Vintage Pulp Feb 1 2018
SLASH DANCE
The world of professional ballet is absolute murder.


Suspiria is a legendary giallo, praised by horror fans and mainstream critics alike, and slated for a splashy 2018 remake. The fact that it's being remade is understandable—from Hollywood's perspective it fits with action and horror movies such as Turistas, Hostel, A Lonely Place To Die, Land of Smiles, Taken, et al that over the last decade or so have warned Americans that horrific things will happen to them if they travel overseas. In Suspiria an American dancer gains admittance to a prestigious West German ballet academy, but arrives just in time for a nightmarish series of murders. Jessica Harper stars as the ingenue trapped in this mostly blood red dance academy, a stranger in the strangest land, beset by unexplained illnesses, hallucinatory events, and vicious nocturnal terrors.

Suspiria piles the horror stylings on—from Dario Argento and his surreal direction, to Luciano Tovoli with his baroque lighting schemes and supersaturated colors, to the maggot wrangler who produced many more maggots than could have been reasonably expected, to the scorers (Argento among them) who came up with a percussive and discordant soundtrack that could rattle a bomb disposal robot. The first murder is nothing short of operatic, complete with a shot of a knife piercing the victim's exposed heart. The only real question going forward is whether Argento can possibly keep reaching such heights. And the answer is Suspiria, its brilliance outshining its flaws, is a classic for a reason. The poster above is a classic too. It was painted by Mario de Berardinis to promote the film's premiere in Italy today in 1977.

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Modern Pulp Jan 20 2018
ROLLING IN THE ISLES
Betty and her friends are ripe and ready.


This Italian poster was made for a film called La porno villeggiante, which was originally released as Griechische Feigen, but which you may know as The Fruit Is Ripe. We already talked about it several years back, and suffice to say it's a breezy little erotic romp set in the Greek Isles starring Betty Verges and Olivia Pascal. Softcore movies set in foreign lands are a particular weakness of ours, and this one helped inspire our amazing trip to Mykonos, Santorini, and Naxos in in 2014. We'd go back if there weren't other islands in other oceans we need to get to, but trust us—it's worth it, even if your trip doesn't resemble the movie. There's no Italian release date on La porno villeggiante, but it had its world premier in West Germany today in 1977. Below are some interesting promo images we located. You can read our original write up on the film here.

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Vintage Pulp Dec 1 2017
WANTS AND NEEDS
End of the line—Brando's place.


Above, a striking West German poster for Endstation Sehnsucht, which you know better as A Streetcar Named Desire. Admit it. You've heard of it, you know who Tennessee Williams is, but you haven't seen it (or seen or read the much racier Pulitzer Prize winning play it's based on). A famous critic once explained that a good book teaches you how to read it. The same can apply to movies. You have to let yourself be immersed in A Streetcar Named Desire. The first twenty minutes you might be tempted to give up. But once the dubious southern accents and style of the production settle into your head, you'll find a movie well worth watching, with a nice performance by Marlon Brando, who was comfortable in his role of the beefcakey Stanley Kowalski after having played it on Broadway. A Streetcar Named Desire is over the top—and over the needed running time, in the opinions of many—but it's an involving experience. After its U.S. premiere in September 1951 it rolled into West Germany as Endstation Sehnsucht today the same year.

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Modern Pulp Aug 20 2017
ESOTIC BLEND
Gemser makes a movie out of spare parts.


In Porno Esotic Love Indonesian sexploitation superstar Laura Gemser finds herself in another exotic locale—this time Hong Kong—where she engages in another series of softcore romps with hirsute westerners. She made something like twenty-six movies along these lines, which is why the makers of this one couldn't resist taking shortcuts. They cobbled together a good chunk of the footage from Gemser's previous outings and shoehorned them into a new narrative about a woman seeking revenge for the heroin overdose of her sister. The cynical usage of previously shot footage makes this one of director Joe D'Amato's worst efforts, but also one of his most profitable, we suspect. We can't possibly recommend the movie, but in order to compensate for the aching sense of loss you probably feel, there's a promo shot of Gemser below kicking back on a large rock, or perhaps the world's smallest deserted island, depending on how you want to look at it. Porno Esotic Love premiered in Italy today in 1980.

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Modern Pulp Jul 30 2017
TOP TIER
Humans aren't highest on the food chain anymore.

Above, a West German poster for Joe Dante's groundbreaking werewolf movie The Howling, which we discussed in detail back in May. We found the art on this promo rather weird and thought it would be a worthwhile share. The movie premiered in West Germany as Das Tier—The Animal—today in 1981.

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Vintage Pulp Jun 14 2017
ONE MAN'S TREASURE
Gold may fill the pockets but it can also empty the soul.


We wanted to show you a bit more work from German artist Rolf Goetze. We settled on this West German poster for the quasi-western drama Treasure of the Sierra Madre because the film premiered in West Germany today in 1949. This is Goetze at his best. For that matter, it's Humphrey Bogart, Walter Huston, and John Huston at their best too. That isn't just our opinion—Walter Huston won a Best Actor Academy Award for his performance, and John Huston won both Best Director and Best Screenplay. If you're not familiar with the film, we'll just tell you it's a cautionary tale about the lust for riches, and it contains this classic and oft-mangled quote: “Badges? We ain't got no badges. We don't need no badges. I don't have to show you any stinking badges!” More Goetze poster work to be seen here and here.

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Modern Pulp May 29 2017
LINDA LOVELESS
All jerks and no play make Linda a very dull movie.


