|Intl. Notebook||Jul 14 2017|
Pan American World Airways knew how to imbue travel with an aura of romance. It launched in the late 1920s with mail service from Key West to Havana, and quickly expanded to become a passenger airline. Business boomed—well heeled Americans took flights to Havana in droves in what became known as the Cocktail Circuit, escaping U.S. prohibition to enjoy a weekend of decadent nightclubs and gambling before returning in time for Monday's real world obligations. Soon Pan Am expanded service throughout Latin America and the world. It bought seaplanes to get around the problem of many cities not having proper airports. With the ability to use docking facilities, virtually no destination was inaccessible.
The company dubbed its seaplane fleet “clippers,” evoking the masted sailing ships of the oceangoing era, and their draw was not just their mobility but their luxury. Some say it was a different era of corporate governance, a time when the mandate in the commercial travel industry was to earn loyalty with good service rather than to blackmail customers into avoiding misery. This is partly true, but it's also important to remember that air travel was initially considered a luxury indulgence. It was with the advent of travel for the masses that airlines began to exchange services for profitably packing people in like sardines. In that sense, their priorities have not changed much in fifty years.
Pan Am soon began promoting its services with colorful posters, many of which were created by a talented artist named Mark von Arenburg. These prints, which promised to take passengers around the world by clipper, hung mainly in airports and travel agencies and gave passersby fantastic glimpses of faraway destinations—indeed, it's difficult to look at any of them without feeling the pull of the exotic wider world. The company produced hundreds of these promos in various styles and multiple languages, but for our purposes we're interested today only in the posters advertising travel on that elegant Pan Am clipper.
Over the years the fleet evolved from seaplanes to jets, and while all were called clippers, it's the lovely skyboats that are most fondly remembered—and which provided so many entertaining settings in old movies and pulp fiction. The posters you see below are scans of both originals and reproductions, and there are quite a few. Even so, it isn't a complete collection. Some of the most famous posters are so rare they simply can't be found online at the moment. While it's true that air travelers are mainly treated like cattle rather than customers today, and commercial flying is a form of voluntary torture, the destinations are still there to make those difficult hours in the air worthwhile. Let these posters inspire you.
|Intl. Notebook||Nov 23 2016|
We're back from vacation. We were surrounded by colonial era architecture, which brought to mind this photo of Havana, Cuba, a former colonial city thousands of miles from where we were, but similar in many respects. The shot was taken along Calle San Rafael sometime during the 1940s. There's a lot of detail in this—in the distance we can see Bar Uncle Sam and a Philco store, and in the foreground the cars and flowing sidewalk mosaics are interesting too. Of particular note is the perfume store El Patio, where a sign tells us the Dana brands Emir, Tabu, and Platino are available. These were pricy concoctions, affordable for only the rare few, sold by a fancy perfumer that got its start in Barcelona back in 1932. Presumably Isaac Habif was a perfume or cologne too, but we can't find mention of it anywhere.
|Intl. Notebook||Jul 2 2016|
Seems everyone's talking about Cuba these days. Barack Obama became the first U.S. president to visit the island in ages, and every megacorporation from Home Depot to Major League Baseball wants to do business there. By any measure, Cuba's is a remarkable story, particularly its educational and medical accomplishments in the face of an economic blockade that keeps out everything from computer chips to breakfast cereal.
Despite that embargo, Cubans can convincingly claim to be better off than residents in nearby capitalist nations like Honduras (highest per capita murder rate in the world), El Salvador (thousands killed each year by rampaging drug gangs), Haiti (59% poverty rate), and even Puerto Rico ($70 billion in debt—an astonishing $20,000 per resident). But one thing Cubans don't have is the opportunity to accumulate wealth. That may be about to change.
|Vintage Pulp||May 17 2016|
Jesus. I'm schvitzing like a pig. Shoulda packed my summer mask.
These cholesterol readings are off the charts. What the hell does this guy eat?
Santo! Do something!
