A history of Rome in three volumes.
We watched Frank Sinatra’s 1967 detective movie Tony Rome last week and, except for some nice Miami exteriors and the presence of Jill St. John, it was strictly average. But it did give us the idea of digging up the source material, so above you see the covers of the three popular books in the literary series, published in 1960, ’61, and ’62. In an attempt to make readers think the tales were real-life adventures they’re credited to Anthony Rome, but they were actually written by veteran author Marvin H. Albert, who churned out more than one hundred books in the western, mystery, spy, and history categories. In addition to writing as Rome, he published as Albert Conroy, Al Conroy, Nick Quarry, Ian MacAlister, and J. D. Christilian. The cover art above is by, top to bottom, George Porter, Bob Abbett, and Victor Kalin. A while back we published a rare promo image from the film version of Lady in Cement and you can see that rather unusual shot here.
Lady in Cement
, My Kind of Game
, Miami Mayhem
, Tony Rome
, Anthony Rome
, Marvin Albert
, George Porter
, Victor Kalin
, Bob Abbett
, Frank Sinatra
, Albert Conroy
, Al Conroy
, Nick Quarry
, Ian MacAlister
, J. D. Christilian
, cover art
Shine on you crazy diamond.
There’s some confusion online about whether this promo poster for Moon over Miami was painted by Alberto Vargas. Jan-Christopher Horak’s book Saul Bass: Anatomy of Film Design states: “Virtually all movie poster design work remained anonymous, although a few well-known designers received contracts, including Alberto Vargas for Moon over Miami.” On the other hand, several auction sites claim Vargas only worked on the print ads, and that the artist who painted the poster was charged with emulating the Vargas style. So there you go—cleared that right up, no? Well, we tend to believe Vargas would not have received a contract simply for print ads. What would the point of that be? So we think this piece is his.
In any case, we’ve always loved the poster and it prompted us to finally watch the film. Guess what? It’s just what you’d expect from looking at the art—goofy, gooey, and terminally good-natured. None of that is particularly pulp, but hey, crazy as it sounds, some filmmakers actually prefer to downplay death and mayhem. Betty Grable stars here as a woman determined to marry a millionaire. She sets up at a Miami hotel with her sister and aunt, and pretends to be rich herself, with the aim attracting the proper suitors. Confusion ensues, enlivened by musical numbers. Grable proves in this movie why she was a star, as does the object of her destiny Don Ameche, and excellent support comes from Carole Landis and Charlotte Greenwood. We don’t generally go for this sort of film, but we liked this one, as did our girlfriends. Now back to death and mayhem. Moon over Miami premiered in the U.S. today in 1941.
, Moon over Miami
, Saul Bass: Anatomy of Film Design
, Betty Grable
, Carole Landis
, Charlotte Greenwood
, Don Ameche
, Alberto Vargas
, Jan-Christopher Horak
, poster art
, movie review
Confidential goes full throttle on the high seas.
On this Confidential from February 1965 the publishers give their cut-and-paste artists a month off and grace the cover with a simple portrait of Brigitte Bardot and her famed pout. Inside the editors air out her love life in a way that today would be called slut shaming—pretty much stock-in-trade for Confidential. The suggestion is she won’t come to the U.S. to act because she’s busy Morockin’ around the clock with Moroccan-born producer Bob Zaguri. Elsewhere in the issue you get Romy Schneider, Jean Harlow, Alain Delon, Peter O’Toole, love behind the Iron Curtain, and an outraged report on pharmaceutical companies marking up medicines 200%, 500%, even 7,000%. Yes, medicines cost too much in the U.S. even back then. But don’t take our word for it. Take Confidential’s—their story ends by declaring that drug companies have Americans by the balls and the only way to avoid the drug price racket is to not get sick.
But moving on, as we mentioned last week, we wanted to look at tabloid attitudes toward gay culture, and this issue has two articles along those lines. The first involves gay cruises off the Florida coast, an activity Confidential informs readers was devised as a way to avoid Dade County vice cops. Once the boats were in international waters therewas no law, local or federal, which could be applied against shipboard activities. We’ll come back to that in a sec. The other story involves what Confidential describes as the middlesex—i.e. people who lack strong masculine or feminine characteristics. The story is concerned with this only as a social issue and makes no mention of physically intersex persons who genetically are neither male nor female.
