Hepburn brings a special kind of style to Hollywood.
We don't smoke, but Katherine Hepburn sure makes smoking look good in this RKO promo photo shot by Ernest Bachrach in 1935. Though she had a long and storied career, this early shot is pretty much her iconic image. Prints of it are even sold on Wal-Mart's website. Hepburn is incomparable. Her must-watch films include Bringing Up Baby, Adam's Rib, The Philadelphia Story, The African Queen, Long Day's Journey into Night, The Lion in Winter, the groundbreaking Guess Who's Coming to Dinner (which inspired an excellent reggae song by Black Uhuru), and On Golden Pond.
You can sum up Hepburn's output by saying she was nominated for a Best Actress Oscar twelve times and won a quartet, the most ever. The Oscar has failed to stay as relevant as it could have over recent decades, and the Academy has made some embarrassing Best Picture choices (Forrest Gump over Pulp Fiction—really?), but it's always been a reliable measure of acting quality, so Hepburn's four wins are meaningful. The one thing she didn't do was make a lot of pulp style movies. One that looks as if it qualifies is the 1946 drama Undercurrent. We'll circle back to that and the divine Miss H. in a bit.
Subway commuters now running to work after latest round of NYC budget cuts eliminates trains.
Andrew L. Stone may be unique in the realm of vintage literature. His 1958 thriller Cry Terror is a novelization of the film of the same name, which he wrote, directed, and co-produced. Cry Terror wasn't the first time Stone wore multiple hats. Two years earlier he had written and directed the thriller Julie, and written the novelization too. The screenplay earned him an Academy Award nomination. He racked up thirty-seven directorial credits during his career, and among his output was Stormy Weather, The Hard-Boiled Canary, Highway 301, Confidence Girl, and A Blueprint for Murder. He ended up with a star on the Hollywood Walk of Fame. Another reason we wanted to highlight Cry Terror today is because of the excellent cover art by Robert Maguire. It was modeled after a promo shot from the film of lead actress Inger Stevens. You see that below. We were thinking about buying the book, but digging up all this info has revealed the entire plot to us, so we won't bother. Also, the copies that are currently out there are going for fifty dollars and up. As we mentioned before, we don't go that high for anything we'd be tempted to swat flies with. Plus we have a ton of books piled up. We may watch the movie, though. Less time, less expense. If we do we'll report back.
It took nature millions of years to evolve the bikini body. And a costume designer one movie to exploit it.
When Dinosaurs Ruled the Earth was part of a short trend of ’60s/’70s films that defied science and showed dinosaurs and humans living together. In this case, one of the humans was beautiful star Victoria Vetri, aka Angela Dorian. The movie would be perfect entertainment for creationists, except it's also procreationist—i.e. there's nudity and sex in it. The very religious may not like cinematic skin, but in our book the movie is a natural selection for an evening's entertainment. This promo poster is similar to the Japanese promo we showed you several years ago, but even rarer. In addition all three female co-stars—Vetri, Imogen Hassall, and Magda Konopka—get life-sized promo posters, seen below. These items are real gems.
Here's a bit of trivia. Efx duo Jim Danforth and Roger Dicken earned an Academy Award nomination for Best Achievement in Special Visual Effects, and we don't mean for the fur bikinis. We know—it's hard to believe the movie won anything except the eternal disdain of evolutionary scientists, but it was a box office hit partly thanks to Danforth and Dicken's miniature stop action work. We guess Vetri and company had a little something to do with it too. Check the movie out sometime. It's fun, whether your preference in partly clothed actors runs to male, female, or both. After opening in England in 1970, When Dinosaurs Ruled the Earth premiered in the U.S. today in 1971. You can read more about it here and here.
Compson curls up with some good music.
U.S. actress Betty Compson pulls off an uncomfortable looking pose and does it with a winning smile in this Paramount Pictures promo photo from sometime in the 1920s. This is a standard yoga position called Dhanurasana, or the bow, though we doubt yoga was known at all in the U.S. during the ’20s. Instead the text on the rear of the photo describes what Compson is doing this way:
How To Keep Fit. Leg, arm, back and shoulder muscles are developed by this exercise, as demonstrated by Betty Compson. Lie flat on the floor out-stretched. Simultaneously bend the knees and fling the hands back until they can grip the feet. This exercise is more beneficial—likewise more difficult—if executed slowly.
To which we say, no damn way we're trying that.
Anyway, Compson was a major star, appearing in more than one hundred films and shorts, both silent and with sound, between 1914 and 1948. Her highlight was 1928's The Barker, which earned her an Academy Award nomination for Best Actress. We're giving her an award for this nice promo shot. We'll never do the exercise, but we love the image.
Unknown photo retoucher increases the value of Sterling.
We've seen this photo of U.S. actress Jan Sterling numerous times, but never in color, which leads us to believe it's a colorization. If so, it's a nice, subtle job, as well as a clever choice of model, since Sterling was the subject of one of the iconic black and white photos of the mid-century period. Know the one we mean? Look here. Despite the fame of that particular shot, Sterling was never what you'd call a top tier star. But she appeared in many films, earned a Golden Globe Award as a supporting actress, and was nominated for a supporting actress Oscar. We'll be getting back to her film work a bit later.
