|Vintage Pulp||Apr 29 2015|
Ian Fleming was not an author to be trifled with. We talked about how he shifted the rights for Casino Royale from Popular Library to Signet. Well, here we go again. The above 1957 Perma paperback of Diamonds Are Forever with excellent William Rose cover art is rare because Fleming shifted the publishing to Signet after Perma changed the title of Moonraker to Too Hot to Handle. Since this happened after the Casino Royale fiasco you’d think the editors would have known better.
|Vintage Pulp||Apr 12 2015|
The story is well known—Popular Library insisted upon changing the title of Ian Fleming’s Casino Royale to what you see above. They even went so far as to call 007 “Jimmy Bond” on the rear cover blurb. Fleming retaliated by selling the U.S. publishing rights to Signet at first opportunity, leaving only a small run of very collectible copies of You Asked For It on the market. Fleming must have learned from the episode, though, that titles don’t really matter, because he later wrote Chitty-Chitty Bang Bang: The Magical Car. Anyway, You Asked for It appeared in 1955, with unsigned and uncredited cover art. The blog Killer Covers has a bit more info about the book here.
|Vintage Pulp||Jun 18 2014|
Sometimes we get in the mood for a true classic, so at top is the excellent 1966 Macmillan Publishers edition of Ian Fleming’s Live and Let Die. It’s possible the James Bond books have had more cover iterations than any other series, and most of them are high quality, often trending toward the sort of luridness we love, but we also like the simple, elegant graphics of Macmillan's deep green masterpiece. On the other hand, if we were to go lurid then there’s no better art to be found than on the 1964 cover Vivi e lascia morire from the Italian imprint Garzanti. The variations on Live and Let Die are practically infinite, but the Garzanti edition is our other favorite (though this one is great too). There is no artist info on these, which is criminal, we think. We’ll dig, though, and see what we can find. As a matter of taste, it’s interesting to contemplate which of the two books we would buy, assuming we could buy only one. Tough choice. What do you think?
Update: the second cover was painted by Giovanni Benvenuti.
|Vintage Pulp||May 22 2013|
This amazing Italian comic book cover for Ian Fleming’s Missione Royal, aka Casino Royale, with excellent cover art by Franco Picchioni, was printed in 1965. We found it over at the blog illustrated007, and there are other items there worth taking a look at if you’re inclined. Casino Royale was the first James Bond adventure written by Ian Fleming, but when it eventually hit the big screen in 1967 it was a Royale with cheese. Or more accurately, it wasn’t a Royale at all because it was a spoof that had nothing in common with Fleming’s work except the title and some characters. Still though, in its own way it was a good movie. But this cover reminds us that one thing we like about Bond as written by Fleming is his seriousness. Fleming more than once described Bond as having a “cruel mouth.” This doppleganger of Sean Connery has a cruel everything. No compassion in those eyes at all. We love it.
|Vintage Pulp||May 18 2012|
Since we were just on the subject of classic dust jackets, it seems a good time to post this first edition jacket of Ian Fleming’s Casino Royale. We put together a post of Bond first editions a while back, but left this one out because it was thematically different. Those others Bonds are some of the best covers we’ve ever seen, but this hypothetical, two-suited playing card has a certain charm of its own. Speaking of which, when contemplating what to title this post we remembered that most people think of a card trickster as a “card shark,” but “sharp” is actually the older term, though both are accurate. Just FYI. Check our other Bond dust jackets here.
|Vintage Pulp||Oct 18 2011|
Above, five pulp pieces from illustrator J. Oval, including Ronald Kirkbride’s bestseller A Girl Named Tamiko (with its suspiciously non-Japanese-looking cover subject), and two from Sergeanne Golon’s famed Angélique series. Sergeanne Golon was actually a pseudonym for French author Anne Golon and her Russian husband/historical researcher Serge, aka Vsevolod Sergeïvich Goloubinoff. J. Oval was a pseudonym for artist Ben Ostrick, who was a major illustrator of both books and magazine articles in the 1950s and 1960s. These covers are circa late 1958 to 1962.
|Vintage Pulp||Dec 23 2010|
Above is the cover of a December 1963 Uncensored, with Ava Gardner, Richard Burton, Carroll Baker and Steve McQueen. Inside, you get them, plus Suzy Parker, Elizabeth Taylor, Gemel Abdel Nasser, Cary Grant, Marlon Brando, Ursula Andress, Sean Connery, and the great Jean Seberg. And as a bonus, you can learn about hypnotism. We did it, and it really works. *wiggling fingers* Yooou will retuuurn to our website eeeevery daaaay. See all of our Uncensored posts here.
|Vintage Pulp||Aug 24 2010|
Below, nine first edition hardback dust jackets for Ian Fleming's James Bond series, by British illustrator Richard Chopping. You can see another first edition, Dr. No by artist Pat Marriot, at the top of a previous post here.
|Modern Pulp | Vintage Pulp||Jul 22 2009|
Our recent post of Dr. No promo art got us thinking about the popularity of the Ian Fleming novel, so today we’ve compiled a collection of Dr. No covers detailing their evolution through the years. At top is an original 1958 hardback with art by Pat Marriot, worth about $150 in mint condition, and at bottom is a 2007 hardback reprint from Penguin featuring art from Michael Gillette and Jon Gray. In between are thirteen more covers spanning the intervening forty-nine years. Some items in the collection are more evocative than others, but they are all worthy. We'll post more of these as we locate them.
|Vintage Pulp||Jan 9 2009|
Today in 1964, Goldfinger opened in the United States. It was the third outing for 007, and the one that truly established Sean Connery as a global cinematic icon. The characters’ names are still the most delightful in all Bondage—Pussy Galore, Oddjob, and of course Auric Goldfinger, the man with the Midas touch, as Shirley Bassey so memorably sang in the theme song. One could easily argue that there have only been five good Bond movies. Goldfinger was certainly among that group.