Expectation and reality don't meet in Rat Pack classic.
This is a tasty poster for Colpo grosso, and at first glance you'd expect the movie to be a dark thriller, giallo, or film noir. But then you notice the cast list at top—Martin, Sinatra, Davis, Jr.—and it probably dawns on you that this must be Ocean's Eleven. The poster was painted by Averado Ciriello and we have no idea why he went so dark with what is basically a comedy, but it's great work. Actually, it's better than the movie. For Sinatra-philes, Rat Pack lovers, or people who haven't yet seen Ocean's Eleven, that statement may seem sacriligious, so we won't try to back it up with our words—we'll just note that reviews of the day called it lazy and too long, and currently it has less than a 50% rating on Rotten Tomatoes. Basically, despite being a cultural touchstone of a film, it isn't that good, with its main problem being that it's plain boring in parts. However...
The movie has tremendous value. A lot of contemporaneous reviews hated it because of its insouciant attitude toward the heist. New York Times reviewer Bosley Crowther said it was “nonchalant and flippant towards crime,” and also described it as amoral. “Young people,” he wrote, “are likely to find this more appropriate and bewitching than do their elders. The latter are likely to feel less gleeful in the presence of heroes who rob and steal.” So it's clear that Ocean's Eleven flagrantly defied the strictures of the Hays Code censorship regime, which was weakening but still intact. The Code stated that in no film should the sympathy of the audience be “thrown to the side of crime, wrongdoing, evil, or sin,” yet audiences loved Sinatra and his party bros, and their laissez faire attitude was a needed course correction after decades of creative suppression. It's a shame then, that Ocean's Eleven isn't just a bit better.
Inside Story goes where other tabloids tread—then claims not to have gone there.
It's been a few years since we posted an issue of Inside Story, but we don't run out of tabloids, we just run out of time to scan them. Today, though, there's time aplenty, so above you see an issue that appeared this month in 1963 with a cover touting a feature on the new generation of young actresses in Hollywood taking over from Brigitte Bardot, Kim Novak, and Marilyn Monroe. At the time, Bardot was twenty-nine and Novak was thirty-five. Those aren't exactly geriatric years for actresses, even back then, but Inside Story said there was a young new guard: Angie Dickinson, Ann-Margret, Jane Fonda, Connie Stevens, Tuesday Weld, and Julie Newmar. Dickinson was actually older than both Bardot and Novak, but we get the general point.
Later in the issue there's a story dedicated to Monroe that describes her fans as a death cult. The interesting aspect of this is that the author Kevin Flaherty accuses people of obsessing over Monroe—while himself obsessing over Monroe. The gist of his article is that a cottage industry of films, books, and magazine articles were cashing in on her suicide, which had occurred the previous August. This was, of course, shaky ground for any tabloid to tread upon, as they all made their profits via unauthorized articles about various celebrities, which one could define as exploitative by nature. But never let the facts get in the way of a good story angle.
Flaherty tells readers that Monroe's life was marred by abandonment, depression, and rape, and suggests that if she had been given a little peace by constantly clamoring fans and intrusive reporters she might not have taken that fatal dose of pills. We think it's just as valid to conclude that without stardom she wouldn't have lasted as long as she did. Since she isn't around anymore to speak for herself (she'd be ninety-six this year), we view her on the terms she chose. She started as a model and worked hard to become an actress, and we think those achievements are far more important than what she had no control over. But there will always be debate over Monroe's legacy, and Inside Story shows that the discussion was already in full swing. Twenty-plus scans below.
It's shocking how many Hollywood stars did smack.
