Kazamatsuri finds herself in another difficult spot.
We last saw Yuki Kazamatsuri in the 1982 roman porno flick Onna kyôshi-gari, starring with a cast of men behaving badly. With that in mind we took a look at Tsuma-tachi no Seitaiken: Otto no Me no maede Ima..., aka Wife's Sexual Fantasy Before Husband's Eyes, and basically the same thing happens. This time her husband becomes the victim of blackmail and a frame-up, and as part of his coercion the bad guys make him offer Kazamatsuri to them for depraved sex. She of course agrees because it's to save her husband's skin, and this being a roman porno flick, she discovers she likes it and wants more of the same. So there you go. Once again we need to point out that roman porno is not hardcore, but rather something just a bit more edgy than late night Cinemax, though the plots tend to be well outside accepted American norms. Well outside. But at least you can console yourself that it's all just acting. Tsuma-tachi no Seitaiken: Otto no Me no maede Ima... premiered in Japan today in 1982.
We Ghana get outta this place if it's the last thing we ever do.
We've had some entertaining hours watching various whites-go-to-the-jungle movies, so when we stumbled across this poster for Contratto Carnale, aka The African Deal, we took the plunge once more. This one stars American stud Calvin Lockhart, Swedish beauty Anita Strindberg, and Finnish sweetie Yanti Somer in a story involving an interracial affair in Ghana that takes place against the backdrop of international corporate intrigue. Generally, white women in these movies are given extraordinary motivations for crossing the line. Love? Not a chance. Just wanna have fun? Never. Usually voodoo has something to do with it, or some other free-will sapping outside influence. It's condescending of course, but you know that going in. In this case Somer goes black because she's basically a corporate prostitute, paid to screw guys for the advantage of her employers.
We were expecting a sexploitation movie, and Contratto Carnale indeed fits the brief, but it also has a serious side, with narrative forays into slave history and scenes shot in Accra's infamous slaver's fortification, the Swedish-built Cape Coast Castle, which today is a museum and UNESCO World Heritage Site. The symbolism is useful, because the movie soon shows how corruption and greed make life difficult for thosein Accra who would operate by a better set of rules. But the central character played by Lockhart just may be pure enough not to be destroyed by the slimy corporate enemies arrayed against him. As for his relationship with Somer, if you're expecting consequence free interracial boning in a 1970s movie you're dreaming. You rarely get that even today. Something bad will happen—it's just a question of exactly what.
But even with the considerable story depth injected into Contratto Carnale, the main attraction is female skin, with Strindberg indulging in a totally nude nap and Somer getting her kit off at several junctures, including at the aforementioned slave castle. This is actually really shocking, all things considered, but you'll be too blinded by her hotness to contemplate that. It's a shame there are so few decent promo images of her, but that's how it was with low budget 1970s movies. Strindberg, at least, posed for a few magazines, and those photos, including the promos below from the film, show what a great beauty she is. There's other beauty in Contratto Carnale too, such as exteriors shot around the Ghanaian coast and in some outlying villages. Also nice is the soundtrack, which is interspersed with a couple of classic West African tunes. Add it all together and you have a decent-not-great flick. Contratto Carnale premiered in Italy today in 1973.
Please don't tease the animals.
Operating on the same level of explicitness as cable softcore doesn't mean roman porno flicks can't push the envelope. Japanese filmmakers working in this genre were solidly experienced by the time Dan Oniroku aoi onna came along, and it's amazing how adept they were at implying everything while showing little. Content-wise Dan Oniroku aoi onna gets pretty far out. The film had no U.S. release, but the title would be “Oniroku Dan,” after Japan's most famous author of sado-masochist fiction, and “blue girl.” The blue girl in question is Izumi Shima, one of roman porno's truly radiant actresses, who spends most of this film trapped in a perverted private sex club in bondage-related distress. We could describe how she ends up in this place, but why bother? We could also describe the various pokings, proddings, and probings the lovely Miss Zu endures, but there's no point. She's naked and helpless is all you need to know, and that—apparently—is what drew Japanese audiences to these films in droves. Most of the time we like to provide a set of stills or screen grabs to give you an idea what to expect. For this one we're giving you only a single production photo, below. That should about cover it. Dan Oniroku aoi onna premiered in Japan today 1982.
A killer in black stalks Rome's fashionista set.
