Last anyone heard from him he had ventured deep into the bush.
The Japanese didn't mess around when it came to promo posters during the 1970s. This one for 1977's Emanuelle e gli ultimi cannibali, aka Emanuelle and the Last Cannibals gets the point of film across immediately. The promo stars Spanish actress Nieves Navarro, aka Susan Scott, and was taken from a production still—minus actor Percy Hogan, who's been disappeared from the original image. In the movie Hogan plays a bush guide named Salvadore, and now you know exactly what type of bush he guides himself into. It's curious he was excised from the poster, but we're kind of surprised Navarro is on there either, since all by herself she still makes for a shocker of an image. But you have to admit the overall effect is really striking. We'd even say beautiful. Looking at the minimal amount of poster text, it's pretty clear the title of the film changed. Emanuelle e gli ultimi cannibali was deemed a little too unwieldy it seems, so the distributors called it 猟奇変態地獄, which means “bizarre transformation hell.” You see the flipside of the sheet just above. If you haven't seen the movie, we'll tell you that bizarre is a pretty apt description. We did a short write-up of it back in 2013 and included more production photos, so if you're curious have a look here.
The hard work around the house is never done.
Above is a vanishingly rare Japanese promo poster for the sexploitation flick Maid in Sweden, with starred Christina Lindberg in her only U.S. production. The movie was made by the schlock factory known as Cannon Films, and coming early in Lindberg's career it helped establish her popularity with international audiences. We already talked about it back in 2013, so if you want to know what it's about check this link. We've also uploaded a promo shot of Lindberg you've never seen before, just below. It isn't the last of the unseen Lindbergs we have, so keep an eye out for more. Maid in Sweden premiered in Japan today in 1972 as 情欲 or Yokubō, which is, succinctly, “lust.”
And they thought cellblocks 1 through 6 were bad.
Diario segreto da un carcere femminile, for which you see a nice poster above, was released in English as Women in Cellblock 7. Jenny Tamburi is thrown in prison as an accessory to a drug trafficking doublecross that led to the disappearance of twenty kilos of heroin. Interpol agent Anita Strindberg wants to prove her father, also an Interpol agent, had nothing to do with the heist, and has herself and her amazing hair placed in prison in order to ply Tamburi for exonerating evidence. Outside parties think Tamburi knows where the missing heroin is, including her lawyer and the mafia, but she claims to have no idea.
So you have an innocent woman in prison, under threat from convicts connected to the mafia, and into this arrives an undercover agent who soon becomes her protector. The cast, which besides Tamburi and Strindberg includes Eva Czemerys, Olga Bisera, Cristina Gaioni, and Valeria Fabrizi, get to rubbing on each other in beds and showers in cinematic approximations of lesbian sex, which means you've got yourself a classic women in prison sexploitation flick. There's also a plot thread external to the prison involving the mafia trafficantes, and some of this features effective action, but it's the ladies on lockdown that are the draw here.
Do they make the movie worth watching? We wouldn't go that far, but they're certainly scenic, and they work hard to hold together a ridiculous script. The conundrum of movie acting is that you have to give it your all or be judged unfit for further roles. At eighty-one minutes in length, at least the film lets the cast out early for good behavior even if the warden doesn't. Diario segreto da un carcere femminile premiered in Italy today in 1973, and the poster was painted by Enzo Nistri. You can see more of his work here and here.
All jerks and no play make Linda a very dull movie.
Some of the other titles of the West German sexploitation flick Linda are Captive Women, Naked Super Witches of the Rio Amore, and Orgy of the Nymphomaniacs. Those should tell you everything about the content of this movie. Plotwise, it involves a woman forced to work as a prostitute at a bdsm brothel on the island of Madeira, Portugal. How that actually happens doesn't much matter. The circumstances are ridiculous, and not at all the point. The point is nudity, which is delivered often and steadily. Characterwise, almost every man in the film deserves to be drawn and quartered, which makes it too bad that doesn't actually happen. It's actually a scorpion that turns the tide and allows the heroine to finally escape.
