Oh, hi there. You're just in time. I was about to towel off.
We're going to use a non-word to describe this photo. It's sunshiny. It's the most sunshiny shot we've seen in a while. It shows U.S. actress Joan Staley and was made somewhere in Southern California in 1958. Staley mostly acted on television in shows such as The Asphalt Jungle, Hawaiian Eye, 77 Sunset Strip, and Mission: Impossible, amassing more than one hundred smallscreen credits, by our quick count. Her bigscreen appearances were sporadic, but included Breakfast at Tiffany's, All in a Night's Work, Johnny Cool, and Cape Fear. Most of those roles were uncredited, but she piled up almost twenty. Altogether she had quite a résumé. Did she ever towel off, as our juvenile quip suggests? She did. She was a Playboy Playmate of the Month in November 1958, which means that, like Marilyn Monroe, she made the leap from nude model to Hollywood star. Actually, considering those one hundred-plus television roles you could even argue that, in a way, she was just as successful as Monroe. In a way.
Look! Down in the water. It's a fish. It's a submarine. It's super Joanne!
This fun shot of American model Joanne Arnold is from a famous underwater series by legendary photographer Peter Gowland, images from which were first published in Playboy magazine in 1955. We ran across a rare shot from the session in the Goodtime Weekly Calender of 1963, which we scanned and put online a long while back, and later found her again in two Technicolor pin-ups. So this great image of Arnold is her fourth appearance on our website, but probably not her last.
There's been a pink diamond Barbie, a fashion queen Barbie, and a Sunset Malibu Barbie, so why not a bottomless Barbi?
You need to look twice but, yes, in this circa-1972 pin-up poster Barbi Benton is missing pants. Or a skirt. Or tights. Or whatever. Benton may be best known as the consort of a world famous pornographer (Hefner, again), but she also acted, guesting on many of the cheesiest television shows of the ’70s and ’80s. Think CHiPs, Vega$, Sugar Time!, The Love Boat—six times—and Fantasy Island—eight times! For our money her zenith was 1983's notably skin-filled sword and sorcery flick Deathstalker. Come to think of it, we may watch that tonight. Meanwhile this image is amazing. Our scan is about 1900 pixels wide, which would be worth framing if we were inclined, but which we'd never do because we aren't seventeen anymore, so our walls have to be home to serious art. Not our rule, but we abide by it.
The list of sensory superlatives quickly runs short.
Here yet again is Marilyn Waltz, also known as Margaret Scott, an early Playboy centerfold and popular pin-up model we've featured a few times. This Technicolor lithograph, entitled “Visions of Beauty,” is from 1952, and as you can see below more than one image of her posing against this velvet backdrop was published. The litho below was entitled “Lovely as a Rose.” Like many women who posed nude back then, Waltz had Hollywood aspirations, but her entire cinematic output consisted of a single role in the 1954 b-flick Love Me Madly, aka Love My Way, aka The Wild Sex. The film is forgotten, if not lost, but it's notable—for us anyway—because her co-star was Georgine Darcy, perhaps better known as Miss Torso from Alfred Hitchcock's Rear Window. With Waltz and Darcy on the same set the filmmakers probably needed a fire brigade on standby in case the sound stage burst into flames. You can see everything we have on Waltz by clicking her keywords below.
Or she did until she went into the Bermuda Triangle.
Above is a sultry shot of Julie Woodson, a U.S. born model and actress whose modeling work consisted of fashion and an April 1973 Playboy centerfold, and whose acting career consisted of only one credited role—1978's giant monster flick The Bermuda Depths. Basically, in the Bermuda Triangle, where legend claimed boats disappeared, a giant turtle is discovered to be the culprit. Woodson was pretty bad in the movie, though no worse than anyone else in the cast, in our opinion. But in the end, her film career disappeared into the Bermuda Triangle too, because it was her first and only shot at movie stardom. Well, at least she can have more than one shot on Pulp Intl. See below.
Now would be a good time for Tiffin to act her age.
