Vintage Pulp Sep 19 2017
STRANGER THINGS
That famous southern hospitality must happen in some other part of the south.


Charles Williams' 1954 thriller Go Home, Stranger doesn't take place entirely at sea like fun efforts such as Dead Calm and Aground, but it does have an aquatic focus, with much of the action taking place in swamps and bayous along the Gulf Coast, as lead character Pete Reno tries to prove to the yokel police force that his famous actress sister didn't murder her husband. Though the cops aren't much help he finds an ally who doubles as a love interest. The Gulf feel is strong, the story is interesting, and the writing is typically solid, but this is not Williams at his best. Relegating the sister—who has the most at stake—to a mainly off-the-page role possibly saps the story of urgency. But of course middling Williams surpasses many thriller authors' best work. The cover art is by Barye Phillips, and its dark and moody nature illustrates the prose nicely. The copyright on this Gold Medal edition is 1963.

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Vintage Pulp Sep 5 2017
BLIGHT TOUCH
Hmm... you should be on the ground writhing in agony by now. What's this material? Polyester?

We talked about the Charles Williams thriller A Touch of Death back in 2015. Shorter version: it's great. But we didn't show you the alternate cover art. This edition came first, in 1954, from the brush of Saul Tepper. See the other cover here.

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Vintage Pulp May 20 2017
OUTSIDER CANDIDATE
No, I really think you should run, Chico. True, you're just an amoral hustler, but people like that get elected now.


Obviously, Run, Chico, Run has nothing to do with running for office, but metaphorical running, as in trying to survive in a teen gang in Spanish Harlem. The lead character Francisco, aka Chico, yearns to escape the slums, and actually succeeds, at least for a time, by getting tossed into reform school. Four years later he's a changed man. Or is he? By hook or by crook, he finds himself being dragged back into his old life of street crime, and that isn't going to end well at all. No spoiler there, though—the book opens in court and tells the story of poor Chico's downfall working backward. Wenzell Brown wrote other novels in this vein, including Gang Girl, The Wicked Streets, and Teen-Age Mafia. Run, Chico, Run is 1953, with cover art from Barye Phillips. Another nice cover came with the 1960 re-issue, below, but that one's uncredited. 

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Vintage Pulp Sep 2 2016
FROM BAD TO WORSE
My life has gone horribly wrong, but at least I still have my digni— Oh, great. My fly was open this whole time, wasn't it?


In David Goodis' 1954 thriller Street of No Return, a down-on-his luck nobody named Whitey, who had been a great singer years ago only to lose his voice, career, and sobriety—thanks to a dame, of course—finds that even for a man at rock bottom things can get worse. And it involves something more serious than discovering his fly is open, though that would be funny. What happens is an impulsive act of compassion drags him into a pit of murder and corruption, set against the backdrop of Puerto Ricans-vs-cops race riots in Philadelphia. There are plenty of reviews of this online, so for details just look around. This one caught our eye because of the intricate and gritty cover art, yet another top effort from Barye Phillips.

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Vintage Pulp Mar 18 2016
LET THE HEELING BEGIN
What are you, deaf or something? How many times do I have to tell you?


We come across lots of similar covers but these two from Gold Medal Books are truly twins. The first, for Walt Grove's The Man Who Said No, is uncredited, but the second, for Mike Heller's So I'm a Heel, was painted by Barye Phillips. These could actually both be Phillips, looking at them. He sometimes didn't sign his work. But absent confirmation, we'll just say both are great. 1950 and 1957. 

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Vintage Pulp Jan 4 2016
DOWN TO SIZE
Dammit, because of you all the girls started calling me “just barely average Stan.”

John Monahan was a pseudonym used by W.R. Burnett, the man behind Little Caesar, High Sierra, The Asphalt Jungle, and other enduring novels. He also wrote or co-wrote such screenplays as This Gun for Hire and Scarface. In Big Stan he tells the story of a cop named Stanislaus who’s tasked with catching a masked criminal known as the Black Phantom. The Phantom proves elusive until he makes the mistake of targeting Stan’s wife. It’s a fairly well regarded book from an author who wrote some of the classics. The art on this 1953 Gold Medal paperback is by Barye Phillips. 

