Femmes Fatales Jan 28 2015
GOLDEN GRAHAME
It was a wonderful Life.

An ethereal Gloria Grahame poses for a promo photo during a session that would produce a famous cover for Life. Grahame was a true great of acting who starred in the classics It’s a Wonderful Life, The Bad and the Beautiful, Human Bondage, and Oklahoma!, but who we prefer to remember for her film noir roles—among them: In a Lonely Place, The Big Heat, Crossfire, Sudden Fear, and Naked Alibi. Born and raised in Los Angeles, she took the town by storm and made an indelible mark in film. The above photo and cover below are from 1946.
 

 
diggfacebookstumbledelicious

Intl. Notebook Jan 16 2015
STAR NOIRS
San Fran film fest once again celebrates the best and brightest of mid-century crime cinema.

Today, once again, the U.S.’s premier film noir festival begins in San Francisco. Well, we aren’t impartial—we used to live in Berkeley, just across the Bay, and San Fran was our nocturnal playground—but we think the Noir City Film Festival is the best, that its locale the Castro Theatre is awesome, and that San Francisco, with its iconic hills, clanking cable cars, and rogue fogs, is the also the best possible host city. This year the art produced for the festival in its thirteenth year references worn pulp paperbacks, which we can appreciate, and we also love the festival line-up.

The extravaganza opens with Woman on the Run, a film we discussed recently. Apparently the last known print burned in a fire, and this year’s showing represents the culmination of years of restoration work. Since the film was in the public domain, we imagine some secondary sources existed and needed to be tracked down and cobbled together. Other classics to be screened include Clash By Night, The Thin Man, Shockproof, Cry Terror!, and twenty others. Hopefully a few of our Bay Area friends will attend the festival and report back. And to Pulp Intl. readers in that part of the world, this is your official reminder—any chance to see film noir on a big screen is an opportunity not to be wasted.

diggfacebookstumbledelicious

Femmes Fatales Dec 12 2014
WORRY DOLL
Photo sessions make me nervous and then I look uneasy or stressed, so please wait until I’m smiling before you—

Actually, American actress Gladys George did tend to look worried in many of her photos. Not her fault—it’s just the way her face was built. But she coincidentally suffered from numerous worrisome ailments during her life, including throat cancer, heart disease, and cirrhosis. You may remember her as Iva Archer in the classic noir The Maltese Falcon, but she also appeared in Madame X, They Gave Him a Gun, and The House that Jazz Built, among more than forty other films. She eventually died early from a cerebral hemorrhage. 
 
diggfacebookstumbledelicious

Femmes Fatales Dec 4 2014
HOLY FOCH
Thou shalt not mispronounce her name.

When your name is Nina Foch you probably get used to introducing yourself only to have people say, “You need a what?” Not us, though. We’d never be that juvenile. Film buffs will remember this Dutch actress as Bithiah, the woman who in 1956’s oft-broadcast spectacle The Ten Commandments finds Moses and raises him as her son, but she also played in pulpier fare such as The Return of the Vampire and Escape in the Fog, and important noirs like Johnny O’Clock and My Name Is Julia Ross. This shot was made in 1944 as a promo for her role in Cry of the Werewolf.

diggfacebookstumbledelicious

Vintage Pulp Nov 29 2014
WIFE IN THE FAST LANE
Woman on the Run is a real rollercoaster ride.

General consensus on this public domain film is that it’s better than expected and we watched it and agree. It isn’t about a woman on the run but rather the woman’s husband. She’s looking for him, though, and that’s what the movie revolves around. There’s a very effective rollercoaster sequence at the climax, but otherwise the movie has two main pleasures—Ann Sheridan’s jaded wife character that softens by the end of the film, and the extensive location shooting. In fact, there’s so much external scenery that the film doubles as a tour of mid-century San Francisco, which might be enough reason alone to watch it. It premiered in the U.S. today in 1950.

diggfacebookstumbledelicious

Vintage Pulp Nov 8 2014
BROWN IS THE NEW BLONDE
Diana Dors dirties her golden locks for another turn as a woman behind bars.


The excellent promo above for Le femme et le rôdeur, aka The Unholy Wife was created by Roger Soubie, one of the best French poster artists of the mid-century period. His art drew us to the movie, which we watched only to discover Diana Dors in identical grime mode as in her prison drama Yield to the Night. Not only do both productions feature Dors locked down with her blonde tresses gone brown due to lack of available dye, but both involve her being on death row for murder. Since The Unholy Wife was the next film she did after Yield to the Night we can only assume her initial foray into crime and incarceration was such a success it needed to be repeated. Like almost exactly. Unfortunately, two visions of a bruise-eyed Dors about to receive state-sponsored revenge were too much for audiences, and her repeat excursion was roundly panned.

And sadly, we must agree. Dors is living in California and is married to a Napa winery baron, but since she’s also sharing her affections with a hot young lover, she soon ponders murdering her unsuspecting hubby for his estate. When we lived in Berkeley, just south of the California wine country, we rarely pondered anything more than sunlit grapes and a nice Schug Syrah. But okay, The Unholy Wife is a film noir, which means Dors is no more happy with her heaven-on-Earth existence than a Wall Street stockbroker is with his untaxable Cayman Islands shadow fortune. Both inexplicably want more. Dors starts the film in prison and tells her story via flashback, so we already know her schemes backfired. If only the same were true for stockbrokers. The Unholy Wife premiered in England in the summer of 1957 and premiered in France today the same year.

diggfacebookstumbledelicious

Vintage Pulp Nov 3 2014
THE BIRDMAN OF ARGENTINA
Way down Argentine way Bogart fronts the era’s definitive detective novel.

