He's not a bad guy. He's just a little conflicted.
Above: a beautiful French language Belgian poster for the suspense/horror film Dr. Jekyll et Mr. Hyde, aka Dr. Jekyll and Mr. Hyde, with Spencer Tracy, Ingrid Bergman, and Lana Turner. We love this poster as much as we love the Finnish and West German ones. The art here depicts quite effectively Jekyll's inner battle, with his face half in light and half in shadow. The movie opened in the U.S. in 1941, was delayed from showing in Europe for years due to World War II, but we think it finally premiered in Belgium during the autumn of 1946, a range we extrapolated from the film's premiere in France today the same year.
It's shocking how many Hollywood stars did smack.
Everybody wants to slap somebody sometime. Luckily, actors in movies do it so you don't have to. The above shot is a good example. Edward G. Robinson lets Humphrey Bogart have it in 1948's Key Largo, as Claire Trevor looks on. In vintage cinema, people were constantly slapping. Men slapped men, men slapped women, women slapped women, and women slapped men. The recipient was usually the protagonist because—though some readers may not realize this—even during the ’40s and 50s, slapping was considered uncouth at a minimum, and downright villainous at worst, particularly when men did it. So generally, bad guys did the slapping, with some exceptions. Glenn Ford slaps Rita Hayworth in Gilda, for example, out of humiliation. Still wrong, but he wasn't the film's villain is our point. Humphrey Bogart lightly slaps Martha Vickers in The Big Sleep to bring her out of a drug stupor. He's like a doctor. Sort of.
In any case, most cinematic slapping is fake, and when it wasn't it was done with the consent of the participants (No, really slap me! It'll look more realistic.). There are some famous examples of chipped teeth and bloody noses deriving from the pursuit of realism. We can envision a museum exhibit of photos like these, followed by a lot of conversation around film, social mores, masculinity, and their intersection. We can also envison a conversation around the difference between fantasy and reality. There are some who believe portryals of bad things endorse the same. But movies succeed largely by thrilling, shocking, and scaring audiences, which requires portraying thrilling, shocking, and frightening moments. If actors can't do that, then ultimately movies must become as banal as everyday llife. Enjoy the slapfest.
Broderick Crawford slaps Marlene Dietrich in the 1940's Seven Sinners. June Allyson lets Joan Collins have it across the kisser in a promo image for The Opposite Sex, 1956. Speaking of Gilda, here's one of Glenn Ford and Rita Hayworth re-enacting the slap heard round the world. Hayworth gets to slap Ford too, and according to some accounts she loosened two of his teeth. We don't know if that's true, but if you watch the sequence it is indeed quite a blow. 100% real. We looked for a photo of it but had no luck. Don't mess with box office success. Ford and Hayworth did it again in 1952's Affair in Trinidad. All-time film diva Joan Crawford gets in a good shot on Lucy Marlow in 1955's Queen Bee. The answer to the forthcoming question is: She turned into a human monster, that's what. Joan Crawford is now on the receiving end, with Bette Davis issuing the slap in Whatever Happened to Baby Jane? Later Davis kicks Crawford, so the slap is just a warm-up. Mary Murphy awaits the inevitable from John Payne in 1955's Hell's Island. Romy Schneider slaps Sonia Petrova in 1972's Ludwig. Lauren Bacall lays into Charles Boyer in 1945's Confidential Agent and garnishes the slap with a brilliant snarl. Iconic bombshell Marilyn Monroe drops a smart bomb on Cary Grant in the 1952 comedy Monkey Business. This is the most brutal slap of the bunch, we think, from 1969's Patton, as George C. Scott de-helmets an unfortunate soldier played by Tim Considine. A legendary scene in filmdom is when James Cagney shoves a grapefruit in Mae Clark's face in The Public Enemy. Is it a slap? He does it pretty damn hard, so we think it's close enough. They re-enact that moment here in a promo photo made in 1931. Sophia Loren gives Jorge Mistral a scenic seaside slap in 1957's Boy on a Dolphin. Victor Mature fails to live up to his last name as he slaps Lana Turner in 1954's Betrayed.
Ronald Reagan teaches Angie Dickinson how supply side economics work for the middle class and poor in 1964's The Killers. Marie Windsor gets in one against Mary Castle from the guard position in an episode of television's Stories of the Century in 1954. Windsor eventually won this bout with a rear naked choke. It's better to give than receive, but sadly it's Bette Davis's turn, as she takes one from Dennis Morgan in In This Our Life, 1942. Anthony Perkins and Raf Vallone dance the dance in 1962's Phaedra, with Vallone taking the lead. And he thought being inside the ring was hard. Lilli Palmer nails John Garfield with a roundhouse right in the 1947 boxing classic Body and Soul. 1960's Il vigile, aka The Mayor, sees Vittorio De Sica rebuked by member of the electorate Lia Zoppelli. She's more than a voter in this—she's also his wife, so you can be sure he deserved it. Brigitte Bardot delivers a not-so-private slap to Dirk Sanders in 1962's Vie privée, aka A Very Private Affair. In a classic case of animal abuse. Judy Garland gives cowardly lion Bert Lahr a slap on the nose in The Wizard of Oz. Is it his fault he's a pussy? Accept him as he is, Judy. Robert Culp backhands Raquel Welch in 1971's Hannie Caudler.