For Confidential the issue is simple—men are no longer macho enough and women are no longer (submissively) alluring enough. Of course, gay men are the ultimate villains here, and to make the topic emotional for readers Confidential paints a picture of an America devoid of Jayne Mansfields and Lana Turners. The article’s author Harold Cimoli sums it up this way: “As female busts and hips grow ever narrower even Playboy may have trouble keeping its broad-watchers supplied with bosomy playmates.” And there’s also this tidbit: “Designers of both types of clothing are poaching unforgivably on the styles of each other. The main hope must be the evolution of an entirely new style of ensemble for these new phenomena and a new branch of the industry to supply it.” Were they really this comically worried about visual identification issues? Of course they were—what could be more disturbing to guardians of a prevailing social structure than people managing to wriggle out of their pre-assigned boxes?
The story on gay cruises is a bit more typical of mid-century tabloids—it’s just a takedown piece. Gay men are blithely described as “lavender lads,” “minces,” and other words we wouldn’t dare dirty our website with. The effusiveness of the magazine’s hateful and sneerful terminology suggestsjust how certain Confidential editors were that homosexuality was completely beyond the pale. And yet, nearly every issue harped on the subject, either directly or indirectly. For instance, here we get full reportage on a maritime cabaret show featuring drag queens, followed by detailed descriptions of music, dancing, and gambling. You’d almost think the writer Gaye Bird—nice, right?—was actually there.
The cruise is eventually reported to the boat rental agency in Miami, whose owner vows that he will never again allow his vessels to be used for such debauchery. The response from the organizer of the cruises was this: “There are approximately one-hundred thousand boats or ships of some sort or another. I think we’ll be able to find some way to balance supply and demand.” Ouch—zinged right in the Econ 101s. Doubtless Confidential expected the congressional switchboard to light up over this outrageous appropriation of boats meant for exclusively heterosexual usage, but whether it happened we can’t say—the story ends there. And Confidential readers were left to endure thirty days of disquiet until the next gay bashing issue came out. We won't wait quite that long—we'll explore this subject in another tabloid soon. More scans below.
, Brigitte Bardot
, Alain Delon
, Roger Vadim
, Romy Schnieder
, Jean Harlow
, Bob Zaguri
, Peter O’Toole
, Harold Cimoli
Police Gazette gets readers up to date with Ava Gardner but it’s their Castro story that leads someplace interesting.
Above are a couple of scans from an issue of The National Police Gazette published this month in 1963 with cover star Ava Gardner. Gardner had been living in Spain and hadn’t been in a movie in three years, but was about to appear in the historical war drama 55 Days at Peking with Charleton Heston and David Niven. The Gazette discusses how she’d gotten fed up with the U.S.—particularly the American press. She had been particularly annoyed by the rumor that she was involved with Sammy Davis, Jr., a story that took flight after several magazines published photos of the two holding hands. When asked why she was returning to Hollywood after being out of circulation for so long, Gardner, in typically blunt fashion, replied, “I need the money.”
Moving on, we’ve pointed out that the Gazette made a longstanding habit of using Adolf Hitler on its covers, but his wasn’t the only face that moved magazines. After Fidel Castro assumed leadership of Cuba, the Gazette regularly wrote scathing stories about him. We’ve already learned that he let Viet Cong killer squads train in Cuba, and that he planned to “arm southern Negroes” in order to foment revolution in the U.S. Well, now we learn he was also a rapist. Figures, right? He might have been supreme leader of an island filled with beautiful women, but people always want what they can’t have—in this case, a teenaged ship captain’s daughter named Lisa. Gazette writer Bob Hartford cranks up the melodrama:
Castro laughed drunkenly as he weaved his way into Lisa’s sitting room.
“Have you changed your mind, my pet?” he demanded.
“No,” replied the brave but frightened girl.
