Hi. I heard you serve tall boys here.
Our girlfriends didn't get it. A tall boy is a glass. They thought it was a chest of drawers. Yes, it's a chest a drawers. But it's a glass too. Mars, Venus, right? Anyway, back in December we watched the shlock jungle adventure Killer Ape with Johnny Weissmuller and Max Palmer, who you see above. Palmer was the tallest human on Earth, according to many sources. Here you see him entering a Hollywood bar called the Blue Palm Cafe, and needing to duck his head to get under the doorway. He was billed as 8' 2”. Some sources say he was probably more like 7' 6” or 7' 8”. Typical doorways in the U.S. were about 8 feet high, so decide on his height for yourself. Palmer made three films besides Killer Ape—Stone, Invaders from Mars, and The Sniper. The latter film was his debut role, in 1952, and the above photo was made that same year.
They say even bad publicity is good publicity.
In this March 1957 issue of the tabloid Behind the Scene editors take swipes at assorted Hollywood icons, among them Yul Brenner, John Wayne, and others. Highlights include the allegation that Elvis Presley's career is mob controlled, that camera clubs are just fronts for porn peddlers, that Hedy Lamarr used Linda Lombard as a body double for Samson & Delilah, and that Lucrezia Borgia is the sexiest movie ever made. Also Mamie Van Doren's “secret weapon” is that anywhere she goes she always wears the least clothing of any woman present.
The shocking tales about Brynner have mainly to do with his claims of being a real life man of action, born on the Russian island of Sakhalin to Mongol ancestors. The truth was more mundane, but the lies helped Brynner establish himself as a star. As far as Elvis goes, he was dogged by rumors of Mafia ties later in his career, but this mention of a connection as far back as 1957 was a surprise to us. As always, people on both sides of the issue are willing to shout their version of the facts to the mountaintops, but nobody really knows who’s telling the truth. We’ll check with Elvis himself on this, since he lives just over in the next town since faking his death in 1977.
The interesting story here is the one about Gail Russell and John Wayne. Their acquaintanceship began when they starred in Angel and the Badman together in 1947, and continued when they reunited for Wake of the Red Witch in 1949. Whether they were more than just friends, nobody really knows. At the time Wayne was married to Esperanza Baur Díaz, and the relationship was marred by drinking and fighting, including one incident when Baur shot at Wayne. When the divorce inevitably came, it turned into one of the nastiest splits in years, with Baur accusing Wayne of being a violent drunk who beat her and fucked around with various women, including Russell, and Wayne accusing Baur of hanging around sleazy dive bars in Mexico, hooking up with strange men, and spending his money to entertain them.
The divorce was in 1953, but Behind the Scene, with this cover, is offering its readership dirt from an event that was still fresh in the public’s minds because it had been such a knock-down-drag-out spectacle. Russell had never weathered the limelight well, and she used booze to cope. Her long term drinking problem was exacerbated by the turbulence surrounding the Wayne-Baur split. Two weeks after the divorce she was arrested for drunk driving. It caused Paramount to decline renewing her contract, and she kind of floated around for a few years, trying to hook on with a new studio but drinking steadily all the while. In 1955 she crashed her car and fled the scene, and in early 1957 she drove though the plate glass windows of Jan’s Restaurant in Hollywood.
With hindsight, it’s clear Russell was in a death spiral, but in the Tinseltown of that day the situation was perhaps not so obvious. In August 1957, Russell was found unconscious in her home, passed out after a drinking binge. Even in Hollywood, she had now crossed the line from being merely a party girl to having a problem. She was persuaded to join AA, but couldn't stop drinking, and in August 1961 was found in her L.A. apartment, having died from liver damage, aged 36, another beautiful star that flamed out. All that and more, in thirty-plus scans below.
2nd Amendment, motherfucker. If you say it's your right, then it's my right too.
Bernie Casey exercises his right to bear a chrome plated Colt Super .38 automatic in this cool promo photo made for his 1972 blaxploitation flick Hit Man. We love Casey. He died just last year, and was pretty much unheralded, but he appeared in a lot of fun movies, including Sharky's Machine, The Man Who Fell To Earth, Cleopatra Jones, Boxcar Bertha, and Bill & Ted's Excellent Adventure. He also had the good fortune to get naked with both Pam Grier and Claudia Jennings. The Jennings scene is flat amazing, but the Grier scene, which is actually from Hit Man, is hilarious. As Grier climbs atop him and presses her naked body full length onto his the expression on his face reads something like: “Oh. My. Freaking. God.” That's probably the only time in his life he wasn't 100% cool.
