And they say nobody walks in L.A.
Ingrid Bergman takes a stroll near downtown Los Angeles in this promo photo made in 1967 for a Life magazine feature titled “Ingrid Bergman: A Day on Bunker Hill.” At this point Bergman wasn't acting much, but she was featured in Life several times that year and, as one of the transcendent movie stars of the 1940s, was never out of mind, even when she was out of sight.
You ever wonder what nuns wear under their habits? Neither do we. But some people do.
What is it about nuns? We’ve never paid them any mind, but seventies filmmakers sure found them irresistible. We’ve shared a few examples of the phenomenon over the years, such as here, here, and especially here. Educande fuori… femmine dentro was originally made in West Germany, where it was called Die Klosterschülerinnen, and later it appeared in English speaking countries as Sex Life in a Convent. We watched it, and it’s nunsploitation without much in the way of successful humor or eroticism. You've been duly warned. But the Italian poster, which you see above, is pretty cool. Also German actress Astrid Boner—her name kills us every time!—is in a co-starring role. And probably most worth mentioning is the fact that the miraculous Doris Arden gets top billing, and deservedly so. To reiterate, deservedly so. From 1972, this one. West Germany
, Educande fuori… femmine dentro
, Sex Life in a Convent
, Die Klosterschülerinnen
, Doris Arden
, Philippe Dumont
, poster art
, sex symbol
, movie review
Ekberg as a stripper is a dream come true but she brings a nightmare with her.
Based on a 1949 novel of the same name by Frederic Brown, Screaming Mimi stars Anita Ekberg as a traumatized burlesque dancer who can’t shake the memory of being attacked by a knife-wielding maniac. She’s committed to a mental institution, where her psychiatrist promptly falls in love with her and helps her escape and create a new identity. Now dancing at a club in Laguna Beach, California, she’s the hottest draw in the area and her former doctor is her lover and protector, but also smothers and dominates her. Can the anonymity last? Of course not.
Enter stage right an entitled horndog who won’t take no for an answer. After Ekberg survives another knife attack the horndog—who’s also a reporter—has all the justification he needs to dog Ekberg’s every step, and the doctor tries to protect her fake identity and keep her and the reporter from falling into bed together. Chances of success? Zero. Screaming Mimi is an interesting noir—it was fertile enough to serve as inspiration for Dario Argento’s L’uccello dalle piume di cristallo, aka The Bird with the Crystal Plumage—but its b-movie budget really shows and we think Philip Carey is miscast as the reporter/hero. Carey has no charm at all in this, which renders Ekberg’s interest in him unbelievable. But his performance will be a treat for patrons of the Noir City fest—most will probably remember him from his twenty-four-year stint as the repulsive Asa Buchanan on the soap opera One Life To Live.
, Bird with the Crystal Plumage
, One Life To Live
, Anita Ekberg
, Gypsy Rose Lee
, Linda Cherney
, Philip Carey
, Dario Argento
, poster art
, cover art
, film noir
, movie review
All I really wanted for Christmas this year was Russia. Sigh. This holiday sucks.
Adolf Hitler and cohorts enjoy an uproarious 1941 Berlin Christmas party, where the mood may have been somewhat subdued due to the fact that attempts to crush Russia had so far failed at the cost of more than 800,000 German casualties. The photo was shot by Hugo Jaeger, one of the Führer’s personal photographers, and didn’t come to light until published by Life magazine in 2010.
Aren’t you a little old for this sort of thing?
Bernard Wolfe is known for several reasons, not least of them for being Leon Trotsky’s personal secretary in Mexico City, but he was also a novelist of wide-ranging interests. Come On Out, Daddy was his Hollywood book, about a New York author who moves out west to cash in on an easy screenwriting job. While making a couple thousand dollars a week for doing very little he runs into the usual assortment of jaded Tinseltown characters—from big stars to little wannabes—and trysts with an assortment of disposable beauties before of course meeting the woman of his dreams. It’s episodic due to it being partly cobbled together from short stories published in Playboy and Cavalier, but reasonably well regarded as a cultural satire. Life described it as “garrulously and surrealistically told by a huge cast of people in varying stages of corruption.” 1963 on the hardback, and 1964 on the above, with cool cover art by James Meese.