All Castro needs at that point is a Lacoste sweater and a fraternity paddle and his transformation into pure evil would be complete. But as fanciful as the story seems, Lisa really did exist. Her real name was Marita Lorenz and she was Castro’s live-in mistress for several months in 1959. While Lorenz herself never suggested she was ever raped by Castro, the two did have a falling out around the issue of her unplanned pregnancy, which was terminated in its sixth month. Lorenz later said the abortion was forced on her while she was drugged; Castro’s associates claim that she wanted it. Lorenz went on to join anti-Castro activists in the U.S., and on a fundraising visit with the deposed Venezuelan dictator Marcos Pérez Jiménez, became involved with him. She was still traveling to and from Cuba, and was recruited by the CIA for a Castro assassination attempt. But instead of poisoning his food, like she’d been instructed, she abandoned the plot, supposedly because she still felt strongly for him. Lorenz later wrote about all this in two autobiographies.
In 1977, Lorenz told the New York Daily News that she met Lee Harvey Oswald in autumn 1963 at a CIA safe house in Miami. She claimed she met him again weeks later along with a group of anti-Castro Cubans and they had Dallas street maps. We all know what happened next. Lorenz eventually testified about this before the House Select Committee on Assassinations, but her story was deemed unreliable. We suppose bouncing between two dictators and acting as a double agent will tend toraise a red flag with American congressmen, though these things have no bearing on whether she was telling the truth. It’s interesting though, isn’t it? You’d think that if a single man of his own accord assassinated another man the surrounding circumstances wouldn’t be so… labyrinthine. Yet lurking near the supposed black swan event of the Kennedy killing were double-agents like Lorenz, spooks like E. Howard Hunt, underworld figures like Eladio Ceferino del Valle and others. Just saying. In any case, we’ll have more from the Police Gazette and more on Fidel Castro soon. Cuba
, The House Select Committee on Assassinations
, Police Gazette
, 55 Days at Peking
, Fidel Castro
, Marita Lorenz
, Lee Harvey Oswald
, E. Howard Hunt
, Ava Gardner
, Eladio Ceferino del Valle
, John F. Kennedy
, Marcos Pérez Jiménez
, Charleton Heston
, David Niven
National Enquirer digs into JFK’s assassination.
Above is a cover of National Enquirer published today in 1967 with a headline informing readers that three days after identifying the photo of an alleged conspirator in the assassination of President John F. Kennedy, a man named Eladio Ceferino del Valle was found dead in Miami. Good thing his photo is from a distance, because he had been severely beaten and shot in the chest, and his head had been chopped open. He died the same day another alleged Kennedy conspirator named David Ferrie died in New Orleans. Ferrie had two suicide notes next to him, but a coroner ruled the cause of death to be a naturally occurring aneurysm.
Enquirer scribe Charles Golden perhaps goes off the rails a bit in trying to tie Kennedy’s assassination to Fidel Castro. He brands del Valle a Castro double agent who pretended to flee Cuba just before the revolution, but who was working for Fidel the entire time. Golden then claims that “key investigators feel Castro’s higher-ups used homosexuals for the assassination,” the significance being that David Ferrie was gay and del Valle was bi-sexual. Golden tosses off this doozy on page two of his story: “Sexual deviation is taking on special importance as new evidence comes to light in the assassination probe.”
But even though Golden seems to let his own prejudices color his reporting, he does cite some interesting facts. Eladio del Valle’s and David Ferrie’s deaths occurred just as New Orleans District Attorney Jim Garrison, who was investigating Kennedy’s assassination, was planning to drag them into his probe. Eladio del Valle died three days after being contacted by Garrison, and Ferrie’s death came just days before Garrison planned to arrest him as part of his investigation. If all this sounds like the plot of Oliver Stone’s movie JFK, that’s because it basically is. But if any of it sounds untrue, it isn’t—it’s all public record. And if any of it sounds a bit crackpot, well, let’s just flip that term on its head, shall we? Miami
, New Orleans
, National Enquirer
, Jim Garrison
, Charles Golden
, Fidel Castro
, John F. Kennedy
, Lee Harvey Oswald
, Eladio del Valle
, David Ferrie
, Oliver Stone
Never let them see you sweat.
Here’s a little something we scored a while back. It’s a promo photo from fifty-one years ago today of American stunner Linda Darnell at Wilcox Field in Miami. She had just arrived—in the middle of a 90 degree day, but wearing at least two layers of clothing—on a Pan Am flight from Ocho Rios, Jamaica (via Kingston), where she had been filming the World War II adventure-romance Saturday Island. The hurricane referred to in the press info below was Hurricane Charlie, which had struck in mid-August. And her flight left as Hurricane Dog was arriving. Apropos, actually—Saturday Island, aka Island of Desire, was a dog at the box office.
