I could do this with magic, but I really enjoy cooking.
Elizabeth Montgomery, a rare Hollywood-born actress, is best known for her role as Samantha on the long running 1960s-1970s television series Bewitched. But she actually goes way back. She was born in 1933 and broke into show business in ’53, later appeared in such films as the gangster thriller Johnny Cool, and on television in Alfred Hitchcock Presents and 77 Sunset Strip. This shot of her is from the Japanese showbiz magazine Roadshow and is from around 1968.
She wouldn't have believed it at the time, but she hadn't reached her peak.
Above is Japanese actress Mayumi Asaka, who was born in 1955, first appeared onscreen in 1966, and tallied about fifteen roles up until the year 2000. That's about one every two years, which is perfectly fine, but nothing to amaze and awe. But since then she's been a beast, appearing in about eighty movies and television shows, often in recurring roles, pushing her credits up toward a hundred and fifty from the time she turned forty-five. The top shot is from the late-1970s, a decade during whose entirety she accumulated exactly two roles. If she wasn't thinking about quitting show business at that point we'd be surprised. The second shows her recently, still looking great. Perseverance paid.
It's best not to get a head of yourself.
American actress Virginia Leith had a perfectly respectable show business career, appearing in the thriller Violent Saturday and on hit television shows such as Baretta and Barnaby Jones, but what she'll always be remembered for is her turn as a decapitated head in the 1962 schlock sci-fi flick The Brain that Wouldn't Die. Have you seen that one? You really should check it out. It's a hoot. In the film Leith is beheaded in a car accident and her scientist fiancée just can't let go. Well, looking at the rest of Leith at top, now we see why. We don't have a date on the photo, but we're guessing it's from around 1955.
The Good Times just keep on rolling.
American actress Bern Nadette Stanis, born Bernadette Stanislaus is well known for her role as Thelma in the 1970s television show Good Times, but has also appeared in a number of films, including one as recently as this year. In addition to that, she's written a couple of self help books and a volume of poetry. This nice shot probably dates from around 1976.
She has a classic case of cold feet.
British actress Janine Gray must really be suffering in this cold. She was born in Bombay, India, and though she left at age five, may have been there just long enough to get used to the tropical weather. Her show business career was short, but she did appear in some of the better television series of the 1960s, including The Avengers, The Man from U.N.C.L.E., The Saint, and The Alfred Hitchcock Hour. The shot above was made to promote her role in the cinematic comedy Quick Before It Melts, which is set in Antarctica. Luckily for Gray it was filmed in California. But that's a place that can feel pretty cold too, when you have no pants. See below. 1964 copyright on these images.
Bulletproof black man flips the script in Harlem.
So, we watched the entirety of the new Netflix series Luke Cage. Our love of blaxploitation films made it mandatory. Of course, Luke Cage isn't blaxploitation—it's serious black-oriented drama. But anyway we queued it up. For those who don't know, the series is based on a Marvel Comics character who was a bulletproof, super strong black man who lived in Harlem. The show does away with the comic book Cage's bright yellow costume, but leaves the Harlem setting, political machinations, and dealings of crime kingpins that intertwine as normal people try to get on with their lives.
Most members of the sizable cast are black except for several supporting roles, and the occasional one-off—i.e., a technician here, an office worker there. The series is basically an exact negative of about 10,000 television shows over the years that cast blacks in supporting roles. A vocal percentage of the public is not dealing well with it. Some call the show racist. It made us think of the famous unattributed quote: “When you’re accustomed to privilege, equality feels like oppression.” These racially sensitive critics watched How I Met Your Mother, Arrested Development, True Detective and scores of other lily white television shows in droves, but the existence of a single show like Luke Cage is threatening.
But let's put all that aside for the moment. Is the show any good? There are some of the same failings as other action-oriented series, but on the whole it's entertaining. Just be forewarned—it's akin to The Wire more than any superhero extravaganza. The characters are deeply explored. Serious comic book action fans will be disappointed. And second, the complete immersion into an African American culture will be unfamiliarto many viewers. In the end, you simply have to have an interest in the premise and the characters to enjoy the show. For us, the immersion into a nearly 100% black Harlem is one of the show's strengths. For others, not seeing characters that remind them of themselves will be alienating. And that's absolutely acceptable in terms of deciding how to spend one's hard earned free time selecting television shows. Such people should say they aren't interested in the premise. They shouldn't make phony claims that the show is racist.
We think American broadcast media need more shows that reflect reality. Here's the reality—the U.S. is both diverse and extraordinarily segregated. 75% of white Americans have zero black friends, while around 60% of blacks have zero white friends. 100% white environments and white points of view have been shown on television for decades. Luke Cage airs a black point of view, with complex relationships, romantic entanglements, ambitions, dreams, and dealings with harsh realities. There should be room for that, particularly considering television history. On a completely different note, we really are looking forward, twenty or thirty years from now, to a scholarly examination of all these damned superhero shows and movies. There's a real pathology here.
Her intentions are abundantly clear.
American actress Anne Francis appears here in a Four Star Productions promo photo made for her television series Honey West, which ran for one season on the network ABC. Francis was a television iron woman, appearing on scores of shows, but she also made a mark in feature films such as Forbidden Planet and Bad Day at Black Rock. This confident shot is from 1965 and shows her looking beautiful in her mid-thirties. About a dozen years earlier, near the beginning of her career, she still looked good but also very different.
Everything's better with beer.
You know we live by the beach. They are absolutely packed right now. Sunbathers as far as the eye can see and the mind can comprehend. So in tribute to one of humanity's most primal if slightly bizarre rituals, above is a beachy photo of Japanese actress Yoko Asaji with a Budweiser and little else. Asaji earned acclaim starring on the Japanese television show Kumo no Jūtan, and appears here circa 1975. Hopefully she remembers to hydrate.
Sigh. I feel like an utter fool. This will completely kill my career. I just know it.
Linda Lawson, who danced at the Sands Hotel and Casino in Las Vegas as one of the famed Copa Girls, poses with a mushroom cloud on her head in her temporary dual capacity as Miss-Cue, a title bestowed by military personnel participating in the nuclear test Operation Cue at the nearby Nevada Test Site in 1955. High winds had caused the the test to be delayed several times, causing clever soldiers to change the name to Operation Miscue. From there it was just a small leap to actually giving the title to a lucky Vegas showgirl.
The above photo was made at the pool at the Sands Hotel and Casino in Las Vegas during the summer of 1955, and the one at right was made at the same location earlier in the year, with Lawson in a different suit. Hard to know if publicity from getting all mushroom-cloudy helped raise her profile, but in any case she began appearing on television in 1958, and by 1961 had launched a movie career.
So from inauspicious beginnings wearing an oversized tuft of cotton on her head she carved out a résumé of steady work that lasted forty-seven years, which just goes to show that true talent often has a way of overshadowing career sins. All's well that ends well—but we bet she's still mad at her agent. Today Lawson is eighty years old and retired.
Blinding curves ahead—proceed with caution.
American actress Patricia Blair strikes a bold pose on this 1959 Columbia Pictures promo for City of Fear, an atomic era thriller about an escaped convict in possession of what he thinks is a canister of heroin but which is really radioactive cobalt-60. We may circle back to this movie later. Blair appeared in a few films but her career was mostly on television, including recurring roles on The Rifleman and Yancy Derringer.
The headlines that mattered yesteryear.
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.
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