Femmes Fatales Feb 10 2018
HER MOVE
Knight shoots pawn—check and mate.


Patricia Knight made only five motion pictures, but one of them was 1949's Shockproof, which falls into the category of under appreciated film noir. She plays an ex-convict who moves in with her parole officer. Yeah—bad idea, but no need to say more because we already talked about the film in detail. Check here. Knight married her Shockproof co-star Cornel Wilde and, except for a few more roles, that was pretty much the end of her career. But her contribution to film noir is remembered as one of the better ones. This is a promo photo from the movie, 1949.

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Femmes Fatales Feb 5 2018
ASSUMPTION OF GUILD
Pronounce it wrong one more time. I dare you.

American actress Nancy Guild's name actually rhymed with “wild” not “guilt,” according to her, and since she's armed we'll call her anything she wants. She appeared in the noir thrillers Somewhere in the Night, which we talked about here, and Dashiell Hammett's The Brasher Doubloon, as well as about a dozen more films before quitting show business to marry producer Ernest H. Martin. This photo was made in 1947.

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Vintage Pulp Feb 1 2018
SOLO PERFORMANCE
If you want something done right do it yourself.


Years ago we shared a poster for I Walk Alone but hadn't seen the film. Since it's on the Noir City Film Festival schedule this year we thought we'd have a look, and what we watched was a story about Burt Lancaster being released from fourteen years in prison and immediately looking up his old partner who owes him a 50% share of profits from the bar they owned together. The partner is Kirk Douglas, at his slimy best, having expanded the bar into a glitzy supper club he has no intention of sharing. But since Lancaster got tossed into jail in the first place by protecting Douglas he's not going to just walk away empty handed. Once it becomes clear he has no legal claim to the club he puts together a crew to muscle in, but the strong arm method doesn't work out quite how he plans, and the stakes between the former partners go higher and higher. Lancaster, Douglas, Scott—there's really no way to fail. I Walk Alone has some problems in the area of character motivation—i.e. why would you do that?—but it's well acted and ultimately is an enjoyable film noir entry.

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Vintage Pulp Jan 30 2018
DARK BLUE
Los Angeles homecoming goes awry for Alan Ladd.


The Blue Dahlia is often cited as a top film noir, but it really isn't. That didn't matter to the Hollywood movers and shakers who nominated Raymond Chandler's screenplay for an Oscar, but we suspect the nod was for stringing together hard boiled dialogue, since it certainly wasn't for stringing together a coherent plot. The movie tells the story of a vet who returns home to find his wife cheating with the shady owner of a Hollywood nightclub. When she's murdered, the husband is sought by police, but he goes fugitive and attempts to find the real killer. With pretty boy Alan Ladd in the lead, plus support from Veronica Lake, William Bendix, and the beautiful Doris Dowling, The Blue Dahlia has a lot going for it, including a cool nocturnal vibe, but a script too reliant on improbable occurrences and Lake's flat performance in a basically ornamental role keep it from being upper echelon. It's worth a watch just to see Bendix go bathouse crazy every time he hears what he calls “monkey music,” but go into it knowing there are at least twenty better films in the genre. 

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Vintage Pulp Jan 29 2018
LOOKS THAT KILL
The eyes have it in for you.


Above, a beautiful promo poster for the film noir Mildred Pierce made for the film's run in France, which began today in 1947, more than a year after its U.S. premiere. This is pure awesomeness from artist Roger Rojac. Note that it touts Joan Crawford's Academy Award triumph, her win as best actress. It was also nominated for best picture but beaten by Lost Weekend, which is these days considered a bit of a cheeseball classic. We have our earlier write-up on Mildred Pierce here, and a nice promo image for the film at this link

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Vintage Pulp Jan 27 2018
DEAD SILENCE
Counterfeiters and Nazi agents clash in wartime Los Angeles.