Hey, don't look at me. I'm thoughtsucked.
|Intl. Notebook||Aug 20 2013|
After suffering a stroke a few weeks ago, American author Elmore Leonard died at his home in Detroit this morning. Tens of thousands of words will be written about Leonard’s contributions to literature, but we’ll let him speak for himself in this scene featuring a character named Neely Tucker, a journalist intent on perfectly remembering everything that happens, as he witnesses a brewing confrontation between a Cuban military officer and a tough cowboy in a supper club in Havana, Cuba, 1899:
A couple of years ago, a long article appeared in The Guardian and their book critic pointed out that Leonard was not a great a crime novelist or a great western novelist, but simply a great novelist, one of the best writing in English and had been for at least twenty years. He said a shift had begun to occur in literary circles and critics were beginning to realize nobody else in any genre or branch of literature could do what Elmore Leonard did. Dead today at age eighty-seven.
|Vintage Pulp||Apr 22 2013|
Uncensored returns to Pulp Intl. for the first time in over a year with an issue published this month in 1955. The story of Ava Gardner and Frank Sinatra’s tumultuous relationship (and the Spanish bullfighter who helped ruin it) has been covered numerous times, so no need to get into it again just now, but the photos are certainly worth a look. Uncensored shares other nice images as well. There’s Eartha Kitt (described as not much to look at “unlike such Negro beauties as Dorothy Dandridge and Lena Horne”), Sarita Montiel (who in Mexico was allegedly on the receiving end of a horsewhipping by Miguel Aleman’s jealous wife), and Marlene Dietrich (seen both onstage performing and offstage fulfilling a G.I.’s request for a kiss). The latter photo, from 1945, appeared in Life and many other magazines and remains one of the most famous Dietrich images. So Hollywood starlets take note: if you want millions of dollars in free publicity, no need to get arrested or leak nude photos—just kiss a fan.
|Intl. Notebook||Dec 6 2012|
Above is a photo of Manhattan, New York City, in the year 1947, looking from Battery Park toward midtown. Here you see everything—the Staten Island Ferry Building at bottom, Wall Street to the right, the 59th Street Bridge crossing Welfare Island at upper right, and in the hazy distance, the Empire State Building—at that time arguably America’s most recognized symbol. In the aftermath of a war that had destroyed Europe’s and Japan’s industrial capacity, the U.S. was the unquestioned power on the planet, with massive economic might, a military that had taken up permanent residence in dozens of countries, and a growing stock of nuclear weapons. Two years later the Soviets would detonate their first nuclear bomb, shaking the American edifice to its core. Meanwhile, all around the world, the seeds of change were taking root. Below is a look at the world as it was in 1947.
Firemen try to extinguish a blaze in Ballantyne’s Department Store in Christchurch, New Zealand.
American singer Lena Horne performs in Paris.
The hustle and bustle of Hong Kong, and the aftermath of the execution of Hisakazu Tanaka, who was the Japanese governor of occupied Hong Kong during World War II.
Sunbathers enjoy Copacabana Beach in Rio de Janeiro, and a military procession rumbles along Rua Catumbi.
Assorted Brooklyn Dodgers and manager Leo Durocher (shirtless in the foreground) relax at Havana, Cuba’s Estadio La Tropical, where they were holding spring training that year. Second photo, Cuban players for the Habana Leones celebrate the first home run hit at Havana’s newly built Estadio Latinoamericano.
Thousands of Muslims kneel toward Mecca during prayer time in Karachi, Pakistan.
A snarl of traffic near St. Paul’s Cathedral in London.
The city hall of Cape Town, South Africa is lit up to celebrate the visit of the British Royal Family. Second photo, during the same South African trip, the royals are welcomed to Grahamstown.
A wrecked fighter plane rusts in front of Berlin’s burned and abandoned parliament building, the Reichstag. Second photo, a shot of ruins in Berlin’s Tiergarten quarter, near Rousseau Island.
A crowd in Tel Aviv celebrates a United Nations vote in favor of partitioning Palestine.
Men and bulls run through the streets of Pamplona, Spain during the yearly Festival of San Fermin.
Fog rolls across the Embarcadero in San Francisco; a worker descends from a tower of the Golden Gate Bridge.
Detectives study the body of a woman found murdered in Long Beach, California. Two P-51 Mustang fighters fly above Los Angeles.
Danish women from Snoghøj Gymnastics School practice in Odense.
Tens of thousands of protesters in Cairo demonstrate against the United Nations vote in favor of partitioning Palestine.
A beauty queen draped with a sash that reads “Modern 1947” is lifted high above the boardwalk in Coney Island, New York.
A woman in Barbados holds atop her head a basket filled with fibers meant for burning as fuel.
