Never try to copy the uncopyable.
U.S. born actress Barbara Lang was one of many actresses promoted as a Marilyn Monroe type, but it was wishful thinking. She only looked like Monroe in shots like this upnose angle from a 1957 Metro-Goldwyn-Mayer promo. However, Lang was beautiful and talented in her own right and went on to star mainly on television, including on series such as 77 Sunset Strip and The Thin Man. After a short career and a turbulent personal life she died in Los Angeles in 1982 aged fifty-four.
If there's a reward here it's going to be damned hard to get.
In a reward based system, Tina Louise would be the carrot, but since it looks like the punishment part is anything from a bump on the head to a hole in the heart, perhaps it's best to just to stand pat. Born in New York City as Tina Blacker, Louise is best known for playing sultry Ginger Grant on the television comedy Gilligan's Island, but she is also a veteran performer from such films as God's Little Acre and Warrior Empress, the latter of which gave the world the above promo shot. It was made in 1960.
Just one look was all it took.
British actress Barbara Steele became known for starring in Italian gothic horror films, a genre in which she could put her penetrating eyes to good use. Some of her films include The Pit and the Pendulum, Nightmare Castle, and The Horrible Dr. Hitchcock, as well as mainstream efforts like 8½, Pretty Baby, and 2016's Minutes Past Midnight. She also moved into producing shows for television, earning credits on The Winds of War, Queer Eye, and other shows. No date on the above shot but we're thinking it's from around 1965.
I could do this with magic, but I really enjoy cooking.
Elizabeth Montgomery, a rare Hollywood-born actress, is best known for her role as Samantha on the long running 1960s-1970s television series Bewitched. But she actually goes way back. She was born in 1933 and broke into show business in ’53, later appeared in such films as the gangster thriller Johnny Cool, and on television in Alfred Hitchcock Presents and 77 Sunset Strip. This shot of her is from the Japanese showbiz magazine Roadshow and is from around 1968.
She wouldn't have believed it at the time, but she hadn't reached her peak.
Above is Japanese actress Mayumi Asaka, who was born in 1955, first appeared onscreen in 1966, and tallied about fifteen roles up until the year 2000. That's about one every two years, which is perfectly fine, but nothing to amaze and awe. But since then she's been a beast, appearing in about eighty movies and television shows, often in recurring roles, pushing her credits up toward a hundred and fifty from the time she turned forty-five. The top shot is from the late-1970s, a decade during whose entirety she accumulated exactly two roles. If she wasn't thinking about quitting show business at that point we'd be surprised. The second shows her recently, still looking great. Perseverance paid.
It's best not to get a head of yourself.
American actress Virginia Leith had a perfectly respectable show business career, appearing in the thriller Violent Saturday and on hit television shows such as Baretta and Barnaby Jones, but what she'll always be remembered for is her turn as a decapitated head in the 1962 schlock sci-fi flick The Brain that Wouldn't Die. Have you seen that one? You really should check it out. It's a hoot. In the film Leith is beheaded in a car accident and her scientist fiancée just can't let go. Well, looking at the rest of Leith at top, now we see why. We don't have a date on the photo, but we're guessing it's from around 1955.
The Good Times just keep on rolling.
American actress Bern Nadette Stanis, born Bernadette Stanislaus is well known for her role as Thelma in the 1970s television show Good Times, but has also appeared in a number of films, including one as recently as this year. In addition to that, she's written a couple of self help books and a volume of poetry. This nice shot probably dates from around 1976.
She has a classic case of cold feet.
British actress Janine Gray must really be suffering in this cold. She was born in Bombay, India, and though she left at age five, may have been there just long enough to get used to the tropical weather. Her show business career was short, but she did appear in some of the better television series of the 1960s, including The Avengers, The Man from U.N.C.L.E., The Saint, and The Alfred Hitchcock Hour. The shot above was made to promote her role in the cinematic comedy Quick Before It Melts, which is set in Antarctica. Luckily for Gray it was filmed in California. But that's a place that can feel pretty cold too, when you have no pants. See below. 1964 copyright on these images.
