Nguyen proves to be an Enterprising star.
French born, half Vietnamese actress France Nguyen has had quite a few film and television appearances, but our favorite of her roles—of course—is that of Elaan of Troyius in the original Star Trek series in 1968. That character, a sort of deep space Asian and Egyptian ethnic mash-up who boards the U.S.S. Enterprise as part of a diplomatic mission, had tears laced with a powerful chemical that worked like a love potion. Kirk, of course, touched those and more, and ended up losing his head over her. In our opinion she didn't need magic tears to make that happen—Elaan of Troyius was one of the most mysterious and beautiful in a long line of beautiful and mysterious guest aliens featured on Star Trek. The top photo captures all the qualities that made Nguyen perfect for the role, and in the second shot you see her in costume as Elaan.
In The French Love we learn that what the French love is sex.
Random Japanese poster art today, a promo for The French Love, starring Jacques Fugie, Eva Saint (not to be confused with Eva Marie Saint), and others. Fugie, Saint and all the other actors listed as performers here were pseudonyms, but ones fabricated especially for the Japanese market. Thus you won't find any reference to an Eva Saint or Jaques Fugie anywhere else. The French Love actually starred Herman Ryan, Catherine Franck, Patricia Hermenier, and Rod Cameron in the story of an American journalist hooking up with two French flight attendants in Paris while covering the diplomatic meetings leading up to the treaty that ended the Vietnam War. Heady times, no? Leave it to the French to mix social commentary with smut. The movie was directed by José Bénazéraf, a softcore veteran who helmed something like a hundred erotic films between 1963 and 1999, as well as starring in some. Release dates on The French Love, aka merely French Love vary—many sources say 1972, but we think it was 1973.
It must be jelly ’cuz jam don’t shake like that.
We got curious about Nai Bonet, who we’d never heard of until last week, and after taking a stroll around the internet discovered she was pretty famous in her day and even released a 1966 single for which you see the sleeve above. The song is called “Jelly Belly,” with “The Seventh Veil” on the flipside. Bonet teaches fans to do her trademark Jelly Belly dance, which we can only imagine led to many sprained backs in mid-century America. But maybe you want to try. The instructions are in like Danish, but here’s the gist:
1: Clap your hands together and gently bow…
2: Put your hands over your head and I’ll show you how…
3: First you inhale (pull your tummy in)
4: Then you exhale (push your tummy out)
5: Hips go up…
6: …and down
7: Tummy round and round…
8: Shoulders shivering…
9: Everything a-quivering.
And presumably it's rinse and repeat at that point. For extra inspiration you can hear "Jelly Belly" here. Just remember—if you pull something, rest it, apply ice, and dream up a much better story about your injury than you were trying to get everything a-quivering.
Private Affairs joins the wild mix of 1960s tabloids.
This issue of the New York based tabloid Private Affairs appeared in June 1962, and features cover stars Kim Novak and American Nazi Party leader George Lincoln Rockwell rendered by an uncredited artist. Inside the issue Affairs rehashes Novak’s various relationships, recounting how mafia goons threatened to kill Sammy Davis Jr. if he didn’t stop meeting Novak across the color line, how she accepted an expensive sports car as a gift from Ramfis Trujillo even though his hands were “bathed in the blood of executed political prisoners,” and how she shot down a smitten Charles Boyer by asking him in bewilderment, “How could you have thought I loved you?” The overarching concern is Novak’s longstanding unmarried status, wedlock of course being the default state for any normal woman. Novak was only twenty-nine at the time—but that was spinster age by tabloid standards. She eventually did wed when she was thirty-two, and it’s a wonder she made it down the aisle without the aid of a wheelchair.
Private Affairs moves on to Norman Lincoln Rockwell, who was making waves with racist rhetoric and a bold guarantee to win the White House by 1972. The question Private Affairs editors ask is whether Rockwell should be taken seriously. They answer by offering an anecdote about how German president Paul von Hindenburg scoffed at a fledgling Adolf Hitler by calling him a “silly little housepainter.” Ten years later, they note, there were 30,000,000 dead. “How far will America let the hate mongers go? Will an unsound branch on the tree of American democracy fall off or will it poison the organism?” they ask. It’s worth noting that while Rockwell’s anti-Jewish rhetoric clearly annoys the editors, they don’t offer any support for the African Americans he was likewise excoriating. But in the end, Rockwell was shot dead by a fellow Nazi. Whether he could have risen to political office is a matter of historical debate.