Everybody wants to slap somebody sometime. Luckily, actors in movies do it so you don't have to. The above shot is a good example. Edward G. Robinson lets Humphrey Bogart have it in 1948's Key Largo, as Claire Trevor looks on. In vintage cinema, people were constantly slapping. Men slapped men, men slapped women, women slapped women, and women slapped men. The recipient was usually the protagonist because—though some readers may not realize this—even during the ’40s and 50s, slapping was considered uncouth at a minimum, and downright villainous at worst, particularly when men did it. So generally, bad guys did the slapping, with some exceptions. Glenn Ford slaps Rita Hayworth in Gilda, for example, out of humiliation. Still wrong, but he wasn't the film's villain is our point. Humphrey Bogart lightly slaps Martha Vickers in The Big Sleep to bring her out of a drug stupor. He's like a doctor. Sort of.
In any case, most cinematic slapping is fake, and when it wasn't it was done with the consent of the participants (No, really slap me! It'll look more realistic.). There are some famous examples of chipped teeth and bloody noses deriving from the pursuit of realism. We can envision a museum exhibit of photos like these, followed by a lot of conversation around film, social mores, masculinity, and their intersection. We can also envison a conversation around the difference between fantasy and reality. There are some who believe portryals of bad things endorse the same. But movies succeed largely by thrilling, shocking, and scaring audiences, which requires portraying thrilling, shocking, and frightening moments. If actors can't do that, then ultimately movies must become as banal as everyday llife. Enjoy the slapfest.
Broderick Crawford slaps Marlene Dietrich in the 1940's Seven Sinners. June Allyson lets Joan Collins have it across the kisser in a promo image for The Opposite Sex, 1956. Speaking of Gilda, here's one of Glenn Ford and Rita Hayworth re-enacting the slap heard round the world. Hayworth gets to slap Ford too, and according to some accounts she loosened two of his teeth. We don't know if that's true, but if you watch the sequence it is indeed quite a blow. 100% real. We looked for a photo of it but had no luck. Don't mess with box office success. Ford and Hayworth did it again in 1952's Affair in Trinidad. All-time film diva Joan Crawford gets in a good shot on Lucy Marlow in 1955's Queen Bee. The answer to the forthcoming question is: She turned into a human monster, that's what. Joan Crawford is now on the receiving end, with Bette Davis issuing the slap in Whatever Happened to Baby Jane? Later Davis kicks Crawford, so the slap is just a warm-up. Mary Murphy awaits the inevitable from John Payne in 1955's Hell's Island. Romy Schneider slaps Sonia Petrova in 1972's Ludwig. Lauren Bacall lays into Charles Boyer in 1945's Confidential Agent and garnishes the slap with a brilliant snarl. Iconic bombshell Marilyn Monroe drops a smart bomb on Cary Grant in the 1952 comedy Monkey Business. This is the most brutal slap of the bunch, we think, from 1969's Patton, as George C. Scott de-helmets an unfortunate soldier played by Tim Considine. A legendary scene in filmdom is when James Cagney shoves a grapefruit in Mae Clark's face in The Public Enemy. Is it a slap? He does it pretty damn hard, so we think it's close enough. They re-enact that moment here in a promo photo made in 1931. Sophia Loren gives Jorge Mistral a scenic seaside slap in 1957's Boy on a Dolphin. Victor Mature fails to live up to his last name as he slaps Lana Turner in 1954's Betrayed.
Ronald Reagan teaches Angie Dickinson how supply side economics work in 1964's The Killers. Marie Windsor gets in one against Mary Castle from the guard position in an episode of television's Stories of the Century in 1954. Windsor eventually won this bout with a rear naked choke. It's better to give than receive, but sadly it's Bette Davis's turn, as she takes one from Dennis Morgan in In This Our Life, 1942. Anthony Perkins and Raf Vallone dance the dance in 1962's Phaedra, with Vallone taking the lead. And he thought being inside the ring was hard. Lilli Palmer nails John Garfield with a roundhouse right in the 1947 boxing classic Body and Soul. 1960's Il vigile, aka The Mayor, sees Vittorio De Sica rebuked by a member of the electorate Lia Zoppelli. She's more than a voter in this—she's also his wife, so you can be sure he deserved it. Brigitte Bardot delivers a not-so-private slap to Dirk Sanders in 1962's Vie privée, aka A Very Private Affair. In a classic case of animal abuse. Judy Garland gives cowardly lion Bert Lahr a slap on the nose in The Wizard of Oz. Is it his fault he's a pussy? Accept him as he is, Judy. Robert Culp backhands Raquel Welch in 1971's Hannie Caudler.
