It's the sad songs that always come back to haunt you.
Above is a stunning Belgian poster in French and Dutch for François Truffaut's comi-tragic crime tale Tirez sur le pianiste, known in Dutch as Schiet op de pianist, in English as Shoot the Piano Player, and which starred Charles Aznavour as a hard luck nightclub musician. We talked about the movie in detail back in November. Shorter version: when French New Wave meets film noir strange things happen. There's no release date for Belgium but the movie probably opened there shortly after its premiere in France, which was in November 1960.
This tree right here? It's mine. This patch of land around the tree too. Actually this whole forest is pretty much mine.
You never know what wildlife you'll come across during a walk in the forest. If it happened to be U.S. actress Margaret Markov, well, she beats the hell out of a white-tailed deer or a black-rumped woodpecker or any other kind of fauna. Markov starred in the unforgettable prisonsploitation flick The Hot Box, the indelible blaxploitation flick Black Mama, White Mama, and the ineradicable swordsploitation flick The Arena. You won't get this photo out of your mind either. It appeared in the Belgian magazine Ciné-Revue in 1975.
Predatory housing market claims more victims.
Is there such a thing as a movie poster that's too effective? This particular promo was painted by J. Gommers to promote the Belgian run of the horror movie The Haunting. Luckily, we already saw the movie, because we aren't sure we'd brave it based on this freaky piece of art. It opened in the U.S. in 1963 and reached Belgium titled La Maison du diable in French, and Het duivelshuis in Dutch, sometime in early 1964. You can read a bit more about it here.
Look! Smooth as two baby peaches. Anywhere else you want me to shave?
Here's a nice cover for a Dutch paperback titled Nachtkatje, which translates as “night kitten,” written by Mike Splane, and published by Antwerp based Uitgeverij A.B.C. for its Collection Vamp in 1957. This publisher is not the same as Uitgeversmij, based in Rotterdam, Netherlands, and whose output we've shown you here and here. The cover on this is uncredited, but A.B.C.'s Vamp series often had Alain Gourdon art that had been modified from a previous form, and this piece has that look. Everything we just wrote, we learned with minimal research. Now comes the part where our research falls short. You might guess that this is a translated Mickey Spillane novel, but we can't confirm that. If it's a translated Spillane it's mighty short—just sixty-plus pages. Which presents a problem. Spillane's short stories weren't published in book form until after 1957, at least not in the U.S. So finding out if this is a Spillane short—which we actually doubt—will have to wait for more knowledgable people than us. See more covers in the same vein here.
Mansfield and her crew try to steal a million.
This fantastic Belgian poster with lettering in French and Dutch was made for the 1957 film noir L'Ange des mauvais garçons, better known as The Burglar. Well, better known is relative. The movie is somewhat obscure but it shouldn't be—it's a film noir clinic, and this great promo, which was made for its run at the Ciné Capitole in Antwerp, befits such an artful movie. It's unsigned, so the creator will have to remain unrecognized for now. Conversely, we think the movie will garner more recognition as time passes. Jayne Mansfield co-stars but don't get your hopes up—she doesn't wear a black jumpsuit. Not even close. You can read more about the movie here.
So far I've had malaria, dysentery, dengue, hookworm, and schistosomiasis, but baby, you make it all worth it.
Once again cover art works its intended magic, as we made the choice of reading Georges Simonen's African adventure Tropic Moon solely due to being lured by Charles Copeland's evocative brushwork. This edition came from Berkley Books in 1958, but the tale was originally published as Coup de lune in 1933. It's set in Gabon, then a territory of French Equatorial Africa, and poses the familiar question: does Africa ruins whites or were they bad beforehand? The main character here, Joseph Timar, is done in by heat and booze and easy sex, but he was surely a terrible person before he ever set foot in Gabon, and of course he's a stand-in for all white colonials. All we can say is we get the message. We got it way back when Conrad wrote it. What would be great is some sense of evolution in all these Conrad-derived works, for instance if occasionally the human cost of colonial greed were shown to be black lives and prosperity rather than white dignity and morality, but literary treatments of that sort had not yet come over the horizon during the pulp era. On its own merits, though, Tropic Moon is interesting, a harrowing front row seat for a downward spiral in the equatorial jungle.
Demongeot and her chambre of secrets.
Above, a beautiful Belgian poster in French and Dutch for La chambre de Madame, aka Upstairs and Downstairs. We talked about it a while back. Shorter version—Mylène is the pause that refreshes.
No night is complete until you get your fille.
Above you see a Belgian poster for the 1953 juvie drama Girls in the Night. This is an awesome piece of art. In basic form it isn't that different from the also great U.S. version we showed you at the bottom of this previous post, but here you get a purple and yellow color story, a different face on the femme fatale, and a nice treatment of the cityscape. Those make this piece a big winner.
Need to get rid of an uninvited guest? Try hummus.
For a b-movie The Thing from Another World is quite entertaining. Above you see its nice Belgian promo poster, which has a different look for the era, with its colorful vortex and entranced looking couple. Belgium, of course, is multi-lingual, so the movie was titled La chose d'un autre monde in French and Het ding van een andere wereld in Dutch. It was directed by Christian Nyby, who was taking his first turn in the director's chair, but a certain uber-experienced fella named Howard Hawks apparently assumed a supervisory role, which may be why the film has such a sense of competent ease about it.
Snarky critics often joke that The Thing is basically James Arness as a giant carrot, but that's silly. The monster is a type of vegetable, but Arness does not dress as one, or anything close. He's a humanoid creature in a jumpsuit. We mention it only because those carrot quips, which suggested the film was some sort of low budget disaster, kept us from watching it for years. If the monster was just a carrot they could chase it away with a bowl of ranch dressing or hummus, but it's actually made of sterner stuff than that. Even fire barely fazes it.
In the end, whether thanks to Nyby or Hawks or some combination thereof, what you get here is a good, solid sci-fi thriller, well put together, well acted, reasonably scripted, and ultimately pretty entertaining. There's no Belgian release date, but after premiering in the U.S. in 1951, it made France in January 1952, so it probably opened in Belgium just a bit later. We're sure we don't have to mention that the 1982 remake was great, but if you haven't seen it feel free to take a gander at out little write-up on in from several years ago.
Can you keep a secret? I'm way ahead of my time.
Above is a fantastically beautiful Serge Jacques photo of Belgian actress and model Dominique Wilms that dates from the early 1950s. Wilms appeared in films such as Poison Ivy, Banco à Bangkok pour OSS 117, and Les femmes s'en balancent, aka Dames Don't Care. Looks like Dom don't care either, as this is a very provocative nude for a working actress of the 1950s. Just a glimpse of pubic hair was enough to get photographers and vendors sent to prison, even in France, where Jacques was based. The shot surfaced years after it was made, we suspect, and we should rejoice that it saw the light of day, because daring Dominique is all that and a box of hot tamales.
The headlines that mattered yesteryear.
1922—Challenge to Women's Voting Rights Rebuffed
In the United States, a conservative legal challenge to the nineteenth amendment to the U.S. Constitution establishing voting rights for women is rebuffed by the Supreme Court in Leser v. Garnett. The challenge was based partly on the idea of individual "states rights" to self determination. The failure of such reasoning as it applied to basic human rights created a framework for later states rights losses involving the denial of voting rights to African-Americans.
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
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