Abbe Lane wiggles it just a little bit.
When we saw this National Enquirer cover our first thought was: “She was famous for wiggling?” We did a search and found that famed singer Abbe Lane was indeed known for her shimmy, which inflamed imaginations to dangerous levels back in February 1962, when this Enquirer hit newsstands. Check out this bit from the Gil Brewer pulp thiller Wild:
She turned and walked into the house, through the doors. [snip] Her walk was lusciously lazy from behind, mindful of Abbe Lane crossing the platform for a bit of cha-cha-cha.
So yes, she was famous for her moves. And thanks to the magic of technology we found footage of her in action. It's pretty sedate by today's standards, but still worth watching. We have more nice Lane photos you can see, if you're interested. Full disclosure: they don't wiggle, but they still look nice.
Sometimes a great notion becomes a perfect photo op.
Above is an image of Paul Newman made while filming the 1970 drama Sometimes a Great Notion. The shot was placed atop a grid background and distributed as a gatefold poster in a 1976 issue of the Japanese pop culture magazine Roadshow. We love this thing. The magazine editors flipped the negative and colored in the dirt bike's number plate, which is why it looks like “EI” instead of 13, but whichever way you look at the shot, Newman seems to be staring off into the distance and thinking, “I wonder if there's anyone on this planet remotely as cool as I am?” Then he goes, “Naaah!” and sends up a rooster tail of loose dirt as he rockets away. He rode the bike for a scene in Great Notion, but if you plan to watch the movie be forewarned it's adapted from a Ken Kesey novel about loggers, and has little to do with racing. That said, it's a pretty good flick and the novel is killer. As is this promo. Japanese promos in magazines like Screen and Roadshow are often amazing and this one follows in the tradition. Wanna see what we mean? Look here and here.
Peggy Cummins hit Hollywood with guns blazing.
According to a story yesterday in The Hollywood Reporter, Wales born Irish actress Peggy Cummins died in a London hospital December 29 after suffering a stroke. She was ninety-two years old. Cummins, who was born Augusta Fuller, played the morality challenged Annie Laurie Starr in Gun Crazy, a low budget film noir that rose above its humble station over the decades to eventually be included in the U.S. Library of Congress’s National Film Registry. While the film is often characterized as a breakthrough fro Cummins, it was actually her eleventh screen role, and did not lead to a career of top notch offers. However, she ultimately appeared in more than twenty-five productions, with her last coming in 1965. The above photo was made a promo for Gun Crazy and dates from 1950. You can read more about the film here.
Decades later the question is still being asked.
Did Yvonne De Carlo think Hollywood producers secretly hated women? Like most National Enquirer quotes we can't confirm this one, but if she said this it's a good example of how words out of context can take on unintended meaning. Today's actresses express similar thoughts and their comments are feminist in nature, but De Carlo was not feminist. In interviews she spoke about how she believed that “men should stay up there and be the boss and have women wait on them hand and foot and put their slippers on and hand them the pipe and serve seven course meals—as long as they open the door, support the woman, and do their duty in the bedroom.”
In reality De Carlo was making a comment about being offered a narrow range of roles, as well as fewer of them as she neared forty years of age. A need for variety might explain why she acted almost as much on television as in movies, even during her peak years. Most television was shot in Los Angeles, so we aren't sure if small screen work offered a respite from traditional Hollywood, but it's still a noteworthy aspect of her career. And in the end she achieved her greatest popularity on the 1960s television show The Munsters. As for the Enquirer query, whether De Carlo said it or not, it's a question that is still being asked all these decades later. We have plenty more National Enquirer in the website. Just click the keywords below.
Santa Claus, huh? Well, let's see some identification. And get those reindeer back or they'll be sorry.
Above, a nice promo shot for the Dick Powell film noir Cornered, which opened in the U.S. today in 1945. Powell is posing with co-star Micheline Cheirel. If you're interested we talked about the movie here.
New tabloid serves up Russell, Monroe, and others.
