 Oshida makes her mark and it looks like a swastika. 
Above is a bo-ekibari style poster for the pinky violence actioner Furyô banchô: Ikkaku senkin, aka Wolves of the City: Fast Money. This piece is cousin to the standard sheet for the film we shared a couple of years ago. Just as when we showed you that one we haven't located the movie yet, but we'll keep working on it, if only to find out why star Reiko Oshida has a swastika on her back. We're guessing she's in a motorcycle gang, and it's their emblem. Furyô banchô: Ikkaku senkin premiered today in 1970. You can see the other poster here, and that entry also discusses briefly the swastika symbol in Japanese culture.
 You're upset I betrayed your trust. But if I hadn't, all the publishers calling about your scandals would have been even more upset. 
It's election season in the U.S., so above we have a cover for Harriett H. Carr's Confidential Secretary, originally published in 1958, with this Berkley paperback arriving in 1961. It's about a woman who takes a job in a Washington, D.C. corporation and is drawn into congressional intrigue, over the course of which she finds true love. This isn't one we'd read, but it does fit into our cover collection featuring the U.S. Capitol building—soon to be belching smoke and flames, the way things are going over there. The art is uncredited.
 Why, thank you, ladies, I am a goat, and proud of it. Um—you mean greatest of all time, right? 
We've been having an ongoing conversation with the Pulp Intl. girlfriends about the word, “cougar,” when used to refer to older women who chase younger men. They say there's no male equivalent. If you're an older man chasing after young women, you're just a man, we were told. We think cougar is kind of a fun slang term, but then we are neither women, nor women in that age range, so our opinion doesn't actually count. Anyway, we came across this cover for Tiffany Thayer's 1950 novel The Old Goat, and we're going to go with "goat" as a term for a male cougar. And no, not “greatest of all time.” Just goat. We'd like it to catch on, but sports fans have a firm hold on it at the moment. However, we'll do our part to change that if you do yours. The art on this, by the way, is by an unknown, but the rear cover and several interior illustrations are by Lyle Justis.
 You don't mind if I keep the blinds up, do you? The guys in the building across the street like to watch. 
Above: a cover for the 1963 novel Bachelor Girl by Francis Loren. This was painted by acknowledged master Robert Maguire. As for Loren, we'll soon find out about him. We have one of his novels on deck. We've put together a couple of collections of covers featuring Venetian blinds. You can see those here and here.
 Appelgren and her eyes. 
This striking shot shows Swedish actress Brita Appelgren, who starred in seventeen movies between 1926 and 1936. All her films were made in Sweden, so she's obscure to U.S. audiences, but there's nothing obscure about this shot. It's been well disseminated online. It was made in 1932.
 Nygren and friends teach moviegoers all about natural selection. 
We'll return to paperback covers tomorrow, but for the moment we're running with the same sort of material we posted a couple of days ago, because as the weather warms thoughts naturally turn to sensual pleasures. We can't think of a movie more sensual than Emmanuelle IV. Set in our planet's most sensual country, steamy Brazil, it was the entry in the Emmanuelle series that ushered original lead Sylvia Kristel out the studio gate, and brought in the first of several new Emmanuelles, in this case Swedish actress Mia Nygren. This West German poster, on which the film is titled Die orgien der Emmanuelle, or “the orgies of Emmanuelle,” caught our eye because—well, for several reasons—but mainly because Nygren is pushed into the background by Camella Donner, aka Camella Thomas. Why is that so interesting? Because she isn't in the cast. She probably wasn't even on the same continent. We guess the West German distributors wanted to sex up the poster a bit more. Donner would have been a great addition to the film, but even without her it was fun. Ridiculous, stupid, carnivalesque fun. They don't make 'em like that anymore. Emmanuelle IV premiered in West Germany today in 1984.
 Baby, if God had meant for you to cover yourself he'd have given you three hands. 
We've shared so many covers of unfortunate women being surprised while bathing in ponds and streams that we can't believe we missed this one by James Meese for George McKenna's 1958 novel Yanqui's Woman. Well, consider it an addition to the group, which is scattered in posts here, here, here, and here.
 Eight! Nine! Nine and a half! Nine and five-eighths! Get up! I'm bought off but I can't be obvious! You think I'm a Supreme Court justice or something? 
This Dutch paperback cover was painted by an unknown, but we love it. It fronts Judson P. Philips' De gouden handscheon. “Handschoen” is a pretty easy translation if you think literally—handshoe. But what the hell is a handshoe? *checking internet* In Dutch it means “glove.” Makes perfect sense. What do they call a condom? *checking internet* Sadly, it isn't “dickshoe.” Anyway, Philips was a pseudonym for Hugh Pentecost, and this was published by Uitgeverij de Combinatie in 1948.
Update: Same day update, actually, which should give you an idea how much time we spend poking around for information. Turns out the above cover was adapted from a 1936 issue of the pulp magazine Argosy. The art is signed by John A. Coughlin. Also note that Judson P. Philips has a story in the issue. That leads to the reasonable conclusion that De gouden handschoen is a Dutch translation of that story typeset to paperback length.