You would think U.S. born actress Pamela Tiffin would be too old for dolls at this point in her life, but here she is hanging onto one for dear life at age twenty-seven in this promo photo from 1969. The session was originally staged for Playboy, and this image is a clean version of one that had a seam across it in the magazine. We think Tiffin should ditch the doll. It would be better for her. And us. But it's an amazing shot anyway, with the dark green grass and the curly, golden locks, possibly extensions or a wig. Tiffin popped up in some American films, but really made her mark in Italy, where she landed leading roles in films such as Amore mio, uccidimi!, aka Kill Me, My Love!, and Il vichingo venuto dal sud, aka The Blonde in the Blue Movie, aka No One Will Notice You're Naked. This is her third appearance on Pulp as a femme fatale due to the fact that she made unusually interesting photos. See two more examples here and here. She also appears at the bottom of this page.
In a field full of wildflowers she's the wildest of all.
Exotic Tina Aumont, whose father was French actor Jean-Pierre Aumont and mother was Dominican actress Maria Montez, built an appropriately international film career mainly in Italy and France. But surprisingly she was American. In fact, she was born in Hollywood. Some of her films include Salon Kitty, La principessa nuda, aka The Nude Princess, and Satyricon—the Gian Luigi Polidoro one, not the Fellini one. Though she did later star in Fellini's Casanova in 1976. The photo above is from 1975 and first appeared in Italian Playboy.
This hat looks great. Now with water, fertilizer, and a lot of patience I'll be able to make a dress to go with it.
Above, a return engagement on Pulp Intl. for American model Joanne Arnold, who in this nice Technicolor lithograph is wearing nothing but a bonnet garlanded with daisies. Arnold was a 1954 Playboy centerfold and sometime model for famed photographer Peter Gowland, who made her the centerpiece of a famous series of underwater nudes, one of which we showed you way back in 2012. She also popped up on another Technicolor litho with four other models. You can see that here. The date on the above item is 1950. Arnold will return, we promise, at which point we'll see if she ever got the rest of her outfit together.
Our boyfriends have no clue our slumber parties involve absolutely zero slumbering.
Above is an amazing photo published in the Japanese pop culture magazine Weekly Playboy in 1972. It's uncaptioned, as you can see. Two of the women pictured are pinku actresses Miki Sugimoto and Yuri Yamashina, next to each other at bottom, looking at you rightside up. We have plenty of material on both of them in the website. We can't identify the other models. Feel free to enlighten us.
Don't change a thing for anybody.
You know we're Stella Stevens fans here. Though we prefer the thirty-plus version of her, she first turned heads as a model in her early twenties, posing for a Playboy centerfold published in 1960, sessions from which the above shot originates. Stevens had begun acting before then, appearing in three films released in 1959. The next year she won a Golden Globe for New Star of the Year, and eventually appeared in dozens of films and television shows. She was always a good actress, but never scored prestige roles. She did, however, grace some low budget classics, foremost among them the blaxploitation flicks Slaughter and Cleopatra Jones and the Casino of Gold. Mixed in were cheeseball hits like The Poseidon Adventure and The Silencers, and an occasional good movie, such as The Ballad of Cable Hogue. All in all she's had an amazing career, on pause since 2010. But she'll never be on pause on this website. More Stella here and here. Edit: We recieved an e-mail from Herman, a man who knows a thing or two about mid-century celebs and has helped us with corrections, and he wanted to remind us:
I certainly appreciate that image of Stella. Although I have been a fan of PB since the mid 50s as a boy, I don't believe I have seen this particular photo. Of course, I have to say I believe you left some important points out of your commentary about her. I believe you said once you are not a particular fan of Elvis Presley (that may have been someone else) but without the 1962 Girls, Girl, Girls appearance I don't think she would have caught on so quick. Don't forget that the reason PB recognized her in the first place was because of her appearance in Li'l Abner in 1959. I know you didn't set out to do a biography on her, but these were points I think are important in her chronology.
Agreed, H, Stevens has a long and interesting story. We didn't set out to write a biography, as you said, but we may need to spend a little more time on her to give her proper due. She's not a subject we'll tire of easily.
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