some delved into esoterica such as incest, forcible sex, and bestiality. Obviously, they were sold on the down-low, in drug stores, barber shops, speakeasies, or from the backs of cars. The time frame during which these were popular might seem to make their no-holes-barred explicitness amazing, but the Depression was an era of loosened morals, during which most Americans were actually hitting it before marriage. Nobody can say why they were called Tijuana bibles. Perhaps the name was chosen because the pages showed perversions that were presumably available only south of the border, or, equally likely, some smartass simply thought it was funny to blame Mexicans for something they hadn’t done. In any case, Mexicans clearly didn’t make these, because Americans are the undisputed kings of manufacturing smut, and always have been. Yeah baby. U.S.A! U.S.A! More bible covers below, followed by a small selection of the tamest interior art we could find.

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Modern Pulp Aug 25 2009
SHOCKING BLU
I fall to pieces whenever you're around.

Assorted covers of Terror Blu, the Italian fumetto we mentioned a while ago for its hyperviolent content. As you can see, we weren’t exaggerating.

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Vintage Pulp May 5 2009
A LAVAR BIZARRE
If LaVar Burton knew what he did in this comic, he’d have sued.


Rarely have we seen so recognizable an appropriation of a celeb’s image. Usually the Italian fumetti Terror Blu featured near-naked women on its covers, being assaulted or dismembered by robots, or perhaps stabbed and beheaded by aliens, so we can’t figure out what happened here. Maybe the publisher was sick and his niece was running the show that day. But even if the cover is out of character, the interior pages remain as unrepentantly misogynist as always. Cartoon LaVar brutally beats on several women inside, literally using them to train for a big fight. Considering how carefully celebs safeguard their images, we can’t imagine why LaVar didn’t call up Terror Blu and say, “Bon giorno, sono LaVar Burton, and you fuckers are so sued.” But then again, since we know nothing about the law, maybe Terror Blu didn’t infringe. Guess we’ll learn the legal ropes when Pulp Intl. gets sued. Should be any day now.

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Modern Pulp Apr 24 2009
DJINN TONIC
Graphic novel set in Istanbul serves up exotic cocktail of adventure, romance and mystery.


The image above was painted by Spanish artist Ana Miralles, and is the cover of book 1 in a series of graphic novels called Djinn. Created in 2006 by venerable Belgian writer Jean Dufaux, the Djinn saga tells of Kim Nelson, a young woman who travels to Istanbul seeking clues to her grandmother’s mysterious past. She soon learns that during the waning days of the Ottoman Empire her grandmother was a harem girl, the beautiful favorite of the Black Sultan. As more clues pile up and the mystery deepens, Kim finds herself dealing with shady characters and persistent paramours in bookshops, baths, and bedchambers all over the old city. These sorts of comics always remind us of Black Mask and other vintage mags that sometimes mixed romance with foreign adventure, but if you aren’t familiar with 1930s pulps, think of Djinn as Romancing the Stone crossed with Emmanuelle. We’ve posted some fantastically illustrated interior pages below from our copy of Djinn 1: The Favorite. We recommend this series highly.

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Vintage Pulp Feb 9 2009
THE GREAT WALLE

Wallestein was an adult comic originally produced in Italy from 1974 to 1982, but popularized in France by the publisher Elvifrance when they picked up the series in 1977. Jimmy Wallestein is a nobleman and playboy who hides his deformed face behind masks that allow him to assume various identities. He’s on a mission of vengeance against those who killed his father Count Wallestein, but he’s also a crimefighter—though a particularly vicious one. Posted below are twelve beautiful Elvifrance Wallestein covers depicting this curious character. And if the guy on the last cover isn’t Iggy Pop, we must need a new Ritalin prescription.

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Lesbo Posters
Lili St. Cyr—Star to Recluse
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Gene Tierney's Tragedy
Swift’s Space Travel Guide
Rare Marilyn Monroe Images
PARIS-HOLLYWOOD FRENCH MAGAZINE
History Rewind
The headlines that mattered yesteryear.
March 14
1964—Ruby Found Guilty of Murder
In the U.S. a Dallas jury finds nightclub owner and organized crime fringe-dweller Jack Ruby guilty of the murder of Lee Harvey Oswald. Ruby had shot Oswald with a handgun at Dallas Police Headquarters in full view of multiple witnesses and photographers. Allegations that he committed the crime to prevent Oswald from exposing a conspiracy in the assassination of President John F. Kennedy have never been proven.
March 13
1925—Scopes Monkey Trial Ends
In Tennessee, the case of Scopes vs. the State of Tennessee, involving the prosecution of a school teacher for instructing his students in evolution, ends with a conviction of the teacher and establishment of a new law definitively prohibiting the teaching of evolution. The opposing lawyers in the case, Clarence Darrow and William Jennings Bryan, both earn lasting fame for their participation in what was a contentious and sensational trial.
March 12
1933—Roosevelt Addresses Nation
Franklin D. Roosevelt uses the medium of radio to address the people of the United States for the first time as President, in a tradition that would become known as his "fireside chats". These chats were enormously successful from a participation standpoint, with multi-millions tuning in to listen. In total Roosevelt would make thirty broadcasts over the course of eleven years.

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