Some of the other titles of the West German sexploitation flick Linda are Captive Women, Naked Super Witches of the Rio Amore, and Orgy of the Nymphomaniacs. Those should tell you everything about the content of this movie. Plotwise, it involves a woman forced to work as a prostitute at a bdsm brothel on the island of Madeira, Portugal. How that actually happens doesn't much matter. The circumstances are ridiculous, and not at all the point. The point is nudity, which is delivered often and steadily. Characterwise, almost every man in the film deserves to be drawn and quartered, which makes it too bad that doesn't actually happen. It's actually a scorpion that turns the tide and allows the heroine to finally escape.
 
The movie is notable really for only two things: it was one of more than 100 productions helmed by Jesus Franco, that misunderstood genius, and it features 1979 Playboy centerfold Ursula Buchfellner, billed here as Ursula Fellner. Three things, actually: it's as humorless a sexploitation flick as we've ever seen. Even Katja Bienert in the title role can't save it. No way we can recommend this one, but we wanted to show you the Italian promo poster. It has the look of pieces painted by Mafé, but he signed all his work, as far as we know, so this must just be a convincing imitation. Linda premiered in West Germany for the first time today in 1981, and don't say we didn't try to steer you away.


Bonus material: just for the hell of it, just because they exist, we've uploaded a couple of promo shots of Bienert and Buchfellner below. Their names together sound kind of like a cop show, like a prime time drama where every problem is solved within an hour. We think it would have been a hit, because they've solved our problems in just a couple of minutes. But our previous advice holds true: don't watch the movie.

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Vintage Pulp May 24 2017
A DAY FROM HELL
It could have been worse. They could have flown United.

This chaotic West German poster for Der söldner des syndikats caught our eye for a couple of reasons. One was its sheer garishness, and the other was because the unknown artist depicted diminutive Mickey Rooney all swoll up like a Marvel Comics superhero. It just screams cheeseball classic, so we had to check out the film, which is known in English as 24 Hours To Kill. When a plane makes an emergency landing in Beirut the flight crew learns that one of their number (Rooney, decidedly un-swoll and unheroic) is hunted by a criminal smuggling syndicate he's double crossed. The repaired plane leaves in twenty-four hours, and the crew decide to protect Rooney until that time. Abandoning him is out, because he's a pal, and going to the police is out, because they'd be stuck in Beirut for days or weeks, thus making the syndicate's job easier.

So the plan is to protect Mickey Louse for a day and then jet—if they can manage it. What follows is a series of botched abductions worthy of Raiders of the Lost Ark, ornamented with location shooting in Byblos, Baalbeck, Casio Du Liban, and a Beirut long since reshaped by war and bulldozed for high rises and privatized resorts. Those locations possibly make the movie worthwhile all on their own, and other beautiful sights are provided by co-stars Helga Sommerfield and France Anglade. A minor ’60s thriller, this one feels like a television movie, which means the level of tension is not nearly high enough. Nor the level of action—there's more on the poster than in the film. But even if the art misleads, the movie is entertaining enough. Made in English by the West German production company Grixflag Films Ltd., Der söldner des syndikats premiered in West Germany today in 1965.

Intimidating movie poster Mickey.

Not very intimidating movie Mickey.
 
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Vintage Pulp Apr 24 2017
MOMMY DEAREST
Spare the rod, spoil the child.

We ran across this West German poster for Solange ein herz schlaegt, aka Mildred Pierce, and realized we had a substantial gap in our film noir résumé. So we watched the movie, and what struck us about it immediately is that it opens with a shooting. Not a lead-in to a shooting, but the shooting itself—fade in, bang bang, guy falls dead. These days most thrillers bludgeon audiences with big openings like that, but back in the day such action beats typically came mid- and late-film. So we were surprised by that. What we weren't surprised by was that Mildred Pierce is good. It's based on a James M. Cain novel, is directed by Michael Curtiz, and is headlined by Joan Crawford. These were top talents in writing, directing, and acting, which means the acclaim associated with the movie is deserved.

While Mildred Pierce is a mystery thriller it's also a family drama revolving around a twice-married woman's dysfunctional relationship with her gold-digging elder daughter, whose desperation to escape her working class roots leads her to make some very bad decisions. Her mother, trying to make her daughter happy, makes even worse decisions. The movie isn't perfect—for one, the daughter's feverish obsession with money seems extreme considering family financial circumstances continuously improve; and as in many movies of the period, the only black character is used as cringingly unkind comic relief. But those blemishes aside, this one is enjoyable, even if the central mystery isn't really much of a mystery. Solange ein herz schlaegt, aka Mildred Pierce opened in West Germany today in 1950.

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Vintage Pulp Feb 17 2017
FAST LEANERS
Your high school was never like this.


Let's double up on the sexploitation today. The Schulmädchen-Report, or Schoolgirl Report series tries to pass itself off as an educational exploration of different aspects of youthful sexuality, but really it's about as informative as an abstinence class, except much more likely to turn you celibate. The third entry, Schulmädchen-Report 3. Teil—Was Eltern nicht mal ahnen, aka Schoolgirls Growing Up, aka Schoolgirl Report Part 3: What Parents Find Unthinkable, is racy stuff, far beyond the pale for casual filmgoers, some of it undoubtedly illegal to film today. To get an idea, consider that the U.S. version of this is twenty minutes shorter than the uncut international version. And yet, it isn't a porno film. There's no actual sex—just relentless stretching of the deviancy envelope, for example a chapter dealing with incest, and another dealing with the sexual urges of two underage kids. So really, the cut version is better because it doesn't make the hair on the back of your neck stand up. Trimmed, you get a film that's harmless, if occasionally tasteless, but fun in parts. We can't go so far as to recommend it, but doubtless some will like it—the series had twelve iterations, after all, which tells you that it did have redeeming qualities. We, however, shall take a pass on the rest of these. Schulmädchen-Report 3. Teil premiered in West Germany today in 1972.

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History Rewind
The headlines that mattered yesteryear.
February 25
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
February 24
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
February 23
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
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