If she's really anything like a rabbit she's going to need a hole in the bottom of that costume.
We like this strange, rabbit themed cover from the U.S. pop culture magazine Jest, which was published bi-monthly out of New York City and Chicago by Jest Publications, later Timely Features, Inc. Jest was a staple on newsstands from approximately 1941 to 1963. While the rabbit suit on the cover model is funny, we also find it a little creepy—residue from watching Stanley Kubrick's The Shining no doubt. We know—that was a bear suit. But it ruined all animal costumes for us, plus she does look a little evil, doesn't she? Well, the models inside the magazine are less sinister. Some of those include Joan Corey, Kay Morgan, Lucille Lambert, and Loretta Hannings. The editors refer to them as "chorines," which is an interesting word we've seen a few times before. It's a feminization derived from "chorus," but when we see it we mainly think of how white our clothes would be if we threw one in our wash. These images all came from the website Darwin Scans, now sadly idle these last three years and running. But you still may find it worth a look.
Looks like she's well past the tipping point.
Any successful concept has the potential to become a cage for a crime author. Jack Dolph wrote the successful 1948 mystery Odds-On Murder about race tracks and their associated environs, and returned to that milieu for 1950's Murder Makes the Mare Go. In 1952's Hot Tip, for which you see the 1957 Phantom Books cover art above, Dolph is still hanging around the track, where a jockey dies in a sweatbox trying to make weight for a race, and his buddy Doc Connor sets about proving it was murder. There are suspects—the wife who stood to inherit insurance bucks, the estranged brother, and shady gamblers, while artsy Broadway types provide extra color.
Dolph used Doc Connor for all his horse books, with the character's interest in racing legitimizing his constant moonlighting as a sleuth when he probably should have been inoculating babies and reading x-rays. We described these concepts as a cage for authors, but that's our personal bias intruding. Dolph might have loved writing about racing. But either he or the public tired after his fourth foray and fifth novel overall, 1953's Dead Angel, at which point Dolph went out to pasture.
The art on the 1957 edition from Australia's Phantom Books is interesting but uncredited. The British edition from Boardman Books, just above, has nice cover art as well, painted by Denis McLoughlin. And the original art was reconstituted by Horwitz Publications, also Australia based, for usage on the front of Carter Brown's The Tigress, from 1961, below. Though actually, based on the quality of the art, Phantom's Hot Tip art looks like the copy, but the publication dates we have say Phantom was first.
He destroyed everything in his path—including himself.
The National Police Gazette published this issue in 1954, with a cover featuring pro heavyweight boxers Tommy Hurricane Jackson and Dan Bucceroni battling at Eastern Parkway Arena in Brooklyn, New York. The fight took place on March 29, and Jackson won with a TKO in the 6th. He never won a heavyweight title, but was well regarded in fight circles for being fearless, if not self-destructive. In fact, he once fought Floyd Patterson and was knocked down nine times. Each time he rose to absorb more punishment, before losing by TKO in the tenth round. It was apparently one of the worst ring beatings ever, made worse by Jackson's sheer will. Afterward, boxing authorities suspended his license for his own protection. It was a temporary ban designed to force him to recover fully before fighting again, but we've never heard such a drastic step. It's indicative of Jackson's reputation. Was he fearless, crazy, or both? Opinions vary, but we love this Gazette cover. The magazine specialized in boxing photo-illustrations, which we've documented here, here, here, and other places if you're inclined to dig around the site.
Nikktasu's revitalized roman porno screens for NYC audiences.
Today in New York City at the New York Asian Film Festival, two productions from Nikkatsu Studios' ballyhooed Roman Porno Reboot Project will screen for audiences. The Reboot Project was announced last year, and includes major directors such as Hideo Nakata of Ringu fame, Sion Sono of Cold Fish and Tokyo Tribe, and Kazuya Shiraishi, who made The Devil’s Path. Three films will be included in the New York fest, which began several days ago—Kazuya Shiraishi's Mesunekotachi, aka Dawn of the Felines, and Akihiko Shiota's Kaze ni nureta onna, aka Wet Woman in the Wind, will screen today. Isao Yukisada's Gymnopedies ni Midareru, aka Aroused by Gymnopédies premieres on July 14.
Will these be as edgy as Nikkatsu's vintage roman porno offerings? We have our doubts—some of those movies indugle in excesses so extreme we're amazed they're even available on DVD. We expect the new roman porno to be milder but perhaps contain a modern feminist twist, a shift in point-of-view that would be welcome, at least to us. All three of the movies playing in NYC have already seen release in Japan and gotten decent reviews, which means festival audiences should find something enjoyable in them. If you're in the Big Apple area you now have a potential plan for the next ten days. As for us folks who live far across the ocean, hopefully we'll get a chance to see some of the films soon as well, and if we do we'll certainly report back.
Whatever the language, the meaning is clear.
Despite her exotic name, Azizi Johari is American, born in New York City and raised in Seattle. Her movie career consisted of bit parts, with her most noted appearances coming in the 1976 John Cassavetes film The Killing of a Chinese Bookie, and the 1981 blaxploitation b-movie Body and Soul, which was a remake of the 1947 film noir classic. She originally gained recognition in 1975 as a Playboy model, appearing as the magazine's Playmate of the Month in June 1975, but the above photo was used on the front of Players magazine in 1978. Oh, and on the subject of her name, “Azizi” is Arabic and means “precious,” while Johari is a Kiswahili word that means "jewel.” She's well named.
Tonight they're gonna party like it's 1955.
