That famous southern hospitality must happen in some other part of the south.
Charles Williams' 1954 thriller Go Home, Stranger doesn't take place entirely at sea like fun efforts such as Dead Calm and Aground, but it does have an aquatic focus, with much of the action taking place in swamps and bayous along the Gulf Coast, as lead character Pete Reno tries to prove to the yokel police force that his famous actress sister didn't murder her husband. Though the cops aren't much help he finds an ally who doubles as a love interest. The Gulf feel is strong, the story is interesting, and the writing is typically solid, but this is not Williams at his best. Relegating the sister—who has the most at stake—to a mainly off-the-page role possibly saps the story of urgency. But of course middling Williams surpasses many thriller authors' best work. The cover art is by Barye Phillips, and its dark and moody nature illustrates the prose nicely. The copyright on this Gold Medal edition is 1963.
A deserted island, a pair of killers, and very little time.
We just finished reading Aground, which Charles Williams wrote in 1960, and it was a solid if unspectacular outing from a highly experienced author. In this one John and Rae (two characters who meet here but would later marry and appear in Dead Calm) are trapped with two weapons smugglers on a yacht that's stuck on a reef. The only way to free the boat is to lighten the load, so the crooks make the couple help unload tons of guns onto the atoll, and thus we get the ticking clock for this thriller—when the boat is light enough to float, the criminals will move it to slightly deeper water, make their captives reload the guns, kill them and be off. A fun gimmick, perhaps not exploited to fullest advantage, but the end result is worthwhile. The Crest paperback edition above, with uncredited art, appeared in 1961.
Hmm... you should be on the ground writhing in agony by now. What's this material? Polyester?
We talked about the Charles Williams thriller A Touch of Death back in 2015. Shorter version: it's great. But we didn't show you the alternate cover art. This edition came first, in 1954, from the brush of Saul Tepper. See the other cover here.
Age is just a number—a prison sentence is real.
The cover blurb on this 1957 Crest paperback for Gil Brewer's Little Tramp is a case of false advertising. The femme fatale is not jail bait—she's eighteen. Which might make involvement with her a case of bad judgment, but not one of illegality. An important detail, that. But even if young Arlene isn't jail bait, she still might be the reason the down-on-his-luck protagonist Gary Dunn goes to prison. She's decided to stage her own kidnapping to pry money from her rich father, and has set Dunn up to look like the perpetrator. The scheme goes wrong when a sleazy private investigator decides to use the scam to kidnap Arlene for real. This is typical Brewer—an everyman finds himself in over his head with a woman. The art however, is not typical. It's first rate stuff, painted by the always great Barye Phillips for Fawcett-Crest in 1957.
It's really been three days since we showered? Wow. The old saying is true—time flies when you're having fun.
Love in Dishevelment by David Greenhood deals with a man and woman in New York City who decide to live together, something that was severely frowned upon in 1948 when the book was first published, especially for two upstanding professionals like the couple in the story. There's also an out-of-wedlock baby, even more frowned upon, and these and other elements led to the book being banned in Australia, though on the whole you could call the story a romance. Greenhood, who also wrote non-fiction and poetry, takes a literary approach here, and he earned good reviews. This Fawcett-Crest edition appeared in 1955 with cover art from James Meese.
My life has gone horribly wrong, but at least I still have my digni— Oh, great. My fly was open this whole time, wasn't it?
In David Goodis' 1954 thriller Street of No Return, a down-on-his luck nobody named Whitey, who had been a great singer years ago only to lose his voice, career, and sobriety—thanks to a dame, of course—finds that even for a man at rock bottom things can get worse. And it involves something more serious than discovering his fly is open, though that would be funny. What happens is an impulsive act of compassion drags him into a pit of murder and corruption, set against the backdrop of Puerto Ricans-vs-cops race riots in Philadelphia. There are plenty of reviews of this online, so for details just look around. This one caught our eye because of the intricate and gritty cover art, yet another top effort from Barye Phillips.
Only good hot sax could make a girl move her body that way.
In 1958's hit novel The Horn beat author John Clellon Holmes tells the story of Edgar Pool, a talented tenor saxophonist who makes his mark on the NYC jazz scene and grows into a global legend. The last twenty-four hours of his life are related via the recollections of friends and lovers, so what you get is a rise-and-fall biography centered around a booze-drugs-women nexus, which Holmes based on the lives of jazz masters Lester Young and Charlie Parker and set in 1954 to give it a tinge of documentary nostalgia. It's a really nice piece of literature. Holmes had already written Go, which is considered the first beat novel; The Horn is the definitive jazz novel from that genre. This 1959 Fawcett Crest paperback comes with worthy cover art from Mitchell Hooks.
What are you, deaf or something? How many times do I have to tell you?
We come across lots of similar covers but these two from Gold Medal Books are truly twins. The first, for Walt Grove's The Man Who Said No, is uncredited, but the second, for Mike Heller's So I'm a Heel, was painted by Barye Phillips. These could actually both be Phillips, looking at them. He sometimes didn't sign his work. But absent confirmation, we'll just say both are great. 1950 and 1957.
Dammit, because of you all the girls started calling me “just barely average Stan.”
John Monahan was a pseudonym used by W.R. Burnett, the man behind Little Caesar, High Sierra, The Asphalt Jungle, and other enduring novels. He also wrote or co-wrote such screenplays as This Gun for Hire and Scarface. In Big Stan he tells the story of a cop named Stanislaus who’s tasked with catching a masked criminal known as the Black Phantom. The Phantom proves elusive until he makes the mistake of targeting Stan’s wife. It’s a fairly well regarded book from an author who wrote some of the classics. The art on this 1953 Gold Medal paperback is by Barye Phillips.
Of course I have anger issues! You would too if you needed ridiculous hair to compensate for a tiny head!
It's always interesting to compare the covers of reissued paperbacks to the original editions. Often they're similar, but sometimes—as with the above examples—they're very different. These two versions of Thunderclap strongly reference the weather but that's all they have in common. Both from Fawcett, the top cover is from 1951, and the second appeared in 1959. Which do you prefer? Think carefully—these are like ink blots. One choice indicates a sane and insightful mind, while the other reveals deep psychological issues. We'll give you a hint—Clorox 'fro bad. Uncredited art for both covers.
The headlines that mattered yesteryear.
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A.
1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations.
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
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