Private Affairs moves next to related subject matter by claiming that the 1942 Cocoanut Grove fire that killed nearly five-hundred people in a Boston nightclub was set by Nazi saboteurs, and furthermore that the FBI covered that fact up. We wrote about the fire a few years ago, and you may remember that witnesses said the conflagration began with a busboy changing a light bulb. Private Affairs claims the bulb was a specially designed Nazi device that had a fuse inside instead of a normal tungsten filament. This fuse could be set for various ignition times, and a delayed setting allowed the saboteur got away. How the editors puzzled this out remains unclear, and there’s no explanation how a busboy randomly asked to change a burnt out light chose or was handed a deadly device rather than a typical bulb, but maybe those points aren’t important. Tabloids often fail to answer their own questions—the important thing is to stir up trouble.
Elsewhere in the issue we get Lana Turner, who Affairs claims let her daughter take a murder rap for her; comedian Dick Gregory, who is accused of stealing jokes; and Ingrid Bergman, who is shown with her later-to-be-famous daughter Isabella Rossellini. We also meet Nai Bonet, a famed Vietnamese bellydancer who within a couple of years would parlay her fame into a film and music career. Private Affairs is not a well known tabloid today—it probably arrived on the scene just a bit too late to carve out a readership when newsstand shelves were already packed with established imprints such as Confidential, Uncensored, Top Secret, Inside Story, Hush-Hush, et al. This particular issue—designated Vol 1, No. 3—is the only copy of the magazine we’ve ever seen. We suspect the brand was defunct within the first year. Many scans below, and more rare tabloids coming soon.
If there’s such a thing as the most amazing dress ever made, Carroll Baker wore it.
In the summer of 1964, promoting her movie The Carpetbaggers, American actress Carroll Baker attended a premiere at London’s Plaza Theatre in Piccadilly Circus wearing a $28,000.00 transparent dress from designer Pierre Balmain. She had worn it before at the U.S. premiere in June, which means Londoners had an inkling what they were going to see, but what resulted was, well, a circus. The crowd went nuts and the situation devolved into what some newspapers described as a near riot. The above National Examiner, published today in 1972, features Baker wearing what we noticed was a similar but not identical dress. We got curious where it came from, and so we went looking.
Turns out in late 1964 designer Oleg Cassini, entranced by the Balmain dress, designed a similar version for Baker to wear at a promotional event in Las Vegas. The difference is in the placement of the beading—Balmain’s left a v-shaped peek-a-boo, whereas Cassini’s left a diagonal opening across the chest. You can see the difference below. Cassini had built his version of the dress in Baker’s absence using a model of identical size, but it didn’t really fit because bodies have all sorts of differences, even if their crude numerical aspects are ostensibly the same. Baker endured eighteen precarious hours in a gown that was so tightshe couldn’t shake hands without it shifting to reveal parts she wanted to keep hidden. She later wore the dress—hopefully altered—at a premiere of Cheyenne Autumn, and a photo of her posing with a dozen costumed Native Americans survives today in the Associated Press archives.
But the dress wasn’t finished quite yet. The next year immortal costumer Edith Head designed yet another variation on Balmain’s original for Baker to wear promoting the film Harlow. We don’t know where the previous two gowns went, but the Head version, one of several she put together, survived and has appeared in Hollywood fashion exhibitions as recently as 2003. Baker also wore a Balmain (or Cassini or Edith Head copy) during a 1966 troop tour in Vietnam, and the only reason a full firefight didn’t break out among the GIs the moment she unveiled herself is probably because that version had no cut-outs (right).
Extreme publicity stunts were apparently not unusual for Baker. She considered herself a good actress, but felt that she couldn’t become a star in Hollywood without promoting herself as a sex symbol. “I’ve tried just acting,” she once said, “but sex sells at the box office.” As time wore on, she went from threatening to walk off the set of Station Six—Sahara due to the director pressuring her to appear nude to playing unclothed roles in The Sweet Body of Deborah, Così dolce... così perversa, and Paranoia, as well appearing nude in Playboy and Playmen. Nothing like a shrinking bank account to totally reshape one’s morals. In 1966 AP scribe Doris Klein wrote that Baker was “almost too pretty, too much like a slim teenager to play a sexpot.” But Baker became one of the biggest sexpots in the world. Looking at the 1964 Balmain, and the three to six versions that followed, we’d say it was inevitable.
A politics-free Olympiad? Only in our dreams.