Once he makes up his mind, there’s no stopping him.
And what the heck—since we referenced Eraserhead, how about a man whose head has been erased? Been a while since we’ve posted a mugshot, so today, courtesy of Deadspin, this unaltered booking photo shows a 25-year-old Miami man who was arrested for soliciting prostitution over the weekend. Word is he asked for some head. Oh please, don't get all high and mighty with us—you were thinking the same damn thing.
Of all the actresses whose debut was playing a corpse, Christine Todd’s was among the most memorable.
Here’s something that immediately caught our eye—a rare film still of Christine Todd as the titular corpse from 1968’s Lady in Cement. Todd’s appearance is during the film’s first few minutes, as Sinatra’s detective character Tony Rome is scuba diving off the coast of Florida and finds her anchored in a block of cement. In the movie Todd’s nude state is merely implied, which is why finding this unobstructed view was such a surprise. We have a similar but less revealing shot from a Japanese soundtrack sleeve, below, with a different superimposed shark. Both images are stunners. But as memorable as Ms. Todd was in her debut, it was, sadly, her only movie role.
It’s good to be the king—just don’t overdo it.
Here’s a July 1962 issue of the tabloid Vice Squad, with several interesting items on the cover. Cadillac girls—self explanatory, very smooth ride. Sexual cripples—ditto, very rough going. Same with sex roulette (bad odds), perversion unlimited (sticky ends), and the phobic feature on "lesbians and homos." But, aha, the story on Farouk’s $400,000 libel suit against a Miami cathouse operator is well worth detailing.
In brief, Ruth Barnes, a Miami madame who went by the nom de directeur Sherry, published an autobiography—ghost-written by veteran sleaze author Bob Tralins—called Pleasure Was My Business. The book named a raft of celebrity clients, including the ex-king of Egypt, Farouk I. Furthermore, it claimed he was not only a regular client, but that in 1952 he once snuck into the U.S. via some helpful port authority folks and rented Madame Sherry’s entire house for a night of fun and games. Quite an incendiary claim.
When Farouk learned he'd been outed, he flipped out and sued for libel, specifically claiming he was never in the U.S. at the time in question and he was outraged and infuriated and humiliated and so forth. The suit was not for $400,000 but rather $750,000, which was a fortune at the time, something in the area of five million in today's dollars. Long story short—Farouk lost. Not only had he entered the U.S., he’d indeed entered Madame Sherry’s house and followed that up by entering a few of her employees.
The epilogue on this guy is so fascinating. Always a bit of a gourmand, he started life thin, and remained so through his heyday, but as middle age approached the eating caught up with him and by age forty he was tipping the scales at nearly three-hundred pounds. One night, after gorging himself as usual, he collapsed and died. He was 45. We’ve taken the lesson to heart here at Pulp Intl., and we’re cutting back on the fatty foods and getting more exercise. But we’re never, ever giving up the hookers so don’t even ask.
, Pleasure Was My Business
, Vice Squad
, Farouk I
, Ruth Barnes
, Madame Sherry
, Bob Tralins
, true crime magazine
Havana when it sizzles.
Fifty years ago on this day, U.S.-installed dictator Fulgencio Batista fled Cuba, acknowledging defeat by socialist forces aligned with Fidel Castro. At the time Cuba was controlled by U.S. business interests and organized crime figures, with 75% of its land in foreign hands, and the capital of Havana serving as an international vice playground. It was known as the Monte Carlo of the Caribbean, and establishments like the Tropicana, San Souci, and Shanghai Theatre were famous for casinos, prostitutes, and totally nude cabaret shows. The El Dorado had an all female orchestra. Mobster Meyer Lansky was royalty. Luminaries such as Frank Sinatra, Nat King Cole, and Edith Piaf were regular headliners. Havana was simply the place to be.