Mahatma Gandhi, his bald head barely visible at upper center, arrives through a large crowd for a prayer meeting on the Calcutta Maidan, India.
Major League Baseball player Jackie Robinson is hounded for autographs in the dugout during a Brooklyn Dodgers game.
|Intl. Notebook||Dec 30 2009|
Above is a vintage image of the outdoor stage at the famed Tropicana nightclub in Havana, Cuba. The Tropicana, renowned as one of history’s greatest party spots, opened on December 30, 1939 on the Marianao estate of Guillermina Pérez Chaumont. The place simply blew people’s minds, not only because of its lush setting and luxurious amenities, but because of its extravagant and highly decadent stage shows. The place billed itself as “paradise under the stars,” and if you could afford to get in, it certainly must have seemed that way. On a given night you might see mob bosses, sugar barons, and captains of U.S. industry socializing, while acts such as Pérez Prado, Rosemary Clooney, and Nat King Cole performed onstage. All these years later, despite all the changes on the island of Cuba, the Tropicana is still open, and remains the hottest and most expensive ticket around. Below are more pieces of Tropicana memorabilia, mostly borrowed from Ebay.
|Vintage Pulp||Mar 8 2009|
Various issues of the magazine Cinema, published in Havana, Cuba, circa 1946. Cover stars are Amanda Ledesma, Mecha Ortiz with Roberto Escalada, followed by Myrta Silva, Maria Elena Marques, and Imperio Argentina.
|Intl. Notebook||Jan 1 2009|
Fifty years ago on this day, U.S.-installed dictator Fulgencio Batista fled Cuba, acknowledging defeat by socialist forces aligned with Fidel Castro. At the time Cuba was controlled by U.S. business interests and organized crime figures, with 75% of its land in foreign hands, and the capital of Havana serving as an international vice playground. It was known as the Monte Carlo of the Caribbean, and establishments like the Tropicana, San Souci, and Shanghai Theatre were famous for casinos, prostitutes, and totally nude cabaret shows. The El Dorado had an all female orchestra. Mobster Meyer Lansky was royalty. Luminaries such as Frank Sinatra, Nat King Cole, and Edith Piaf were regular headliners. Havana was simply the place to be.
Less than an hour from Florida by air, New York businessmen who’d told their wives they were at a Miami conference could be enjoying a Cuban whore by lunchtime, and be back in Dade County in time for bed and a phone call from the missus. Alternatively, they could stay all night, or for days at a time, and lose themselves in daiquiris, dancing girls, and the lure of forbidden Barrio Colón. It was paradise—at least if you were a foreigner or one of the wealthy Cubans in partnership with them. For thepoor Havana was pure hell. The billions in revenue earned by casinos and hotels trickled not down, but out—into foreign bank accounts. Malnutrition, illiteracy, and crime were rampant. When Castro ran Batista off the island the party cautiously continued, because his political intentions were not immediately clear. Everyone knew the old system would change; nobody knew exactly how much. But for a brief, post-revolutionary moment Cuba remained open to foreigners, and so the expatriate carnival went on—albeit under a cloud.
But the lines had already been drawn in the greatest ideological battle of modern times. U.S. president Dwight D. Eisenhower was using the CIA to train Cuban exiles for an invasion to oust the socialists, and Castro was planning to nationalize a corrupt capitalist economy that had excluded those who were too poor, too black, or too lacking in influence to get a seat at the big table. When Castro made nationalization official, the U.S. struck with an embargo, and followed up five months later with the failed Bay of Pigs invasion. Since then the ideological battle lines have occasionally shifted, but Cuba remains the prize jewel of the war.
As historical events go, the Cuban Revolution has been invaluable to pulp, providing rich material for authors such as Graham Greene, James Ellroy and a literary who’s-who of others. It has been the subject of countless revisionist potboilers. Stephen Hunter’s Havana is perhaps the best of these novels. In that one Fidel’s fate is in the hands of a goodhearted redneck from Arkansas. Sent by the CIA, the heroic marksman is more than a match for the hapless Cubans, but does he really want to kill Castro? Movies ranging from Errol Flynn’s piece-of-fluff Cuban Rebel Girls, to Wim Wenders’ inspiring Buena Vista Social Club, to Benicio del Toro’s heavyweight Ché, have also used the island as a backdrop. Doubtless Cuba will provide material for as long as authors write and directors film, as its history continues to inspire, and its future continues to be in flux.