Jane Russell, wedged into an outfit that turns her boobs into footballs, graces the cover of the debut issue of Exposed, a high budget tabloid launched by Fawcett Publications in 1955. It arrived on a crowded newsstand already occupied by Confidential—then arguably the most circulated magazine in the U.S.—as well as Whisper, Hush-Hush, Uncensored, and similar publications. The get-up Russell is wearing is a costume from her starring role in 1954's The French Line, and we sort of assumed the shot had been at least slightly doctored, and we seem to be correct. Judge for yourself at right. At least her boob punishment was offset by the fact that her outfit was too flimsy to include one of the deadly corsets that sometimes made their way around stars' waists.
Russell is in Exposed to illustrate a story about sex in cinema, but she isn't the most exposed occupant of the magazine. That would be Marilyn Monroe, whose famous Playboy nude is reprinted for a story about hustlers reprinting her photos. We'll just assume Exposed licensed their Monroe shot. Apparently, though, those other miscreants were selling her likeness by the thousands without permission and without compensating Monroe. Exposed shows her in court testifying for prosecutors. The prosecution may have won its case in 1955, but in the here and now Monroe is sold from Tegucigalpa to Manila, unlicensed all of it. Which just goes to show the more things change the more they stay the same.
Probably the highlight of the issue is a long story about detectives who make their living catching cheating couples in action. Exposed offers up numerous photos of these pairs caught in the act in motel rooms and secluded homes. Are these photos real? Well, we have our doubts. Even the most cleverly posed action shots have those intangibles that mark them as fakes, but that's just our opinion. Judge for yourself. Elsewhere in Exposed you get “Sophie” Loren, Errol Flynn, Marguerite Chapman, Franchot Tone, and other big time celebs.
We're pretty proud of this acquisition. It wasn't terribly expensive, but we've seen it priced much higher than what we paid. Maybe down the line we'll flip ours for a tidy profit. But that's what we always say. Much to the Pulp Intl. girlfriends' chagrin, our office just piles higher and higher with mid-century ephemera and we haven't sold a single piece yet. Exposed goes to the top of the precariously tottering pyramid. We have about thirty-five scans below, and plenty more tabloids on the way.
Who'd like to help me perform a little experiment?
We've been seeing a lot of Sylva Koscina lately, haven't we? Well here's one of the biggest sex symbols of the 1960s again, this time on the front of an issue of National Enquirer that hit newsstands today in 1959. She says American men are boobs as lovers. Since she studied physics at university, we can only assume she used the scientific method to come to this conclusion—observation, measurement, experimentation, and repetition. We're sure there was no shortage of volunteers, and she was willing to revisit her conclusions, apparently, since after this cover appeared she hooked up Paul Newman, Kirk Douglas, and—it's rumored—Robert Kennedy. Who says science is boring?
The headlines that mattered yesteryear.
1992—Cocaine Baron Escapes Prison
Pablo Emilio Escobar Gaviria, imprisoned leader of the Medellin drug cartel, escapes from a posh Colombian jail known as La Catedral after he learns authorities intend to move him to a real prison. His taste of freedom doesn't last—he's killed in a shootout a year-and-a-half later.
1925—Jury Decides the Teaching of Evolution Is a Crime
In the famous Scopes Monkey Trial, American schoolteacher John Scopes is found guilty of violating the Butler Act, which forbids the teaching of evolution in schools. The sensational trial pits two great legal minds—William Jennings Bryan and Clarence Darrow—against each other. Ultimately, Scopes and Darrow are destined to lose because the case rests on whether Scopes had violated the Act, not whether evolution is fact.
1969—First Humans Reach the Moon
Neil Armstrong and Eugene 'Buzz' Aldrin, Jr. become the first humans to walk on the moon. The third member of the mission, command module Pilot Michael Collins, remains in orbit in Apollo 11.
1972—Chaos in the Big Apple
In New York City, within a span of twenty-four hours, fifty-seven murders are committed.
1944—Hitler Survives Third Assassination Attempt
Adolf Hitler escapes death after a bomb explodes at his headquarters in Rastenberg, East Prussia. A senior officer, Colonel Claus Schenk von Stauffenberg, is blamed for planting the device at a meeting between Hitler and other senior staff members. Hitler sustains minor burns and a concussion but manages to keep an appointment later in the day with Italian leader Benito Mussolini.
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