And finally, Laurence Harvey dares to lay hands on the perfect Kim Novak in Of Human Bondage.
My last lover died right here of sheer pleasure. But I can hear his spirit talking to me, and he says it was worth it.
Lana Turner strikes a highly unusual pose in this photo made she was filming Marriage Is a Private Affair in 1944. She actually does this in the movie. This exact pose. But it has no sexual overtones—at least it isn't supposed to. Turner is actually sick and complaining. As for us, we feel much better after seeing this shot.
Pair of Italian posters show that the postman really does ring twice.
Above you see two beautiful Italian posters—one painted, the other a photo-illustration—for the classic film noir Il postino suona sempre due volte, better known as The Postman Always Rings Twice. It premiered in Italy today in 1947. We couldn't even begin to have enough wall space for all the promos we love, but if we owned the painted piece we might be willing to take down the photos of our families to make room. Hah, just kidding, fam. But could you blame us? The poster was painted by Ercole Brini and we think it's close to his best work. We've talked about the movie before. Shorter version: good sex makes a man's life a wreck.
Neither snow nor rain nor heat nor gloom of night can stay her from the swift completion of her appointed seduction.
Above is a trolley card for the classic Lana Turner/John Garfield film noir The Postman Always Rings Twice, which according to the text, opened at the Egyptian Theatre in Los Angeles today in 1946. What's a trolley card? Pretty much self-explanatory, that. But you don't see many surviving examples, so this is a real treasure. The opening date represents new info. All the websites we checked said the movie opened in L.A. May 9. Maybe the managers of the Egyptian had connections at MGM. Awesome connections, we guess, to have helped them beat the rest of town by two full days. With that kind of juice, it's safe to assume they only had to ring once at the studio gates. We worked in the L.A. film industry. Relationships are everything. Or maybe the movie actually opened today, and the internet is wrong. Wouldn't be the first time. Not that we're trying to sound superior. We've made errors more than once. Interestingly, we were able to locate a vintage photo of the Egyptian with its marquee advertising Postman. It's a great movie. Nobody needs us to tell them that, but we did anyway, at this link.
Lana Turner and Co. stumble badly in counterculture drug thriller.
This Italian promo poster was made for the 1969 thriller Geometria di un delitto, better known by its original title The Big Cube. Plotwise a woman played by Lana Turner marries a rich man and comes into conflict with his twenty-something daughter, played by Karin Mossberg. Their problems worsen when the rich man dies and bequeaths his money to his wife, leaving only a monthly stipend for his daughter. However, according to the will—see if you can follow this—if the daughter marries she inherits everything, but only provided stepmom gives her consent.
No, it doesn't make a bit of sense. The filmmakers wanted to generate conflict and tension, but a nonsensical stipulation in the will isn't needed to do that. Families fly apart over money all the time, even when there's plenty for everybody. But okay, you have to go with it. As the movie wears on the problems between stepmom and stepdaughter are exploited by Mossberg's drug dealer boyfriend, who comes up with the bright idea of driving Turner insane by repeatedly dosing her with LSD. Instead of the perfect murder, he's come up with the “perfect freak-out,” as he describes it. If Turner is certified insane she loses control of the fortune.
This is a movie you watch strictly for laughs, because it's ridiculous. The script and acting are terrible, and the plot must have been conceived under the influence of whatever leftover acid Turner didn't ingest. Basically The Big Cube is a drug scare movie, and like most examples from that sub-genre it's fatally dumb. But you could do worse. Mossberg is radiant, and screen legend Turner is always worth a gander even when her non-elite acting skills are exposed. There's no known Italian release date, but The Big Cube premiered in the U.S. today in 1969.
They always get the best seat in the house.
Below, a collection of film stars, in Hollywood and other places, looking large and in charge while seated in director's chairs. In panel three the actress in the “Bonanza's guest” chair is Karen Sharpe. We don't expect you'll need help with the others, but if so our keywords list them in order.
Some jobs you can do better all by yourself.
This photo of Lana Turner was made when she was filming the crime thriller Johnny Eager, and what's interesting about it is that co-star Robert Taylor, who played the titular Mr. Eager, was erased from an original MGM promo shot. Apparently, whoever altered the shot felt Turner didn't need Taylor in a supervisory role, so he was magically vanished. If only it were always that easy to get someone off your back. The photo is from 1941.
The doctor is out—of his freaking mind.
Above, a poster for Arzt und Dämon, aka Dr. Jekyll and Mr. Hyde, which premiered in West Germany today in 1949. The art here is by Heinz Schulz-Neudamm, whose most famous piece is the poster he designed for the expressionist sci-fi movie Metropolis. It once sold for $1.2 million, which made it the most valuable movie promo in existence at the time, but this Hyde effort shows Schulz-Neudamm's skills in a totally different light. We think it's top shelf work for a top shelf flick. |
The headlines that mattered yesteryear.
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying
. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
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