, Mexico City
, Macfadden-Bartell Corporation
, Life Magazine
, Come On Out Daddy
, Bernard Wolfe
, James Meese
, Leon Trotsky
, cover art
Ashley Madison hack could lead down road to serious trouble for important people.
Perhaps you haven’t been following the story, but the marital infidelity website Ashley Madison suffered a security breach in July by a hacktivist group called Impact Team in which all its account records were stolen. At first Ashley Madison’s parent corporation Avid Life Media tried to claim its data remained secure, but it later emerged that Ashley Madison’s client database was completely compromised. For the uninitiated, Ashley Madison hooks up marrieds who want to have affairs, and while most sensible people would think that's a terrible idea, the site had generated millions of clients. Impact Team demanded the site be shut down or all the user records would be published, and yesterday the group made good on that threat and posted 9.7 gigs of records from as many as 32 million users in 46 countries.
Generally, we’re in favor of digital civil disobedience, but this latest raid seems a bit out of character for the various anonymous hacker collectives. At least until you dig a little deeper. Impact Team’s proclamation says in part, “Keep in mind the site is a scam with thousands of fake female profiles. See Ashley Madison fake profile lawsuit; 90-95% of actual users are male.” Exposing mass fraud seems more in line with the usual hacktivist modus operandi, but there’s more. Approximately 15,000 Ashley Madison accounts carry a .gov or .mil web address. Yes, you read that right—more than 15,000 of the accounts go directly back to U.S. military or government IPs. Some even carry a White House home address.
Thus, the moral posturing about sexual infidelity (Impact Team writes, “Find yourself in here? It was ALM that failed you and lied to you. Prosecute them and claim damages. Then move on with your life. Learn your lesson and make amends.”) feels a bit like a smokescreen. In reality, this hack has very likely put a major scare into the political class. Some of the addresses are probably fake (the White House ones are good candidates, because we doubt any White House employees are thatdumb, whereas people who hate the government would be more than willing to spend the time and effort to set up fake profiles). But then some of the addresses most definitely aren’t fake.
The account information is only available so far on the dark web, but we’re very curious to see if anyone follows up on the details of those .gov addresses. There’s no telling who’s at the other end, and we can hardly wait for the denials to start. It's just delicious to think that, after passing all sorts of intrusive laws designed to corral and track internet users, the same politicians could end up being the foxes to a bunch of curious citizens' hounds. Could it actually happen? We have no idea, but we can dream can't we? Stay tuned.
It was a wonderful Life.
An ethereal Gloria Grahame poses for a promo photo during a session that would produce a famous cover for Life. Grahame was a true great of acting who starred in the classics It’s a Wonderful Life, The Bad and the Beautiful, Human Bondage, and Oklahoma!, but who we prefer to remember for her film noir roles—among them: In a Lonely Place, The Big Heat, Crossfire, Sudden Fear, and Naked Alibi. Born and raised in Los Angeles, she took the town by storm and made an indelible mark in film. The above photo and cover below are from 1946.
, It’s a Wonderful Life
, In a Lonely Place
, The Big Heat
, Sudden Fear
, Naked Alibi
, The Bad and the Beautiful
, Human Bondage
, Gloria Grahame
, film noir
Who knew doom and destruction could look so pretty?
Something a little different today, above are five Thai sci-fi and horror posters, showing the baroque stylings that make them so visually pleasing. The movies are, top to bottom, The Hidden, Scanners, Hex, Lifeforce, and The Believers.
If they see us we'll say they can only recover us after a hard reboot. Sounds crazy, I know, but it’ll work.
Above, a nice cover of Man’s Life from May 1961 with art by Wil Hulsey, illustrating the story “Breakout from the All Girl Stalag 1140.” Original art without graphics below.
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