I had a pretty flimsy excuse for inviting you over.
We featured a very nice shot of U.S. actress Marilyn Joi last year, but she deserves a rerun, so here she is again, chilled out, sporting an afro, and looking like she has something naughty on her mind. The shot was made in 1973 as a promo for the blaxploitation flick Coffy. The fact that the photo exists is a bit is unusual due to the fact her role in the film was so brief she never got screen credit. She was one of the prosties in the pimp King George's stable, competition for an infiltrating Pam Grier, who was on a revenge mission. Joi probably got fifteen seconds of screen time, which may be why this photo is often misattributed. It's Joi, though. As proof there she is below in a screen grab from the movie.
This woman is simply dynamite.
U.S. actress Annie Lee Morgan used a couple of pseudonyms in her career. When she broke into celebrityhood as a nude model for Playboy she was Jean Bell, and later as an actress she was often Jeannie Bell. By whatever name she was one of the most beautiful performers of the 1970s, which makes it a shame b-movies and television shows were the extent of her career. Her best known role? Probably the blaxploitation actioner T.N.T. Jackson—which you can read about here. The above shot is undated but probably from around 1973.
The mafia are no match for Jim Brown.
In the blaxploitation flick Slaughter Jim Brown plays Slaughter—no first name—a former Green Beret captain whose underworld connected father is killed by a car bomb. He vows revenge and guns down some of the responsible parties at an airport. That's when the government steps in and turns Slaughter into an operative in exchange for dropping murder charges. All he has to do is head to Mexico and capture the top mobster. South of the border he goes, where shootings, chases, and general mayhem follow as he pretty much turns the country upside down. There are occasional interesting visual flourishes during the violence, including hallucinatory ultra wide angle shots. Maybe director Jack Starrett heaped on the style a bit heavily, but it does set Slaughter apart, and in the end doesn't really harm the final product. Another thing heaped on is the racial insults, even more than in most blaxploitation, and if there's a lesson being imparted it's that eventually n-bombs go off in your face.
Blaxploitation is nothing without its femme fatales, and in those roles Slaughter casts Marlene Clark and Stella Stevens. Clark, though talented, is mere window dressing here; Stevens gets a substantial temptress role, and she's perfectly suited for it, a dozen years after her Playboy centerfold appearance at age twenty-two, and about twice as beautiful in her mid-thirties. According to Brown, Slaughter is one of the three favorite films he starred in. Maybe Stella had something to do with that. In an interview some years back she was asked about the love scenes and said, “I was told that in the movie he did with Raquel Welch, he had a towel put between them, because he didn’t want to touch her flesh in the love scene with her.* I can tell you, we didn’t have anything between us except good feelings and fun.” Well, it looks to us like they had a good time too, and why not? Stevens is hot as hell and Brown is unadulterated manhood on a level few males can hope to reach. We think this one is well worth a watch for fans of the genre. Slaughter premiered in the U.S. today in 1972.*Jim Brown is no fool, and we doubt he ever made such a request. Welch wore undergarments, which was probably always the plan, considering she has done no nude scenes during her career.
Pam Grier is as refreshing as an ocean breeze.
We have to bring Pam Grier back every once in a while. This breezy shot currently making its way around the internet certainly ranks among the best promo images ever made of a classic figure. Whoever took this photo captured Grier in a seaside mode we've never seen before, and whoever originally uploaded it deserves thanks, but only partially—Grier deserves most of the credit just for being her.
Tall, dark, and dangerous.
We don't share many photo covers, but this novelization caught our eye because it's one of the better images we've seen of Cleopatra Jones star Tamara Dobson. As we've mentioned before, promo images for blaxploitation performers, with a few exceptions, tend to be rare. Dobson was one of the first we ever featured, way back in 2009, and we're sharing this image because Cleopatra Jones opened in the U.S. today in 1973. The screenplay for the film, by the way, was co-written by Max Julien, who was the star of the blaxploitation classic The Mack. The guy was multi-talented. So was Dobson—the 6' 2” former model could look both lethal and deadly.
Whatever the language, the meaning is clear.
Despite her exotic name, Azizi Johari is American, born in New York City and raised in Seattle. Her movie career consisted of bit parts, with her most noted appearances coming in the 1976 John Cassavetes film The Killing of a Chinese Bookie, and the 1981 blaxploitation b-movie Body and Soul, which was a remake of the 1947 film noir classic. She originally gained recognition in 1975 as a Playboy model, appearing as the magazine's Playmate of the Month in June 1975, but the above photo was used on the front of Players magazine in 1978. Oh, and on the subject of her name, “Azizi” is Arabic and means “precious,” while Johari is a Kiswahili word that means "jewel.” She's well named.