In Nude per l'assassino, aka Strip Nude for Your Killer there's a motorcycle helmeted serial killer on the loose and police have no idea who he is. The murderer first slaughtered a gynecologist whose most recent patient died of cardiac arrest during an abortion, but now the maniac is working his way through staff and talent at the Albatross Modeling Agency, killing women and men, catching many at their most vulnerable—i.e. naked. Suspects and clues are minimal. But hmm, let's see, how does a botched abortion tie into the other killings? Could it be.... revenge? Very likely. And what often happens in giallo when killers wear face-obscuring motorcycle helmets? Could it be... Well, we won't give it away, except to say the twist of who's under that helmet isn't a twist at all.
Near the end of the film there's a radio broadcast during which an announcer talks about the most recent murder. But first he reports on the government's “drastic new austerity measures.” We were fascinated to learn this was going on in Italy forty years ago. It didn't work then, and it doesn't work now. We can say the same about the movie. But while you won't find Nude per l'assassino on any list of top giallo films, it has some charms: Edwige Fenech, Femi Benussi, Solvi Stubing, and Erna Schurer. We've been pretty lazy about the giallo genre over the years, but watching this movie made us decide to remedy that. We're going to check out some of the better giallo flicks and report back. Nude per l'assassino premiered in Italy today in 1975.
Gemser makes a movie out of spare parts.
In Porno Esotic Love Indonesian sexploitation superstar Laura Gemser finds herself in another exotic locale—this time Hong Kong—where she engages in another series of softcore romps with hirsute westerners. She made something like twenty-six movies along these lines, which is why the makers of this one couldn't resist taking shortcuts. They cobbled together a good chunk of the footage from Gemser's previous outings and shoehorned them into a new narrative about a woman seeking revenge for the heroin overdose of her sister. The cynical usage of previously shot footage makes this one of director Joe D'Amato's worst efforts, but also one of his most profitable, we suspect. We can't possibly recommend the movie, but in order to compensate for the aching sense of loss you probably feel, there's a promo shot of Gemser below kicking back on a large rock, or perhaps the world's smallest deserted island, depending on how you want to look at it. Porno Esotic Love premiered in Italy today in 1980.
Last anyone heard from him he had ventured deep into the bush.
The Japanese didn't mess around when it came to promo posters during the 1970s. This one for 1977's Emanuelle e gli ultimi cannibali, aka Emanuelle and the Last Cannibals gets the point of film across immediately. The promo stars Spanish actress Nieves Navarro, aka Susan Scott, and was taken from a production still—minus actor Percy Hogan, who's been disappeared from the original image. In the movie Hogan plays a bush guide named Salvadore, and now you know exactly what type of bush he guides himself into. It's curious he was excised from the poster, but we're kind of surprised Navarro is on there either, since all by herself she still makes for a shocker of an image. But you have to admit the overall effect is really striking. We'd even say beautiful. Looking at the minimal amount of poster text, it's pretty clear the title of the film changed. Emanuelle e gli ultimi cannibali was deemed a little too unwieldy it seems, so the distributors called it 猟奇変態地獄, which means “bizarre transformation hell.” You see the flipside of the sheet just above. If you haven't seen the movie, we'll tell you that bizarre is a pretty apt description. We did a short write-up of it back in 2013 and included more production photos, so if you're curious have a look here.
The hard work around the house is never done.
Above is a vanishingly rare Japanese promo poster for the sexploitation flick Maid in Sweden, with starred Christina Lindberg in her only U.S. production. The movie was made by the schlock factory known as Cannon Films, and coming early in Lindberg's career it helped establish her popularity with international audiences. We already talked about it back in 2013, so if you want to know what it's about check this link. We've also uploaded a promo shot of Lindberg you've never seen before, just below. It isn't the last of the unseen Lindbergs we have, so keep an eye out for more. Maid in Sweden premiered in Japan today in 1972 as 情欲 or Yokubō, which is, succinctly, “lust.”
And they thought cellblocks 1 through 6 were bad.
Diario segreto da un carcere femminile, for which you see a nice poster above, was released in English as Women in Cellblock 7. Jenny Tamburi is thrown in prison as an accessory to a drug trafficking doublecross that led to the disappearance of twenty kilos of heroin. Interpol agent Anita Strindberg wants to prove her father, also an Interpol agent, had nothing to do with the heist, and has herself and her amazing hair placed in prison in order to ply Tamburi for exonerating evidence. Outside parties think Tamburi knows where the missing heroin is, including her lawyer and the mafia, but she claims to have no idea.