When we saw Quiet Please: Murder on the Noir City slate and realized we'd never heard of it we decided to watch it and were treated to an interesting flick about sellers of literary forgeries who get in over their heads when they cheat the representatives of Nazis. Apparently, Hermann Göring is accumulating items he expects to maintain value in the event of post-war inflation, and a rare quarto of Hamlet fits the bill. George Sanders and Gail Patrick are the crooked vendors who run afoul of the Nazis, as well as the cop hero played by Richard Denning. The movie is remembered for its central scene involving an air raid drill that plunges heroes and villains into a blackout at a crucial moment, but the primary benefit here is watching Sanders, who was Russian born but learned a clenched-jaw upper class English accent that made his voice unique in film. He's a perfect baddie here, shooting a librarian to acquire the original Hamlet, pimp slapping his partner Patrick, and in general being shady as fuck. Thanks to him Quiet Please: Murder is an entertaining little b-noir.

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Intl. Notebook Jan 26 2018
TO LIVE AND DIE IN SAN FRAN
The Noir City Film Festival arrives in the Bay for its 16th year.


We wanted to show you the latest Noir City Film Festival promo posters, like we traditionally do, because it's a nostalgia trip for us from our time living in the San Fran Bay area. This year we aren't going to try to watch all the movies. Well, we may watch the movies, but we won't write about them. Or maybe we'll write about one or two. Anyway, Noir City, Bay area, audience members in period costumes—go. There's nothing like an old movie on a big screen. 

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Vintage Pulp Jan 19 2018
SHOCK VALUE
It isn't easy for a bad woman to go straight.


We think Shockproof has one of the best film noir titles of all time. It just sounds like a killer flick. But is it? Patricia Knight stars as paroled murderer who can't quit her past associations, despite the fact that her parole officer Cornel Wilde is prepared to throw her back in prison for life if she violates her terms. But she thinks she's smarter than the system, and so does her shady boyfriend, so they keep sneaking around Los Angeles to meet each other. Meanwhile Wilde is convinced Knight is redeemable, and in his efforts to steer her straight ends up bringing her deeper into his own circle, and into his personal life. The only way he can keep her away from her bad boyfriend is to be with her as much as possible, so soon the two are living in the same big house along with Wilde's mother and little brother. But the old boyfriend is still sliming around and plans to use Wilde's affections for Knight against him. We wouldn't say the movie is quite as good as its title—it isn't down and dirty enough for that—but it's a solid film noir entry, and we recommend it. It premiered in the U.S. today in 1949.

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Vintage Pulp Jan 15 2018
THERE'S THE RUB
What the hell are you two snickering about? You never seen a guy polish his tommy gun before?


Harry Schaare does nice work on a cover for W.R. Burnett's thriller High Sierra, copyright 1950 from Bantam Books. If anybody snickered it was probably Schaare himself. He had to know how masturbatory this looked, right? Or maybe it's just us. Anyway, this book obviously became a celebrated gangster film noir starring Humphrey Bogart, but the source material is electric. We read it years ago and it stuck with us. Highly recommended. 

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Femmes Fatales Jan 5 2018
RINGING IN THE NEW YEAR
She made a resolution to see the world from a fresh perspective.


Ellen Drew, née Esther Loretta Ray, was only 5'3”, which means she probably needed help getting onto and off of these rings, but she looks pretty comfy up there, and joins other gymnastic femmes fatales we've featured. Drew debuted onscreen in 1936 and made scores of movies, including Johnny O'Clock and The Crooked Way. She actually acted under her birth name for twenty-five films, but switched to Ellen Drew in 1938 and sustained her career into the early 1960s. This shot of her risking a broken head or tailbone was made around 1940. If you want to see other classic celebs performing aerial gymnastics, check here for Danielle Darrieux, here for Sophie Hardy, and here for the goddess Joey Heatherton.

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History Rewind
The headlines that mattered yesteryear.
February 25
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
February 24
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
February 23
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
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