Vintage Pulp Apr 22 2022
FILM SCORING
So explain to me again exactly what my duties are as dolly grip.


Above: a photo cover for Leo Guild's 1969 sleaze novel The Studio. The rear tells you most of what you need to know, except that the book is written from the first person viewpoint of none other than—Leo Guild. Ego much, Leo? He takes on the guise of a journalist who becomes the publicity agent for Toni Tremont, described as a Hollywood bitch. He's the latest in a long line of agents to represent her. The fiction is really just a guise for Guild to promote his personal brand while claiming to tear back the curtain from the “real” Hollywood, something at least a hundred authors did before him.

Guild has a reputation for being one of the worst authors ever—he once wrote a novel in which a werewolf and a vampire become television stars, and he churned out such books as Black Bait, Black Champion, The Black Shrink, The Girl Who Loved Black, Black Streets of Oakland, and Street of Ho's [sic]. In other words, he was a consummate opportunist and trendjumper. He found his most lucrative subject matter in lurid biographies, but also wrote a joke book, a book about gambling systems, and a tie-in to the television show What Are the Odds? The man was one of a kind. Thankfully.
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Vintage Pulp Mar 2 2022
CUTTA FINE FIGURE
Alan Ladd plays white knight in India.


Above: a really nice paperback cover featuring U.S. actor Alan Ladd, made for the novelization of his 1946 film noir Calcutta. If a Hollywood movie is set in any warm foreign land you can count on the white suit making an appearance. Ladd certainly looks nice in his. Sadly, with only the front cover scanned, no author listed, and the internet absolutely packed with Calcutta references, there's no chance to find out who wrote this unless we were to recognize the publisher's logo—which we don't. We generally don't share covers without complete information, but this cool item? We made an exception. Eventually someone will sell a copy of it and we'll update this post with author and publisher info. Until then, if you're interested in our musings about the film Calcutta, you can find those here.

Update: Well, we are amazed and pleased. Thirty minutes? That's the fastest ever, thanks to Rhea. She even found it on Ebay for us. The author here is Alex Morrison, the publisher is London based Hollywood Publications Limited (what is that WFP logo on the cover?—no idea), and it came out in 1947. The movie premiered in England in 1946, and novelizations usually coincide, but because the premiere was 20 December, the book can carry a 1947 copyright and still have been more or less simultaneously relesased with the film. Should we buy it? We're very tempted.
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Femmes Fatales Dec 25 2021
YOU GET MISTY
Bringing joy to the world through burlesque.


In choosing a femme fatale for today we wanted to reinforce an idea we constantly discuss—that pulp fiction and film noir protagonists are often motivated by sex. Due to censorship, writers and directors of the era had to be subtle about the connection, but it's obvious. The lead characters of gritty crime tales were nearly always men of the world, which is to say they'd had sex before. So when a femme fatale drove or enticed them to robbery/murder/extortion/et al, it wasn't because she was beautiful, but special. And she wasn't just someone willing to have sex, but someone who gave even experienced men pleasures they'd never imagined. That's the subtext of numerous pulp novels, as well as scores of mid-century films, and it's something we try to hit upon with our femmes fatales, who sometimes lay that subtext bare by being bare themselves.

To exemplify what we mean, we wanted someone very tempting, which is why we chose Misty Ayers, who was one of many burlesque dancers embodying sexual allure during the mid-century era. The art of burlesque features in many of the books we've talked about—in fact a couple of our very favorites—so the link to pulp is perfect. Ayers is seen here keeping fit, and below, preparing to make a meal to keep that body of hers functioning at top efficiency. She was pretty well known in her day. She appeared in the 1953 burlesque documentary A Night in Hollywood, played herself in the 1954 films Tijuana After Midnite and Striptease Goddess, and later scored an acting role in the 1965 film Bad Girls Do Cry, which we'll circle back to later. We don't have a copyright date on these photos, but figure they're from the zenith of her fame—circa 1953.