American star adds pizzazz to a pair of Aussie thrillers.
Today we have two more paperbacks from Australia's Horwitz Publications, a company that, as we've documented often, opportunistically used numerous Hollywood celebs on its covers. This time it's Jan Sterling, who appears on 1955's Blueprints for Murder and 1956's The Bride Wore Black, both written by the prolific Marc Brody. Sterling was never a top tier actress but she was in a lot of good movies and earned an Oscar nomination for The High and the Mighty. She also posed for some stunning photos, including the two at this link. These book scans float around online, which means we don't know where they originate, but if we had to guess we'd say Flickr, so thanks to the first uploader.
I'll be taking all your awards, thank you very much.
Though she looks more blonde than red in this particular photo, Sissy Spacek is one of Hollywood's best known redheads, and one of its most talented too, with six Academy Award nominations and one victory, for Coal Miner's Daughter. All told, she's been nominated for about one hundred awards, netting numerous wins—including taking home four New York Film Critics Circle Awards in five nominations. The above shot was made for Robert Altman's drama 3 Women, in which Spacek starred with Shelly Duvall and Janice Rule. It's from 1977.
Her time in the sun lasted for decades.
Loretta Young had a tremendous film career. Between 1917 and 1963 she appeared in more than one hundred movies, hosted her long-running television show The Loretta Young Show, won the 1948 Academy Award for Best Actress for The Farmer's Daughter, garnered another nomination for Come to the Stable, won two Golden Globes, and took home three Emmys. Considering her extensive credits it's amazing she could spare the time to go to the beach at all. Several sources say this photo was shot in 1931. That looks about right. She would have been eighteen then, yet amazingly already had nearly thirty screen appearances behind her. She was in a class of her own.
I'll give you one more chance to get it right. It's spelled without a “y” but pronounced like there is one.
Bette Davis was born with the first name Ruth, but nicknamed Betty from childhood. As an actress she changed the spelling to Bette after Honoré de Balzac's La Cousine Bette, and people mangled the pronunciation routinely until she became a huge star. Speaking of letters, this promo photo is from her 1940 drama The Letter, based on a play by W. Somerset Maugham. Remember how we talked about how outward looking Hollywood was during its golden period, how it set so many films in exotic corners of the world? The Letter is another prime example. It's set on a rubber plantation in Malaya. Thanks largely to Davis's golden touch the film was nominated for numerous Academy Awards, including Best Picture, Best Director, Best Actress, Best Supporting Actor, and Best Score. It won nothing, but we assume the film is good anyway. We'll watch it and report back.
The best laid plans of singers and musicians often go awry.
This is an unusually nice promo poster we think. It was made for the Susan Hayward vehicle Smash-Up, sometimes referred to as Smash-Up: The Story of a Woman. It premiered this month in 1947 and involves nightclub chanteuse Hayward and her crooner husband, played by Lee Bowman. Hayward has talent but values love over career; her husband has less talent but endless ambition. When their careers go in different directions the strain begins to tear the marriage apart. Whose career goes which direction? We won't tell you that, though the audience learns in the first scene, a framing device featuring the downfallen character bandaged and delirious in a hospital bed. Even though the story's ending is sacrificed for an intro Smash-Up is a pretty good if melodramatic movie, with some strong film noir elements, Hayward in an Oscar nominated performance, and solid support from Eddie Albert as Bowman's composer partner. Worth a look—as long as you can deal with all the crooning.
The headlines that mattered yesteryear.
1927—La Lollo Is Born
Gina Lollobrigida is born in Subiaco, Italy, and eventually becomes one of the world's most famous and desired actresses. Later she becomes a photojournalist, numbering among her subjects Salvador Dali, Paul Newman and Fidel Castro.
1931—Schmeling Retains Heavyweight Title
German boxer Max Schmeling TKOs his U.S. opponent Young Stribling in the fifteenth round to retain the world heavyweight boxing title he had won in 1930. Schmeling eventually tallies fifty-six wins, forty by knockout, along with ten losses and four draws before retiring in 1948.
1969—Stones Guitarist Is Found Dead
Brian Jones, a founding member of British rock group Rolling Stones, is found at the bottom of his swimming pool at Crotchford Farm, East Sussex, England. The official cause of his death is recorded as misadventure from ingesting various drugs.
1937—Amelia Earhart Disappears
Amelia Earhart fails to arrive at Howland Island during her around the world flight, prompting a search for her and navigator Fred Noonan in the South Pacific Ocean. No wreckage and no bodies are ever found.
1964—Civil Rights Bill Becomes Law
U.S. President Lyndon Johnson signs the Civil Rights Bill into law, which makes the exclusion of African-Americans from elections, schools, unions, restaurants, hotels, bars, cinemas and other public institutions and facilities illegal. A side effect of the Bill is the immediate reversal of American political allegiance, as most southern voters abandon the Democratic Party for the Republican Party.
1997—Jimmy Stewart Dies
Beloved actor Jimmy Stewart, who starred in such films as Rear Window and Vertigo, dies at age eighty-nine at his home in Beverly Hills, California of a blood clot in his lung.
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