 It's the same old story. Take a trip to the tropics, lose every bit of self control. 
We ran across this Italian locandina for the shot-in-the-Dominican Republic sexploitation flick Il pavone nero, known in English as Voodoo Sexy, and thought it made a nice alternate promo to the one we posted years back. The movie premiered in Italy today in 1975, and with a title like Voodoo Sexy you know what it's about: white skin + tropical heat = a total loss of inhibitions. Flicks of this ilk were an unofficial subgenre of ’70s and ’80s cinema. We love them, and you know why? Because they aren't wildly inaccurate in terms of northerners going crazy down south. The star of this one was German actress Karin Schubert, and that's the other reason we revisited the film—it gave us an excuse to share the photo of her below. Hope it helps you get over hump day. 
 Vince waxes philosophical and discovers the secret of life—death. 
House of Wax, which was produced by Warner Brothers and premiered today in 1953, was the first 3D production by any major studio. It's a period piece set in Victorian New York City starring Vincent Price as the creator and half owner of a historical wax museum. Unfortunately, his focus on history leaves the public nonplussed, and his partner Roy Roberts, who needs capital, sets the place aflame for the insurance money. Price is burned and driven insane. Well, actually he was insane before the fire, but in a cute way. He talked to his wax figures and thought they talked back.
But after the fire he's a barking psychopath, running around nighttime Gotham behatted and cloaked like Lamont Cranston. His goal? Revenge, of course, a craving solved early in the proceedings when he pitches Roberts down an elevator shaft with a rope around his neck. But what next? What does one do once vengeance is thine? Well, you build a new wax museum, except this time you surrender to prurient tastes and create displays of modern murder and the macabre. Screw that high-minded history crap.
Everything goes fine until Phyllis Kirk begins to suspect that the extraordinary realism of the wax figures is due to more than just artistic talent. Her suspicion is a screenwriter's concoction—there's no way a person could realistically make the leap Kirk does in believing Price guilty of heinous crimes. The script literally calls it a woman's intuition. Well, okay. But in our experience that's a myth, and it's possibly even insulting when used as substitute for intelligence, so maybe just put a realistic clue in the script and write Kirk's character as very smart instead. In any case, she's definitely nosy as hell, and that's the beginning of the end for vicious Vince.
House of Wax has many things going for it. The sets and costumes are extravagant, the early fire sequence with its melting wax figures is genuinely unsettling, the WarnerColor developing process is attractive, and the acting is uniformly competent, even by that six-foot three-inch Hillshire Farms ham Price. And it's fun to watch Charles Buchinsky, aka Charles Bronson, as the mute assistant Igor. In the end the House of Wax works. Add popcorn, a few friends, and about of case of beer and you'll have a great Saturday night.                 
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The headlines that mattered yesteryear.
1947—Heyerdahl Embarks on Kon-Tiki
Norwegian ethnographer and adventurer Thor Heyerdahl and his five man crew set out from Peru on a giant balsa wood raft called the Kon-Tiki in order to prove that Peruvian natives could have settled Polynesia. After a 101 day, 4,300 mile (8,000 km) journey, Kon-Tiki smashes into the reef at Raroia in the Tuamotu Islands on August 7, 1947, thus demonstrating that it is possible for a primitive craft to survive a Pacific crossing. 1989—Soviets Acknowledge Chernobyl Accident
After two days of rumors and denials the Soviet Union admits there was an accident at the Chernobyl nuclear power plant in Ukraine. Reactor number four had suffered a meltdown, sending a plume of radioactive fallout into the atmosphere and over an extensive geographical area. Today the abandoned radioactive area surrounding Chernobyl is rife with local wildlife and has been converted into a wildlife sanctuary, one of the largest in Europe. 1945—Mussolini Is Arrested
Italian dictator Benito Mussolini, his mistress Clara Petacci, and fifteen supporters are arrested by Italian partisans in Dongo, Italy while attempting to escape the region in the wake of the collapse of Mussolini's fascist government. The next day, Mussolini and his mistress are both executed, along with most of the members of their group. Their bodies are then trucked to Milan where they are hung upside down on meathooks from the roof of a gas station, then spat upon and stoned until they are unrecognizable. 1933—The Gestapo Is Formed
The Geheime Staatspolizei, aka Gestapo, the official secret police force of Nazi Germany, is established. It begins under the administration of SS leader Heinrich Himmler in his position as Chief of German Police, but by 1939 is administered by the Reichssicherheitshauptamt, or Reich Main Security Office, and is a feared entity in every corner of Germany and beyond. 1937—Guernica Is Bombed
In Spain during the Spanish Civil War, the Basque town of Guernica is bombed by the German Luftwaffe, resulting in widespread destruction and casualties. The Basque government reports 1,654 people killed, while later research suggests far fewer deaths, but regardless, Guernica is viewed as an example of terror bombing and other countries learn that Nazi Germany is committed to that tactic. The bombing also becomes inspiration for Pablo Picasso, resulting in a protest painting that is not only his most famous work, but one the most important pieces of art ever produced.
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