Questions abound on this cover of Inside Story, but for each one there's an answer. What did Prince Rainier not tell Grace Kelly? That the palace in Monaco was cold and drafty, and she couldn't sleep in the nude anymore because the premises were open to the public from 9 to 5. What was the amazing Frank Sinatra hoax? His studio Carlyle Productions started a whisper campaign that he was such a dedicated actor that he actually used heroin while filming the heroin drama The Man with the Golden Arm. What is the secret fear that haunts Perry Como? That his family might be kidnapped.
All of these pieces are fascinating, but since it's baseball season and people are high on the front-running New York Yankees right now, we'll point to the story, “The Real Reason the Yankees Lost!” What they lost was the 1955 World Series, and it happened—according to Inside Story—because they were partying too hard. They were ensconced at the Concourse Hotel for the Series, a hole-up made possible by the fact that their opponents were the Brooklyn Dodgers. So with both the home and away games taking place in New York City, and the players barred from sleeping in their own houses to avoid family distractions, the superstar Yanks did some major league carousing.
Inside Story scribe Manuel Shaw describes an allegedly typical scene: “Mickey Mantle, Phil Rizzuto, and several other Yankees were sitting around the lobby of the hotel when three lovelies from a nearby night spot showed up. Since the cuties were entertainers familiar to one or two of the players, and were rabid Yankees boosters, it was not remarkable that they were soon in animated conversation with the group, which shortly adjourned from the lobby to an upstairs suite.”
Then he moves into this bit: “A beauteous brunette [was in the hall] clad only in a negligee. The two players wanted to spend some time with her, and they agreed that they would rather do it separately, but she insisted it would be more fun if they both stayed, and after a while she persuaded both of them to come back with her to her room. Soon a real party was underway, joined by many other Yankees, and several doting females who lived at the hotel.”
Well, what good is being a member of the famed Yankees if you can't do some Yankee doodle diddling? Most guys we know can't resist a free beer, let alone a woman in lingerie. A little later in the story, after the question of whether professional gamblers employed the party girls to distract the Yanks, we get this: “If true, this parallels the persistent story in gambling and diamond circles that the voluptuous Marilyn Monroe was introduced to Yankee star Joe DiMaggio just in order to take his attention off the Yankee pennant drive of a few years back.”
Did Inside Story really just say Marilyn Monroe was a mafia Trojan horse? Yup. They did. No ambiguity there. The magazine does not go so far as to say Monroe was aware of the set-up, so perhaps it was a matter of maneuvering her into the same space as DiMaggio at the same time and letting nature take its course. There are worse ways for a man to fall from the sporting mountaintop. And talk about a soft landing. We doubt the story, but you never know. There are far crazier tales starring Monroe. We have about thirty-five scans below, and more tabloids coming soon.
If there's a reward here it's going to be damned hard to get.
In a reward based system, Tina Louise would be the carrot, but since it looks like the punishment part is anything from a bump on the head to a hole in the heart, perhaps it's best to just to stand pat. Born in New York City as Tina Blacker, Louise is best known for playing sultry Ginger Grant on the television comedy Gilligan's Island, but she is also a veteran performer from such films as God's Little Acre and Warrior Empress, the latter of which gave the world the above promo shot. It was made in 1960.
Bette Davis tries to hang on to her freedom in a man's world.
This is a killer poster. You'd think Ex-Lady was a crime movie about a deadly femme fatale, but it'a actually a breezy little drama about a modern Manhattanite—played by a twenty-five-year old Bette Davis—who has always rejected marriage in favor of freedom and fun. She has a lover—made pretty clear in this pre-Code production—as well as a career as a commercial artist, but society and her father apply pressure for her to be conventional. Davis is fun in this, playing a woman who's smart and sweet, ambitious yet insouciant, and great with a quip. She's basically perfect, and this movie is an instructive artifact from the Jazz Age, a time when sexual mores went out the window and women began having sex before marriage. In fact, some data suggests the majority of unmarried women were non-virgins before tying the knot. Will Davis retain her independence? Will she marry and turn into Susie Normal? Can she and her boy toy Gene Raymond hang on to their love in this crazy mixed up world? We aren't telling. This is worth a watch, though some dialogue that's meant to be snappy comes across flat today. As a side note, though the film wasn't censored, several scenes would have been cut had it been released a few years later. See if you can spot them. You'll have to think like a Hays Code censor—i.e. a repressed, dirty-minded killjoy who sees filth in everything. Ex-Lady premiered in the U.S. today in 1933.
Tabloid proves it's possible to be both one-of-a-kind and run-of-the-mill.
Above, the cover and assorted scans from yet another tabloid we've never seen before—Sensational Exposés, produced by New York City based Skye Publishing. We've scanned and uploaded a couple of other rare tabloids in the last year, including Dynamite and Nightbeat. Sensational Exposés fits right into that group. Rarity doesn't make it special, though. Which is to say, it's a great little historical tidbit but it doesn't compare favorably to the big boy tabloids of the era—Confidential, Whisper, Hush-Hush, et al, either graphically or content-wise. Well, at least it cost us only four dollars.
Sensational Exposés launched in late 1957 and did not last past 1958, as far as we can tell, with this issue appearing in April of that year. Inside you get a little bit of organized crime, and a little bit of commie bashing, and a little bit of celebrity dish, with all the accompanying photos posed by models, save for an appearance from Tana Velia. We'll keep an eye out for more issues but we don't expect to find others—at least not at a reasonable price. If you'd like to see hundreds of other tabloid covers and interior scans check our burgeoning tabloid index, at this link. |
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