Femmes Fatales Jun 1 2019
VINTAGE RECLINER
We suspect Le Corbusier would have wanted a model to enhance his furniture, not eclipse it altogether.


This image of Pam Grier, which came from a high-end auction site, is an eight-panel centerfold from an issue of Players magazine originally published in 1974. She's posed on a Le Corbusier lounge. Did you care at all? We have a feeling you didn't. Le Corbusier died in 1965, and if he hadn't, this surely would have made his heart stop. It's one of Grier's most provocative shots, and we can't not have it on the site, a type of imperative we've discussed before. We've also done something special with it, just for you. While it's only 433 pixels wide visually, the file is more than ten times that size digitally. Pull it off the page and you'll have your own 5,000 pixel image of one of U.S. cinema's most iconic stars. Or alternatively, you can just look at the chair.

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Vintage Pulp May 21 2019
NO BANG FOR THEIR BUCK
Brothers can you spare a production budget?


It's fair to suggest that most blaxploitation movies weren't good in the traditional sense. But The Dynamite Brothers, aka Stud Brown, which premiered in the U.S. this month in 1974, is probably close to the worst movie of the genre. It's a low budget The Wild Ones with a chop socky revenge thriller tacked on, and it has “rush job” scribbled all over it. Everything is off, from the direction to the screenplay to the sound effects. Not to put too fine a point on it, but it's films like this that helped kill blaxploitation.
 
Picture the first screening for the studio, Asam Film Company. Director Al Adamson managed to put up a brave front during the shooting schedule, but he's made his final cut and knows the movie is shit. He's cringing. He's slumped so low in his seat he looks like he's lost air pressure. He even considers scuttling for the exit during the second reel. If he stays low, like a crab, he might make it unseen. But he's still there when the lights come up, and various execs and investors are sitting around looking stunned. They're just white guys with money and don't know dick about this blaxploitation thing, so they have no idea what to think.

Finally someone ventures hopefully, “Was that good? Or...”

Someone else: “Al? Al? Where are you?”

Al: *sigh* “I'm down here.”

“What the hell are you doing on the floor?”

“Uh, my back. Laying flat helps with—”

“Were you hiding?

“I was just—”

“Are we fucked?

“Well....”

“Did you FUCK US?

He fucked them. The Dynamite Brothers was an unremitting disaster. It turned out to be the only movie Asam Film Company ever made. Co-star Timothy Brown in particular had to be disappointed with the final product, considering his film debut was the all-time classic M*A*S*H, in which he played Corporal Judson. Top billed Alan Tang also had to be bummed. Back in Hong Kong when he was first approached about the project, someone told him mixing kung-fu into a blaxploitation flick was a no-brainer. Halfway through the screening he began to wonder if he'd misunderstood the meaning of that term.
 
Nevertheless, somehow both he and Brown survived The Dynamite Brothers and went on to have long careers, which is a tribute to their talent and persistence. Al Adamson kept working too, which is possibly a tribute to filmgoers' short memories. But like Bran the Broken in Game of Thrones, allow us to serve as the memory for all humanity here—steer clear of this one like the un-defused bomb it is. Get a tactical robot to delete it from your movie queue. It's baaaad. We don't mean cool-bad or funny-bad. It's just bad-bad.

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Vintage Pulp Apr 14 2019
CIAO STELLA!
Dobson welcomes a guest to her poster but there's still only one queen.


Above are two gorgeous Italian posters for the blaxploitation classics Cleopatra Jones: licenza di uccidere and Operazione casinò d'oro, better known as Cleopatra Jones and Cleopatra Jones and the Casino of Gold. The first poster is obviously a photo-illustration, but the second was painted by Robert Tanenbaum. It's an iteration of his original U.S. poster, which you see here as well, just below.
 
On the U.S. version star Tamara Dobson stands alone, but for the Italian promo a second figure appears to her right, representing we know not whom. You'll notice the Italy Dobson figure has lighter skin than on the U.S. poster, and lighter skin than her new sidekick. Was this a deliberate switcheroo? Were Italian moviegoers supposed to think the figure on the left, who was Dobson in the U.S., now represented co-star Stella Stevens? They probably did, even though Stella's face is present on both posters at about thigh level to the main figures. But we don't think Tannenbaum had any of that in mind. We think the second figure represents nobody and came out of his fertile imagination.

Something else interesting about these—Tannenbaum had no trouble reproducing Stella's face, but you'll notice none of the figures look like Tamara Dobson. Not unless you squint. Hmm. Well, even if he had trouble with Dobson's likeness, he did an amazing job on these pieces, which is no surprise considering he's a major
contributor to cinematic art who painted promos for The Sting, Star Trek: The Next Generation, and other big budget releases. There are no known Italian release dates on these Cleopatra movies, but ballpark, figure summer 1974 and winter 1975. Read about them here and here

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Femmes Fatales Apr 5 2019
ACTIVE SHOOTER
She makes it look so Uzi.


This great photo stars U.S. actress Gloria Hendry and was made when she was filming the 1973 James Bond movie Live and Let Die. Of all the so-called Bond girls who appeared opposite the world's most famous spy through the decades, Hendry, with her toned arms and six-pack stomach, was one of the few who actually looked fit enough to survive the chaos. She didn't, though. Only one Bond girl generally got to survive each film and in this case it was Jane Seymour.
 