The movie is notable really for only two things: it was one of more than 100 productions helmed by Jesus Franco, that misunderstood genius, and it features 1979 Playboy centerfold Ursula Buchfellner, billed here as Ursula Fellner. Three things, actually: it's as humorless a sexploitation flick as we've ever seen. Even Katja Bienert in the title role can't save it. No way we can recommend this one, but we wanted to show you the Italian promo poster. It has the look of pieces painted by Mafé, but he signed all his work, as far as we know, so this must just be a convincing imitation. Linda premiered in West Germany for the first time today in 1981, and don't say we didn't try to steer you away.
Bonus material: just for the hell of it, just because they exist, we've uploaded a couple of promo shots of Bienert and Buchfellner below. Their names together sound kind of like a cop show, like a prime time drama where every problem is solved within an hour. We think it would have been a hit, because they've solved our problems in just a couple of minutes. But our previous advice holds true: don't watch the movie.
Schubert runs into trouble Nero and far.
Shot in the Dominican Republic, Il pavone nero is one of those voodoo and sex cocktails that were popular in international b-cinema during the 1970s. In fact, its English title is Voodoo Sexy, which tells you everything you need to know, just in case the promo poster doesn't. Other examples from this fertile genre discussed here on Pulp Intl. include Porno Shock, aka Voodoo Passion, and Al tropico del cancro, aka Tropic of Cancer. And of course queen b Laura Gemser had a few run-ins with santería as well.
In Il pavone nero an Italian engineer goes to Santo Domingo to help build a dam. His wife—the lovely Karin Schubert—surprises him in his hotel after he thought he'd left her in Italy. It's the first of many surprises. Rather than stay in the hotel the couple opt to inhabit an isolated beach shack on the border with Haiti, a domicile that was occupied by the previous dam engineer, who inexplicably disappeared. Uh oh. This is a classic case of thumbing one's nose at fate.
We quickly find that ethnic Haitians in the region are against the dam, and that voodoo rites are their weapon of choice to prevent its construction. But their leader Balaga, played by U.S. actor, musician, and sexploitation go-to voodoo guy Don Powell, carves out a little time from his resistance activities to pursue Schubert, possibly drawn by her astounding whitegirl afro. She in turn is drawn by the local santería rituals, which involve a bit of chicken chopping—poor chickens—and some humping of the fully explicit variety, depending on which version of the film you watch. Though Schubert would later delve into porn, her scenes here were performed by a body double.
Il pavone nero ends with the arrest of the voodoo environmentalists, which means the dam is no longer in danger. Can't stop progress, after all. There may be an environmental message buried in this film, or an anti-colonial message, or a racial harmony message, or even a spiritual message, but those are all secondary to the real point—for audiences to enjoy some vanilla Schubert getting freaky with the locals. The movie delivers ample opportunities, as you can see in the promo images below. Also, there's a cockfight. There's always a cockfight. Poor chickens. Il pavone nero premiered in Italy today in 1975.
She's got the best seat in the house.
Above is yet another awesome promo photo of Swedish sexploitation actress Christina Lindberg you've never seen before. We've featured her many times, with some of the images being the first ever to appear online, such as this one, this one, and these. This one isn't our scan. It's a download we scored years ago off a now defunct forum page, so consider it a re-up. We have a couple more from the same source and maybe we'll post those at some point.
When they say love hurts they aren't kidding.
This wintry poster for Hakkinbon bijin ranbu yori: semeru!, aka Beauty's Exotic Dance: Torture! shows star Junko Miyashita looking miserable and cold. Which actually happens in the movie. It tells the story of an artist who engages a prostitute to satiate his need for sadistic sex, which he uses to fuel his art. The prostitute, Miyashita, is a consensual partner in all this, wanting to please the artist and out-do his dearly departed wife. You gets lots of drawn out sadism involving rope bondage, asphyxiation, ice baths, scaldings with candle wax, and more. And if that isn't dark and weird enough already, matters take a really nasty turn when Miyashita turns out to have inherited something unusual from her mother. If you watch the movie, don't say we didn't warn you. Hakkinbon bijin ranbu yori: semeru! premiered in Japan today in 1977.