Bulletproof black man flips the script in Harlem.
So, we watched the entirety of the new Netflix series Luke Cage. Our love of blaxploitation films made it mandatory. Of course, Luke Cage isn't blaxploitation—it's serious black-oriented drama. But anyway we queued it up. For those who don't know, the series is based on a Marvel Comics character who was a bulletproof, super strong black man who lived in Harlem. The show does away with the comic book Cage's bright yellow costume, but leaves the Harlem setting, political machinations, and dealings of crime kingpins that intertwine as normal people try to get on with their lives.
Most members of the sizable cast are black except for several supporting roles, and the occasional one-off—i.e., a technician here, an office worker there. The series is basically an exact negative of about 10,000 television shows over the years that cast blacks in supporting roles. A vocal percentage of the public is not dealing well with it. Some call the show racist. It made us think of the famous unattributed quote: “When you’re accustomed to privilege, equality feels like oppression.” These racially sensitive critics watched How I Met Your Mother, Arrested Development, True Detective and scores of other lily white television shows in droves, but the existence of a single show like Luke Cage is threatening.
But let's put all that aside for the moment. Is the show any good? There are some of the same failings as other action-oriented series, but on the whole it's entertaining. Just be forewarned—it's akin to The Wire more than any superhero extravaganza. The characters are deeply explored. Serious comic book action fans will be disappointed. And second, the complete immersion into an African American culture will be unfamiliarto many viewers. In the end, you simply have to have an interest in the premise and the characters to enjoy the show. For us, the immersion into a nearly 100% black Harlem is one of the show's strengths. For others, not seeing characters that remind them of themselves will be alienating. And that's absolutely acceptable in terms of deciding how to spend one's hard earned free time selecting television shows. Such people should say they aren't interested in the premise. They shouldn't make phony claims that the show is racist.
We think American broadcast media need more shows that reflect reality. Here's the reality—the U.S. is both diverse and extraordinarily segregated. 75% of white Americans have zero black friends, while around 60% of blacks have zero white friends. 100% white environments and white points of view have been shown on television for decades. Luke Cage airs a black point of view, with complex relationships, romantic entanglements, ambitions, dreams, and dealings with harsh realities. There should be room for that, particularly considering television history. On a completely different note, we really are looking forward, twenty or thirty years from now, to a scholarly examination of all these damned superhero shows and movies. There's a real pathology here.
Her intentions are abundantly clear.
American actress Anne Francis appears here in a Four Star Productions promo photo made for her television series Honey West, which ran for one season on the network ABC. Francis was a television iron woman, appearing on scores of shows, but she also made a mark in feature films such as Forbidden Planet and Bad Day at Black Rock. This confident shot is from 1965 and shows her looking beautiful in her mid-thirties. About a dozen years earlier, near the beginning of her career, she still looked good but also very different. |
The headlines that mattered yesteryear.
1958—Workers Assemble First Corvette
Workers at a Chevrolet plant in Flint, Michigan, assemble the first Corvette, a two-seater sports car that would become an American icon. The first completed production car rolls off the assembly line two days later, one of just 300 Corvettes made that year.
1950—U.S. Decides To Fight in Korea
After years of border tensions on the partitioned Korean peninsula, U.S. President Harry Truman orders U.S. air and sea forces to help the South Korean regime repel an invasion by the North. Soon the U.S. is embroiled in a war that lasts until 1953 and results in a million combat dead and at least two million civilian deaths, with no measurable gains for either side.
1936—First Helicopter Flight
In Berlin, Germany, in a sports stadium, Ewald Rohlfs takes the Focke-Wulf Fw 61 on its first flight. It is the first fully-controllable helicopter, featuring two counter rotating rotors mounted on the chassis of a training aircraft. Only two are ever produced, and neither survive today.
1963—John F. Kennedy Visits Berlin
22 months after East Germany erects the Berlin Wall as a barrier to prevent movement between East and West Berlin, John F. Kennedy visits West Berlin and speaks the famous words "Ich bin ein Berliner." Suggestions that Kennedy misspoke and in reality called himself a jelly donut are untrue.
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