|Intl. Notebook||Jun 13 2017|
Ama bune yori: Kindan no suna
Manatsu no joji
|Vintage Pulp||Mar 7 2017|
|Femmes Fatales||Dec 20 2015|
This is an irresistible little treasure, an image from a West German lobby card for Man lebt nur zweimal, aka You Only Live Twice, with Karin Dor in character as Helga Brandt. We like the helmet. Dor's focus on safety is admirable. But since she's eaten by piranha it does her no good at all. Side note: also appearing in the film is former Pulp femme fatale Mie Hama. Double side note: she also gets killed. These Bond girls never learn.
|Femmes Fatales||Aug 27 2015|
|Modern Pulp||May 28 2015|
Author Anthony Horowitz has unveiled details concerning a new James Bond novel to be entitled Trigger Mortis. Any addition to the Bond pantheon is news in the adventure fiction community, but people are particularly abuzz this time around for two reasons. The first is that Horowitz has announced the return of iconic Bond character Pussy Galore. Apparently, the story picks up two weeks after the events of Goldfinger.
Many authors have taken Ian Fleming’s enduring property for literary spins—among them the respectful John Gardner, Raymond Benson, and Charlie Higson—but Horowitz is mixing in original Ian Fleming material drawn from Murder on Wheels, an episode from a never-produced television series. This is the second reason Bond fans are excited, though of course there's no way to know how the material will be used, and it's perhaps too much to hope it will survive in anything resembling recognizable form.
Regardless, there’s no question Trigger Mortis will be a worldwide success—even the Young Bond series sold 5 million copies. And since Bond is one of the longest running film characters in history, we also know the new novel will be bought with an eye toward movie production. The only thing we don’t know is if the book will be good. Horowitz’s résumé does not scintillate—he authored a series of young adult spy novels, and wrote two Sherlock Holmes piggybacks, so we’re not expecting strong style or risky choices. But with a Cold War setting, Pussy Galore, and some original Fleming material, at least he has good elements with which to work. Trigger Mortis will be out in September.
|Vintage Pulp||Apr 29 2015|
Ian Fleming was not an author to be trifled with. We talked about how he shifted the rights for Casino Royale from Popular Library to Signet. Well, here we go again. The above 1957 Perma paperback of Diamonds Are Forever with excellent William Rose cover art is rare because Fleming shifted the publishing to Signet after Perma changed the title of Moonraker to Too Hot to Handle. Since this happened after the Casino Royale fiasco you’d think the editors would have known better.
|Vintage Pulp||Apr 12 2015|
The story is well known—Popular Library insisted upon changing the title of Ian Fleming’s Casino Royale to what you see above. They even went so far as to call 007 “Jimmy Bond” on the rear cover blurb. Fleming retaliated by selling the U.S. publishing rights to Signet at first opportunity, leaving only a small run of very collectible copies of You Asked For It on the market. Fleming must have learned from the episode, though, that titles don’t really matter, because he later wrote Chitty-Chitty Bang Bang: The Magical Car. Anyway, You Asked for It appeared in 1955, with unsigned and uncredited cover art. The blog Killer Covers has a bit more info about the book here.
|Hollywoodland||Mar 13 2015|
Where would we be without leaked documents in this day and age? There’s an interesting story hitting the wires today about how the Mexican government pressured Sony Pictures and MGM to change the script of the upcoming James Bond film Spectre in exchange for $14 million dollars. The money took the form of tax incentives, but in the real world it’s no different than bagloads of cash. The information comes from hacked e-mails provided by an unknown North Korean person or group. According to the e-mails, the Mexican government wanted an assassin’s identity changed from Mexican to some other nationality, an assassination target likewise changed from Mexican to other, and insisted upon the casting of a Mexican Bond girl. The last demand was met with the hiring of Sonora-born Stephanie Sigman.
All of this is pretty much business as usual in moviemaking—hardly even a story, really. But we always write about Bond here, so this item seemed worth sharing. The last aspect of the e-mails that interested us was a demand that the film include aerial shots of Mexico City’s skyline, with an emphasis on the modern buildings. Tens of millions of travelers from every part of the globe visit Mexico each year because of its native ruins, beautiful Spanish colonial architecture, indigenous food, historically authentic festivals, thousands of miles of beaches, and warmwaters, yet Mexican officials wanted its few glass skyscrapers to appear onscreen to emphasize to shallow businessmen that, yes, we too can offer the type of cookie-cutter modernity you love. It’s fascinating to us. The world won’t know how much of the Mexican government’s wish list was granted until Spectre’s November 2015 release, but if we had to guess we’d say all of it.
|Hollywoodland||Mar 5 2015|
|Vintage Pulp||Jun 18 2014|
Sometimes we get in the mood for a true classic, so at top is the excellent 1966 Macmillan Publishers edition of Ian Fleming’s Live and Let Die. It’s possible the James Bond books have had more cover iterations than any other series, and most of them are high quality, often trending toward the sort of luridness we love, but we also like the simple, elegant graphics of Macmillan's deep green masterpiece. On the other hand, if we were to go lurid then there’s no better art to be found than on the 1964 cover Vivi e lascia morire from the Italian imprint Garzanti. The variations on Live and Let Die are practically infinite, but the Garzanti edition is our other favorite (though this one is great too). There is no artist info on these, which is criminal, we think. We’ll dig, though, and see what we can find. As a matter of taste, it’s interesting to contemplate which of the two books we would buy, assuming we could buy only one. Tough choice. What do you think?
Update: the second cover was painted by Giovanni Benvenuti.