There are several variations of this photo floating around online, but the one above is our favorite. Hendry gives it her all, rocking her fantastic afro and looking every bit the lean, dangerous, counterculture CIA double agent she played in the film. But we also like the alternate version below, where she cracks a little smile, because machine gunning people can be fun too, at least in the movies. See another Hendry promo here.
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Femmes Fatales Feb 9 2019
ADVANTAGE GRIER
If you've got the balls she's got the time.


Which movie star has the most posts ever on Pulp Intl.? Christina Lindberg? Humphrey Bogart? Reiko Ike? Marilyn Monroe? We haven't gone back over the decade of material we've shared and done a count, but blaxploitation star Pam Grier may be leading the pack. This photo of her in a cool tennis outfit is from 1976.

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Femmes Fatales Jan 19 2019
VENUS IN FURS
Prepare yourself for a Sykes-a-delic experience.


Above is a rare image of U.S. actress Brenda Sykes, who appeared in cinema and on television during a relatively brief ten year acting career from 1968 to 1978. She's pretty well remembered for someone who had such a short run. Some of this is due to her being one of the era's most beautiful performers, but she was also in cult classics like Cleopatra Jones and Mandingo, as well as on television shows like Police Woman. This shot is from a 1975 issue of Playboy Japan. We've cropped it above, and uploaded the full image below.

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Femmes Fatales Dec 2 2018
YANCY FREE
From behind the microscope to in front of the camera.


You don't know U.S. actress Emily Yancy but she's been around for a long time. She started performing on television in 1963 and is still going strong as of 2018. Of her few cinematic efforts two were notable—the blaxploitation classics Cotton Comes to Harlem and Blacula. Her small screen appearances include Starsky & Hutch, The Mod Squad, and MacGyver.

The above photo is from 1961, and it was made when she was eighteen years old and competing in the Miss American Beauty Pageant, not be confused with the Miss America Pageant. Interesting story, she was a biology major and was working at NYU Medical Center operating an electron microscope when her coworkers persuaded her to give parading up and down a stage in a swimsuit a shot. She won Miss American Beauty, which gave her a chance to compete again in France.

She was sent to Cannes and finished second in the Miss Cannes Film Festival competition. After that Hollywood called and those boring old electrons were forgotten. Television, film, nightclub performing, modeling and a lot of travel followed. There's a lesson in this story, and maybe not one that should be taught to little girls—Forget science! Give us a little leg!—but you don't need a microscope to see that Yancy takes a great picture, and her career longevity suggests she made a good choice.

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Femmes Fatales Sep 29 2018
ORIGINAL SIMS
It's unorthodox for the beach, but in case you haven't noticed, I can wear anything and look good.


Above is a photo of U.S. model Naomi Sims, a pioneering figure in the world of fashion who achieved global recognition in the 1960s while still a teenager. She was the first black model to front publications as diverse as Life and Ladies' Home Journal. Hollywood of course came calling. She was offered the lead in Cleopatra Jones but turned it down because she saw it as racist. She had a point. Blaxploitation movies are culturally significant and most are fun, but they hinge on crime stereotypes. In a country where so many are willing to see the stereotypes as encompassing of an entire people the argument could be made that the films were harmful. Sims wasn't the first or last to say so. In any case, that was the end of her flirtation with Hollywood, but she went on to author books on health, beauty, and the modeling industry. This photo dates from 1971. 

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Musiquarium Aug 19 2018
G SHARP
Grier looks great fronting b-movie soundtrack.

Above, the front and rear sleeves for the original soundtrack to Sheba, Baby, with music by Monk Higgins, Alan Brown, and Barbara Mason. The tunes are nice, but we'll admit we're just posting this to be completist about Grier. We already shared the photo used for this cover but we wanted to include the nice shot on the back. Okay, all done. We'll take a Grier break for a bit.

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Femmes Fatales Jul 11 2018
VICIOUS CYCLE
Tamara Dobson is hell on wheels.


Tamara Dobson straddles a dirt bike in this promo photo from her blaxploitation thriller Cleopatra Jones. In the film she commandeers the bike at a race to chase a bad guy, and manages to catch him and whip his lame ass without so much as disturbing her queenly hair wrap. In a genre marked by cheap failures and ambitious disasters Cleopatra Jones stands as one of the most successful entries. It premiered in the U.S. today in 1973.

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History Rewind
The headlines that mattered yesteryear.
June 27
1950—U.S. Decides To Fight in Korea
After years of border tensions on the partitioned Korean peninsula, U.S. President Harry Truman orders U.S. air and sea forces to help the South Korean regime repel an invasion by the North. Soon the U.S. is embroiled in a war that lasts until 1953 and results in a million combat dead and at least two million civilian deaths, with no measurable gains for either side.
June 26
1936—First Helicopter Flight
In Berlin, Germany, in a sports stadium, Ewald Rohlfs takes the Focke-Wulf Fw 61 on its first flight. It is the first fully-controllable helicopter, featuring two counter rotating rotors mounted on the chassis of a training aircraft. Only two are ever produced, and neither survive today.
1963—John F. Kennedy Visits Berlin
22 months after East Germany erects the Berlin Wall as a barrier to prevent movement between East and West Berlin, John F. Kennedy visits West Berlin and speaks the famous words "Ich bin ein Berliner." Suggestions that Kennedy misspoke and in reality called himself a jelly donut are untrue.
June 25
2009—Farrah Fawcett Dies
American actress Farrah Fawcett, who started as a model but became famous after one season playing detective Jill Munroe on the television show Charlie's Angels, dies after a long battle with cancer.
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