Life on the edge of a razor.
Above is a Japanese poster for the 1972 blaxploitation film Come Back Charleston Blue, starring Godfrey Cambridge and Raymond St. Jacques as the Harlem detectives Gravedigger Jones and Coffin Ed Johnson. It was the sequel to the highly successful Cotton Comes to Harlem. The plot deals with the return of a legendary vigilante named Charleston Blue, who killed with a blue steel straight razor and is believed by some to be responsible for a series of recent slayings aimed at the local drug trade. He's supposed to be dead, but his casket is empty and his collection of razors has gone missing. Is he really back from beyond? You'll have to watch the movie to find out. Reviews were mixed, but there are some thrills and laughs, there's good location filming around Harlem and environs pre-gentrification, and the soundtrack by Quincy Jones and Donny Hathaway is a nice bonus. All-in-all, a middling effort, but certainly not a waste of time. Come Back Charleston Blue first played in Japan today in 1973.
It's hard out there for a pimp.
The Mack is about pimping. Let's just get that out there. Those with twenty-first century sensibilities will probably hate the film on principle. But is there anything more to it than sexual exploitation? Well, it's an offering in the blaxploitation genre that deals with an ex-con's plan to rise to the top of the macking game in the city of Oakland. The main character, named Goldie, has a brother who intends to rid the streets of crime. Goldie's main antagonists are a pair of corrupt cops who see no difference between him and his brother. The subtext is interesting. Goldie and his brother represent opposite forms of direct engagement—one works to improve his environment while opposed by authorities who see political activism as a threat; the other works illegally to get ahead and get out while opposed by authorities charged with fighting crime.
The movie chooses as its backdrop one of the most activist cities in the U.S., with one of the most corrupt police forces. Both of these facts were true when The Mack was made and remain true today. For example, while Oakland police are tasked with preventing crime, they repeatedly and brazenly break the law, and have paid out more in civil damages than almost any police force in the nation. This dichotomy callsinto question whether the police actually exist for the good of the community at all, or for a more complex purpose—say to protect the interests of elites by both containing crime and hemming in the possibility of political empowerment. Actually, the question is rhetorical. We've been to many countries, and in all of them police suppress political activity among the underclass. So yeah, there's more to The Mack than just pimping.
The movie was actually inspired by the real life struggle between the Ward Brothers, who were leaders of Oakland's black underworld, and the Black Panthers. Both groups wanted to bring Oakland under their respective control for opposite reasons. Film critic Elvis Mitchell described The Mack succinctly in 2013, saying: “Do you become this horrible kind of mutation of free enterprise, or do you take the nationalist route and help your people?” But the Oakland police ultimately considered power achieved through crime and power achieved through politics to be equally unacceptable. And that may be the entire disturbing point of the film. The Mack premiered in the U.S. today in 1973, and the awesome poster was painted by Fred Pfeiffer.
The heat isn't coming from the fireplace.
Above, a photo of U.S. actress Vonetta McGee, who appeared in such films as The Eiger Sanction and Repo Man, seen here looking exceptionally lovely sometime in the early 1970s. She also appeared in several blaxploitation flicks, and since we've been screening those lately we'll doubtless be running into her later.
The headlines that mattered yesteryear.
1968—Olympic Committee Suspends Carlos and Smith
The U.S. Olympic Committee suspends African-American track & field athletes Tommie Smith and John Carlos for saluting the crowd with raised, gloved fists during a medal ceremony at the Mexico City games. The salutes represented the black power and civil rights movements in the United States. Both athletes also received their medals shoeless to represent black poverty.
1933—Capone Sentenced to Prison
Chicago organized crime boss Al Capone is convicted of income tax evasion after all other attempts to tie him to an assortment of crimes, from the mass murder of the St. Valentine's Day Massacre to widespread violations of the Volstead Act, fail. He is sentenced to eleven years in federal prison and, cut off from the outside world while on Alcatraz Island, his power is finally broken.
1964—China Detonates Nuke
At the Lop Nur test site located between the Taklamakan and Kuruktag deserts, the People's Republic of China detonates its first nuclear weapon, codenamed 596 after the month of June 1959, which is when the program was initiated.
1996—Handgun Ban in the UK
In response to a mass shooting in Dunblane, Scotland that kills 16 children, the British Conservative government announces a law to ban all handguns, with the exception .22 caliber target pistols. When Labor takes power several months later, they extend the ban to all handguns.
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