Leoplán was an Argentine magazine published by Ramón Sopena’s eponymous company Editorial Sopena from 1934 to 1965. This issue features a complete Spanish language reprint of Dashiell Hammett’s The Maltese Falcon and is fronted by a nice Manuel Olivas painting of Humphrey Bogart and the bird. It’s from 1949.

diggfacebookstumbledelicious

Vintage Pulp Oct 15 2014
MASTERFUL KEY
Glass Key paperback art is tops thanks to another Italian master.

Brian Donlevy and Veronica Lake’s film noir The Glass Key, which was Hollywood’s second try at Dashiell Hammett’s novel, premiered this month in 1942. To be exact, it opened yesterday in New York City and throughout the U.S. on October 23. The poster most often seen online is the theatrical release version we showed you several years ago, but alternates were produced and two of them appear below. What we really wanted to share, though, is this great paperback cover from UK-based Digit Books. It’s from 1961 and features the art of Italian illustrator Enrico de Seta, who we’ve mentioned before. If you haven’t watched The Glass Key we recommend it, and if you haven’t read the book, just know that it was Hammett’s personal favorite. 

diggfacebookstumbledelicious

Intl. Notebook Aug 13 2014
LAST BACALL
Slipping into darkness.

Lauren Bacall appears here in what may be her most famous publicity image, gazing from the darkness with a knowing, mischievous, heavy-lidded look she made her trademark in The Big Sleep, Dark Passage, and To Have and Have Not, three films that were a sort of informal trifecta of film noir. She also appeared in Key Largo, less a noir than a melodrama, but still excellent. All co-starred Humphrey Bogart, who she married in the middle of this run of films and remained married to until his death in 1957. Bacall joins him more than half a century later, aged eighty-nine.

diggfacebookstumbledelicious

Hollywoodland May 26 2014
DARK COMPANION
He wasn’t very tall, but he cast a long shadow.

Above, Humphrey Bogart in a promo shot from 1941’s High Sierra, a movie that examines the futility of greed and violence (at least for those with no power or connections). It was more or less the fortieth film Bogart had made, and further cemented his bankability before he truly broke out as a leading man later the same year with The Maltese Falcon. Also, you can once again thank W.R. Burnett—he wrote the novel and collaborated on the screenplay.

diggfacebookstumbledelicious

Next Page
Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
Four Aslan Covers for Parme
History Rewind
The headlines that mattered yesteryear.
January 30
1933—Hitler Becomes Chancellor
Adolf Hitler is sworn in as Chancellor of Germany in President Paul Von Hindenburg's office, in what observers describe as a brief and simple ceremony. Hitler's first speech as Chancellor takes place on 10 February. The Nazis' seizure of power subsequently becomes known as the Machtergreifung.
January 29
1916—Paris Is Bombed by German Zeppelins
During World War I, German zeppelins conduct a bombing raid on Paris. Such raids were rare, because the ships had to fly hundreds of miles over French territory to reach their target, making them vulnerable to attack. Reaching London, conversely, was much easier, because the approach was over German territory and water. The results of these raids were generally not good, but the use of zeppelins as bombers would continue until the end of the war.
January 28
1964—Soviets Shoot Down U.S. Plane
A U.S. Air Force training jet is shot down by Soviet fighters after straying into East German airspace. All 3 crew men are killed. U.S forces then clandestinely enter East Germany in an attempt to reach the crash but are thwarted by Soviet forces. In the end, the U.S. approaches the Soviets through diplomatic channels and on January 31 the wreckage of the aircraft is loaded onto trucks with the assistance of Soviet troops, and returned to West Germany.

Advertise Here
Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
Pulp art from around the web
frenchbookcovers.blogspot.com/2012/03/le-rayon-populaire.html dougsploitation.blogspot.com/2008/12/make-yuletide-gay.html
lesbianpulp.blogspot.com/2015/01/lesbian-pulp-and-media-mail.html illustrated007.blogspot.com/2015/01/book-covers-from-greece.html
savedfromthepaperdrive.blogspot.com/2015/01/rafael-cortiella-paperback-covers.html https://archividiuruk.wordpress.com/2014/07/01/la-regina-dei-ladri/
Pulp Advertising
Things you'd love to buy but can't anymore
PulpInternational.com Vintage Ads
aligemker-books.blogspot.com
bullesdejapon.fr
bolsilibrosblog.blogspot.com
thelastdrivein.com
derangedlacrimes.com
www.shocktillyoudrop.com
www.shocktillyoudrop.com/
http://www.shocktillyoudrop.com
http://www.shocktillyoudrop.com/
www.thesmokinggun.com
www.deadline.com
www.truecrimelibrary.co.uk
www.weirdasianews.com
lovecraftismissing.com
doplacebo.blogspot.com
muller-fokker.blogspot.com
salmongutter.blogspot.com
www.glamourgirlsofthesilverscreen.com
tsutpen.blogspot.com
creepingirrelevance.tumblr.com
thepulpfictionproject.blogspot.com
burleskateer.tumblr.com
darwinscans.blogspot.com
superwoobinda.tumblr.com
www.cinemaretro.com
aucarrefouretrange.blogspot.com
eldesvandelabuelito.wordpress.com
www.nationalroadbooks.com
sangreyakuza.blogspot.com
menspulpmags.com
killercoversoftheweek.blogspot.com
About Email Legal RSS RSS Tabloid Femmes Fatales Hollywoodland Intl. Notebook Mondo Bizarro Musiquarium Politique Diabolique Sex Files Sportswire