Bonus material: two of the greatest burlesque dancers you never heard of here and here.

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Hollywoodland Sep 1 2021
NO SMOKING ZONE
As far as I'm concerned whoever let the cops in should pay all our legal fees.


On this day in 1949, during the wee small hours of the morning, Robert Mitchum, Lila Leeds, Robin Ford, and Vickie Evans were hanging in a secluded Hollywood Hills home smoking a little mota when there was a scratch at the door. The house was the residence of Leeds and Evans, and it had become a spot where people, including Hollywood showbiz types, occasionally partook of the Devil's weed. By some accounts entry could be gained only via a secret knock, which—actually this is pretty clever—was to scratch at the front door like a cat. Since police had been tipped to the house's possible purpose, we can assume they too scratched at the door. We like to think they meowed too, but that probably didn't happen.

Anyway, Evans answered the door, and to her shock and dismay, in barged the police. Evans, Leeds, Mitchum, and Ford were corralled and escorted to the police station—and right into the cameras of the waiting press. The quartet are seen above with their legal representatives. Below, Mitchum, Leeds, and Ford are facing the camera, while Evans is facing away. Mitchum actually thought his career was ruined, but after being convicted of conspiracy to possess marijuana and serving sixty days in jail he continued as a top rank star. The up and coming Leeds, on the other hand, really was ruined by her conviction—at least according to her. Ford, who was a realtor, was also convicted, but we have no idea what happened to him afterward. Only aspiring dancer Evans was acquitted.

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Vintage Pulp Jul 24 2021
ON THE WRONG TRACK
Subway commuters now running to work after latest round of NYC budget cuts eliminates trains.


Andrew L. Stone may be unique in the realm of vintage literature. His 1958 thriller Cry Terror is a novelization of the film of the same name, which he wrote, directed, and co-produced. Cry Terror wasn't the first time Stone wore multiple hats. Two years earlier he had written and directed the thriller Julie, and written the novelization too. The screenplay earned him an Academy Award nomination. He racked up thirty-seven directorial credits during his career, and among his output was Stormy Weather, The Hard-Boiled Canary, Highway 301, Confidence Girl, and A Blueprint for Murder. He ended up with a star on the Hollywood Walk of Fame.

Another reason we wanted to highlight Cry Terror today is because of the excellent cover art by Robert Maguire. It was modeled after a promo shot from the film of lead actress Inger Stevens. You see that below. We were thinking about buying the book, but digging up all this info has revealed the entire plot to us, so we won't bother. Also, the copies that are currently out there are going for fifty dollars and up. As we mentioned before, we don't go that high for anything we'd be tempted to swat flies with. Plus we have a ton of books piled up. We may watch the movie, though. Less time, less expense. If we do we'll report back.
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Vintage Pulp Jun 19 2021
LOST IN HOLLYWOOD
I always knew my movie career would end one day. But I thought it would at least start first.


Having spent some years in L.A., and having worked in entertainment there, we're drawn to Hollywood novels. Horace McCoy's I Should Have Stayed Home tells the story of Ralph Carston, twenty-something hot shit from Georgia, who heads out to Hell A. and learns that stardom is not easily achieved. This is a simple and unlayered tale, and considering what we know firsthand can happen in Hollywood, Ralph doesn't actually go through anything earth-shattering. Most of his problems stem from the fact that he's a pompous dumbass. He tries unsuccessfully to make connections, hooks up with a rich cougar who has a sexual fetish, goes to some parties, is warned he can't be a star with his southern accent, spends a few chapters infuriated by an interracial couple he sees at someone's house, battles professional envy, has a bit of strife with his roomie Mona, and deals with tragedy concerning his friend Dorothy. By the end he's grown terminally discouraged and cynical in a town that runs on hope. Dare we say it? He should have stayed home. 

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Vintage Pulp Mar 23 2021
GOT IT MAID
When Uschi dusts the house, she dusts everything.


