Vintage Pulp Jan 10 2018
THE SOUTH SHALL RISE
Um, Georgia Boy—see if you can put down that unrest you've got happening down around Savannah.


George Mayers does the cover work for the Erskine Caldwell short story collection Georgia Boy, which first appeared in 1943, and in this Avon paperback edition in 1947. While it's a story collection, all the tales are narrated by one young character and mainly discuss the poor Stroup family and their friends, acquaintances, and neighbors. This is Caldwell in a more humorous mode than normal, but the underlying themes of his work—particularly poverty and racism—remain, as in the tale "Handsome Brown's Day Off," in which a black character becomes a living target at a carnival.

We recently encountered this phenomenon in a Jim Thompson novel, and what we thought, or at least hoped, was a case of literary flourish was actual reality—in the Jim Crow south white carnival goers paid to throw baseballs at black men's heads. The balls were generally of a novelty variety, which is to say heavy enough to fly straight, though not hard enough to be lethal, but still. Making the tableau even more horrific was the requirement that the target stick his head through a hole in a jungle backdrop and that he grin and mug for the assembled whites as he tried to dodge the baseballs.

We checked it out in other sources and confirmed the prevalence of this barbaric practice. We also found that carnivals in northern states did it too, though it was far more common down south. Apparently the big fun with these spectacles occurred whenever some college or professional pitcher showed up and thrilled the crowd by nailing these poor guys' heads at high velocity.
 
We found a 1908 article, which you see at right, about a group of pro baseball players who substituted normal baseballs for novelty ones and repeatedly beaned a man, putting him in the hospital, where it was feared he might not survive. The target was said to have taken the punishment “courageously,” and of course there was no suggestion of charges being filed.

We also found two other mentions of “African dodgers”—the gentlest term used to describe them—being killed. Things like these need to be remembered, especially in light of today's cultural battles wherein a segment of people seek to propagate a myth of the south as misunderstood. But literature, besides its other value, is often useful for preserving history, as Erskine Caldwell shows. That said, in Georgia Boy we preferred the stories about sex and we have a feeling you will too. 

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Vintage Pulp Jan 9 2018
WILD SIDE
Stop playing hard to get! I just want to make sweet love to you!


The Woman Aroused tells the story of a man who allows a confused and mysterious woman to stay with him, then finds he can't get her out of his apartment. He basically can't even get her off his sofa. The woman calls herself Lee, but that isn't her real name. She has no family, no friends, no past. She has a strange accent that hints at origins somewhere in Europe, but conversely she has an American flag tattoo on her forearm.
 
It emerges that Lee is short for “liebchen,” a nickname from when she was a worker and sex slave in a Polish concentration camp. The tattoo is a cover-up for her Nazi serial number. But even after these discoveries the issue remains how to get rid of her. The narrator is no match for her physically because she's six feet tall and labor hardened, he has limited hope of outsmarting her, and due to complications he can't involve the police. Quite a pickle, and quite an inversion of the usual male-female relationship found in mid-century fiction.
 
Ed Lacey, aka Ed Lacy, née Leonard Zinberg is not a polished writer, at least not working under this pseudonym, but he certainly dreams up thought provoking tales. This one is just weird enough to sustain interest throughout its short length. The cover on this Avon edition, which gives vivid form to the physical turning of the tables depicted in the narrative, is by famed pin-up artist William Randall, aka Bill Randall, and the copyright is 1951.



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Vintage Pulp Jan 8 2018
LAST LEG
Shut up, conscience. We both knew she'd eventually criticize my driving one time too many.


Above, both sides of Australian writer Charlotte Jay's, aka Geraldine Halls' The Fugitive Eye, for Avon Books, 1953, about a witness to murder who loses his eyesight in an accident and finds himself pursued by bad guys. The rear cover, with its multi-angle text, is almost as interesting as the front, but the art is uncredited. If you're wondering where the dead woman's other foot is, someone found it over here.

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Vintage Pulp Mar 14 2017
CALM BEFORE THE STORM
A thousand miles out to sea there's nobody to help you if you can't help yourself.

Above, a Bill Johnson cover for the Charles Williams thriller Dead Calm, originally published in hardback in 1963 with this Avon paperback coming in ’65. We love this cover. It gets more interesting the more you look at it. As for the story, it deviates from the 1989 Nicole Kidman movie in several important ways, including the number of characters, the approach the heroine Rae takes toward being stranded on a sailboat in the middle of the South Pacific with a madman, and the climax. The movie is excellent, of course, but it's interesting the choices screenwriters make. In the movie Rae uses sex as part of her arsenal but Williams has more imagination than that—or less, depending on your point of view. In any case, Dead Calm is a recommended read. 

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Vintage Pulp Jan 26 2017
WHOREABLE BEHAVIOR
Any male hussy will tell you—quantity is quality.