And finally, Laurence Harvey dares to lay hands on the perfect Kim Novak in Of Human Bondage.
They always get the best seat in the house.
Below, a collection of film stars, in Hollywood and other places, looking large and in charge while seated in director's chairs. In panel three the actress in the “Bonanza's guest” chair is Karen Sharpe. We don't expect you'll need help with the others, but if so our keywords list them in order.
Life can be so nice.
More random Japanese goodness today. This is a poster for the 1962 Angie Dickinson romance Jessica. We’re showing you this just for the art, which is to say we haven’t seen the movie. Sorry about that, but we have a lot of Japanese posters, which means if we wait until we see each flick before uploading them we’ll never get them all online. This is an image we were particularly eager to share because, one, we’ve never seen it anywhere before, and two, it’s spectacular. It just smashes the American poster to pieces. But that’s normal when it comes to these Japanese promos. Both versions feature Angie on a scooter, but the colors and graphics on the photoillustrated Japanese version just scintillate. Of course, they have an advantage because their alphabet looks so cool. The text actually does read “Jessica” by the way. The four characters on the right are the Japanese for that name. The four on the left say “nice.” We couldn’t agree more.
11:1? We'll take those odds.
Above, a Japanese poster for the original Ocean’s Eleven, with Frank Sinatra, Dean Martin, Angie Dickinson, Sammy Davis, Jr., et.al., in a tale of the ultimate Las Vegas casino heist, which is basically just a flimsy excuse for the boys to sing, joke, drink, and look cool. They're great at all of those, though the movie could be better. It opened in Tokyo today in 1960.
Climbing the ladder of success.
Above, a promo shot of the incomparable Angie Dickinson, who worked mostly in television, but also appeared memorably in the motion pictures Rio Bravo, Ocean’s Eleven, Big Bad Mama, and Dressed To Kill. The retouching in this photo is overdone and entirely unnecessary, but even hazy Angie is good Angie. It dates from 1965.
The headlines that mattered yesteryear.
1957—Ginsberg Poem Seized by Customs
On the basis of alleged obscenity, United States Customs officials seize 520 copies of Allen Ginsberg's poem "Howl" that had been shipped from a London printer. The poem contained mention of illegal drugs and explicitly referred to sexual practices. A subsequent obscenity trial was brought against Lawrence Ferlinghetti, who ran City Lights Bookstore, the poem's domestic publisher. Nine literary experts testified on the poem's behalf, and Ferlinghetti won the case when a judge decided that the poem was of redeeming social importance.
1975—King Faisal Is Assassinated
King Faisal of Saudi Arabia dies after his nephew Prince Faisal Ibu Musaed shoots him during a royal audience. As King Faisal bent forward to kiss his nephew the Prince pulled out a pistol and shot him under the chin and through the ear. King Faisal died in the hospital after surgery. The prince is later beheaded in the public square in Riyadh.
1981—Ronnie Biggs Rescued After Kidnapping
Fugitive thief Ronnie Biggs, a British citizen who was a member of the gang that pulled off the Great Train Robbery, is rescued by police in Barbados after being kidnapped. Biggs had been abducted a week earlier from a bar in Rio de Janeiro, Brazil by members of a British security firm. Upon release he was returned to Brazil and continued to be a fugitive from British justice.
2011—Elizabeth Taylor Dies
American actress Elizabeth Taylor, whose career began at age 12 when she starred in National Velvet
, and who would eventually be nominated for five Academy Awards as best actress and win for Butterfield 8
and Who's Afraid of Virginia Woolf?
of congestive heart failure in Los Angeles. During her life she had been hospitalized more than 70 times.
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