It's been a while, so today we have another issue of the iconic French nudie magazine Folies de Paris et de Hollywood. This issue is number 400, published in 1968, and the cover features German actress Uschi Glass, better known as Uschi Glas, with a feather duster. Almost identical but more revealing versions of the shot appeared on a couple of other magazines around the same time. Glas has been in too many movies to name, including in 2020, and we've seen none of them. But we have our eye on 1970's Die Weibchen, about a woman who joins a women's health clinic only to discover that it's run by feminist cannibals. We'll report back on that.

Inside Folies de Paris et de Hollywood there are more than twenty models, many of them Parisian cabaret dancers. The striking Belinda and the striking Marlène Funch are actually both the striking Iso Yban. Why did she pose as different women? No idea, but we recognized her immediately. In fact, we have an amazing and provocative image of her we'll show you a little later, if we dare. We love her name, by the way. It sounds like a flexibility exercise. But our favorite model name from the issue is Manila Wall, which is what MB hit when he realized it was time to get out of the Philippines. We all sometimes hit a Manila Wall in our lives. We'll have more from Folies de Paris et de Hollywood down the line.

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Femmes Fatales Dec 15 2020
A STAR IS MADE
Alright, Mr. DeMille, and Mr. Selznick, and Mr. Zukor, and Mr. Zanuck, and Mr. Warner, I'm ready for my close-up.


This is the second time we've seen U.S. actress Toby Wing. The first was in a 1934 issue of Film Fun, and in fact it was the same negligée and same photo session, so that gives us the approximate date on this image. Wing was born in Virginia in 1915 as Martha Wing. Her career took flight in 1924 when she was only nine years old, and lasted through 1938 and more than sixty films for pretty much every major studio in town. What's unusual about her work is that most of her roles were uncredited. Yet she became an indispensable chorus girl in early musicals, a coveted product endorser, and a staple in magazines. She may not have been the name on the marquee, but by performing well in scores of supporting roles she came to be respected, and even revered. She eventually received a star on Hollywood's Walk of Fame in 1960.

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Vintage Pulp Aug 12 2020
FOCUS PEOPLE
Hollywood gets wholly weird in Bill Gault's show business thriller.


With Death Out of Focus, which is our third reading of Bill Gault, aka William Campbell Gault, we're thinking he can be moved into the trusted bin. He once more documents the decadent ins and outs of Southern California, this time centering his tale around a movie production. When director Stephen Leander's leading man ends up in the wreckage of his car at the foot of a cliff in Pacific Palisades and police call it an accident, a determined insurance investigator launches his own inquiry and begins turning up what looks like evidence of murder. Leander joins forces with the insurance guy to uncover the truth. Fun to read, quick of pace, and quirky the way a Hollywood thriller should be, Death Out of Focus takes various Tinseltown archetypes—the aging actress, the tyrannical producer, the sexy ingenue, the loyal industry wife—adds money motivations and showbiz ambitions, and ends up with a nice concoction. Like a typical Hollywood movie, it doesn't strive to be unique or lofty, but with so many literary duds out there, good enough is good enough. This Dell edition is from 1960 and the cover is by Robert McGinnis.

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Femmes Fatales Jul 15 2020
THE PERFECT AUMONT
In a field full of wildflowers she's the wildest of all.


Exotic Tina Aumont, whose father was French actor Jean-Pierre Aumont and mother was Dominican actress Maria Montez, built an appropriately international film career mainly in Italy and France. But surprisingly she was American. In fact, she was born in Hollywood. Some of her films include Salon Kitty, La principessa nuda, aka The Nude Princess, and Satyricon—the Gian Luigi Polidoro one, not the Fellini one. Though she did later star in Fellini's Casanova in 1976. The photo above is from 1975 and first appeared in Italian Playboy.

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Next Page
History Rewind
The headlines that mattered yesteryear.
May 23
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
May 22
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
May 21
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
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