Less than an hour from Florida by air, New York businessmen who’d told their wives they were at a Miami conference could be enjoying a Cuban whore by lunchtime, and be back in Dade County in time for bed and a phone call from the missus. Alternatively, they could stay all night, or for days at a time, and lose themselves in daiquiris, dancing girls, and the lure of forbidden Barrio Colón. It was paradise—at least if you were a foreigner or one of the wealthy Cubans in partnership with them. For thepoor Havana was pure hell. The billions in revenue earned by casinos and hotels trickled not down, but out—into foreign bank accounts. Malnutrition, illiteracy, and crime were rampant. When Castro ran Batista off the island the party cautiously continued, because his political intentions were not immediately clear. Everyone knew the old system would change; nobody knew exactly how much. But for a brief, post-revolutionary moment Cuba remained open to foreigners, and so the expatriate carnival went on—albeit under a cloud.
But the lines had already been drawn in the greatest ideological battle of modern times. U.S. president Dwight D. Eisenhower was using the CIA to train Cuban exiles for an invasion to oust the socialists, and Castro was planning to nationalize a corrupt capitalist economy that had excluded those who were too poor, too black, or too lacking in influence to get a seat at the big table. When Castro made nationalization official, the U.S. struck with an embargo, and followed up five months later with the failed Bay of Pigs invasion. Since then the ideological battle lines have occasionally shifted, but Cuba remains the prize jewel of the war.
As historical events go, the Cuban Revolution has been invaluable to pulp, providing rich material for authors such as Graham Greene, James Ellroy and a literary who’s-who of others. It has been the subject of countless revisionist potboilers. Stephen Hunter’s Havana is perhaps the best of these novels. In that one Fidel’s fate is in the hands of a goodhearted redneck from Arkansas. Sent by the CIA, the heroic marksman is more than a match for the hapless Cubans, but does he really want to kill Castro? Movies ranging from Errol Flynn’s piece-of-fluff Cuban Rebel Girls, to Wim Wenders’ inspiring Buena Vista Social Club, to Benicio del Toro’s heavyweight Ché, have also used the island as a backdrop. Doubtless Cuba will provide material for as long as authors write and directors film, as its history continues to inspire, and its future continues to be in flux.
, Dade County
, New York
, Bay of Pigs
, Fidel Castro
, Fulgencio Batista
, Dwight D. Eisenhower
, Frank Sinatra
, Nat King Cole
, Edith Piaf
, James Ellroy
, Stephen Hunter
, Benicio del Toro
, Buena Vista Social Club
, Graham Greene
The headlines that mattered yesteryear.
2003—Suzy Parker Dies
American model and actress Suzy Parker, who appeared the films Funny Face and Kiss Them for Me, was the first model to earn more than $100,000 a year, and who was a favorite target of the mid-century tabloids, dies at home in Montecito, California, surrounded by family friends, after electing to discontinue dialysis treatments.
1920—Negro National Baseball League Debuts
The first game of Negro National League baseball
is played in Indianapolis, Indiana. The league, one of several that would be formed, was composed of The Chicago American Giants, The Detroit Stars, The Kansas City Monarchs, The Indianapolis ABCs, The St. Louis Giants, The Cuban Stars, The Dayton Marcos, and The Chicago Giants.
1955—Williams Wins Pulitzer
American playwright Tennessee Williams wins the Pulitzer Prize for Drama for his controversial play Cat on a Hot Tin Roof, which tells the story of a southern family in crisis, explicitly deals with alcoholism, and contains a veiled subtext concerning homosexuality in southern society. In 1958 the play becomes a motion picture starring Elizabeth Taylor and Paul Newman.
1945—Germany Announces Hitler's Death
German radio in Hamburg announces that Adolf Hitler was killed in Berlin, stating specifically that he had fallen at his command post in the Reich Chancery fighting to the last breath against Bolshevism and for Germany. But in truth Hitler had committed suicide along with his mistress Eva Braun, and both bodies were immediately thereafter burned.
1960—Powers Is Shot Down over U.S.S.R.
Francis Gary Powers, flying in a Lockheed U-2 spy plane, is shot down over the Soviet Union. The U.S. denies the plane's purpose and mission, but is later forced to admit its role as a covert surveillance aircraft when the Soviet government produces its remains and reveals Powers, who had survived the shoot down. The incident triggers a major diplomatic crisis between the U.S. and U.S.S.R.
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