So you have an innocent woman in prison, under threat from convicts connected to the mafia, and into this arrives an undercover agent who soon becomes her protector. The cast, which besides Tamburi and Strindberg includes Eva Czemerys, Olga Bisera, Cristina Gaioni, and Valeria Fabrizi, get to rubbing on each other in beds and showers in cinematic approximations of lesbian sex, which means you've got yourself a classic women in prison sexploitation flick. There's also a plot thread external to the prison involving the mafia trafficantes, and some of this features effective action, but it's the ladies on lockdown that are the draw here.
Do they make the movie worth watching? We wouldn't go that far, but they're certainly scenic, and they work hard to hold together a ridiculous script. The conundrum of movie acting is that you have to give it your all or be judged unfit for further roles. At eighty-one minutes in length, at least the film lets the cast out early for good behavior even if the warden doesn't. Diario segreto da un carcere femminile premiered in Italy today in 1973, and the poster was painted by Enzo Nistri. You can see more of his work here and here.
All jerks and no play make Linda a very dull movie.
Some of the other titles of the West German sexploitation flick Linda are Captive Women, Naked Super Witches of the Rio Amore, and Orgy of the Nymphomaniacs. Those should tell you everything about the content of this movie. Plotwise, it involves a woman forced to work as a prostitute at a bdsm brothel on the island of Madeira, Portugal. How that actually happens doesn't much matter. The circumstances are ridiculous, and not at all the point. The point is nudity, which is delivered often and steadily. Characterwise, almost every man in the film deserves to be drawn and quartered, which makes it too bad that doesn't actually happen. It's actually a scorpion that turns the tide and allows the heroine to finally escape.
The movie is notable really for only two things: it was one of more than 100 productions helmed by Jesus Franco, that misunderstood genius, and it features 1979 Playboy centerfold Ursula Buchfellner, billed here as Ursula Fellner. Three things, actually: it's as humorless a sexploitation flick as we've ever seen. Even Katja Bienert in the title role can't save it. No way we can recommend this one, but we wanted to show you the Italian promo poster. It has the look of pieces painted by Mafé, but he signed all his work, as far as we know, so this must just be a convincing imitation. Linda premiered in West Germany for the first time today in 1981, and don't say we didn't try to steer you away.
Bonus material: just for the hell of it, just because they exist, we've uploaded a couple of promo shots of Bienert and Buchfellner below. Their names together sound kind of like a cop show, like a prime time drama where every problem is solved within an hour. We think it would have been a hit, because they've solved our problems in just a couple of minutes. But our previous advice holds true: don't watch the movie.
Schubert runs into trouble Nero and far.
Shot in the Dominican Republic, Il pavone nero is one of those voodoo and sex cocktails that were popular in international b-cinema during the 1970s. In fact, its English title is Voodoo Sexy, which tells you everything you need to know, just in case the promo poster doesn't. Other examples from this fertile genre discussed here on Pulp Intl. include Porno Shock, aka Voodoo Passion, and Al tropico del cancro, aka Tropic of Cancer. And of course queen b Laura Gemser had a few run-ins with santería as well.
In Il pavone nero an Italian engineer goes to Santo Domingo to help build a dam. His wife—the lovely Karin Schubert—surprises him in his hotel after he thought he'd left her in Italy. It's the first of many surprises. Rather than stay in the hotel the couple opt to inhabit an isolated beach shack on the border with Haiti, a domicile that was occupied by the previous dam engineer, who inexplicably disappeared. Uh oh. This is a classic case of thumbing one's nose at fate.
We quickly find that ethnic Haitians in the region are against the dam, and that voodoo rites are their weapon of choice to prevent its construction. But their leader Balaga, played by U.S. actor, musician, and sexploitation go-to voodoo guy Don Powell, carves out a little time from his resistance activities to pursue Schubert, possibly drawn by her astounding whitegirl afro. She in turn is drawn by the local santería rituals, which involve a bit of chicken chopping—poor chickens—and some humping of the fully explicit variety, depending on which version of the film you watch. Though Schubert would later delve into porn, her scenes here were performed by a body double.
Il pavone nero ends with the arrest of the voodoo environmentalists, which means the dam is no longer in danger. Can't stop progress, after all. There may be an environmental message buried in this film, or an anti-colonial message, or a racial harmony message, or even a spiritual message, but those are all secondary to the real point—for audiences to enjoy some vanilla Schubert getting freaky with the locals. The movie delivers ample opportunities, as you can see in the promo images below. Also, there's a cockfight. There's always a cockfight. Poor chickens. Il pavone nero premiered in Italy today in 1975.
The headlines that mattered yesteryear.
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying
. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
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