Intl. Notebook Nov 15 2015
LET'S REVUE
Ciné-Revue's clever mix made it one of Europe's longest running celeb magazines.

This issue of the Belgian magazine Ciné-Revue was one of our treasures from last year's trip to the Saint-Ouen flea market in Paris. Inside you get too many stars to name (and too many pages to scan), but the highlights are Marlon Brando, Susan Denberg, Marilyn Monroe, and Nadja Tiller. On the cover is British actress and pop singer Minnie Minoprio, who during the early 1970s starred in several films, all considered obscure today. But that was Ciné-Revue's m.o.—giving equal exposure to both lesser lights and the biggest stars. And of course the obscurities were usually required to get naked, justifying their positioning on the covers and in the centerfolds. Monika Käser, who you see below, is a perfect example. We can find nothing about her. Her only moment in the spotlight—insofar as we can determine using the internet to research her—seems to have been the photo below. But Ciné-Revue's formula worked—it began publishing in 1944 and is still around today (though the days of centerfolds are gone). This issue hit newsstands today in 1973.

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Intl. Notebook | Musiquarium Sep 18 2012
MUSIC TO SPY TO
We’ve got something special up our sleeves.

Above and below are the front and rear sleeves of four Japanese soundtrack pressings for the 1960s James Bond films Thunderball, From Russia with Love, You Only Live Twice, and Goldfinger. The themes were sung by Tom Jones, Matt Munro, Nancy Sinatra, and Shirley Bassey respectively, and pictured along with Sean Connery you see Bond beauties Claudine Auger and Shirley Eaton. Ms. Eaton, as wrong-place wrong-time Jill Masterson, had the dubious honor of being suffocated under a coating of gold paint, certainly one of the most infamous deaths of any Bond femme. We think these sleeves are great, and if you agree and want to see a lot more excellent 007 soundtrack art, check our previous posts here, here, and especially here.

On a related note, the Bond franchise’s fiftieth anniversary is next month, and in honor of the occasion former star Roger Moore, along with co-stars Britt Ekland and Richard Kiel, are touring around England with a Blu-ray box set of all the films, which are stored inside a gold case that is in turn comfortably riding in one of Bond’s preferred vehicles, an Aston Martin DBS. Actors, auto, and discs are visiting some of the iconic locations of the Bond series in advance of the release of the next film, which is entitled Skyfall. You can read more about all that here.
 

 
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Vintage Pulp Dec 26 2011
BOND RESTRUCTURING
Diamonds are forever, but Connery wasn’t.

Sean Connery makes as many appearances in sixties and seventies tabloids as just about any celeb of the time, so here he is again in an article promoting his role in Diamonds Are Forever, which would premier just a couple of weeks after this December 1971 National Police Gazette hit newsstands. Connery talks about his futile struggle to portray James Bond as a balding hero, and quips about making his stylist thin his wigs so there was almost no point in wearing them at all. Connery said about Bond’s aging, “No one is immortal—not me, not you, and not James Bond.” It was a commendable sentiment, but naïve. Seems as though Connery didn’t realize United Artists had already branded Bond well beyond the point where the character was tethered to any concept of aging. The studio proved that when it brought the much younger Roger Moore on the scene for 1973’s Live and Let Die. Moore would later give way to Dalton, who gave way to Brosnan, who gave way to Craig, as Bond himself remained eternally forty-ish through the passing years. Elsewhere in the Gazette you get a report on the hash capital of the world, the world’s greatest racing systems, and the usual assortment of random beauties in bathing suits. All that, plus hashish toasted cheese, below. 

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Musiquarium Nov 19 2009
BOND MARKET
Nobody does art better.

James Bond soundtrack albums and singles, with production art covers, plus paintings by Frank McCarthy, Robert McGinnis and others.     

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History Rewind
The headlines that mattered yesteryear.
May 04
1953—Hemingway Wins Pulitzer
American author Ernest Hemingway, who had already written such literary classics as The Sun Also Rises, A Farewell to Arms, and For Whom the Bell Tolls, is awarded the Pulitzer Prize for fiction for his novella The Old Man and the Sea, the story of an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.
1970—Mass Shooting at Kent State
In the U.S., Ohio National Guard troops, who had been sent to Kent State University after disturbances in the city of Kent the weekend before, open fire on a group of unarmed students, killing four and wounding nine. Some of the students had been protesting the United States' invasion of Cambodia, but others had been walking nearby or observing from a distance. The incident triggered a mass protest of four million college students nationwide, and eight of the guardsmen were indicted by a grand jury, but charges against all of them were eventually dismissed.
May 03
2003—Suzy Parker Dies
American model and actress Suzy Parker, who appeared the films Funny Face and Kiss Them for Me, was the first model to earn more than $100,000 a year, and who was a favorite target of the mid-century tabloids, dies at home in Montecito, California, surrounded by family friends, after electing to discontinue dialysis treatments.
May 02
1920—Negro National Baseball League Debuts
The first game of Negro National League baseball is played in Indianapolis, Indiana. The league, one of several that would be formed, was composed of The Chicago American Giants, The Detroit Stars, The Kansas City Monarchs, The Indianapolis ABCs, The St. Louis Giants, The Cuban Stars, The Dayton Marcos, and The Chicago Giants.
1955—Williams Wins Pulitzer
American playwright Tennessee Williams wins the Pulitzer Prize for Drama for his controversial play Cat on a Hot Tin Roof, which tells the story of a southern family in crisis, explicitly deals with alcoholism, and contains a veiled subtext concerning homosexuality in southern society. In 1958 the play becomes a motion picture starring Elizabeth Taylor and Paul Newman.

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