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Vintage Pulp Dec 7 2015
STORMY RELATIONSHIP
Of course I have anger issues! You would too if you needed ridiculous hair to compensate for a tiny head!


It's always interesting to compare the covers of reissued paperbacks to the original editions. Often they're similar, but sometimes—as with the above examples—they're very different. These two versions of Thunderclap strongly reference the weather but that's all they have in common. Both from Fawcett, the top cover is from 1951, and the second appeared in 1959. Which do you prefer? Think carefully—these are like ink blots. One choice indicates a sane and insightful mind, while the other reveals deep psychological issues. We'll give you a hint—Clorox 'fro bad. Uncredited art for both covers. 

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Vintage Pulp Nov 14 2015
CLOSE ENOUGH TO TOUCH
Hello? I’m from next door! If you don’t turn down that infernal music I swear I’m going to shoot you!

Charles Williams’ A Touch of Death (published in Britain as Mix Yourself a Redhead) had several different covers, but this 1963 Gold Medal edition with uncredited art is easily the best. It’s a bit strange, though. It almost seems as if it depicts a blind woman. And it does—a woman who’s blind drunk. An intruder is sneaking up on her as she gets loaded and plays her record collection. Don’t worry though. The hero saves her and once she sobers up she reveals herself to be one of mid-century fiction’s greatest femmes fatales—the immortal Madelon Butler. This is a really good book. 

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Vintage Pulp Jan 20 2015
DUET RIGHT
If you're really going to keep sitting there, use your heel and hit that high a-sharp for me at the end of the chorus.

Above, Murder Me for Nickels, 1960, by Peter Rabe, née Peter Rabinowitsch, for Fawcett Publications’ subsidiary imprint Gold Medal Books. The novel tells the story of a low-level organized crime flunkie named Jack St. Louis who works for a jukebox magnate. Because they control the boxes in their unspecified town and its environs they also control who scores a hit record, which brings not just money but a lot of wannabe starlets their way, some of whom Jack funnels through his side business—a recording studio. Unfortunately, Jack gets caught in a takeover gambit when mobsters from nearby Chicago try to strongarm his boss’s jukebox racket. Making matters worse is his boss’s available wife, who wants to be a singer. Well reviewed everywhere. The cover art is by Robert McGinnis. 

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Vintage Pulp Apr 30 2012
BILLY THE KIDDER
He convinced everybody they needed to take a Whiz.

Above is the cover of the bawdy humor magazine Capt. Billy’s Whiz Bang. The monthly was launched out of Robbinsdale, Minnesota in 1919 by Wilford Fawcett, who came up with the unusual name by combining his own nickname with the phrase soldiers used to describe the sound of artillery shells. Capt. Billy’s Whiz Bang began with a run of only 500 issues, had no art or photos, and seemingly never carried revenue-generating advertising save for sometimes on the inside front cover. The content was short stories, limericks, anecdotes, and one-liners, much of which would rightly be considered sexist, racist, or just plain unfunny today. On the other hand, some of it is rather cute. We liked this limerick:

Of Course Not

Carefully she rouges her dimpled knees,
Then adds a powdery sheen,
Do you think she does this little stunt,
If she thinks they won't be seen?


Well, maybe it isn't so great. But did you have any idea women once rouged their knees? That just blew us away. Anyway, from the humble seed of Capt. Billy’s Whiz Bang sprang the entire Fawcett Publishing empire, which at its height consisted of more than 60 separate magazine imprints and made Wilford Fawcett an international celebrity. Later, Fawcett Publishing launched Gold Medal books, where Kurt Vonnegut and John D. MacDonald, among many other notables, got their starts. This issue of Whiz Bang appeared this month in 1923, and thanks to the website Darwination you can read it by downloading their copy here. As a bonus, below are five more covers that came from MagazineArt.org, where you can see a fuller collection. 

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History Rewind
The headlines that mattered yesteryear.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
September 22
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
September 21
1937—The Hobbit is Published
J. R. R. Tolkien publishes his seminal fantasy novel The Hobbit, aka The Hobbit: There and Back Again. Marketed as a children's book, it is a hit with adults as well, and sells millions of copies, is translated into multiple languages, and spawns the sequel trilogy The Lord of Rings.
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