You know, you're kind of sexy when you're mad.
The panel length promo for Furyô anego den: Inoshika Ochô, aka Sex & Fury was one of the first Japanese posters we ever shared. It's now the standard poster scan for this film on the internet. We see it everywhere, and it's defnintely the one we uploaded because we recognize the various imperfections of the image. We've also had the above bo-ekibari style promo the whole time, and we're sharing it now, whole and in halves, eight years after that first upload, just for the sake of completeness. Have you seen the movie? It's pretty wild, and it has a love scene between Reiko Ike and Christina Lindberg. If that doesn't make your loins go all hot and gooey you aren't technically alive. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.
Your high school was never like this.
Let's double up on the sexploitation today. The Schulmädchen-Report, or Schoolgirl Report series tries to pass itself off as an educational exploration of different aspects of youthful sexuality, but really it's about as informative as an abstinence class, except much more likely to turn you celibate. The third entry, Schulmädchen-Report 3. Teil—Was Eltern nicht mal ahnen, aka Schoolgirls Growing Up, aka Schoolgirl Report Part 3: What Parents Find Unthinkable, is racy stuff, far beyond the pale for casual filmgoers, some of it undoubtedly illegal to film today. To get an idea, consider that the U.S. version of this is twenty minutes shorter than the uncut international version. And yet, it isn't a porno film. There's no actual sex—just relentless stretching of the deviancy envelope, for example a chapter dealing with incest, and another dealing with the sexual urges of two underage kids. So really, the cut version is better because it doesn't make the hair on the back of your neck stand up. Trimmed, you get a film that's harmless, if occasionally tasteless, but fun in parts. We can't go so far as to recommend it, but doubtless some will like it—the series had twelve iterations, after all, which tells you that it did have redeeming qualities. We, however, shall take a pass on the rest of these. Schulmädchen-Report 3. Teil premiered in West Germany today in 1972.
Marie Forså is clean as a whistle.
We already covered the Swedish sexploitation flick Flossie back in December and paired the write-up with a West German promo poster. Above you see an exceedingly rare Japanese promo for the same film, with young star Marie Forså giving us various O-faces, as well as reclining nude in the center. Pretty sure this one hasn't been seen online before. Flossie opened in Japan today in 1975. You can see the other poster here.
The headlines that mattered yesteryear.
1920—U.S. Women Gain Right To Vote
The Nineteenth Amendment to the United States Constitution is ratified despite heavy conservative opposition. It states that no U.S. citizen can be denied the right to vote because of their gender.
1958—Lolita is Published in the U.S.
Vladimir Nabokov's controversial novel Lolita, about a man's sexual obsession with a pre-pubescent girl, is published in the United States. It had been originally published in Paris three years earlier.
1953—NA Launches Recovery Program
Narcotics Anonymous, a twelve-step program of drug addiction recovery modeled on Alcoholics Anonymous, holds its first meeting in Los Angeles, California.
1942—Blimp Crew Disappears without a Trace
The two-person crew of the U.S. naval blimp L-8 disappears on a routine patrol over the Pacific Ocean. The blimp drifts without her crew and crashes in Daly City, California. The mystery of the crew's disappearance is never solved.
1977—Elvis Presley Dies
Music icon Elvis Presley is found unresponsive by his fiancée on the floor of his Graceland bedroom suite. Attempts to revive him fail and he's pronounced dead soon afterward. The cause of death is often cited as drug overdose, but toxicology tests have never found evidence this was the case. More likely, years of drug abuse contributed to generally frail health and an overtaxed heart that suddenly failed.
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