Rare perennial blooms on crime book cover.
Not long ago we shared some covers from the Milanese publishers Longanesi & Co., and the lure of those for us was the presence of U.S. model Virginia Gordon on two of them. Here's another Longanesi offering—James Kieran's translated novel Come Murder Me—with burlesque legend Lilly Christine reclining on an ottoman. Longanesi published this in 1957.
Tempest and Co. Show their skills in Japan.
A few days back we shared a poster for the burlesque documentary Japanese Nights. You seemed to enjoy that, so today we're back with another rare and beautiful promo. The text ピンクショウ translates to “Pink Show,” and since Tempest Storm's name appears at top, we're guessing she was the featured dancer. We suppose theoretically this could be a Japanese poster for her U.S. documentary Teaserama, but we doubt it. We think this was put together later exclusively for Japan. Too bad we can't watch it to confirm that theory, but at least we'll always have the art. Speaking of which, check out more Japanese burlesque posters here, here, here, and here.
When the lights go down the stars come out.
This beautiful poster with a statuesque dancer front and center was made to promote a documentary on burlesque, a Japan-only release with no western distribution or title, called 日本の夜, which basically would translate as “Japanese Nights.” The central figure is Gypsy Rose Lee, and the movie was filmed in 1962 by Keiji Oono—not in Japan, but rather largely at Le Lido de Paris, home of the legendary Bluebell Girls. Le Lido still exists, though it's moved from its original 1946 location. If it's anything like the poster, with singers and geishas and glittering comet trails, we'll be visiting on our next trip to Paris.
Nana gives Turkey something to be thankful for.
We don't often find stuff from Turkey, but we ran across this item and thought it was worth a share. It's the cover of a pop culture magazine called Peri Kizi, which translates into English as “fairy,” as in a mystical creature from ancient folklore. The reason this caught our eye is because the cover star, billed as Nana Aslanoglu inside the magazine, is famed Lebanese born bellydancer and impromptu Rome stripper Kiash Nanah, who was also known as Aïché Nana. The photos feature her sporting a top added by censors, sadly, but the images are still quite nice. Almost forgotten in this millennium, Nanah was quite the sensation in her day. What did we mean by impromptu Rome stripper? Check here, uncensored.
This book strips everything off—logic, subtlety, humor, character development...
Strip, Wench... or Die! This one had us at strip. Plus it was cheap, a mere five bucks. And you get what you pay for sometimes, because this was really bad. Basically, Rip Austin is an insurance investigator posing as a rep for the local strippers union in order to look into the death of a dancer. He finds himself involved in an organized crime scam, and soon more strippers are dying. But not before they get naked and he manages to fall into bed with a few. Typical passage:
Naked women were hardly anything new in the life of a loving rounder like Austin, but he was hardly used to having one come to the door of a fashionable mansion in broad daylight. He looked at the massive mounds of her breasts—huge but beautifully formed with nipples that jutted upward with almost virginal audacity.
We get it—it's not supposed to be taken seriously. But it should at least be written in engaging fashion. Author Gene Cross, aka Arthur Jean Cox, obviously didn't give a shit about this as long as he still got paid. In that way he's a bit like a stripper himself. But again, at least the book was only five bucks. And there's a character named Kooky Marsh, which we think is kind of cool. And the cover has a rare image of a beautiful burlesque dancer (who we once used third from the bottom of this post). Those are the sum total of the book's merits. Oh well. Onward and upward.
You ever had a vision Cyr itself into your brain?
This nude image of burlesque queen Lili St. Cyr brings to mind classical paintings. At least it does to us, but since it isn't a painting, we guess it's just porn. Funny how that works. The shot appeared as Cabaret magazine's centerfold this month in 1957 with a logo and text, but we wiped it to get a clean image. Wiped her pubic hair too. Actually, that wasn't us. We are tireless in our retouching efforts, but that's part of—or actually, isn't part of—the original image. But if you ask real nice maybe we'll give her a big ole bush, just for fun.
Can we finish this up? I'm pooped.
Did U.S. burlesque performer Rosita Royce actually volunteer to be a stool for a bunch of pigeons? More to the point, how much pigeon stool did she have to wash off after the shoot? But she was probably used to it. Doves were her trademark, and she danced on stage with them, as well as with other types of birds, and posed for many photos thus accessorized. In burlesque a gimmick helped dancers to stand out. Baby Bubbles had her counter-rotating breasts. Lilly Christine had her abs of steel. And Rosita Royce had birds. In show business sometimes you have to get a little dirty.
My hands are registered as lethal weapons. Just imagine what the rest of me can do.
Burlesque queen Lili St. Cyr, looking lovely and shiny in this rare promo photo, practices an unusual brand of martial arts. Basically the way it works is she strips and everyone nearby falls stunned to the floor. It's a lot harder to master than it sounds. Mid-1950s on this image.
The dancers of the chorus line request your attention.
This is the fifth issue of Cancans de Paris we've shared. The magazine is fast becoming a favorite. It has that mix we like—celebs, showgirls, and cartoons. It's similar to magazines such as Paris Hollywood and Gondel, but with a simpler layout and all black-and-white photography. This issue is from July 1966 and features Gila Golan on the cover, and inside are Julie London, Mireille Darc, and others from the acting profession. You also get Sally Ann Scoth, Karin Brault, Juanita Sanchez, and other colleagues from the dancer side of show business. The entire issue appears below in thirty panels, and you can see the other issues by clicking the appropriate keywords at bottom.
The headlines that mattered yesteryear.
1942—Battle of Stalingrad Begins
The Battle of Stalingrad, perhaps the most pivotal event of World War II, begins. It lasts for more than six months, spread across the brutal Russian winter, and ends with two million casualties. The Russian sacrifice reduces the powerful German army to a shell of its former self, and as a result Nazi defeat in the war becomes a simple matter of time.
1979—Alexander Gudonov Defects
Russian ballet dancer and actor Alexander Borisovich Godunov defects to the U.S. The event causes an international diplomatic crisis, but Gudonov manages to win asylum. He joins the famous American Ballet Theater, where he becomes a colleague of fellow-defector Mikhail Baryshnikov, and later earns roles in such Hollywood films as Witness and Die Hard.
1950—Althea Gibson Breaks the Color Barrier
Althea Gibson becomes the first African-American woman to compete on the World Tennis Tour, and the first to earn a Grand Slam title when she wins the French Open in 1956. Later she becomes the first African-American woman to compete in the Ladies Professional Golf Association.
1952—Devil's Island Closed
Devil's Island, the penal colony located off the coast of French Guiana, is permanently closed. The prison is later made world famous by Henri Charrière's bestselling novel Papillon, and the subsequent film starring Steve McQueen and Dustin Hoffman.
1962—De Gaulle Survives Assassination Attempt
Jean Bastien-Thiry, a French air weaponry engineer, attempts to assassinate French President Charles de Gaulle to prevent Algerian independence. Bastien-Thiry and others attack de Gaulle's armored limousine with machine guns, but after expending hundreds of rounds, they succeed only in puncturing two tires.
1911—Mona Lisa Disappears
Leonardo da Vinci's masterpiece, the Mona Lisa, aka La Gioconda, is stolen from the Louvre. After many wild theories and false leads, it turns out the painting was snatched by museum employee Vincenzo Peruggia.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.