1952 Avon cover for Donald Henderson Clarke's The Headstrong Young Man, with a banner explaining said headstrong young man is a male hussy. Which would lead to this conversation:

“You're a male hussy, you know that?”
 
“Thank you.”
 
“It's not a compliment.”
 
“It means I screw a lot of women, right?”
 
“Yes.”
 
“Then thank you.”
 
“But you have no discernment. You don't care. You'll stick your cock in anything that moves.”
 
“You sure seemed to enjoy it.”
 
*Sigh* “You are also incredibly thick.”
 
“Thank you.”

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Vintage Pulp Jan 24 2017
BAD TWO-TIMING
Unbelievable. I put my trust in you. Give you my heart. And here I find you pawing some red-headed bimbo.


Above is a cover for 1955's The Passion Murders, written by the prolific Day Keene, aka Gunard Hjerstedt, and originally published as Farewell to Passion in 1951. In this one a burned out big city lawyer leaves the danger and corruption of the metropolis behind for a simpler existence, only to find that small towns offer no protection against crime. The tangled web includes a dangerous mobster, a partner with no scruples, and the lawyer's own compromised wife. We really like the cover on this one, but unfortunately it's uncredited.

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Vintage Pulp Nov 18 2016
CHARACTER STUDIES
Long live the King—in Yellow, that is.

The interesting cover above for Five Sinister Characters was painted by Paul Stahr and fronts a Raymond Chandler short story collection composed of "Trouble is My Business,” “Pearls Are a Nuisance,” “I'll Be Waiting,” “The Red Wind,” and “The King in Yellow.” Lovecraft fans probably know that last title via its usage by Robert W. Chambers for his 1895 collection of weird stories, which you see at right, but Chandler's “King in Yellow” is unrelated. Chandler's tale involves a tough guy bandleader named King Leopardi who wears yellow suits, while Chambers' collection is, well, weird. But Chandler knew of Chambers and he also knew of Lovecraft's Cthulhu mythos, of which Chambers' fiction is considered a part. Midway through Chandler's tale a character says, “The King in Yellow. I read a book with that title once.” A clear reference to Chambers' macabre work. The influence of that work continues to grow over time—it even made an impact on the first season of True Detective. Originally published by Avon in 1944, this edition of Five Sinister Characters appeared as part of Avon's Murder Mystery Monthly series in 1945. Recommended stuff.

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Vintage Pulp Sep 18 2016
GUERILLAS IN THE MIDST
Hey, Sarge, I'm ready for those nocturnal maneuvers you mentioned.

Not long ago we put together a large collection of lesbian paperback covers from the mid-century period. This one—Harry Whittington's Rebel Woman, 1960, from Avon Publications—we held back. It was just too awesome to mix in with the fifty or so we posted earlier. As we mentioned before, since these were mainly written by men, they reflected male fantasies and assumptions, and this one is prototypical anti-lesbian sleaze. An American mercenary gets involved in a Latin American revolution and is captured by a squad of female rebels. When he realizes the leader of the group is an old flame he figures he has nothing to worry about. But when he “saw the way she looked at the girl Dolores [he knew] the twisted path she had taken.” He decides she'll need to be reconverted to the hetero team, but that may be harder than it seems at first glance. Whittington may have gone to hell for writing this one.

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Vintage Pulp Apr 21 2016
UNHAPPY HOUR
That's right, I'm back. I'll have that fuzzy navel now and anyone who laughs this time is gonna regret it.

Above, a nice cover for Return to Deadmans by Al Cody, who was in reality Archie Lynn Joscelyn, an author who wrote hundreds of westerns under pseudonyms such as Tex Holt, A.A. Archer, Evelyn McKenna, and Lynn Westland. This one involves a group of land thieves and the heroic cowboy who stands in their way. 1963 copyright, cover artist unknown. 

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Vintage Pulp Apr 20 2016
DARK ROOTS
Nothing a little dying won't fix.


Narrated from the deck of a boat floating on the crystalline Caribbean, The Root of His Evil is the tale of a money-hungry femme fatale who rises from greasy spoon waitress to NYC union organizer to wealthy woman, all by age twenty-four. James M. Cain originally wrote this tale way back in 1938 as “The Modern Cinderella,” and immediately sold it to Hollywood, where it spawned the 1939 movie When Tomorrow Comes. He ended up suing for copyright infringement when the filmmakers borrowed a scene from another of his novels without paying for it. You can read details of that incident here if you're inclined. Some Cain fans love The Root of His Evil; the more prevalent opinion is that it isn't among his best. We'll say this much—there's no focus on crime here, just on questionable deeds. But we like the cover of this Avon paperback. It's less sophisticated than some good girl art, but strikes the right tone. It appeared in 1952 and is uncredited.

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Next Page
History Rewind
The headlines that mattered yesteryear.
February 24
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
February 23
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
February 22
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
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