|Vintage Pulp||Mar 13 2014|
Above, a West German promo pamphlet for Gefährliche Leidenschaft, which was the American thriller Gun Crazy. If you read German, then you know the German title means “Deadly Is the Female,” and that’s in fact what the film was called in the States upon its initial release. But after lackluster box office, King Brothers Productions changed the title and marketing campaign, and success followed. Today the movie is in the U.S. Library of Congress’s National Film Registry, an honor reserved for movies of special cultural, historic, or aesthetic significance. This pamphlet was made by Illustrierte Film-Bühne, and you can see more examples of that company’s work here and here. Gun Crazy premiered in the U.S. in 1950, and in West Germany today in 1951.
|Intl. Notebook||Jan 25 2013|
The most popular film noir festival in the world launches its eleventh edition tonight in San Francisco when the Noir City Film Festival returns to the Castro Theatre. It runs until February 3, and screens 27 films, including three new 35mm restorations. Some of the movies on the slate this year include 1950’s Try and Get Me!, 1949’s Repeat Performance, 1948’s High Tide, 1950’s Sunset Boulevard, and 1962’s Experiment in Terror. Along with the films, the festival features guest of honor Peggy Cummins, who played the unforgettable character Annie Laurie Starr in 1950's Gun Crazy. There’s also a noir themed nightclub with live music, torch singers, burlesque and more. Although we love living overseas, events like this are a reminder of why the Bay area lifestyle is so wonderful. If we ever return to the U.S., it’ll be straight back to the Bay. The festival poster above is just the latest in a long series, and we’ve uploaded all the predecessors below. You can find out more about the Noir City Film Festival at the festival website.
|Vintage Pulp||Jan 20 2010|
The tagline from the film goes: She believes in two things... love and violence. The film is called Gun Crazy, aka Deadly Is the Female, and it was way ahead of its time. The leads are two of the first legitimate anti-heroes in American film, and Peggy Cummins, as a carnival sharpshooter named Annie Laurie Starr, is one of the baddest women this side of Bonnie Parker. She wants the finer things in life, and it is her ambition, more than that of her partner, that propels the pair into their crime spree. They see themselves settling down in Mexico, but their “one last job before quitting” goes terribly wrong and instead they find themselves running for their lives. We really recommend this one. It isn’t perfect by any means, but it transcends its limitations to evolve into a surprisingly artful film. There’s a moment where John Dall muses: “We go together, Annie. I don’t know why. Maybe like guns and ammunition go together.” It’s one of the best summations of a relationship we’ve ever heard. Cheapie B-flicks from this period disappeared forever nine times out of ten, but this one is still with us. There’s a reason for that. Gun Crazy premiered in the U.S. today in 1950.