Something we've had lying around for two years, this is the week we finally get to share this Japanese poster for the 1968 Summer Olympic Games in Mexico City. History books and our fathers tell us what a turbulent Olympiad that was. It was the height of Vietnam and the civil rights struggle, and African American runners Tommie Smith and John Carlos raised up a black power salute on the medal podium while the U.S. national anthem was played. That is the event many seem to remember, but of great importance was the Mexican government’s massacre of unarmed student protestors in the Tlatelolco barrio of Mexico City. Although it happened before the Olympics began, the protest was tied to the games because part of the students’ dissatisfaction had to do with the Mexican government’s spending of the equivalent of $7.5 billion to stage the event. Meanwhile, in Europe, the Soviet Union had invaded Czechoslovakia, prompting medal winner Vera Caslavska to turn her head away during the playing of the Soviet anthem. 1968—you wouldn’t really call it a good year. But at least we have this good poster.
All of America seemed to want George Hamilton sent to Southeast Asia.
We’re doubling up on Confidential this weekend because we have so many. Here’s another February issue, this one from 1967, with an unusual white cover featuring actor George Hamilton. What was the big deal about him joining the army? Well, he was dating Lynda Bird Johnson, who happened to be the daughter of Lady Bird Johnson, who happened to be the wife of president Lyndon Baines Johnson. Pro-Vietnam War Confidential is urging him to prove to America that he was not passed over in the draft because of his connection to the White House. The idea of pressing for men such as Hamilton to be inducted also seemed to make sense to the anti-war left, which believed putting the scions of high society in jeopardy would hasten the end of the country’s Asian misadventure. You see that strategy being carried out below, by three members of the Ad Hoc Committee to Draft George Hamilton. We have no data on whetherpushing for more upper class draftees hastened the end of the war, and we doubt any exists. But it’s true that minority participation and casualties fell as the conflict progressed—though the numbers didn’t shift as radically as many people think. As far as whether Hamilton’s relationship with Lynda Bird Johnson actually kept him out of Southeast Asia, officially at least, Hamilton was passed over because he represented the sole means of support for his mother. But as Confidential succintly put it: "As sole support of your mother you escaped the draft. Now you have $1,000,000, a Rolls Royce, and a 39-room house. So what's holding you back, tiger?"
Eddie Adams’ photograph inadvertently helped change public opinion about the Vietnam War.
Above, one of the most important photographic images of the twentieth century, a Pulitzer Prize winner shot by photographer Eddie Adams. On a sweltering Saigon afternoon, a Viet Cong officer is executed by South Vietnamese national police chief Brig. Gen Nguyen Ngoc Loan, forty-two years ago today. There’s also a widely seen film of the gruesome incident. The photo galvanized the U.S. anti-war effort, but interestingly, Adams regretted taking it, saying that the circumstances around such a photo could never be adequately explained and Nguyen Ngoc Loan appeared to be a villain when perhaps he wasn’t. Such complex considerations are no longer a serious worry for war photographers. Due to Pentagon restrictions, it’s highly unlikely an image like this could now be captured.
Good thing Chris Noel dressed for warm weather, because she spent quite a bit of time in the jungle.
We ran across this 1970s-era Japanese celebrity magazine Movie Information featuring Chris Noel on the cover and absolutely had to share it. She was a notable figure during the Vietnam War due to her “A Date with Chris” radio program, which she broadcast twice weekly to American troops. The show was immensely popular. In fact she was thought by the Viet Cong to be such a morale boost that they reportedly placed a $10,000 bounty on her head. They never managed to kill her, but helicopters in which she rode often took ground fire, and two crash-landed with her aboard. Her efforts to make personal contact with U.S.troops were remarkable when you consider she had already established herself in b-movies and on television and may have been on the verge of becoming a star. Yet she put Hollywood on hold and instead became a radio broadcaster in a war zone. After Vietnam she tried to return to movies but the reception in Tinseltown was icy for a minor actress who was perceived to have supported a U.S. war of aggression. Eventually she gave up and opened a shelter for homeless veterans, which she still runs today. All in all it’s a remarkable—perhaps even movie-worthy—story.
History has written a last draft on Vietnam. The event is remembered by the majority of the world as an error, one that cost the U.S. considerable prestige, and resulted in a humanitarian disaster for the Vietnamese—more than two million civilian deaths according to the most conservative tallies. Even the war’s chief architect, Robert McNamara, who died recently, declared the conflict a colossal mistake. Today Vietnam remains under communist rule, but has restored diplomatic ties with the U.S. and is one of the most welcoming nations in the world, a placewhere American vets comment with amazement upon the Vietnamese ability to put the war behind them despite the ghastly suffering they endured. But whatever history’s take on that divisive period, personalities like Chris Noel are worth admiring. During a time when politicians, pundits, and protestors fought a war of their own over the direction of the United States, Chris Noel rejected the glitz and glamour of Hollywood in order to serve the grunts who were sacrificing their lives on the firing line. |
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